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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C3F943F it is the complementary color #C3C06B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C3F943F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C3F943F shade: #413F8F3F, #5251A23F, #6363B53F, #7475C83F and #8587DB3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C3F943F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C3F943F shade: #3C3F943F, #2B2D813F, #1A1B6E3F, #09095B3F and #0000483F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C3F943F shade: #3D4094, #513D94, #693D94, #813D94 and #943D91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C3F943F shade: #3D4094 and #3D3D94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C3F943F shade matches the following richer shades: #3D4094, #2C30A5, #1B20B6 and #0A10C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C3F943F shade: #3D4094, #4E4F84, #5E5F73, #6F6F62 and #807F51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C3F943F shade: #3D7094, #3D5894, #3D4194, #503D94 and #673D94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C3F943F shade: #25275A, #313377, #3D4094, #494CB2 and #6467C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C3F943F shade: #3C3F94, #943D87 and #64943D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C3F943F shade: #3C3F94, #943D41 and #41943D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C3F943F shade: #3C3F94, #943D87, #94903D and #3D944A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C3F943F shade: #3C3F94, #943D6D, #94903D and #3D9464

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 14 / 0 / 10

HEX #3C3F943F

RGBA 60 63 148 0.25

HSLA 237.95, 0.42%, 0.41%, 0.25

LABA 31.01, 25.17, -47.38, 0.25

 

Complementary color

CMYK 0 / 0 / 11 / 6

HEX #C3C06B3F

RGBA 195 192 107 0.25

HSLA 57.95, 0.42%, 0.59%, 0.25

LABA 76.29, -10.99, 43, 0.25

 

CMYK 14 / 14 / 0 / 11

HEX #413F8F3F

RGBA 65 63 143 0.25

HSLA 241.5, 0.39%, 0.4%, 0.25

LABA 31.02, 24.49, -44.27, 0.25

 

CMYK 12 / 13 / 0 / 9

HEX #5251A23F

RGBA 82 81 162 0.25

HSLA 240.74, 0.33%, 0.48%, 0.25

LABA 38.35, 22.96, -43.92, 0.25

 

CMYK 11 / 11 / 0 / 7

HEX #6363B53F

RGBA 99 99 181 0.25

HSLA 240, 0.36%, 0.55%, 0.25

LABA 45.51, 21.71, -43.63, 0.25

 

CMYK 11 / 10 / 0 / 5

HEX #7475C83F

RGBA 116 117 200 0.25

HSLA 239.29, 0.43%, 0.62%, 0.25

LABA 52.52, 20.66, -43.39, 0.25

 

CMYK 10 / 10 / 0 / 4

HEX #8587DB3F

RGBA 133 135 219 0.25

HSLA 238.6, 0.54%, 0.69%, 0.25

LABA 59.37, 19.76, -43.22, 0.25

 

CMYK 15 / 14 / 0 / 10

HEX #3C3F943F

RGBA 60 63 148 0.25

HSLA 237.95, 0.42%, 0.41%, 0.25

LABA 31.01, 25.17, -47.38, 0.25

 

CMYK 17 / 16 / 0 / 12

HEX #2B2D813F

RGBA 43 45 129 0.25

HSLA 238.6, 0.5%, 0.34%, 0.25

LABA 23.59, 27.3, -47.71, 0.25

 

CMYK 19 / 19 / 0 / 14

HEX #1A1B6E3F

RGBA 26 27 110 0.25

HSLA 239.29, 0.62%, 0.27%, 0.25

LABA 16.15, 29.83, -47.79, 0.25

 

CMYK 23 / 23 / 0 / 16

HEX #09095B3F

RGBA 9 9 91 0.25

HSLA 240, 0.82%, 0.2%, 0.25

LABA 9.06, 32.24, -46.97, 0.25

 

CMYK 25 / 25 / 0 / 18

HEX #0000483F

RGBA 0 0 72 0.25

HSLA 240, 1%, 0.14%, 0.25

LABA 4.23, 28.26, -41.9, 0.25

 

