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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C577B it is the complementary color #C3A884. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C577B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C577B shade: #415776, #526989, #637B9C, #748DAF and #859FC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C577B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C577B shade: #3C577B, #2B4568, #1A3355, #092142 and #000F2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C577B shade: #3D577B, #3D477B, #443D7B, #543D7B and #653D7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C577B shade: #3D577B, #3D477B and #3D3D7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C577B shade matches the following richer shades: #3D577B, #2E558A, #1F5399, #1051A8 and #014FB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C577B shade: #3D577B, #4B596C, #5A5C5D, #695E4E and #786040

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C577B shade: #3D797B, #3D687B, #3D587B, #3D477B and #433D7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C577B shade: #213044, #2F445F, #3D577B, #4A6B97 and #5C7FAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C577B shade: #3C577B, #6C3D7B and #717B3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C577B shade: #3C577B, #7B3D58 and #587B3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C577B shade: #3C577B, #6C3D7B, #7B603D and #4B7B3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C577B shade: #3C577B, #7B3D77, #7B603D and #3D7B41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 29 / 0 / 52

HEX #3C577B

RGB 60 87 123

HSL 214.29, 0.34%, 0.36%

LAB 36.38, 0.82, -23.47

 

Complementary color

CMYK 0 / 14 / 32 / 24

HEX #C3A884

RGB 195 168 132

HSL 34.29, 0.34%, 0.64%

LAB 70.37, 4.51, 22.25

 

CMYK 45 / 26 / 0 / 54

HEX #415776

RGB 65 87 118

HSL 215.09, 0.29%, 0.36%

LAB 36.46, 0.58, -20.24

 

CMYK 40 / 23 / 0 / 46

HEX #526989

RGB 82 105 137

HSL 214.91, 0.25%, 0.43%

LAB 43.8, 0.15, -20.37

 

CMYK 37 / 21 / 0 / 39

HEX #637B9C

RGB 99 123 156

HSL 214.74, 0.22%, 0.5%

LAB 50.94, -0.2, -20.54

 

CMYK 34 / 19 / 0 / 31

HEX #748DAF

RGB 116 141 175

HSL 214.58, 0.27%, 0.57%

LAB 57.9, -0.48, -20.74

 

CMYK 31 / 18 / 0 / 24

HEX #859FC2

RGB 133 159 194

HSL 214.43, 0.33%, 0.64%

LAB 64.71, -0.73, -20.96

 

CMYK 51 / 29 / 0 / 52

HEX #3C577B

RGB 60 87 123

HSL 214.29, 0.34%, 0.36%

LAB 36.38, 0.82, -23.47

 

CMYK 59 / 34 / 0 / 59

HEX #2B4568

RGB 43 69 104

HSL 214.43, 0.41%, 0.29%

LAB 28.82, 1.62, -23.46

 

CMYK 69 / 40 / 0 / 67

HEX #1A3355

RGB 26 51 85

HSL 214.58, 0.53%, 0.22%

LAB 20.99, 2.83, -23.5

 

CMYK 86 / 50 / 0 / 74

HEX #092142

RGB 9 33 66

HSL 214.74, 0.76%, 0.15%

LAB 12.85, 4.83, -23.57

 

CMYK 100 / 68 / 0 / 82

HEX #000F2F

RGB 0 15 47

HSL 220.85, 1%, 0.09%

LAB 4.94, 6.72, -22.64

 

CMYK 50 / 29 / 0 / 52

HEX #3D577B

RGB 61 87 123

HSL 214.84, 0.34%, 0.36%

LAB 36.44, 1.08, -23.38

 

CMYK 50 / 42 / 0 / 52

HEX #3D477B

RGB 61 71 123

HSL 230.32, 0.34%, 0.36%

LAB 31.64, 11.48, -30.91

 

CMYK 45 / 50 / 0 / 52

HEX #443D7B

RGB 68 61 123

HSL 246.77, 0.34%, 0.36%

LAB 29.4, 19.96, -34.44

 

