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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C596C it is the complementary color #C3A693. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C596C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C596C shade: #415967, #526B7A, #637D8D, #748FA0 and #85A1B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C596C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C596C shade: #3C596C, #2B4759, #1A3546, #092333 and #001120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C596C shade: #3C596D, #3C4C6D, #3C3F6D, #463C6D and #533C6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C596C shade: #3C596D, #3C4C6D, #3C3F6D and #3C3C6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C596C shade matches the following richer shades: #3C596D, #2E5C7A, #215F88, #136295 and #0565A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C596C shade: #3C596D, #49565F, #575451, #655144 and #724E36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C596C shade: #3C6D65, #3C676D, #3C5A6D, #3C4D6D and #3C406D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C596C shade: #1E2D37, #2D4352, #3C596D, #4A6F87 and #5985A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C596C shade: #3C596C, #583C6D and #6D6C3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C596C shade: #3C596C, #6D3C5A and #5A6D3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C596C shade: #3C596C, #583C6D, #6D4E3C and #506D3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C596C shade: #3C596C, #673C6D, #6D4E3C and #416D3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 18 / 0 / 58

HEX #3C596C

RGB 60 89 108

HSL 203.75, 0.29%, 0.33%

LAB 36.34, -5.2, -14.25

 

Complementary color

CMYK 0 / 15 / 25 / 24

HEX #C3A693

RGB 195 166 147

HSL 23.75, 0.29%, 0.67%

LAB 70.16, 7.65, 13.77

 

CMYK 37 / 14 / 0 / 60

HEX #415967

RGB 65 89 103

HSL 202.11, 0.23%, 0.33%

LAB 36.46, -5.17, -10.94

 

CMYK 33 / 12 / 0 / 52

HEX #526B7A

RGB 82 107 122

HSL 202.5, 0.2%, 0.4%

LAB 43.82, -5.28, -11.33

 

CMYK 30 / 11 / 0 / 45

HEX #637D8D

RGB 99 125 141

HSL 202.86, 0.18%, 0.47%

LAB 50.97, -5.38, -11.72

 

CMYK 28 / 11 / 0 / 37

HEX #748FA0

RGB 116 143 160

HSL 203.18, 0.19%, 0.54%

LAB 57.94, -5.46, -12.12

 

CMYK 26 / 10 / 0 / 30

HEX #85A1B3

RGB 133 161 179

HSL 203.48, 0.23%, 0.61%

LAB 64.75, -5.54, -12.51

 

CMYK 44 / 18 / 0 / 58

HEX #3C596C

RGB 60 89 108

HSL 203.75, 0.29%, 0.33%

LAB 36.34, -5.2, -14.25

 

CMYK 52 / 20 / 0 / 65

HEX #2B4759

RGB 43 71 89

HSL 203.48, 0.35%, 0.26%

LAB 28.75, -4.89, -13.95

 

CMYK 63 / 24 / 0 / 73

HEX #1A3546

RGB 26 53 70

HSL 203.18, 0.46%, 0.19%

LAB 20.86, -4.37, -13.67

 

CMYK 82 / 31 / 0 / 80

HEX #092333

RGB 9 35 51

HSL 202.86, 0.7%, 0.12%

LAB 12.6, -3.37, -13.37

 

CMYK 100 / 47 / 0 / 87

HEX #001120

RGB 0 17 32

HSL 208.13, 1%, 0.06%

LAB 4.56, -0.78, -11.84

 

CMYK 45 / 18 / 0 / 57

HEX #3C596D

RGB 60 89 109

HSL 204.49, 0.29%, 0.33%

LAB 36.38, -4.9, -14.81

 

CMYK 45 / 30 / 0 / 57

HEX #3C4C6D

RGB 60 76 109

HSL 220.41, 0.29%, 0.33%

LAB 32.33, 3.31, -21.06

 

CMYK 45 / 42 / 0 / 57

HEX #3C3F6D

RGB 60 63 109

HSL 236.33, 0.29%, 0.33%

LAB 28.43, 11.91, -27.18

 

