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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C478E it is the complementary color #C3B871. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C478E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C478E shade: #414789, #52599C, #636BAF, #747DC2 and #858FD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C478E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C478E shade: #3C478E, #2B357B, #1A2368, #091155 and #000042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C478E shade: #3C478F, #473C8F, #5E3C8F, #743C8F and #8B3C8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C478E shade: #3C478F and #3C3C8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C478E shade matches the following richer shades: #3C478F, #2B3BA0, #1B2FB0 and #0A23C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C478E shade: #3C478F, #4C537F, #5D5F6E, #6D6B5E and #7E774D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C478E shade: #3C758F, #3C5F8F, #3C488F, #453C8F and #5C3C8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C478E shade: #232A55, #303872, #3C478F, #4855AC and #616DBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C478E shade: #3C478E, #8F3C8B and #6A8F3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C478E shade: #3C478E, #8F3C48 and #488F3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C478E shade: #3C478E, #8F3C8B, #8F833C and #3C8F40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C478E shade: #3C478E, #8F3C72, #8F833C and #3C8F59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 50 / 0 / 44

HEX #3C478E

RGB 60 71 142

HSL 231.95, 0.41%, 0.4%

LAB 32.74, 17.78, -40.9

 

Complementary color

CMYK 0 / 6 / 42 / 24

HEX #C3B871

RGB 195 184 113

HSL 51.95, 0.41%, 0.6%

LAB 74.24, -6.23, 37.41

 

CMYK 53 / 48 / 0 / 46

HEX #414789

RGB 65 71 137

HSL 235, 0.36%, 0.4%

LAB 32.78, 17.2, -37.76

 

CMYK 47 / 43 / 0 / 39

HEX #52599C

RGB 82 89 156

HSL 234.32, 0.31%, 0.47%

LAB 40.15, 15.96, -37.48

 

CMYK 43 / 39 / 0 / 31

HEX #636BAF

RGB 99 107 175

HSL 233.68, 0.32%, 0.54%

LAB 47.32, 14.96, -37.27

 

CMYK 40 / 36 / 0 / 24

HEX #747DC2

RGB 116 125 194

HSL 233.08, 0.39%, 0.61%

LAB 54.32, 14.13, -37.13

 

CMYK 38 / 33 / 0 / 16

HEX #858FD5

RGB 133 143 213

HSL 232.5, 0.49%, 0.68%

LAB 61.16, 13.43, -37.05

 

CMYK 58 / 50 / 0 / 44

HEX #3C478E

RGB 60 71 142

HSL 231.95, 0.41%, 0.4%

LAB 32.74, 17.78, -40.9

 

CMYK 65 / 57 / 0 / 52

HEX #2B357B

RGB 43 53 123

HSL 232.5, 0.48%, 0.33%

LAB 25.23, 19.64, -41.26

 

CMYK 75 / 66 / 0 / 59

HEX #1A2368

RGB 26 35 104

HSL 233.08, 0.6%, 0.25%

LAB 17.56, 22.11, -41.57

 

CMYK 89 / 80 / 0 / 67

HEX #091155

RGB 9 17 85

HSL 233.68, 0.81%, 0.18%

LAB 9.91, 25.25, -41.49

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 58 / 50 / 0 / 44

HEX #3C478F

RGB 60 71 143

HSL 232.05, 0.41%, 0.4%

LAB 32.81, 18.13, -41.41

 

CMYK 50 / 58 / 0 / 44

HEX #473C8F

RGB 71 60 143

HSL 247.95, 0.41%, 0.4%

LAB 30.77, 27.75, -44.65

 

CMYK 34 / 58 / 0 / 44

HEX #5E3C8F

RGB 94 60 143

HSL 264.58, 0.41%, 0.4%

LAB 33.12, 33.32, -40.74

 

CMYK 19 / 58 / 0 / 44

HEX #743C8F

RGB 116 60 143

HSL 280.48, 0.41%, 0.4%

LAB 35.85, 39.17, -36.24

 

CMYK 3 / 58 / 0 / 44

HEX #8B3C8F

RGB 139 60 143

HSL 297.11, 0.41%, 0.4%

LAB 39.08, 45.53, -30.91

 

CMYK 58 / 50 / 0 / 44

HEX #3C478F

RGB 60 71 143

HSL 232.05, 0.41%, 0.4%

LAB 32.81, 18.13, -41.41

 

CMYK 58 / 58 / 0 / 44

HEX #3C3C8F

RGB 60 60 143

HSL 240, 0.41%, 0.4%

LAB 29.85, 25.41, -46.18

 

CMYK 58 / 50 / 0 / 44

HEX #3C478F

RGB 60 71 143

HSL 232.05, 0.41%, 0.4%

LAB 32.81, 18.13, -41.41

 

CMYK 73 / 63 / 0 / 37

HEX #2B3BA0

RGB 43 59 160

HSL 231.79, 0.58%, 0.4%

LAB 29.86, 29.42, -56.59

 

CMYK 85 / 73 / 0 / 31

HEX #1B2FB0

RGB 27 47 176

HSL 231.95, 0.73%, 0.4%

LAB 27.85, 41.45, -69.56

 

CMYK 95 / 82 / 0 / 24

HEX #0A23C1

RGB 10 35 193

HSL 231.8, 0.9%, 0.4%

LAB 27.07, 53.15, -80.96

 

