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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C2FFA it is the complementary color #C3D005. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C2FFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C2FFA shade: #412FF5, #5241FF, #6353FF, #7465FF and #8577FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C2FFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C2FFA shade: #3C2FFA, #2B1DE7, #1A0BD4, #0900C1 and #0000AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C2FFA shade: #3B2EFA, #722EFA, #A92EFA, #E02EFA and #FA2EDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C2FFA shade: #3B2EFA and #2E2EFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C2FFA shade matches the following richer shades: #3B2EFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C2FFA shade: #3B2EFA, #4A3FE8, #5951D7, #6962C6 and #7873B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C2FFA shade: #2E91FA, #2E5AFA, #382EFA, #6F2EFA and #A52EFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C2FFA shade: #1205D0, #1606F8, #3B2EFA, #6156FB and #877FFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C2FFA shade: #3C2FFA, #FA2EC7 and #75FA2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C2FFA shade: #3C2FFA, #FA382E and #2EFA38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C2FFA shade: #3C2FFA, #FA2EC7, #EFFA2E and #2EFA61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C2FFA shade: #3C2FFA, #FA2E8A, #EFFA2E and #2EFA9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 81 / 0 / 2

HEX #3C2FFA

RGB 60 47 250

HSL 243.84, 0.95%, 0.58%

LAB 37.65, 66.79, -96.08

 

Complementary color

CMYK 6 / 0 / 98 / 18

HEX #C3D005

RGB 195 208 5

HSL 63.84, 0.95%, 0.42%

LAB 80.02, -23.94, 79.36

 

CMYK 73 / 81 / 0 / 4

HEX #412FF5

RGB 65 47 245

HSL 245.45, 0.91%, 0.57%

LAB 37.39, 65.67, -93.7

 

CMYK 68 / 75 / 0 / 0

HEX #5241FF

RGB 82 65 255

HSL 245.37, 1%, 0.63%

LAB 42.45, 61.52, -90.89

 

CMYK 61 / 67 / 0 / 0

HEX #6353FF

RGB 99 83 255

HSL 245.58, 1%, 0.66%

LAB 47.05, 54, -83.28

 

CMYK 55 / 60 / 0 / 0

HEX #7465FF

RGB 116 101 255

HSL 245.84, 1%, 0.7%

LAB 52.11, 46.51, -74.97

 

CMYK 48 / 53 / 0 / 0

HEX #8577FF

RGB 133 119 255

HSL 246.18, 1%, 0.73%

LAB 57.46, 39.39, -66.24

 

CMYK 76 / 81 / 0 / 2

HEX #3C2FFA

RGB 60 47 250

HSL 243.84, 0.95%, 0.58%

LAB 37.65, 66.79, -96.08

 

CMYK 81 / 87 / 0 / 9

HEX #2B1DE7

RGB 43 29 231

HSL 244.16, 0.81%, 0.51%

LAB 32.17, 67.63, -94.47

 

CMYK 88 / 95 / 0 / 17

HEX #1A0BD4

RGB 26 11 212

HSL 244.48, 0.9%, 0.44%

LAB 27.33, 67.02, -91.63

 

CMYK 95 / 100 / 0 / 24

HEX #0900C1

RGB 9 0 193

HSL 242.8, 1%, 0.38%

LAB 23.37, 64.28, -87.14

 

CMYK 100 / 100 / 0 / 32

HEX #0000AE

RGB 0 0 174

HSL 240, 1%, 0.34%

LAB 20.27, 59.46, -80.99

 

CMYK 76 / 82 / 0 / 2

HEX #3B2EFA

RGB 59 46 250

HSL 243.82, 0.95%, 0.58%

LAB 37.46, 67.16, -96.41

 

CMYK 54 / 82 / 0 / 2

HEX #722EFA

RGB 114 46 250

HSL 260, 0.95%, 0.58%

LAB 41.9, 71.54, -88.92

 

CMYK 32 / 82 / 0 / 2

HEX #A92EFA

RGB 169 46 250

HSL 276.18, 0.95%, 0.58%

LAB 48.62, 78.44, -77.63

 

CMYK 10 / 82 / 0 / 2

HEX #E02EFA

RGB 224 46 250

HSL 292.35, 0.95%, 0.58%

LAB 56.79, 87.11, -64.02

 

CMYK 0 / 82 / 12 / 2

HEX #FA2EDD

RGB 250 46 221

HSL 308.53, 0.95%, 0.58%

LAB 59.43, 87.57, -43.29

 

CMYK 76 / 82 / 0 / 2

HEX #3B2EFA

RGB 59 46 250

HSL 243.82, 0.95%, 0.58%

LAB 37.46, 67.16, -96.41

 

CMYK 82 / 82 / 0 / 2

HEX #2E2EFA

RGB 46 46 250

HSL 240, 0.95%, 0.58%

LAB 36.81, 66.54, -97.5

 

CMYK 76 / 82 / 0 / 2

HEX #3B2EFA

RGB 59 46 250

HSL 243.82, 0.95%, 0.58%

LAB 37.46, 67.16, -96.41

 

CMYK 76 / 82 / 0 / 2

HEX #3B2EFA

RGB 59 46 250

HSL 243.82, 0.95%, 0.58%

LAB 37.46, 67.16, -96.41

 

CMYK 68 / 73 / 0 / 9

HEX #4A3FE8

RGB 74 63 232

HSL 243.91, 0.79%, 0.58%

LAB 39.3, 54.83, -83.16

 

