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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C4354 it is the complementary color #C3BCAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C4354. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C4354 shade: #41434F, #525562, #636775, #747988 and #858B9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C4354. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C4354 shade: #3C4354, #2B3141, #1A1F2E, #090D1B and #000008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C4354 shade: #3B4254, #3B3C54, #413B54, #483B54 and #4E3B54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C4354 shade: #3B4254, #3B3C54 and #3B3B54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C4354 shade matches the following richer shades: #3B4254, #303E5F, #24396B, #193476 and #0D2F82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C4354 shade: #3B4254, #474748, #524C3C, #5E5131 and #695625

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C4354 shade: #3B4F54, #3B4954, #3B4354, #3B3C54 and #413B54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C4354 shade: #191C23, #2A2F3B, #3B4254, #4C566C and #5E6984

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C4354 shade: #3C4354, #513B54 and #4C543B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C4354 shade: #3C4354, #543B43 and #43543B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C4354 shade: #3C4354, #513B54, #544C3B and #3E543B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C4354 shade: #3C4354, #543B4F, #544C3B and #3B5440

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 20 / 0 / 67

HEX #3C4354

RGB 60 67 84

HSL 222.5, 0.17%, 0.28%

LAB 28.42, 1.59, -11.12

 

Complementary color

CMYK 0 / 4 / 12 / 24

HEX #C3BCAB

RGB 195 188 171

HSL 42.5, 0.17%, 0.72%

LAB 76.38, -0.46, 9.47

 

CMYK 18 / 15 / 0 / 69

HEX #41434F

RGB 65 67 79

HSL 231.43, 0.1%, 0.28%

LAB 28.65, 2.09, -7.49

 

CMYK 16 / 13 / 0 / 62

HEX #525562

RGB 82 85 98

HSL 228.75, 0.09%, 0.35%

LAB 36.31, 1.83, -7.92

 

CMYK 15 / 12 / 0 / 54

HEX #636775

RGB 99 103 117

HSL 226.67, 0.08%, 0.42%

LAB 43.71, 1.61, -8.36

 

CMYK 15 / 11 / 0 / 47

HEX #747988

RGB 116 121 136

HSL 225, 0.08%, 0.49%

LAB 50.88, 1.41, -8.8

 

CMYK 14 / 10 / 0 / 39

HEX #858B9B

RGB 133 139 155

HSL 223.64, 0.1%, 0.56%

LAB 57.86, 1.22, -9.24

 

CMYK 29 / 20 / 0 / 67

HEX #3C4354

RGB 60 67 84

HSL 222.5, 0.17%, 0.28%

LAB 28.42, 1.59, -11.12

 

CMYK 34 / 25 / 0 / 75

HEX #2B3141

RGB 43 49 65

HSL 223.64, 0.2%, 0.21%

LAB 20.41, 1.93, -10.88

 

CMYK 43 / 33 / 0 / 82

HEX #1A1F2E

RGB 26 31 46

HSL 225, 0.28%, 0.14%

LAB 11.94, 2.41, -10.73

 

CMYK 67 / 52 / 0 / 89

HEX #090D1B

RGB 9 13 27

HSL 226.67, 0.5%, 0.07%

LAB 3.84, 2.06, -8.96

 

CMYK 100 / 100 / 0 / 97

HEX #000008

RGB 0 0 8

HSL 240, 1%, 0.02%

LAB 0.16, 1.11, -3.03

 

CMYK 30 / 21 / 0 / 67

HEX #3B4254

RGB 59 66 84

HSL 223.2, 0.17%, 0.28%

LAB 28.02, 1.89, -11.73

 

CMYK 30 / 29 / 0 / 67

HEX #3B3C54

RGB 59 60 84

HSL 237.6, 0.17%, 0.28%

LAB 26.16, 5.86, -14.59

 

CMYK 23 / 30 / 0 / 67

HEX #413B54

RGB 65 59 84

HSL 254.4, 0.17%, 0.28%

LAB 26.42, 8.69, -14.14

 