CMYK 36 / 45 / 0 / 57

HEX #463C6D

RGB 70 60 109

HSL 252.24, 0.29%, 0.33%

LAB 28.48, 16.88, -27.04

 

CMYK 24 / 45 / 0 / 57

HEX #533C6D

RGB 83 60 109

HSL 268.16, 0.29%, 0.33%

LAB 29.85, 20.98, -24.79

 

CMYK 45 / 18 / 0 / 57

HEX #3C596D

RGB 60 89 109

HSL 204.49, 0.29%, 0.33%

LAB 36.38, -4.9, -14.81

 

CMYK 45 / 30 / 0 / 57

HEX #3C4C6D

RGB 60 76 109

HSL 220.41, 0.29%, 0.33%

LAB 32.33, 3.31, -21.06

 

CMYK 45 / 42 / 0 / 57

HEX #3C3F6D

RGB 60 63 109

HSL 236.33, 0.29%, 0.33%

LAB 28.43, 11.91, -27.18

 

CMYK 45 / 45 / 0 / 57

HEX #3C3C6D

RGB 60 60 109

HSL 240, 0.29%, 0.33%

LAB 27.56, 13.93, -28.55

 

CMYK 45 / 18 / 0 / 57

HEX #3C596D

RGB 60 89 109

HSL 204.49, 0.29%, 0.33%

LAB 36.38, -4.9, -14.81

 

CMYK 62 / 25 / 0 / 52

HEX #2E5C7A

RGB 46 92 122

HSL 203.68, 0.45%, 0.33%

LAB 37.19, -5.96, -21.66

 

CMYK 76 / 30 / 0 / 47

HEX #215F88

RGB 33 95 136

HSL 203.88, 0.61%, 0.33%

LAB 38.35, -5, -28.43

 

CMYK 87 / 34 / 0 / 42

HEX #136295

RGB 19 98 149

HSL 203.54, 0.77%, 0.33%

LAB 39.65, -3.37, -34.24

 

CMYK 97 / 38 / 0 / 36

HEX #0565A3

RGB 5 101 163

HSL 203.54, 0.94%, 0.33%

LAB 41.19, -0.46, -40.16

 

CMYK 45 / 18 / 0 / 57

HEX #3C596D

RGB 60 89 109

HSL 204.49, 0.29%, 0.33%

LAB 36.38, -4.9, -14.81

 

CMYK 23 / 9 / 0 / 63

HEX #49565F

RGB 73 86 95

HSL 204.55, 0.13%, 0.33%

LAB 35.79, -2.82, -6.91

 

CMYK 0 / 3 / 7 / 66

HEX #575451

RGB 87 84 81

HSL 30, 0.04%, 0.33%

LAB 35.91, 0.6, 2.18

 

CMYK 0 / 20 / 33 / 60

HEX #655144

RGB 101 81 68

HSL 23.64, 0.2%, 0.33%

LAB 36.12, 6.19, 10.79

 

CMYK 0 / 32 / 53 / 55

HEX #724E36

RGB 114 78 54

HSL 24, 0.36%, 0.33%

LAB 36.54, 12.14, 20.24

 

CMYK 45 / 0 / 7 / 57

HEX #3C6D65

RGB 60 109 101

HSL 170.2, 0.29%, 0.33%

LAB 42.52, -18.72, -0.72

 

CMYK 45 / 6 / 0 / 57

HEX #3C676D

RGB 60 103 109

HSL 187.35, 0.29%, 0.33%

LAB 40.84, -13.17, -8.06

 

CMYK 45 / 17 / 0 / 57

HEX #3C5A6D

RGB 60 90 109

HSL 203.27, 0.29%, 0.33%

LAB 36.7, -5.51, -14.33

 

CMYK 45 / 29 / 0 / 57

HEX #3C4D6D

RGB 60 77 109

HSL 219.18, 0.29%, 0.33%

LAB 32.64, 2.66, -20.58

 

CMYK 45 / 41 / 0 / 57

HEX #3C406D

RGB 60 64 109

HSL 235.1, 0.29%, 0.33%

LAB 28.72, 11.24, -26.72

 