CMYK 32 / 50 / 0 / 52

HEX #543D7B

RGB 84 61 123

HSL 262.26, 0.34%, 0.36%

LAB 31, 24.45, -31.8

 

CMYK 18 / 50 / 0 / 52

HEX #653D7B

RGB 101 61 123

HSL 278.71, 0.34%, 0.36%

LAB 32.99, 29.57, -28.52

 

CMYK 50 / 29 / 0 / 52

HEX #3D577B

RGB 61 87 123

HSL 214.84, 0.34%, 0.36%

LAB 36.44, 1.08, -23.38

 

CMYK 50 / 42 / 0 / 52

HEX #3D477B

RGB 61 71 123

HSL 230.32, 0.34%, 0.36%

LAB 31.64, 11.48, -30.91

 

CMYK 50 / 50 / 0 / 52

HEX #3D3D7B

RGB 61 61 123

HSL 240, 0.34%, 0.36%

LAB 28.8, 18.16, -35.44

 

CMYK 50 / 29 / 0 / 52

HEX #3D577B

RGB 61 87 123

HSL 214.84, 0.34%, 0.36%

LAB 36.44, 1.08, -23.38

 

CMYK 67 / 38 / 0 / 46

HEX #2E558A

RGB 46 85 138

HSL 214.57, 0.5%, 0.36%

LAB 35.82, 4.24, -33.61

 

CMYK 80 / 46 / 0 / 40

HEX #1F5399

RGB 31 83 153

HSL 214.43, 0.66%, 0.36%

LAB 35.55, 9.08, -43.16

 

CMYK 90 / 52 / 0 / 34

HEX #1051A8

RGB 16 81 168

HSL 214.34, 0.83%, 0.36%

LAB 35.64, 15.21, -52.04

 

CMYK 99 / 57 / 0 / 29

HEX #014FB6

RGB 1 79 182

HSL 214.14, 0.99%, 0.36%

LAB 35.94, 21.64, -59.86

 

CMYK 50 / 29 / 0 / 52

HEX #3D577B

RGB 61 87 123

HSL 214.84, 0.34%, 0.36%

LAB 36.44, 1.08, -23.38

 

CMYK 31 / 18 / 0 / 58

HEX #4B596C

RGB 75 89 108

HSL 214.55, 0.18%, 0.36%

LAB 37.34, -0.51, -12.64

 

CMYK 3 / 1 / 0 / 64

HEX #5A5C5D

RGB 90 92 93

HSL 200, 0.02%, 0.36%

LAB 38.93, -0.57, -0.85

 

CMYK 0 / 10 / 26 / 59

HEX #695E4E

RGB 105 94 78

HSL 35.56, 0.15%, 0.36%

LAB 40.51, 1.6, 10.8

 

CMYK 0 / 20 / 47 / 53

HEX #786040

RGB 120 96 64

HSL 34.29, 0.3%, 0.36%

LAB 42.35, 5.13, 21.92

 

CMYK 50 / 2 / 0 / 52

HEX #3D797B

RGB 61 121 123

HSL 181.94, 0.34%, 0.36%

LAB 47.1, -18.83, -7.12

 

CMYK 50 / 15 / 0 / 52

HEX #3D687B

RGB 61 104 123

HSL 198.39, 0.34%, 0.36%

LAB 41.72, -9.28, -15.23

 

CMYK 50 / 28 / 0 / 52

HEX #3D587B

RGB 61 88 123

HSL 213.87, 0.34%, 0.36%

LAB 36.75, 0.45, -22.9

 

CMYK 50 / 42 / 0 / 52

HEX #3D477B

RGB 61 71 123

HSL 230.32, 0.34%, 0.36%

LAB 31.64, 11.48, -30.91

 

CMYK 46 / 50 / 0 / 52

HEX #433D7B

RGB 67 61 123

HSL 245.81, 0.34%, 0.36%

LAB 29.31, 19.7, -34.59

 

