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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C2E6B it is the complementary color #C3D194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C2E6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C2E6B shade: #412E66, #524079, #63528C, #74649F and #8576B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C2E6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C2E6B shade: #3C2E6B, #2B1C58, #1A0A45, #090032 and #00001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C2E6B shade: #3C2E6B, #4C2E6B, #5D2E6B, #6B2E69 and #6B2E58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C2E6B shade: #3C2E6B and #2E2E6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C2E6B shade matches the following richer shades: #3C2E6B, #352277, #2F1584 and #280990

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C2E6B shade: #3C2E6B, #433A5F, #494752, #505346 and #575F3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C2E6B shade: #2E416B, #2E316B, #3B2E6B, #4B2E6B and #5C2E6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C2E6B shade: #1C1531, #2C224E, #3C2E6B, #4C3A88 and #5C47A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C2E6B shade: #3C2E6B, #6B2E52 and #396B2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C2E6B shade: #3C2E6B, #6B3B2E and #2E6B3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C2E6B shade: #3C2E6B, #6B2E52, #5E6B2E and #2E6B47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C2E6B shade: #3C2E6B, #6B2E3F, #5E6B2E and #2E6B5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 57 / 0 / 58

HEX #3C2E6B

RGB 60 46 107

HSL 253.77, 0.4%, 0.3%

LAB 23.59, 22.67, -33.61

 

Complementary color

CMYK 7 / 0 / 29 / 18

HEX #C3D194

RGB 195 209 148

HSL 73.77, 0.4%, 0.7%

LAB 81.48, -14.79, 28.75

 

CMYK 36 / 55 / 0 / 60

HEX #412E66

RGB 65 46 102

HSL 260.36, 0.38%, 0.29%

LAB 23.79, 22.52, -30.02

 

CMYK 32 / 47 / 0 / 53

HEX #524079

RGB 82 64 121

HSL 258.95, 0.31%, 0.36%

LAB 31.44, 21.4, -29.86

 

CMYK 29 / 41 / 0 / 45

HEX #63528C

RGB 99 82 140

HSL 257.59, 0.26%, 0.44%

LAB 38.87, 20.44, -29.76

 

CMYK 27 / 37 / 0 / 38

HEX #74649F

RGB 116 100 159

HSL 256.27, 0.24%, 0.51%

LAB 46.08, 19.62, -29.72

 

CMYK 25 / 34 / 0 / 30

HEX #8576B2

RGB 133 118 178

HSL 255, 0.28%, 0.58%

LAB 53.12, 18.91, -29.72

 

CMYK 44 / 57 / 0 / 58

HEX #3C2E6B

RGB 60 46 107

HSL 253.77, 0.4%, 0.3%

LAB 23.59, 22.67, -33.61

 

CMYK 51 / 68 / 0 / 65

HEX #2B1C58

RGB 43 28 88

HSL 255, 0.52%, 0.23%

LAB 15.74, 24.18, -33.86

 

CMYK 62 / 86 / 0 / 73

HEX #1A0A45

RGB 26 10 69

HSL 256.27, 0.75%, 0.15%

LAB 7.83, 25.68, -33.79

 

CMYK 82 / 100 / 0 / 80

HEX #090032

RGB 9 0 50

HSL 250.8, 1%, 0.1%

LAB 2.6, 16.97, -28.58

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 44 / 57 / 0 / 58

HEX #3C2E6B

RGB 60 46 107

HSL 253.77, 0.4%, 0.3%

LAB 23.59, 22.67, -33.61

 

CMYK 29 / 57 / 0 / 58

HEX #4C2E6B

RGB 76 46 107

HSL 269.51, 0.4%, 0.3%

LAB 25.42, 27.1, -30.58

 

CMYK 13 / 57 / 0 / 58

HEX #5D2E6B

RGB 93 46 107

HSL 286.23, 0.4%, 0.3%

LAB 27.69, 32.12, -26.83

 

