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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C5B7E it is the complementary color #C3A481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C5B7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C5B7E shade: #415B79, #526D8C, #637F9F, #7491B2 and #85A3C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C5B7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C5B7E shade: #3C5B7E, #2B496B, #1A3758, #092545 and #001332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C5B7E shade: #3B597B, #3B487B, #403B7B, #513B7B and #623B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C5B7E shade: #3B597B, #3B487B and #3B3B7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C5B7E shade matches the following richer shades: #3B597B, #2C588A, #1D5899, #0F57A8 and #0056B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C5B7E shade: #3B597B, #4A5A6D, #595B5E, #685C4F and #775D40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C5B7E shade: #3B7B7A, #3B6B7B, #3B5A7B, #3B497B and #3E3B7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C5B7E shade: #203144, #2E4560, #3B597B, #496E97 and #5A82AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C5B7E shade: #3C5B7E, #693B7B and #747B3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C5B7E shade: #3C5B7E, #7B3B5A and #5A7B3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C5B7E shade: #3C5B7E, #693B7B, #7B5C3B and #4D7B3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C5B7E shade: #3C5B7E, #7B3B7A, #7B5C3B and #3B7B3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 28 / 0 / 51

HEX #3C5B7E

RGB 60 91 126

HSL 211.82, 0.35%, 0.36%

LAB 37.75, -0.7, -23.18

 

Complementary color

CMYK 0 / 16 / 34 / 24

HEX #C3A481

RGB 195 164 129

HSL 31.82, 0.35%, 0.64%

LAB 69.28, 6.29, 22.41

 

CMYK 46 / 25 / 0 / 53

HEX #415B79

RGB 65 91 121

HSL 212.14, 0.3%, 0.36%

LAB 37.82, -0.98, -19.99

 

CMYK 41 / 22 / 0 / 45

HEX #526D8C

RGB 82 109 140

HSL 212.07, 0.26%, 0.44%

LAB 45.12, -1.39, -20.14

 

CMYK 38 / 20 / 0 / 38

HEX #637F9F

RGB 99 127 159

HSL 212, 0.24%, 0.51%

LAB 52.21, -1.71, -20.33

 

CMYK 35 / 19 / 0 / 30

HEX #7491B2

RGB 116 145 178

HSL 211.94, 0.29%, 0.58%

LAB 59.14, -1.97, -20.55

 

CMYK 32 / 17 / 0 / 23

HEX #85A3C5

RGB 133 163 197

HSL 211.88, 0.36%, 0.65%

LAB 65.91, -2.19, -20.79

 

CMYK 52 / 28 / 0 / 51

HEX #3C5B7E

RGB 60 91 126

HSL 211.82, 0.35%, 0.36%

LAB 37.75, -0.7, -23.18

 

CMYK 60 / 32 / 0 / 58

HEX #2B496B

RGB 43 73 107

HSL 211.88, 0.43%, 0.29%

LAB 30.26, 0.07, -23.12

 

CMYK 70 / 38 / 0 / 65

HEX #1A3758

RGB 26 55 88

HSL 211.94, 0.54%, 0.22%

LAB 22.5, 1.24, -23.1

 

CMYK 87 / 46 / 0 / 73

HEX #092545

RGB 9 37 69

HSL 212, 0.77%, 0.15%

LAB 14.46, 3.16, -23.09

 

CMYK 100 / 62 / 0 / 80

HEX #001332

RGB 0 19 50

HSL 217.2, 1%, 0.1%

LAB 6.29, 6.02, -22.71

 

CMYK 52 / 28 / 0 / 52

HEX #3B597B

RGB 59 89 123

HSL 211.88, 0.35%, 0.36%

LAB 36.94, -0.7, -22.61

 

CMYK 52 / 41 / 0 / 52

HEX #3B487B

RGB 59 72 123

HSL 227.81, 0.35%, 0.36%

LAB 31.79, 10.3, -30.68

 

