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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C462E it is the complementary color #C3B9D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C462E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C462E shade: #414629, #52583C, #636A4F, #747C62 and #858E75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C462E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C462E shade: #3C462E, #2B341B, #1A2208 and #091000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C462E shade: #3C462E, #43462E, #46432E, #463D2E and #46362E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C462E shade: #3C462E, #36462E, #2F462E, #2E4633 and #2E463A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C462E shade matches the following richer shades: #3C462E, #3E5024, #3F591B, #416311 and #436C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C462E shade: #3C462E, #3B3D37, #393341, #372A4A and #362154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C462E shade: #46442E, #43462E, #3C462E, #36462E and #2F462E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C462E shade: #11150D, #272E1E, #3C462E, #525F3E and #67784E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C462E shade: #3C462E, #2E463D and #462E46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C462E shade: #3C462E, #2E3C46 and #462E3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C462E shade: #3C462E, #2E463D, #382E46 and #462E37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C462E shade: #3C462E, #2E4644, #382E46 and #462E30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 34 / 73

HEX #3C462E

RGB 60 70 46

HSL 85, 0.21%, 0.23%

LAB 28.22, -9.08, 13.17

 

Complementary color

CMYK 7 / 11 / 0 / 18

HEX #C3B9D1

RGB 195 185 209

HSL 265, 0.21%, 0.77%

LAB 76.62, 8.04, -10.79

 

CMYK 7 / 0 / 41 / 73

HEX #414629

RGB 65 70 41

HSL 70.34, 0.26%, 0.22%

LAB 28.55, -7.59, 16.81

 

CMYK 7 / 0 / 32 / 65

HEX #52583C

RGB 82 88 60

HSL 72.86, 0.19%, 0.29%

LAB 36.18, -7.75, 15.49

 

CMYK 7 / 0 / 25 / 58

HEX #636A4F

RGB 99 106 79

HSL 75.56, 0.15%, 0.36%

LAB 43.54, -7.85, 14.3

 

CMYK 6 / 0 / 21 / 51

HEX #747C62

RGB 116 124 98

HSL 78.46, 0.12%, 0.44%

LAB 50.7, -7.93, 13.22

 

CMYK 6 / 0 / 18 / 44

HEX #858E75

RGB 133 142 117

HSL 81.6, 0.1%, 0.51%

LAB 57.67, -7.99, 12.23

 

CMYK 14 / 0 / 34 / 73

HEX #3C462E

RGB 60 70 46

HSL 85, 0.21%, 0.23%

LAB 28.22, -9.08, 13.17

 

CMYK 17 / 0 / 48 / 80

HEX #2B341B

RGB 43 52 27

HSL 81.6, 0.32%, 0.15%

LAB 20.24, -9.06, 14.56

 

CMYK 24 / 0 / 76 / 87

HEX #1A2208

RGB 26 34 8

HSL 78.46, 0.62%, 0.08%

LAB 11.83, -8.9, 14.09

 

CMYK 44 / 0 / 100 / 94

HEX #091000

RGB 9 16 0

HSL 86.25, 1%, 0.03%

LAB 3.87, -4.48, 5.72

 

CMYK 14 / 0 / 34 / 73

HEX #3C462E

RGB 60 70 46

HSL 85, 0.21%, 0.23%

LAB 28.22, -9.08, 13.17

 

CMYK 4 / 0 / 34 / 73

HEX #43462E

RGB 67 70 46

HSL 67.5, 0.21%, 0.23%

LAB 28.83, -5.9, 14.09

 

CMYK 0 / 4 / 34 / 73

HEX #46432E

RGB 70 67 46

HSL 52.5, 0.21%, 0.23%

LAB 28.15, -2.63, 13.24

 

CMYK 0 / 13 / 34 / 73

HEX #463D2E

RGB 70 61 46

HSL 37.5, 0.21%, 0.23%

LAB 26.26, 1.19, 10.7

 

