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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C5CE7 it is the complementary color #C3A318. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C5CE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C5CE7 shade: #415CE2, #526EF5, #6380FF, #7492FF and #85A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C5CE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C5CE7 shade: #3C5CE7, #2B4AD4, #1A38C1, #0926AE and #00149B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C5CE7 shade: #3C5CE7, #4A3CE7, #783CE7, #A63CE7 and #D43CE7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C5CE7 shade: #3C5CE7 and #3C3CE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C5CE7 shade matches the following richer shades: #3C5CE7 and #2A51F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C5CE7 shade: #3C5CE7, #4E67D5, #5F72C3, #717DB2 and #8388A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C5CE7 shade: #3CB9E7, #3C8CE7, #3C5EE7, #473CE7 and #753CE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C5CE7 shade: #1735B9, #1B40DE, #3C5CE7, #617BEB and #8599F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C5CE7 shade: #3C5CE7, #E73CE7 and #A2E73C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C5CE7 shade: #3C5CE7, #E73C5E and #5EE73C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C5CE7 shade: #3C5CE7, #E73CE7, #E7C53C and #3CE73C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C5CE7 shade: #3C5CE7, #E73CB4, #E7C53C and #3CE76F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 60 / 0 / 9

HEX #3C5CE7

RGB 60 92 231

HSL 228.77, 0.78%, 0.57%

LAB 44.78, 35.98, -73.64

 

Complementary color

CMYK 0 / 16 / 88 / 24

HEX #C3A318

RGB 195 163 24

HSL 48.77, 0.78%, 0.43%

LAB 67.92, -0.74, 67.39

 

CMYK 71 / 59 / 0 / 11

HEX #415CE2

RGB 65 92 226

HSL 229.94, 0.74%, 0.57%

LAB 44.62, 34.8, -71.06

 

CMYK 67 / 55 / 0 / 4

HEX #526EF5

RGB 82 110 245

HSL 229.69, 0.89%, 0.64%

LAB 51.31, 32.5, -70.81

 

CMYK 61 / 50 / 0 / 0

HEX #6380FF

RGB 99 128 255

HSL 228.85, 1%, 0.69%

LAB 57.38, 27.58, -66.5

 

CMYK 55 / 43 / 0 / 0

HEX #7492FF

RGB 116 146 255

HSL 227.05, 1%, 0.73%

LAB 62.92, 20.02, -57.57

 

CMYK 48 / 36 / 0 / 0

HEX #85A4FF

RGB 133 164 255

HSL 224.75, 1%, 0.76%

LAB 68.58, 13.24, -48.54

 

CMYK 74 / 60 / 0 / 9

HEX #3C5CE7

RGB 60 92 231

HSL 228.77, 0.78%, 0.57%

LAB 44.78, 35.98, -73.64

 

CMYK 80 / 65 / 0 / 17

HEX #2B4AD4

RGB 43 74 212

HSL 228.99, 0.66%, 0.5%

LAB 38.14, 38.81, -73.71

 

CMYK 87 / 71 / 0 / 24

HEX #1A38C1

RGB 26 56 193

HSL 229.22, 0.76%, 0.43%

LAB 31.57, 41.99, -73.48

 

CMYK 95 / 78 / 0 / 32

HEX #0926AE

RGB 9 38 174

HSL 229.45, 0.9%, 0.36%

LAB 25.26, 45.27, -72.66

 

CMYK 100 / 87 / 0 / 39

HEX #00149B

RGB 0 20 155

HSL 232.26, 1%, 0.3%

LAB 19.5, 47.88, -70.7

 

CMYK 74 / 60 / 0 / 9

HEX #3C5CE7

RGB 60 92 231

HSL 228.77, 0.78%, 0.57%

LAB 44.78, 35.98, -73.64

 

CMYK 68 / 74 / 0 / 9

HEX #4A3CE7

RGB 74 60 231

HSL 244.91, 0.78%, 0.57%

LAB 38.65, 56.09, -83.67

 

CMYK 48 / 74 / 0 / 9

HEX #783CE7

RGB 120 60 231

HSL 261.05, 0.78%, 0.57%

LAB 42.75, 61.83, -76.77

 

CMYK 28 / 74 / 0 / 9

HEX #A63CE7

RGB 166 60 231

HSL 277.19, 0.78%, 0.57%

LAB 48.4, 69.41, -67.33

 

CMYK 8 / 74 / 0 / 9

HEX #D43CE7

RGB 212 60 231

HSL 293.33, 0.78%, 0.57%

LAB 55.07, 78.07, -56.24

 

CMYK 74 / 60 / 0 / 9

HEX #3C5CE7

RGB 60 92 231

HSL 228.77, 0.78%, 0.57%

LAB 44.78, 35.98, -73.64

 

CMYK 74 / 74 / 0 / 9

HEX #3C3CE7

RGB 60 60 231

HSL 240, 0.78%, 0.57%

LAB 37.77, 54.83, -85.15

 

CMYK 74 / 60 / 0 / 9

HEX #3C5CE7

RGB 60 92 231

HSL 228.77, 0.78%, 0.57%

LAB 44.78, 35.98, -73.64

 

CMYK 83 / 67 / 0 / 2

HEX #2A51F9

RGB 42 81 249

HSL 228.7, 0.95%, 0.57%

LAB 43.09, 47.56, -86.56

 

CMYK 74 / 60 / 0 / 9

HEX #3C5CE7

RGB 60 92 231

HSL 228.77, 0.78%, 0.57%

LAB 44.78, 35.98, -73.64

 