CMYK 48 / 52 / 0 / 52

HEX #403B7B

RGB 64 59 123

HSL 244.69, 0.35%, 0.36%

LAB 28.51, 20.25, -35.9

 

CMYK 34 / 52 / 0 / 52

HEX #513B7B

RGB 81 59 123

HSL 260.63, 0.35%, 0.36%

LAB 30.17, 24.85, -33.13

 

CMYK 20 / 52 / 0 / 52

HEX #623B7B

RGB 98 59 123

HSL 276.56, 0.35%, 0.36%

LAB 32.16, 29.85, -29.87

 

CMYK 52 / 28 / 0 / 52

HEX #3B597B

RGB 59 89 123

HSL 211.88, 0.35%, 0.36%

LAB 36.94, -0.7, -22.61

 

CMYK 52 / 41 / 0 / 52

HEX #3B487B

RGB 59 72 123

HSL 227.81, 0.35%, 0.36%

LAB 31.79, 10.3, -30.68

 

CMYK 52 / 52 / 0 / 52

HEX #3B3B7B

RGB 59 59 123

HSL 240, 0.35%, 0.36%

LAB 28.08, 19, -36.6

 

CMYK 52 / 28 / 0 / 52

HEX #3B597B

RGB 59 89 123

HSL 211.88, 0.35%, 0.36%

LAB 36.94, -0.7, -22.61

 

CMYK 68 / 36 / 0 / 46

HEX #2C588A

RGB 44 88 138

HSL 211.91, 0.52%, 0.36%

LAB 36.65, 1.93, -32.29

 

CMYK 81 / 42 / 0 / 40

HEX #1D5899

RGB 29 88 153

HSL 211.45, 0.68%, 0.36%

LAB 37, 5.56, -40.84

 

CMYK 91 / 48 / 0 / 34

HEX #0F57A8

RGB 15 87 168

HSL 211.76, 0.84%, 0.36%

LAB 37.38, 11.13, -49.22

 

CMYK 100 / 53 / 0 / 28

HEX #0056B7

RGB 0 86 183

HSL 211.8, 1%, 0.36%

LAB 37.98, 17.3, -57.14

 

CMYK 52 / 28 / 0 / 52

HEX #3B597B

RGB 59 89 123

HSL 211.88, 0.35%, 0.36%

LAB 36.94, -0.7, -22.61

 

CMYK 32 / 17 / 0 / 57

HEX #4A5A6D

RGB 74 90 109

HSL 212.57, 0.19%, 0.36%

LAB 37.61, -1.18, -12.85

 

CMYK 5 / 3 / 0 / 63

HEX #595B5E

RGB 89 91 94

HSL 216, 0.03%, 0.36%

LAB 38.58, -0.14, -2

 

CMYK 0 / 12 / 24 / 59

HEX #685C4F

RGB 104 92 79

HSL 31.2, 0.14%, 0.36%

LAB 39.85, 2.53, 9.26

 

CMYK 0 / 22 / 46 / 53

HEX #775D40

RGB 119 93 64

HSL 31.64, 0.3%, 0.36%

LAB 41.41, 6.47, 20.68

 

CMYK 52 / 0 / 1 / 52

HEX #3B7B7A

RGB 59 123 122

HSL 179.06, 0.35%, 0.36%

LAB 47.62, -20.66, -5.75

 

CMYK 52 / 13 / 0 / 52

HEX #3B6B7B

RGB 59 107 123

HSL 195, 0.35%, 0.36%

LAB 42.57, -11.53, -13.94

 

CMYK 52 / 27 / 0 / 52

HEX #3B5A7B

RGB 59 90 123

HSL 210.94, 0.35%, 0.36%

LAB 37.25, -1.32, -22.13

 

CMYK 52 / 41 / 0 / 52

HEX #3B497B

RGB 59 73 123

HSL 226.88, 0.35%, 0.36%

LAB 32.09, 9.64, -30.21

 

CMYK 50 / 52 / 0 / 52

HEX #3E3B7B

RGB 62 59 123

HSL 242.81, 0.35%, 0.36%

LAB 28.33, 19.74, -36.18

 

