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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C4549 it is the complementary color #C3BAB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C4549. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C4549 shade: #414544, #525757, #63696A, #747B7D and #858D90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C4549. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C4549 shade: #3C4549, #2B3336, #1A2123 and #090F10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C4549 shade: #3C4549, #3C4149, #3C3E49, #3D3C49 and #413C49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C4549 shade: #3C4549, #3C4149, #3C3E49 and #3C3C49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C4549 shade matches the following richer shades: #3C4549, #314954, #264D5E, #1B5169 and #115574

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C4549 shade: #3C4549, #46413E, #513D33, #5C3829 and #67341E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C4549 shade: #3C4946, #3C4849, #3C4549, #3C4149 and #3C3E49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C4549 shade: #171A1C, #292F32, #3C4549, #4E5A60 and #617076

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C4549 shade: #3C4549, #423C49 and #49483C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C4549 shade: #3C4549, #493C45 and #45493C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C4549 shade: #3C4549, #423C49, #49403C and #42493C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C4549 shade: #3C4549, #463C49, #49403C and #3E493C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 5 / 0 / 71

HEX #3C4549

RGB 60 69 73

HSL 198.46, 0.1%, 0.26%

LAB 28.64, -2.66, -3.65

 

Complementary color

CMYK 0 / 5 / 7 / 24

HEX #C3BAB6

RGB 195 186 182

HSL 18.46, 0.1%, 0.74%

LAB 76.13, 2.46, 3.15

 

CMYK 6 / 0 / 1 / 73

HEX #414544

RGB 65 69 68

HSL 165, 0.03%, 0.26%

LAB 28.9, -1.88, 0.03

 

CMYK 6 / 0 / 0 / 66

HEX #525757

RGB 82 87 87

HSL 180, 0.03%, 0.33%

LAB 36.55, -1.98, -0.69

 

CMYK 7 / 1 / 0 / 58

HEX #63696A

RGB 99 105 106

HSL 188.57, 0.03%, 0.4%

LAB 43.94, -2.08, -1.36

 

CMYK 7 / 2 / 0 / 51

HEX #747B7D

RGB 116 123 125

HSL 193.33, 0.04%, 0.47%

LAB 51.11, -2.18, -2

 

CMYK 8 / 2 / 0 / 44

HEX #858D90

RGB 133 141 144

HSL 196.36, 0.05%, 0.54%

LAB 58.08, -2.29, -2.61

 

CMYK 18 / 5 / 0 / 71

HEX #3C4549

RGB 60 69 73

HSL 198.46, 0.1%, 0.26%

LAB 28.64, -2.66, -3.65

 

CMYK 20 / 6 / 0 / 79

HEX #2B3336

RGB 43 51 54

HSL 196.36, 0.11%, 0.19%

LAB 20.63, -2.61, -3.05

 

CMYK 26 / 6 / 0 / 86

HEX #1A2123

RGB 26 33 35

HSL 193.33, 0.15%, 0.12%

LAB 12.15, -2.58, -2.41

 

CMYK 44 / 6 / 0 / 94

HEX #090F10

RGB 9 15 16

HSL 188.57, 0.28%, 0.05%

LAB 3.95, -1.58, -1.13

 

CMYK 18 / 5 / 0 / 71

HEX #3C4549

RGB 60 69 73

HSL 198.46, 0.1%, 0.26%

LAB 28.64, -2.66, -3.65

 

CMYK 18 / 11 / 0 / 71

HEX #3C4149

RGB 60 65 73

HSL 216.92, 0.1%, 0.26%

LAB 27.36, -0.09, -5.55

 

CMYK 18 / 15 / 0 / 71

HEX #3C3E49

RGB 60 62 73

HSL 230.77, 0.1%, 0.26%

LAB 26.41, 1.87, -6.98

 

CMYK 16 / 18 / 0 / 71

HEX #3D3C49

RGB 61 60 73

HSL 244.62, 0.1%, 0.26%

LAB 25.88, 3.58, -7.77

 