CMYK 59 / 62 / 0 / 16

HEX #5951D7

RGB 89 81 215

HSL 243.58, 0.63%, 0.58%

LAB 42.63, 41.29, -67.96

 

CMYK 47 / 51 / 0 / 22

HEX #6962C6

RGB 105 98 198

HSL 244.2, 0.47%, 0.58%

LAB 46.73, 28.9, -51.51

 

CMYK 33 / 36 / 0 / 29

HEX #7873B4

RGB 120 115 180

HSL 244.62, 0.3%, 0.58%

LAB 51.32, 17.34, -33.76

 

CMYK 82 / 42 / 0 / 2

HEX #2E91FA

RGB 46 145 250

HSL 210.88, 0.95%, 0.58%

LAB 59.65, 8.62, -60.21

 

CMYK 82 / 64 / 0 / 2

HEX #2E5AFA

RGB 46 90 250

HSL 227.06, 0.95%, 0.58%

LAB 45.35, 42.72, -83.39

 

CMYK 78 / 82 / 0 / 2

HEX #382EFA

RGB 56 46 250

HSL 242.94, 0.95%, 0.58%

LAB 37.29, 67.01, -96.69

 

CMYK 56 / 82 / 0 / 2

HEX #6F2EFA

RGB 111 46 250

HSL 259.12, 0.95%, 0.58%

LAB 41.59, 71.23, -89.44

 

CMYK 34 / 82 / 0 / 2

HEX #A52EFA

RGB 165 46 250

HSL 275, 0.95%, 0.58%

LAB 48.08, 77.87, -78.54

 

CMYK 91 / 98 / 0 / 18

HEX #1205D0

RGB 18 5 208

HSL 243.84, 0.95%, 0.42%

LAB 26.13, 67.05, -91.31

 

CMYK 91 / 98 / 0 / 3

HEX #1606F8

RGB 22 6 248

HSL 243.97, 0.95%, 0.5%

LAB 31.98, 76.75, -104.45

 

CMYK 76 / 82 / 0 / 2

HEX #3B2EFA

RGB 59 46 250

HSL 243.82, 0.95%, 0.58%

LAB 37.46, 67.16, -96.41

 

CMYK 61 / 66 / 0 / 2

HEX #6156FB

RGB 97 86 251

HSL 244, 0.95%, 0.66%

LAB 47.19, 50.84, -80.84

 

CMYK 46 / 50 / 0 / 1

HEX #877FFC

RGB 135 127 252

HSL 243.84, 0.95%, 0.74%

LAB 59.3, 34.31, -61.63

 

CMYK 76 / 81 / 0 / 2

HEX #3C2FFA

RGB 60 47 250

HSL 243.84, 0.95%, 0.58%

LAB 37.65, 66.79, -96.08

 

CMYK 0 / 82 / 20 / 2

HEX #FA2EC7

RGB 250 46 199

HSL 315, 0.95%, 0.58%

LAB 58.42, 84.77, -32.37

 

CMYK 53 / 0 / 82 / 2

HEX #75FA2E

RGB 117 250 46

HSL 99.12, 0.95%, 0.58%

LAB 88.14, -67.98, 77.8

 

CMYK 76 / 81 / 0 / 2

HEX #3C2FFA

RGB 60 47 250

HSL 243.84, 0.95%, 0.58%

LAB 37.65, 66.79, -96.08

 

CMYK 0 / 78 / 82 / 2

HEX #FA382E

RGB 250 56 46

HSL 2.94, 0.95%, 0.58%

LAB 55.43, 70.92, 51.95

 

CMYK 82 / 0 / 78 / 2

HEX #2EFA38

RGB 46 250 56

HSL 122.94, 0.95%, 0.58%

LAB 86.62, -80.48, 73.17

 

CMYK 76 / 81 / 0 / 2

HEX #3C2FFA

RGB 60 47 250

HSL 243.84, 0.95%, 0.58%

LAB 37.65, 66.79, -96.08

 

CMYK 0 / 82 / 20 / 2

HEX #FA2EC7

RGB 250 46 199

HSL 315, 0.95%, 0.58%

LAB 58.42, 84.77, -32.37

 

CMYK 4 / 0 / 82 / 2

HEX #EFFA2E

RGB 239 250 46

HSL 63.24, 0.95%, 0.58%

LAB 94.7, -25.05, 86.09

 

CMYK 82 / 0 / 61 / 2

HEX #2EFA61

RGB 46 250 97

HSL 135, 0.95%, 0.58%

LAB 86.91, -76.94, 58.64

 

CMYK 76 / 81 / 0 / 2

HEX #3C2FFA

RGB 60 47 250

HSL 243.84, 0.95%, 0.58%

LAB 37.65, 66.79, -96.08

 

CMYK 0 / 82 / 45 / 2

HEX #FA2E8A

RGB 250 46 138

HSL 332.94, 0.95%, 0.58%

LAB 56.2, 78.46, -0.12

 

CMYK 4 / 0 / 82 / 2

HEX #EFFA2E

RGB 239 250 46

HSL 63.24, 0.95%, 0.58%

LAB 94.7, -25.05, 86.09

 

CMYK 82 / 0 / 37 / 2

HEX #2EFA9E

RGB 46 250 158

HSL 152.94, 0.95%, 0.58%

LAB 87.69, -67.66, 30.97

 

Description

Color code: HEX #3C2FFA | qconv.com Color code: HEX #3C2FFA | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 47 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 47 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 81 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 81% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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