CMYK 53 / 28 / 0 / 73

HEX #203144

RGB 32 49 68

HSL 211.67, 0.36%, 0.2%

LAB 19.72, -0.72, -14.04

 

CMYK 52 / 28 / 0 / 62

HEX #2E4560

RGB 46 69 96

HSL 212.4, 0.35%, 0.28%

LAB 28.59, -0.4, -18.68

 

CMYK 52 / 28 / 0 / 52

HEX #3B597B

RGB 59 89 123

HSL 211.88, 0.35%, 0.36%

LAB 36.94, -0.7, -22.61

 

CMYK 52 / 27 / 0 / 41

HEX #496E97

RGB 73 110 151

HSL 211.54, 0.35%, 0.44%

LAB 45.36, -1.01, -26.34

 

CMYK 49 / 26 / 0 / 31

HEX #5A82AF

RGB 90 130 175

HSL 211.76, 0.35%, 0.52%

LAB 53.2, -1.21, -28.1

 

CMYK 52 / 28 / 0 / 51

HEX #3C5B7E

RGB 60 91 126

HSL 211.82, 0.35%, 0.36%

LAB 37.75, -0.7, -23.18

 

CMYK 15 / 52 / 0 / 52

HEX #693B7B

RGB 105 59 123

HSL 283.13, 0.35%, 0.36%

LAB 33.05, 31.97, -28.39

 

CMYK 6 / 0 / 52 / 52

HEX #747B3B

RGB 116 123 59

HSL 66.56, 0.35%, 0.36%

LAB 49.73, -12.67, 33.77

 

CMYK 52 / 28 / 0 / 51

HEX #3C5B7E

RGB 60 91 126

HSL 211.82, 0.35%, 0.36%

LAB 37.75, -0.7, -23.18

 

CMYK 0 / 52 / 27 / 52

HEX #7B3B5A

RGB 123 59 90

HSL 330.94, 0.35%, 0.36%

LAB 34.14, 31.72, -5.61

 

CMYK 27 / 0 / 52 / 52

HEX #5A7B3B

RGB 90 123 59

HSL 90.94, 0.35%, 0.36%

LAB 47.82, -23.65, 31.02

 

CMYK 52 / 28 / 0 / 51

HEX #3C5B7E

RGB 60 91 126

HSL 211.82, 0.35%, 0.36%

LAB 37.75, -0.7, -23.18

 

CMYK 15 / 52 / 0 / 52

HEX #693B7B

RGB 105 59 123

HSL 283.13, 0.35%, 0.36%

LAB 33.05, 31.97, -28.39

 

CMYK 0 / 25 / 52 / 52

HEX #7B5C3B

RGB 123 92 59

HSL 30.94, 0.35%, 0.36%

LAB 41.5, 8.33, 23.82

 

CMYK 37 / 0 / 52 / 52

HEX #4D7B3B

RGB 77 123 59

HSL 103.13, 0.35%, 0.36%

LAB 47.05, -28.61, 29.9

 

CMYK 52 / 28 / 0 / 51

HEX #3C5B7E

RGB 60 91 126

HSL 211.82, 0.35%, 0.36%

LAB 37.75, -0.7, -23.18

 

CMYK 0 / 52 / 1 / 52

HEX #7B3B7A

RGB 123 59 122

HSL 300.94, 0.35%, 0.36%

LAB 35.49, 37.3, -23.77

 

CMYK 0 / 25 / 52 / 52

HEX #7B5C3B

RGB 123 92 59

HSL 30.94, 0.35%, 0.36%

LAB 41.5, 8.33, 23.82

 

CMYK 52 / 0 / 51 / 52

HEX #3B7B3C

RGB 59 123 60

HSL 120.94, 0.35%, 0.36%

LAB 46.21, -34.46, 28.14

 

Description

Color code: HEX #3C5B7E | qconv.com Color code: HEX #3C5B7E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 91 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 91 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 28 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 28% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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