CMYK 11 / 18 / 0 / 71

HEX #413C49

RGB 65 60 73

HSL 263.08, 0.1%, 0.26%

LAB 26.26, 5.16, -7.15

 

CMYK 18 / 5 / 0 / 71

HEX #3C4549

RGB 60 69 73

HSL 198.46, 0.1%, 0.26%

LAB 28.64, -2.66, -3.65

 

CMYK 18 / 11 / 0 / 71

HEX #3C4149

RGB 60 65 73

HSL 216.92, 0.1%, 0.26%

LAB 27.36, -0.09, -5.55

 

CMYK 18 / 15 / 0 / 71

HEX #3C3E49

RGB 60 62 73

HSL 230.77, 0.1%, 0.26%

LAB 26.41, 1.87, -6.98

 

CMYK 18 / 18 / 0 / 71

HEX #3C3C49

RGB 60 60 73

HSL 240, 0.1%, 0.26%

LAB 25.78, 3.19, -7.92

 

CMYK 18 / 5 / 0 / 71

HEX #3C4549

RGB 60 69 73

HSL 198.46, 0.1%, 0.26%

LAB 28.64, -2.66, -3.65

 

CMYK 42 / 13 / 0 / 67

HEX #314954

RGB 49 73 84

HSL 198.86, 0.26%, 0.26%

LAB 29.56, -5.96, -9.47

 

CMYK 60 / 18 / 0 / 63

HEX #264D5E

RGB 38 77 94

HSL 198.21, 0.42%, 0.26%

LAB 30.71, -8.24, -14.18

 

CMYK 74 / 23 / 0 / 59

HEX #1B5169

RGB 27 81 105

HSL 198.46, 0.59%, 0.26%

LAB 32.12, -8.94, -19

 

CMYK 85 / 27 / 0 / 55

HEX #115574

RGB 17 85 116

HSL 198.79, 0.74%, 0.26%

LAB 33.73, -8.49, -23.41

 

CMYK 18 / 5 / 0 / 71

HEX #3C4549

RGB 60 69 73

HSL 198.46, 0.1%, 0.26%

LAB 28.64, -2.66, -3.65

 

CMYK 0 / 7 / 11 / 73

HEX #46413E

RGB 70 65 62

HSL 22.5, 0.06%, 0.26%

LAB 27.93, 1.51, 2.59

 

CMYK 0 / 25 / 37 / 68

HEX #513D33

RGB 81 61 51

HSL 20, 0.23%, 0.26%

LAB 27.64, 7.13, 9.54

 

CMYK 0 / 39 / 55 / 64

HEX #5C3829

RGB 92 56 41

HSL 17.65, 0.38%, 0.26%

LAB 27.47, 14.19, 16.02

 

CMYK 0 / 50 / 71 / 60

HEX #67341E

RGB 103 52 30

HSL 18.08, 0.55%, 0.26%

LAB 27.94, 20.76, 23.83

 

CMYK 18 / 0 / 4 / 71

HEX #3C4946

RGB 60 73 70

HSL 166.15, 0.1%, 0.26%

LAB 29.83, -5.91, 0.05

 

CMYK 18 / 1 / 0 / 71

HEX #3C4849

RGB 60 72 73

HSL 184.62, 0.1%, 0.26%

LAB 29.6, -4.55, -2.22

 

CMYK 18 / 5 / 0 / 71

HEX #3C4549

RGB 60 69 73

HSL 198.46, 0.1%, 0.26%

LAB 28.64, -2.66, -3.65

 

CMYK 18 / 11 / 0 / 71

HEX #3C4149

RGB 60 65 73

HSL 216.92, 0.1%, 0.26%

LAB 27.36, -0.09, -5.55

 

CMYK 18 / 15 / 0 / 71

HEX #3C3E49

RGB 60 62 73

HSL 230.77, 0.1%, 0.26%

LAB 26.41, 1.87, -6.98

 

