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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C5D2B it is the complementary color #C3A2D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C5D2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C5D2B shade: #415D26, #526F39, #63814C, #74935F and #85A572

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C5D2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C5D2B shade: #3C5D2B, #2B4B18, #1A3905, #092700 and #001500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C5D2B shade: #3D5E2B, #4A5E2B, #585E2B, #5E572B and #5E492B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C5D2B shade: #3D5E2B, #2F5E2B, #2B5E36, #2B5E43 and #2B5E51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C5D2B shade matches the following richer shades: #3D5E2B, #396920, #367515 and #32800A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C5D2B shade: #3D5E2B, #405337, #444842, #473D4D and #4B3258

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C5D2B shade: #585E2B, #4B5E2B, #3D5E2B, #305E2B and #2B5E35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C5D2B shade: #182611, #2B421E, #3D5E2B, #4F7B38 and #619745

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C5D2B shade: #3C5D2B, #2B5E57 and #5E2B52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C5D2B shade: #3C5D2B, #2B3D5E and #5E2B3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C5D2B shade: #3C5D2B, #2B5E57, #4C2B5E and #5E2B33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C5D2B shade: #3C5D2B, #2B575E, #4C2B5E and #5E332B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 54 / 64

HEX #3C5D2B

RGB 60 93 43

HSL 99.6, 0.37%, 0.27%

LAB 35.91, -22.35, 24.8

 

Complementary color

CMYK 8 / 24 / 0 / 17

HEX #C3A2D4

RGB 195 162 212

HSL 279.6, 0.37%, 0.73%

LAB 71.01, 21.23, -20.89

 

CMYK 30 / 0 / 59 / 64

HEX #415D26

RGB 65 93 38

HSL 90.55, 0.42%, 0.26%

LAB 36.16, -20.95, 27.9

 

CMYK 26 / 0 / 49 / 56

HEX #526F39

RGB 82 111 57

HSL 92.22, 0.32%, 0.33%

LAB 43.45, -20.96, 26.61

 

CMYK 23 / 0 / 41 / 49

HEX #63814C

RGB 99 129 76

HSL 93.96, 0.26%, 0.4%

LAB 50.54, -20.88, 25.32

 

CMYK 21 / 0 / 35 / 42

HEX #74935F

RGB 116 147 95

HSL 95.77, 0.21%, 0.47%

LAB 57.47, -20.77, 24.09

 

CMYK 19 / 0 / 31 / 35

HEX #85A572

RGB 133 165 114

HSL 97.65, 0.22%, 0.55%

LAB 64.25, -20.65, 22.94

 

CMYK 35 / 0 / 54 / 64

HEX #3C5D2B

RGB 60 93 43

HSL 99.6, 0.37%, 0.27%

LAB 35.91, -22.35, 24.8

 

CMYK 43 / 0 / 68 / 71

HEX #2B4B18

RGB 43 75 24

HSL 97.65, 0.52%, 0.19%

LAB 28.41, -22.32, 26.06

 

CMYK 54 / 0 / 91 / 78

HEX #1A3905

RGB 26 57 5

HSL 95.77, 0.84%, 0.12%

LAB 20.66, -21.93, 26.3

 

CMYK 77 / 0 / 100 / 85

HEX #092700

RGB 9 39 0

HSL 106.15, 1%, 0.08%

LAB 12.67, -20.26, 18.3

 

CMYK 100 / 0 / 100 / 92

HEX #001500

RGB 0 21 0

HSL 120, 1%, 0.04%

LAB 4.84, -9.9, 7.07

 

CMYK 35 / 0 / 54 / 63

HEX #3D5E2B

RGB 61 94 43

HSL 98.82, 0.37%, 0.27%

LAB 36.31, -22.46, 25.3

 

CMYK 21 / 0 / 54 / 63

HEX #4A5E2B

RGB 74 94 43

HSL 83.53, 0.37%, 0.27%

LAB 37.18, -17.05, 26.55

 

CMYK 6 / 0 / 54 / 63

HEX #585E2B

RGB 88 94 43

HSL 67.06, 0.37%, 0.27%

LAB 38.3, -10.76, 28.15

 