CMYK 51 / 29 / 0 / 73

HEX #213044

RGB 33 48 68

HSL 214.29, 0.35%, 0.2%

LAB 19.45, 0.27, -14.46

 

CMYK 51 / 28 / 0 / 63

HEX #2F445F

RGB 47 68 95

HSL 213.75, 0.34%, 0.28%

LAB 28.29, 0.19, -18.51

 

CMYK 50 / 29 / 0 / 52

HEX #3D577B

RGB 61 87 123

HSL 214.84, 0.34%, 0.36%

LAB 36.44, 1.08, -23.38

 

CMYK 51 / 29 / 0 / 41

HEX #4A6B97

RGB 74 107 151

HSL 214.29, 0.34%, 0.44%

LAB 44.53, 1.06, -27.64

 

CMYK 47 / 27 / 0 / 31

HEX #5C7FAF

RGB 92 127 175

HSL 214.7, 0.34%, 0.52%

LAB 52.45, 1.05, -29.26

 

CMYK 51 / 29 / 0 / 52

HEX #3C577B

RGB 60 87 123

HSL 214.29, 0.34%, 0.36%

LAB 36.38, 0.82, -23.47

 

CMYK 12 / 50 / 0 / 52

HEX #6C3D7B

RGB 108 61 123

HSL 285.48, 0.34%, 0.36%

LAB 33.89, 31.74, -27.05

 

CMYK 8 / 0 / 50 / 52

HEX #717B3D

RGB 113 123 61

HSL 69.68, 0.34%, 0.36%

LAB 49.51, -13.78, 32.4

 

CMYK 51 / 29 / 0 / 52

HEX #3C577B

RGB 60 87 123

HSL 214.29, 0.34%, 0.36%

LAB 36.38, 0.82, -23.47

 

CMYK 0 / 50 / 28 / 52

HEX #7B3D58

RGB 123 61 88

HSL 333.87, 0.34%, 0.36%

LAB 34.5, 30.31, -3.8

 

CMYK 28 / 0 / 50 / 52

HEX #587B3D

RGB 88 123 61

HSL 93.87, 0.34%, 0.36%

LAB 47.72, -24.19, 29.81

 

CMYK 51 / 29 / 0 / 52

HEX #3C577B

RGB 60 87 123

HSL 214.29, 0.34%, 0.36%

LAB 36.38, 0.82, -23.47

 

CMYK 12 / 50 / 0 / 52

HEX #6C3D7B

RGB 108 61 123

HSL 285.48, 0.34%, 0.36%

LAB 33.89, 31.74, -27.05

 

CMYK 0 / 22 / 50 / 52

HEX #7B603D

RGB 123 96 61

HSL 33.87, 0.34%, 0.36%

LAB 42.63, 6.16, 24.1

 

CMYK 39 / 0 / 50 / 52

HEX #4B7B3D

RGB 75 123 61

HSL 106.45, 0.34%, 0.36%

LAB 46.97, -29.06, 28.71

 

CMYK 51 / 29 / 0 / 52

HEX #3C577B

RGB 60 87 123

HSL 214.29, 0.34%, 0.36%

LAB 36.38, 0.82, -23.47

 

CMYK 0 / 50 / 3 / 52

HEX #7B3D77

RGB 123 61 119

HSL 303.87, 0.34%, 0.36%

LAB 35.75, 35.64, -21.49

 

CMYK 0 / 22 / 50 / 52

HEX #7B603D

RGB 123 96 61

HSL 33.87, 0.34%, 0.36%

LAB 42.63, 6.16, 24.1

 

CMYK 50 / 0 / 47 / 52

HEX #3D7B41

RGB 61 123 65

HSL 123.87, 0.34%, 0.36%

LAB 46.36, -33.07, 25.63

 

Description

Color code: HEX #3C577B | qconv.com Color code: HEX #3C577B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 87 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 87 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 29 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 29% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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