CMYK 18 / 7 / 0 / 89

HEX #171A1C

RGB 23 26 28

HSL 204, 0.1%, 0.1%

LAB 9.03, -0.86, -1.88

 

CMYK 18 / 6 / 0 / 80

HEX #292F32

RGB 41 47 50

HSL 200, 0.1%, 0.18%

LAB 18.95, -1.81, -2.81

 

CMYK 18 / 5 / 0 / 71

HEX #3C4549

RGB 60 69 73

HSL 198.46, 0.1%, 0.26%

LAB 28.64, -2.66, -3.65

 

CMYK 19 / 6 / 0 / 62

HEX #4E5A60

RGB 78 90 96

HSL 200, 0.1%, 0.34%

LAB 37.44, -3.21, -5.03

 

CMYK 18 / 5 / 0 / 54

HEX #617076

RGB 97 112 118

HSL 197.14, 0.1%, 0.42%

LAB 46.23, -4.2, -5.22

 

CMYK 18 / 5 / 0 / 71

HEX #3C4549

RGB 60 69 73

HSL 198.46, 0.1%, 0.26%

LAB 28.64, -2.66, -3.65

 

CMYK 10 / 18 / 0 / 71

HEX #423C49

RGB 66 60 73

HSL 267.69, 0.1%, 0.26%

LAB 26.36, 5.55, -6.99

 

CMYK 0 / 1 / 18 / 71

HEX #49483C

RGB 73 72 60

HSL 55.38, 0.1%, 0.26%

LAB 30.35, -2.01, 7.36

 

CMYK 18 / 5 / 0 / 71

HEX #3C4549

RGB 60 69 73

HSL 198.46, 0.1%, 0.26%

LAB 28.64, -2.66, -3.65

 

CMYK 0 / 18 / 5 / 71

HEX #493C45

RGB 73 60 69

HSL 318.46, 0.1%, 0.26%

LAB 26.96, 7.51, -3.39

 

CMYK 5 / 0 / 18 / 71

HEX #45493C

RGB 69 73 60

HSL 78.46, 0.1%, 0.26%

LAB 30.29, -4.38, 7.24

 

CMYK 18 / 5 / 0 / 71

HEX #3C4549

RGB 60 69 73

HSL 198.46, 0.1%, 0.26%

LAB 28.64, -2.66, -3.65

 

CMYK 10 / 18 / 0 / 71

HEX #423C49

RGB 66 60 73

HSL 267.69, 0.1%, 0.26%

LAB 26.36, 5.55, -6.99

 

CMYK 0 / 12 / 18 / 71

HEX #49403C

RGB 73 64 60

HSL 18.46, 0.1%, 0.26%

LAB 27.87, 3.08, 3.85

 

CMYK 10 / 0 / 18 / 71

HEX #42493C

RGB 66 73 60

HSL 92.31, 0.1%, 0.26%

LAB 30.03, -5.67, 6.83

 

CMYK 18 / 5 / 0 / 71

HEX #3C4549

RGB 60 69 73

HSL 198.46, 0.1%, 0.26%

LAB 28.64, -2.66, -3.65

 

CMYK 4 / 18 / 0 / 71

HEX #463C49

RGB 70 60 73

HSL 286.15, 0.1%, 0.26%

LAB 26.78, 7.17, -6.33

 

CMYK 0 / 12 / 18 / 71

HEX #49403C

RGB 73 64 60

HSL 18.46, 0.1%, 0.26%

LAB 27.87, 3.08, 3.85

 

CMYK 15 / 0 / 18 / 71

HEX #3E493C

RGB 62 73 60

HSL 110.77, 0.1%, 0.26%

LAB 29.7, -7.36, 6.32

 

Description

Color code: HEX #3C4549 | qconv.com Color code: HEX #3C4549 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 69 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 69 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 5 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 5% 0% 71% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - 株式会社オカムラ
Link: http://www.okamura.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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