CMYK 14 / 30 / 0 / 67

HEX #483B54

RGB 72 59 84

HSL 271.2, 0.17%, 0.28%

LAB 27.15, 11.29, -12.97

 

CMYK 7 / 30 / 0 / 67

HEX #4E3B54

RGB 78 59 84

HSL 285.6, 0.17%, 0.28%

LAB 27.81, 13.57, -11.89

 

CMYK 30 / 21 / 0 / 67

HEX #3B4254

RGB 59 66 84

HSL 223.2, 0.17%, 0.28%

LAB 28.02, 1.89, -11.73

 

CMYK 30 / 29 / 0 / 67

HEX #3B3C54

RGB 59 60 84

HSL 237.6, 0.17%, 0.28%

LAB 26.16, 5.86, -14.59

 

CMYK 30 / 30 / 0 / 67

HEX #3B3B54

RGB 59 59 84

HSL 240, 0.17%, 0.28%

LAB 25.86, 6.53, -15.06

 

CMYK 30 / 21 / 0 / 67

HEX #3B4254

RGB 59 66 84

HSL 223.2, 0.17%, 0.28%

LAB 28.02, 1.89, -11.73

 

CMYK 49 / 35 / 0 / 63

HEX #303E5F

RGB 48 62 95

HSL 222.13, 0.33%, 0.28%

LAB 26.45, 4.47, -21.38

 

CMYK 66 / 47 / 0 / 58

HEX #24396B

RGB 36 57 107

HSL 222.25, 0.5%, 0.28%

LAB 24.84, 9.37, -31.72

 

CMYK 79 / 56 / 0 / 54

HEX #193476

RGB 25 52 118

HSL 222.58, 0.65%, 0.28%

LAB 23.57, 15.5, -40.81

 

CMYK 90 / 64 / 0 / 49

HEX #0D2F82

RGB 13 47 130

HSL 222.56, 0.82%, 0.28%

LAB 22.76, 22.89, -49.75

 

CMYK 30 / 21 / 0 / 67

HEX #3B4254

RGB 59 66 84

HSL 223.2, 0.17%, 0.28%

LAB 28.02, 1.89, -11.73

 

CMYK 1 / 1 / 0 / 72

HEX #474748

RGB 71 71 72

HSL 240, 0.01%, 0.28%

LAB 30.19, 0.22, -0.6

 

CMYK 0 / 7 / 27 / 68

HEX #524C3C

RGB 82 76 60

HSL 43.64, 0.15%, 0.28%

LAB 32.46, -0.49, 10.43

 

CMYK 0 / 14 / 48 / 63

HEX #5E5131

RGB 94 81 49

HSL 42.67, 0.31%, 0.28%

LAB 34.98, 0.43, 20.77

 

CMYK 0 / 18 / 65 / 59

HEX #695625

RGB 105 86 37

HSL 43.24, 0.48%, 0.28%

LAB 37.47, 1.48, 30.85

 

CMYK 30 / 6 / 0 / 67

HEX #3B4F54

RGB 59 79 84

HSL 192, 0.17%, 0.28%

LAB 32.17, -6.37, -5.47

 

CMYK 30 / 13 / 0 / 67

HEX #3B4954

RGB 59 73 84

HSL 206.4, 0.17%, 0.28%

LAB 30.24, -2.63, -8.37

 

CMYK 30 / 20 / 0 / 67

HEX #3B4354

RGB 59 67 84

HSL 220.8, 0.17%, 0.28%

LAB 28.34, 1.23, -11.25

 

CMYK 30 / 29 / 0 / 67

HEX #3B3C54

RGB 59 60 84

HSL 237.6, 0.17%, 0.28%

LAB 26.16, 5.86, -14.59

 

CMYK 23 / 30 / 0 / 67

HEX #413B54

RGB 65 59 84

HSL 254.4, 0.17%, 0.28%

LAB 26.42, 8.69, -14.14

 