CMYK 58 / 50 / 0 / 44

HEX #3C478F

RGB 60 71 143

HSL 232.05, 0.41%, 0.4%

LAB 32.81, 18.13, -41.41

 

CMYK 40 / 35 / 0 / 50

HEX #4C537F

RGB 76 83 127

HSL 231.76, 0.25%, 0.4%

LAB 36.47, 9.12, -25.71

 

CMYK 15 / 14 / 0 / 57

HEX #5D5F6E

RGB 93 95 110

HSL 232.94, 0.08%, 0.4%

LAB 40.63, 2.62, -8.76

 

CMYK 0 / 2 / 14 / 57

HEX #6D6B5E

RGB 109 107 94

HSL 52, 0.07%, 0.4%

LAB 45.05, -1.71, 7.57

 

CMYK 0 / 6 / 39 / 51

HEX #7E774D

RGB 126 119 77

HSL 51.43, 0.24%, 0.4%

LAB 49.7, -4.02, 24.08

 

CMYK 58 / 18 / 0 / 44

HEX #3C758F

RGB 60 117 143

HSL 198.8, 0.41%, 0.4%

LAB 46.53, -10.73, -19.84

 

CMYK 58 / 34 / 0 / 44

HEX #3C5F8F

RGB 60 95 143

HSL 214.7, 0.41%, 0.4%

LAB 39.8, 2.52, -30.31

 

CMYK 58 / 50 / 0 / 44

HEX #3C488F

RGB 60 72 143

HSL 231.33, 0.41%, 0.4%

LAB 33.09, 17.47, -40.96

 

CMYK 52 / 58 / 0 / 44

HEX #453C8F

RGB 69 60 143

HSL 246.51, 0.41%, 0.4%

LAB 30.59, 27.3, -44.95

 

CMYK 36 / 58 / 0 / 44

HEX #5C3C8F

RGB 92 60 143

HSL 263.13, 0.41%, 0.4%

LAB 32.9, 32.8, -41.12

 

CMYK 59 / 51 / 0 / 67

HEX #232A55

RGB 35 42 85

HSL 231.6, 0.42%, 0.24%

LAB 18.67, 11.36, -27.17

 

CMYK 58 / 51 / 0 / 55

HEX #303872

RGB 48 56 114

HSL 232.73, 0.41%, 0.32%

LAB 25.78, 15.29, -34.65

 

CMYK 58 / 50 / 0 / 44

HEX #3C478F

RGB 60 71 143

HSL 232.05, 0.41%, 0.4%

LAB 32.81, 18.13, -41.41

 

CMYK 58 / 51 / 0 / 33

HEX #4855AC

RGB 72 85 172

HSL 232.2, 0.41%, 0.48%

LAB 39.33, 21.52, -48.34

 

CMYK 49 / 42 / 0 / 26

HEX #616DBD

RGB 97 109 189

HSL 232.17, 0.41%, 0.56%

LAB 48.45, 17.51, -43.61

 

CMYK 58 / 50 / 0 / 44

HEX #3C478E

RGB 60 71 142

HSL 231.95, 0.41%, 0.4%

LAB 32.74, 17.78, -40.9

 

CMYK 0 / 58 / 3 / 44

HEX #8F3C8B

RGB 143 60 139

HSL 302.89, 0.41%, 0.4%

LAB 39.47, 45.91, -27.81

 

CMYK 26 / 0 / 58 / 44

HEX #6A8F3C

RGB 106 143 60

HSL 86.75, 0.41%, 0.4%

LAB 55.11, -27.12, 39.37

 

CMYK 58 / 50 / 0 / 44

HEX #3C478E

RGB 60 71 142

HSL 231.95, 0.41%, 0.4%

LAB 32.74, 17.78, -40.9

 

CMYK 0 / 58 / 50 / 44

HEX #8F3C48

RGB 143 60 72

HSL 351.33, 0.41%, 0.4%

LAB 37, 36.31, 10.4

 

CMYK 50 / 0 / 58 / 44

HEX #488F3C

RGB 72 143 60

HSL 111.33, 0.41%, 0.4%

LAB 53.33, -39.18, 36.85

 

CMYK 58 / 50 / 0 / 44

HEX #3C478E

RGB 60 71 142

HSL 231.95, 0.41%, 0.4%

LAB 32.74, 17.78, -40.9

 

CMYK 0 / 58 / 3 / 44

HEX #8F3C8B

RGB 143 60 139

HSL 302.89, 0.41%, 0.4%

LAB 39.47, 45.91, -27.81

 

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

CMYK 58 / 0 / 55 / 44

HEX #3C8F40

RGB 60 143 64

HSL 122.89, 0.41%, 0.4%

LAB 52.92, -42.06, 34.25

 

CMYK 58 / 50 / 0 / 44

HEX #3C478E

RGB 60 71 142

HSL 231.95, 0.41%, 0.4%

LAB 32.74, 17.78, -40.9

 

CMYK 0 / 58 / 20 / 44

HEX #8F3C72

RGB 143 60 114

HSL 320.96, 0.41%, 0.4%

LAB 38.35, 41.69, -14.12

 

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

CMYK 58 / 0 / 38 / 44

HEX #3C8F59

RGB 60 143 89

HSL 140.96, 0.41%, 0.4%

LAB 53.31, -37.92, 21.37

 

Description

Color code: HEX #3C478E | qconv.com Color code: HEX #3C478E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 71 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 71 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 50 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 50% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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