CMYK 59 / 57 / 0 / 42

HEX #3D4094

RGB 61 64 148

HSL 237.93, 0.42%, 0.41%

LAB 31.34, 24.71, -46.83

 

CMYK 45 / 59 / 0 / 42

HEX #513D94

RGB 81 61 148

HSL 253.79, 0.42%, 0.41%

LAB 32.31, 30.96, -45.18

 

CMYK 29 / 59 / 0 / 42

HEX #693D94

RGB 105 61 148

HSL 270.34, 0.42%, 0.41%

LAB 34.96, 36.89, -40.78

 

CMYK 13 / 59 / 0 / 42

HEX #813D94

RGB 129 61 148

HSL 286.9, 0.42%, 0.41%

LAB 38.1, 43.29, -35.6

 

CMYK 0 / 59 / 2 / 42

HEX #943D91

RGB 148 61 145

HSL 302.07, 0.42%, 0.41%

LAB 40.7, 47.92, -29.49

 

CMYK 59 / 57 / 0 / 42

HEX #3D4094

RGB 61 64 148

HSL 237.93, 0.42%, 0.41%

LAB 31.34, 24.71, -46.83

 

CMYK 59 / 59 / 0 / 42

HEX #3D3D94

RGB 61 61 148

HSL 240, 0.42%, 0.41%

LAB 30.56, 26.67, -48.09

 

CMYK 59 / 57 / 0 / 42

HEX #3D4094

RGB 61 64 148

HSL 237.93, 0.42%, 0.41%

LAB 31.34, 24.71, -46.83

 

CMYK 73 / 71 / 0 / 35

HEX #2C30A5

RGB 44 48 165

HSL 238.02, 0.58%, 0.41%

LAB 27.75, 38.35, -63.07

 

CMYK 85 / 82 / 0 / 29

HEX #1B20B6

RGB 27 32 182

HSL 238.06, 0.74%, 0.41%

LAB 25.69, 51.61, -76.71

 

CMYK 95 / 92 / 0 / 22

HEX #0A10C7

RGB 10 16 199

HSL 238.1, 0.9%, 0.41%

LAB 25.44, 62.2, -87.21

 

CMYK 59 / 57 / 0 / 42

HEX #3D4094

RGB 61 64 148

HSL 237.93, 0.42%, 0.41%

LAB 31.34, 24.71, -46.83

 

CMYK 41 / 40 / 0 / 48

HEX #4E4F84

RGB 78 79 132

HSL 238.89, 0.26%, 0.41%

LAB 35.75, 13.8, -29.91

 

CMYK 18 / 17 / 0 / 55

HEX #5E5F73

RGB 94 95 115

HSL 237.14, 0.1%, 0.41%

LAB 40.9, 4.19, -11.41

 

CMYK 0 / 0 / 12 / 56

HEX #6F6F62

RGB 111 111 98

HSL 60, 0.06%, 0.41%

LAB 46.49, -2.51, 7.25

 

CMYK 0 / 1 / 37 / 50

HEX #807F51

RGB 128 127 81

HSL 58.72, 0.22%, 0.41%

LAB 52.24, -7.15, 25.18

 

CMYK 59 / 24 / 0 / 42

HEX #3D7094

RGB 61 112 148

HSL 204.83, 0.42%, 0.41%

LAB 45.25, -5.96, -24.79

 

CMYK 59 / 41 / 0 / 42

HEX #3D5894

RGB 61 88 148

HSL 221.38, 0.42%, 0.41%

LAB 38.04, 8.95, -36.1

 

CMYK 59 / 56 / 0 / 42

HEX #3D4194

RGB 61 65 148

HSL 237.24, 0.42%, 0.41%

LAB 31.6, 24.05, -46.41

 

CMYK 46 / 59 / 0 / 42

HEX #503D94

RGB 80 61 148

HSL 253.1, 0.42%, 0.41%

LAB 32.22, 30.73, -45.34

 