CMYK 0 / 7 / 54 / 63

HEX #5E572B

RGB 94 87 43

HSL 51.76, 0.37%, 0.27%

LAB 36.69, -3.86, 26.36

 

CMYK 0 / 22 / 54 / 63

HEX #5E492B

RGB 94 73 43

HSL 35.29, 0.37%, 0.27%

LAB 32.52, 4.68, 21.26

 

CMYK 35 / 0 / 54 / 63

HEX #3D5E2B

RGB 61 94 43

HSL 98.82, 0.37%, 0.27%

LAB 36.31, -22.46, 25.3

 

CMYK 50 / 0 / 54 / 63

HEX #2F5E2B

RGB 47 94 43

HSL 115.29, 0.37%, 0.27%

LAB 35.57, -27.58, 24.21

 

CMYK 54 / 0 / 43 / 63

HEX #2B5E36

RGB 43 94 54

HSL 132.94, 0.37%, 0.27%

LAB 35.57, -26.97, 17.83

 

CMYK 54 / 0 / 29 / 63

HEX #2B5E43

RGB 43 94 67

HSL 148.24, 0.37%, 0.27%

LAB 35.84, -24.22, 10.35

 

CMYK 54 / 0 / 14 / 63

HEX #2B5E51

RGB 43 94 81

HSL 164.71, 0.37%, 0.27%

LAB 36.2, -20.7, 2.23

 

CMYK 35 / 0 / 54 / 63

HEX #3D5E2B

RGB 61 94 43

HSL 98.82, 0.37%, 0.27%

LAB 36.31, -22.46, 25.3

 

CMYK 46 / 0 / 70 / 59

HEX #396920

RGB 57 105 32

HSL 99.45, 0.53%, 0.27%

LAB 39.71, -30.55, 34.75

 

CMYK 54 / 0 / 82 / 54

HEX #367515

RGB 54 117 21

HSL 99.38, 0.7%, 0.27%

LAB 43.6, -37.6, 42.99

 

CMYK 61 / 0 / 92 / 50

HEX #32800A

RGB 50 128 10

HSL 99.66, 0.86%, 0.27%

LAB 47.16, -43.57, 49

 

CMYK 35 / 0 / 54 / 63

HEX #3D5E2B

RGB 61 94 43

HSL 98.82, 0.37%, 0.27%

LAB 36.31, -22.46, 25.3

 

CMYK 23 / 0 / 34 / 67

HEX #405337

RGB 64 83 55

HSL 100.71, 0.2%, 0.27%

LAB 33.03, -13.4, 14.08

 

CMYK 6 / 0 / 8 / 72

HEX #444842

RGB 68 72 66

HSL 100, 0.04%, 0.27%

LAB 30.05, -2.96, 3.03

 

CMYK 8 / 21 / 0 / 70

HEX #473D4D

RGB 71 61 77

HSL 277.5, 0.12%, 0.27%

LAB 27.33, 7.86, -8.11

 

CMYK 15 / 43 / 0 / 65

HEX #4B3258

RGB 75 50 88

HSL 279.47, 0.28%, 0.27%

LAB 25.2, 19.29, -18.56

 

CMYK 6 / 0 / 54 / 63

HEX #585E2B

RGB 88 94 43

HSL 67.06, 0.37%, 0.27%

LAB 38.3, -10.76, 28.15

 

CMYK 20 / 0 / 54 / 63

HEX #4B5E2B

RGB 75 94 43

HSL 82.35, 0.37%, 0.27%

LAB 37.25, -16.62, 26.65

 

CMYK 35 / 0 / 54 / 63

HEX #3D5E2B

RGB 61 94 43

HSL 98.82, 0.37%, 0.27%

LAB 36.31, -22.46, 25.3

 

CMYK 49 / 0 / 54 / 63

HEX #305E2B

RGB 48 94 43

HSL 114.12, 0.37%, 0.27%

LAB 35.61, -27.24, 24.28

 