CMYK 0 / 23 / 34 / 73

HEX #46362E

RGB 70 54 46

HSL 20, 0.21%, 0.23%

LAB 24.12, 5.75, 7.75

 

CMYK 14 / 0 / 34 / 73

HEX #3C462E

RGB 60 70 46

HSL 85, 0.21%, 0.23%

LAB 28.22, -9.08, 13.17

 

CMYK 23 / 0 / 34 / 73

HEX #36462E

RGB 54 70 46

HSL 100, 0.21%, 0.23%

LAB 27.74, -11.71, 12.45

 

CMYK 33 / 0 / 34 / 73

HEX #2F462E

RGB 47 70 46

HSL 117.5, 0.21%, 0.23%

LAB 27.25, -14.61, 11.7

 

CMYK 34 / 0 / 27 / 73

HEX #2E4633

RGB 46 70 51

HSL 132.5, 0.21%, 0.23%

LAB 27.3, -13.96, 8.56

 

CMYK 34 / 0 / 17 / 73

HEX #2E463A

RGB 46 70 58

HSL 150, 0.21%, 0.23%

LAB 27.48, -12.34, 4.29

 

CMYK 14 / 0 / 34 / 73

HEX #3C462E

RGB 60 70 46

HSL 85, 0.21%, 0.23%

LAB 28.22, -9.08, 13.17

 

CMYK 23 / 0 / 55 / 69

HEX #3E5024

RGB 62 80 36

HSL 84.55, 0.38%, 0.23%

LAB 31.55, -15.48, 23.48

 

CMYK 29 / 0 / 70 / 65

HEX #3F591B

RGB 63 89 27

HSL 85.16, 0.53%, 0.23%

LAB 34.56, -20.86, 31.66

 

CMYK 34 / 0 / 83 / 61

HEX #416311

RGB 65 99 17

HSL 84.88, 0.71%, 0.23%

LAB 38, -25.77, 39.28

 

CMYK 38 / 0 / 93 / 58

HEX #436C08

RGB 67 108 8

HSL 84.6, 0.86%, 0.23%

LAB 41.11, -29.64, 44.61

 

CMYK 14 / 0 / 34 / 73

HEX #3C462E

RGB 60 70 46

HSL 85, 0.21%, 0.23%

LAB 28.22, -9.08, 13.17

 

CMYK 3 / 0 / 10 / 76

HEX #3B3D37

RGB 59 61 55

HSL 80, 0.05%, 0.23%

LAB 25.39, -2.18, 3.4

 

CMYK 12 / 22 / 0 / 75

HEX #393341

RGB 57 51 65

HSL 265.71, 0.12%, 0.23%

LAB 22.37, 5.96, -7.77

 

CMYK 26 / 43 / 0 / 71

HEX #372A4A

RGB 55 42 74

HSL 264.38, 0.28%, 0.23%

LAB 19.89, 13.82, -17.69

 

CMYK 36 / 61 / 0 / 67

HEX #362154

RGB 54 33 84

HSL 264.71, 0.44%, 0.23%

LAB 17.97, 22.49, -27.5

 

CMYK 0 / 3 / 34 / 73

HEX #46442E

RGB 70 68 46

HSL 55, 0.21%, 0.23%

LAB 28.47, -3.26, 13.66

 

CMYK 4 / 0 / 34 / 73

HEX #43462E

RGB 67 70 46

HSL 67.5, 0.21%, 0.23%

LAB 28.83, -5.9, 14.09

 

CMYK 14 / 0 / 34 / 73

HEX #3C462E

RGB 60 70 46

HSL 85, 0.21%, 0.23%

LAB 28.22, -9.08, 13.17

 

CMYK 23 / 0 / 34 / 73

HEX #36462E

RGB 54 70 46

HSL 100, 0.21%, 0.23%

LAB 27.74, -11.71, 12.45

 