CMYK 30 / 59 / 0 / 42

HEX #673D94

RGB 103 61 148

HSL 268.97, 0.42%, 0.41%

LAB 34.72, 36.38, -41.18

 

CMYK 59 / 57 / 0 / 65

HEX #25275A

RGB 37 39 90

HSL 237.74, 0.42%, 0.25%

LAB 18.29, 15.88, -31.11

 

CMYK 59 / 57 / 0 / 53

HEX #313377

RGB 49 51 119

HSL 238.29, 0.42%, 0.33%

LAB 24.8, 20.74, -39.39

 

CMYK 59 / 57 / 0 / 42

HEX #3D4094

RGB 61 64 148

HSL 237.93, 0.42%, 0.41%

LAB 31.34, 24.71, -46.83

 

CMYK 59 / 57 / 0 / 30

HEX #494CB2

RGB 73 76 178

HSL 238.29, 0.42%, 0.49%

LAB 37.48, 29.5, -54.87

 

CMYK 48 / 46 / 0 / 25

HEX #6467C0

RGB 100 103 192

HSL 238.04, 0.42%, 0.57%

LAB 47.26, 22.85, -47.23

 

CMYK 59 / 57 / 0 / 42

HEX #3C3F94

RGB 60 63 148

HSL 237.95, 0.42%, 0.41%

LAB 31.01, 25.17, -47.38

 

CMYK 0 / 59 / 9 / 42

HEX #943D87

RGB 148 61 135

HSL 308.97, 0.42%, 0.41%

LAB 40.22, 46.16, -24.15

 

CMYK 32 / 0 / 59 / 42

HEX #64943D

RGB 100 148 61

HSL 93.1, 0.42%, 0.41%

LAB 56.31, -31.72, 40.18

 

CMYK 59 / 57 / 0 / 42

HEX #3C3F94

RGB 60 63 148

HSL 237.95, 0.42%, 0.41%

LAB 31.01, 25.17, -47.38

 

CMYK 0 / 59 / 56 / 42

HEX #943D41

RGB 148 61 65

HSL 357.24, 0.42%, 0.41%

LAB 37.87, 37.02, 16.13

 

CMYK 56 / 0 / 59 / 42

HEX #41943D

RGB 65 148 61

HSL 117.24, 0.42%, 0.41%

LAB 54.7, -43.14, 37.89

 

CMYK 59 / 57 / 0 / 42

HEX #3C3F94

RGB 60 63 148

HSL 237.95, 0.42%, 0.41%

LAB 31.01, 25.17, -47.38

 

CMYK 0 / 59 / 9 / 42

HEX #943D87

RGB 148 61 135

HSL 308.97, 0.42%, 0.41%

LAB 40.22, 46.16, -24.15

 

CMYK 0 / 3 / 59 / 42

HEX #94903D

RGB 148 144 61

HSL 57.24, 0.42%, 0.41%

LAB 58.58, -9.77, 43.68

 

CMYK 59 / 0 / 50 / 42

HEX #3D944A

RGB 61 148 74

HSL 128.97, 0.42%, 0.41%

LAB 54.73, -42.38, 31.32

 

CMYK 59 / 57 / 0 / 42

HEX #3C3F94

RGB 60 63 148

HSL 237.95, 0.42%, 0.41%

LAB 31.01, 25.17, -47.38

 

CMYK 0 / 59 / 26 / 42

HEX #943D6D

RGB 148 61 109

HSL 326.9, 0.42%, 0.41%

LAB 39.13, 42.07, -9.73

 

CMYK 0 / 3 / 59 / 42

HEX #94903D

RGB 148 144 61

HSL 57.24, 0.42%, 0.41%

LAB 58.58, -9.77, 43.68

 

CMYK 59 / 0 / 32 / 42

HEX #3D9464

RGB 61 148 100

HSL 146.9, 0.42%, 0.41%

LAB 55.17, -37.67, 17.75

 

Description

Color code: HEX #3C3F943F | qconv.com Color code: HEX #3C3F943F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 63 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 63 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 14 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 14% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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