CMYK 54 / 0 / 44 / 63

HEX #2B5E35

RGB 43 94 53

HSL 131.76, 0.37%, 0.27%

LAB 35.55, -27.16, 18.4

 

CMYK 37 / 0 / 55 / 85

HEX #182611

RGB 24 38 17

HSL 100, 0.38%, 0.11%

LAB 13.36, -11.06, 11.85

 

CMYK 35 / 0 / 55 / 74

HEX #2B421E

RGB 43 66 30

HSL 98.33, 0.38%, 0.19%

LAB 25.27, -16.8, 19.01

 

CMYK 35 / 0 / 54 / 63

HEX #3D5E2B

RGB 61 94 43

HSL 98.82, 0.37%, 0.27%

LAB 36.31, -22.46, 25.3

 

CMYK 36 / 0 / 54 / 52

HEX #4F7B38

RGB 79 123 56

HSL 99.4, 0.37%, 0.35%

LAB 47.12, -28.26, 31.6

 

CMYK 36 / 0 / 54 / 41

HEX #619745

RGB 97 151 69

HSL 99.51, 0.37%, 0.43%

LAB 57.18, -33.32, 37.23

 

CMYK 35 / 0 / 54 / 64

HEX #3C5D2B

RGB 60 93 43

HSL 99.6, 0.37%, 0.27%

LAB 35.91, -22.35, 24.8

 

CMYK 54 / 0 / 7 / 63

HEX #2B5E57

RGB 43 94 87

HSL 171.76, 0.37%, 0.27%

LAB 36.38, -19.03, -1.23

 

CMYK 0 / 54 / 13 / 63

HEX #5E2B52

RGB 94 43 82

HSL 314.12, 0.37%, 0.27%

LAB 25.91, 28.96, -13.3

 

CMYK 35 / 0 / 54 / 64

HEX #3C5D2B

RGB 60 93 43

HSL 99.6, 0.37%, 0.27%

LAB 35.91, -22.35, 24.8

 

CMYK 54 / 35 / 0 / 63

HEX #2B3D5E

RGB 43 61 94

HSL 218.82, 0.37%, 0.27%

LAB 25.74, 3.41, -21.86

 

CMYK 0 / 54 / 35 / 63

HEX #5E2B3D

RGB 94 43 61

HSL 338.82, 0.37%, 0.27%

LAB 25.09, 25.48, -0.49

 

CMYK 35 / 0 / 54 / 64

HEX #3C5D2B

RGB 60 93 43

HSL 99.6, 0.37%, 0.27%

LAB 35.91, -22.35, 24.8

 

CMYK 54 / 0 / 7 / 63

HEX #2B5E57

RGB 43 94 87

HSL 171.76, 0.37%, 0.27%

LAB 36.38, -19.03, -1.23

 

CMYK 19 / 54 / 0 / 63

HEX #4C2B5E

RGB 76 43 94

HSL 278.82, 0.37%, 0.27%

LAB 23.91, 25.56, -24.53

 

CMYK 0 / 54 / 46 / 63

HEX #5E2B33

RGB 94 43 51

HSL 350.59, 0.37%, 0.27%

LAB 24.79, 24.14, 5.83

 

CMYK 35 / 0 / 54 / 64

HEX #3C5D2B

RGB 60 93 43

HSL 99.6, 0.37%, 0.27%

LAB 35.91, -22.35, 24.8

 

CMYK 54 / 7 / 0 / 63

HEX #2B575E

RGB 43 87 94

HSL 188.24, 0.37%, 0.27%

LAB 34.27, -13, -8.74

 

CMYK 19 / 54 / 0 / 63

HEX #4C2B5E

RGB 76 43 94

HSL 278.82, 0.37%, 0.27%

LAB 23.91, 25.56, -24.53

 

CMYK 0 / 46 / 54 / 63

HEX #5E332B

RGB 94 51 43

HSL 9.41, 0.37%, 0.27%

LAB 26.51, 18.43, 13.52

 

Description

Color code: HEX #3C5D2B | qconv.com Color code: HEX #3C5D2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 93 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 93 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 54 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 54% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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