CMYK 45 / 18 / 0 / 78

HEX #1E2D37

RGB 30 45 55

HSL 204, 0.29%, 0.17%

LAB 17.59, -3.1, -8.4

 

CMYK 45 / 18 / 0 / 68

HEX #2D4352

RGB 45 67 82

HSL 204.32, 0.29%, 0.25%

LAB 27.25, -4.03, -11.71

 

CMYK 45 / 18 / 0 / 57

HEX #3C596D

RGB 60 89 109

HSL 204.49, 0.29%, 0.33%

LAB 36.38, -4.9, -14.81

 

CMYK 45 / 18 / 0 / 47

HEX #4A6F87

RGB 74 111 135

HSL 203.61, 0.29%, 0.41%

LAB 45.05, -6.29, -17.31

 

CMYK 45 / 18 / 0 / 36

HEX #5985A2

RGB 89 133 162

HSL 203.84, 0.29%, 0.49%

LAB 53.5, -7.07, -20.15

 

CMYK 44 / 18 / 0 / 58

HEX #3C596C

RGB 60 89 108

HSL 203.75, 0.29%, 0.33%

LAB 36.34, -5.2, -14.25

 

CMYK 19 / 45 / 0 / 57

HEX #583C6D

RGB 88 60 109

HSL 274.29, 0.29%, 0.33%

LAB 30.43, 22.61, -23.85

 

CMYK 0 / 1 / 45 / 57

HEX #6D6C3C

RGB 109 108 60

HSL 58.78, 0.29%, 0.33%

LAB 44.66, -7.32, 26.92

 

CMYK 44 / 18 / 0 / 58

HEX #3C596C

RGB 60 89 108

HSL 203.75, 0.29%, 0.33%

LAB 36.34, -5.2, -14.25

 

CMYK 0 / 45 / 17 / 57

HEX #6D3C5A

RGB 109 60 90

HSL 323.27, 0.29%, 0.33%

LAB 32.31, 25.99, -8.58

 

CMYK 17 / 0 / 45 / 57

HEX #5A6D3C

RGB 90 109 60

HSL 83.27, 0.29%, 0.33%

LAB 43.41, -16.18, 25.02

 

CMYK 44 / 18 / 0 / 58

HEX #3C596C

RGB 60 89 108

HSL 203.75, 0.29%, 0.33%

LAB 36.34, -5.2, -14.25

 

CMYK 19 / 45 / 0 / 57

HEX #583C6D

RGB 88 60 109

HSL 274.29, 0.29%, 0.33%

LAB 30.43, 22.61, -23.85

 

CMYK 0 / 28 / 45 / 57

HEX #6D4E3C

RGB 109 78 60

HSL 22.04, 0.29%, 0.33%

LAB 36.03, 10.54, 15.79

 

CMYK 27 / 0 / 45 / 57

HEX #506D3C

RGB 80 109 60

HSL 95.51, 0.29%, 0.33%

LAB 42.72, -20.3, 23.99

 

CMYK 44 / 18 / 0 / 58

HEX #3C596C

RGB 60 89 108

HSL 203.75, 0.29%, 0.33%

LAB 36.34, -5.2, -14.25

 

CMYK 6 / 45 / 0 / 57

HEX #673C6D

RGB 103 60 109

HSL 292.65, 0.29%, 0.33%

LAB 32.3, 27.61, -20.78

 

CMYK 0 / 28 / 45 / 57

HEX #6D4E3C

RGB 109 78 60

HSL 22.04, 0.29%, 0.33%

LAB 36.03, 10.54, 15.79

 

CMYK 40 / 0 / 45 / 57

HEX #416D3C

RGB 65 109 60

HSL 113.88, 0.29%, 0.33%

LAB 41.83, -25.97, 22.67

 

Description

Color code: HEX #3C596C | qconv.com Color code: HEX #3C596C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 89 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 89 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 18 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 18% 0% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - The Ergonomic Group
Link: http://www.ergogroup.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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