CMYK 63 / 52 / 0 / 16

HEX #4E67D5

RGB 78 103 213

HSL 228.89, 0.62%, 0.57%

LAB 47.14, 25.26, -59.55

 

CMYK 51 / 42 / 0 / 24

HEX #5F72C3

RGB 95 114 195

HSL 228.6, 0.45%, 0.57%

LAB 49.99, 15.85, -44.63

 

CMYK 37 / 30 / 0 / 30

HEX #717DB2

RGB 113 125 178

HSL 228.92, 0.3%, 0.57%

LAB 53.38, 8.79, -29.45

 

CMYK 18 / 15 / 0 / 37

HEX #8388A0

RGB 131 136 160

HSL 229.66, 0.13%, 0.57%

LAB 57.05, 3.39, -13.35

 

CMYK 74 / 20 / 0 / 9

HEX #3CB9E7

RGB 60 185 231

HSL 196.14, 0.78%, 0.57%

LAB 70.47, -19.07, -32.74

 

CMYK 74 / 39 / 0 / 9

HEX #3C8CE7

RGB 60 140 231

HSL 211.93, 0.78%, 0.57%

LAB 57.55, 6.17, -53.04

 

CMYK 74 / 59 / 0 / 9

HEX #3C5EE7

RGB 60 94 231

HSL 228.07, 0.78%, 0.57%

LAB 45.27, 34.73, -72.84

 

CMYK 69 / 74 / 0 / 9

HEX #473CE7

RGB 71 60 231

HSL 243.86, 0.78%, 0.57%

LAB 38.45, 55.8, -84.01

 

CMYK 49 / 74 / 0 / 9

HEX #753CE7

RGB 117 60 231

HSL 260, 0.78%, 0.57%

LAB 42.43, 61.39, -77.31

 

CMYK 88 / 71 / 0 / 27

HEX #1735B9

RGB 23 53 185

HSL 228.89, 0.78%, 0.41%

LAB 29.99, 40.8, -71.38

 

CMYK 88 / 71 / 0 / 13

HEX #1B40DE

RGB 27 64 222

HSL 228.62, 0.78%, 0.49%

LAB 36.32, 47.49, -82.46

 

CMYK 74 / 60 / 0 / 9

HEX #3C5CE7

RGB 60 92 231

HSL 228.77, 0.78%, 0.57%

LAB 44.78, 35.98, -73.64

 

CMYK 59 / 48 / 0 / 8

HEX #617BEB

RGB 97 123 235

HSL 228.7, 0.78%, 0.65%

LAB 54.77, 23.68, -59.62

 

CMYK 45 / 36 / 0 / 6

HEX #8599F0

RGB 133 153 240

HSL 228.79, 0.78%, 0.73%

LAB 65.01, 15.22, -45.97

 

CMYK 74 / 60 / 0 / 9

HEX #3C5CE7

RGB 60 92 231

HSL 228.77, 0.78%, 0.57%

LAB 44.78, 35.98, -73.64

 

CMYK 0 / 74 / 0 / 9

HEX #E73CE7

RGB 231 60 231

HSL 300, 0.78%, 0.57%

LAB 58.03, 81.82, -51.35

 

CMYK 30 / 0 / 74 / 9

HEX #A2E73C

RGB 162 231 60

HSL 84.21, 0.78%, 0.57%

LAB 84.57, -45.83, 71.22

 

CMYK 74 / 60 / 0 / 9

HEX #3C5CE7

RGB 60 92 231

HSL 228.77, 0.78%, 0.57%

LAB 44.78, 35.98, -73.64

 

CMYK 0 / 74 / 59 / 9

HEX #E73C5E

RGB 231 60 94

HSL 348.07, 0.78%, 0.57%

LAB 52.98, 66.4, 21.16

 

CMYK 59 / 0 / 74 / 9

HEX #5EE73C

RGB 94 231 60

HSL 108.07, 0.78%, 0.57%

LAB 81.76, -66.42, 67.52

 

CMYK 74 / 60 / 0 / 9

HEX #3C5CE7

RGB 60 92 231

HSL 228.77, 0.78%, 0.57%

LAB 44.78, 35.98, -73.64

 

CMYK 0 / 74 / 0 / 9

HEX #E73CE7

RGB 231 60 231

HSL 300, 0.78%, 0.57%

LAB 58.03, 81.82, -51.35

 

CMYK 0 / 15 / 74 / 9

HEX #E7C53C

RGB 231 197 60

HSL 48.07, 0.78%, 0.57%

LAB 80.32, -1.72, 68.88

 

CMYK 74 / 0 / 74 / 9

HEX #3CE73C

RGB 60 231 60

HSL 120, 0.78%, 0.57%

LAB 80.98, -72.91, 66.49

 

CMYK 74 / 60 / 0 / 9

HEX #3C5CE7

RGB 60 92 231

HSL 228.77, 0.78%, 0.57%

LAB 44.78, 35.98, -73.64

 

CMYK 0 / 74 / 22 / 9

HEX #E73CB4

RGB 231 60 180

HSL 317.89, 0.78%, 0.57%

LAB 55.6, 74.65, -26.04

 

CMYK 0 / 15 / 74 / 9

HEX #E7C53C

RGB 231 197 60

HSL 48.07, 0.78%, 0.57%

LAB 80.32, -1.72, 68.88

 

CMYK 74 / 0 / 52 / 9

HEX #3CE76F

RGB 60 231 111

HSL 137.89, 0.78%, 0.57%

LAB 81.43, -67.46, 45.98

 

Description

Color code: HEX #3C5CE7 | qconv.com Color code: HEX #3C5CE7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 92 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 92 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 60 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 60% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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