CMYK 29 / 20 / 0 / 86

HEX #191C23

RGB 25 28 35

HSL 222, 0.17%, 0.12%

LAB 10.25, 0.63, -5.26

 

CMYK 29 / 20 / 0 / 77

HEX #2A2F3B

RGB 42 47 59

HSL 222.35, 0.17%, 0.2%

LAB 19.4, 1.13, -8.33

 

CMYK 30 / 21 / 0 / 67

HEX #3B4254

RGB 59 66 84

HSL 223.2, 0.17%, 0.28%

LAB 28.02, 1.89, -11.73

 

CMYK 30 / 20 / 0 / 58

HEX #4C566C

RGB 76 86 108

HSL 221.25, 0.17%, 0.36%

LAB 36.51, 1.7, -13.9

 

CMYK 29 / 20 / 0 / 48

HEX #5E6984

RGB 94 105 132

HSL 222.63, 0.17%, 0.44%

LAB 44.45, 2.46, -16.31

 

CMYK 29 / 20 / 0 / 67

HEX #3C4354

RGB 60 67 84

HSL 222.5, 0.17%, 0.28%

LAB 28.42, 1.59, -11.12

 

CMYK 4 / 30 / 0 / 67

HEX #513B54

RGB 81 59 84

HSL 292.8, 0.17%, 0.28%

LAB 28.16, 14.72, -11.33

 

CMYK 10 / 0 / 30 / 67

HEX #4C543B

RGB 76 84 59

HSL 79.2, 0.17%, 0.28%

LAB 34.38, -8.18, 13.6

 

CMYK 29 / 20 / 0 / 67

HEX #3C4354

RGB 60 67 84

HSL 222.5, 0.17%, 0.28%

LAB 28.42, 1.59, -11.12

 

CMYK 0 / 30 / 20 / 67

HEX #543B43

RGB 84 59 67

HSL 340.8, 0.17%, 0.28%

LAB 27.89, 12.44, -0.54

 

CMYK 20 / 0 / 30 / 67

HEX #43543B

RGB 67 84 59

HSL 100.8, 0.17%, 0.28%

LAB 33.67, -12.01, 12.51

 

CMYK 29 / 20 / 0 / 67

HEX #3C4354

RGB 60 67 84

HSL 222.5, 0.17%, 0.28%

LAB 28.42, 1.59, -11.12

 

CMYK 4 / 30 / 0 / 67

HEX #513B54

RGB 81 59 84

HSL 292.8, 0.17%, 0.28%

LAB 28.16, 14.72, -11.33

 

CMYK 0 / 10 / 30 / 67

HEX #544C3B

RGB 84 76 59

HSL 40.8, 0.17%, 0.28%

LAB 32.63, 0.25, 11.34

 

CMYK 26 / 0 / 30 / 67

HEX #3E543B

RGB 62 84 59

HSL 112.8, 0.17%, 0.28%

LAB 33.31, -14.05, 11.96

 

CMYK 29 / 20 / 0 / 67

HEX #3C4354

RGB 60 67 84

HSL 222.5, 0.17%, 0.28%

LAB 28.42, 1.59, -11.12

 

CMYK 0 / 30 / 6 / 67

HEX #543B4F

RGB 84 59 79

HSL 312, 0.17%, 0.28%

LAB 28.32, 14.8, -7.78

 

CMYK 0 / 10 / 30 / 67

HEX #544C3B

RGB 84 76 59

HSL 40.8, 0.17%, 0.28%

LAB 32.63, 0.25, 11.34

 

CMYK 30 / 0 / 24 / 67

HEX #3B5440

RGB 59 84 64

HSL 132, 0.17%, 0.28%

LAB 33.22, -14.2, 8.7

 

Description

Color code: HEX #3C4354 | qconv.com Color code: HEX #3C4354 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 67 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 67 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 20 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 20% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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