CMYK 33 / 0 / 34 / 73

HEX #2F462E

RGB 47 70 46

HSL 117.5, 0.21%, 0.23%

LAB 27.25, -14.61, 11.7

 

CMYK 19 / 0 / 38 / 92

HEX #11150D

RGB 17 21 13

HSL 90, 0.24%, 0.07%

LAB 6.18, -3.22, 3.76

 

CMYK 15 / 0 / 35 / 82

HEX #272E1E

RGB 39 46 30

HSL 86.25, 0.21%, 0.15%

LAB 17.82, -6.66, 9.34

 

CMYK 14 / 0 / 34 / 73

HEX #3C462E

RGB 60 70 46

HSL 85, 0.21%, 0.23%

LAB 28.22, -9.08, 13.17

 

CMYK 14 / 0 / 35 / 63

HEX #525F3E

RGB 82 95 62

HSL 83.64, 0.21%, 0.31%

LAB 38.42, -11.49, 17.28

 

CMYK 14 / 0 / 35 / 53

HEX #67784E

RGB 103 120 78

HSL 84.29, 0.21%, 0.39%

LAB 48.09, -14.19, 21.05

 

CMYK 14 / 0 / 34 / 73

HEX #3C462E

RGB 60 70 46

HSL 85, 0.21%, 0.23%

LAB 28.22, -9.08, 13.17

 

CMYK 34 / 0 / 13 / 73

HEX #2E463D

RGB 46 70 61

HSL 157.5, 0.21%, 0.23%

LAB 27.57, -11.6, 2.47

 

CMYK 0 / 34 / 0 / 73

HEX #462E46

RGB 70 46 70

HSL 300, 0.21%, 0.23%

LAB 22.65, 15.74, -10.58

 

CMYK 14 / 0 / 34 / 73

HEX #3C462E

RGB 60 70 46

HSL 85, 0.21%, 0.23%

LAB 28.22, -9.08, 13.17

 

CMYK 34 / 14 / 0 / 73

HEX #2E3C46

RGB 46 60 70

HSL 205, 0.21%, 0.23%

LAB 24.5, -2.87, -7.99

 

CMYK 0 / 34 / 14 / 73

HEX #462E3C

RGB 70 46 60

HSL 325, 0.21%, 0.23%

LAB 22.24, 13.59, -4.42

 

CMYK 14 / 0 / 34 / 73

HEX #3C462E

RGB 60 70 46

HSL 85, 0.21%, 0.23%

LAB 28.22, -9.08, 13.17

 

CMYK 34 / 0 / 13 / 73

HEX #2E463D

RGB 46 70 61

HSL 157.5, 0.21%, 0.23%

LAB 27.57, -11.6, 2.47

 

CMYK 20 / 34 / 0 / 73

HEX #382E46

RGB 56 46 70

HSL 265, 0.21%, 0.23%

LAB 20.97, 10.31, -13.3

 

CMYK 0 / 34 / 21 / 73

HEX #462E37

RGB 70 46 55

HSL 337.5, 0.21%, 0.23%

LAB 22.06, 12.61, -1.28

 

CMYK 14 / 0 / 34 / 73

HEX #3C462E

RGB 60 70 46

HSL 85, 0.21%, 0.23%

LAB 28.22, -9.08, 13.17

 

CMYK 34 / 0 / 3 / 73

HEX #2E4644

RGB 46 70 68

HSL 175, 0.21%, 0.23%

LAB 27.79, -9.75, -1.77

 

CMYK 20 / 34 / 0 / 73

HEX #382E46

RGB 56 46 70

HSL 265, 0.21%, 0.23%

LAB 20.97, 10.31, -13.3

 

CMYK 0 / 34 / 31 / 73

HEX #462E30

RGB 70 46 48

HSL 355, 0.21%, 0.23%

LAB 21.83, 11.37, 3.17

 

Description

Color code: HEX #3C462E | qconv.com Color code: HEX #3C462E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 70 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 70 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 34 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 34% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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