CMYK 0 / 57 / 2 / 58

HEX #6B2E69

RGB 107 46 105

HSL 301.97, 0.4%, 0.3%

LAB 29.66, 35.95, -22.3

 

CMYK 0 / 57 / 18 / 58

HEX #6B2E58

RGB 107 46 88

HSL 318.69, 0.4%, 0.3%

LAB 28.86, 32.84, -12.54

 

CMYK 44 / 57 / 0 / 58

HEX #3C2E6B

RGB 60 46 107

HSL 253.77, 0.4%, 0.3%

LAB 23.59, 22.67, -33.61

 

CMYK 57 / 57 / 0 / 58

HEX #2E2E6B

RGB 46 46 107

HSL 240, 0.4%, 0.3%

LAB 22.29, 19.23, -35.77

 

CMYK 44 / 57 / 0 / 58

HEX #3C2E6B

RGB 60 46 107

HSL 253.77, 0.4%, 0.3%

LAB 23.59, 22.67, -33.61

 

CMYK 55 / 71 / 0 / 53

HEX #352277

RGB 53 34 119

HSL 253.41, 0.56%, 0.3%

LAB 20.95, 32.58, -45.63

 

CMYK 64 / 84 / 0 / 48

HEX #2F1584

RGB 47 21 132

HSL 254.05, 0.73%, 0.3%

LAB 19.25, 42.67, -56.71

 

CMYK 72 / 94 / 0 / 44

HEX #280990

RGB 40 9 144

HSL 253.78, 0.88%, 0.3%

LAB 18.63, 49.9, -65.3

 

CMYK 44 / 57 / 0 / 58

HEX #3C2E6B

RGB 60 46 107

HSL 253.77, 0.4%, 0.3%

LAB 23.59, 22.67, -33.61

 

CMYK 29 / 39 / 0 / 63

HEX #433A5F

RGB 67 58 95

HSL 254.59, 0.24%, 0.3%

LAB 26.86, 13.14, -20.61

 

CMYK 11 / 13 / 0 / 68

HEX #494752

RGB 73 71 82

HSL 250.91, 0.07%, 0.3%

LAB 30.72, 3.35, -6.25

 

CMYK 4 / 0 / 16 / 67

HEX #505346

RGB 80 83 70

HSL 73.85, 0.08%, 0.3%

LAB 34.67, -3.88, 7.21

 

CMYK 8 / 0 / 39 / 63

HEX #575F3A

RGB 87 95 58

HSL 72.97, 0.24%, 0.3%

LAB 38.75, -9.93, 20.16

 

CMYK 57 / 39 / 0 / 58

HEX #2E416B

RGB 46 65 107

HSL 221.31, 0.4%, 0.3%

LAB 27.91, 6.12, -26.8

 

CMYK 57 / 54 / 0 / 58

HEX #2E316B

RGB 46 49 107

HSL 237.05, 0.4%, 0.3%

LAB 23.13, 17.15, -34.41

 

CMYK 45 / 57 / 0 / 58

HEX #3B2E6B

RGB 59 46 107

HSL 252.79, 0.4%, 0.3%

LAB 23.49, 22.41, -33.78

 

CMYK 30 / 57 / 0 / 58

HEX #4B2E6B

RGB 75 46 107

HSL 268.52, 0.4%, 0.3%

LAB 25.29, 26.81, -30.79

 

CMYK 14 / 57 / 0 / 58

HEX #5C2E6B

RGB 92 46 107

HSL 285.25, 0.4%, 0.3%

LAB 27.55, 31.82, -27.07

 

CMYK 43 / 57 / 0 / 81

HEX #1C1531

RGB 28 21 49

HSL 255, 0.4%, 0.14%

LAB 9.03, 11.72, -17.45

 

CMYK 44 / 56 / 0 / 69

HEX #2C224E

RGB 44 34 78

HSL 253.64, 0.39%, 0.22%

LAB 16.65, 17.04, -25.62

 

CMYK 44 / 57 / 0 / 58

HEX #3C2E6B

RGB 60 46 107

HSL 253.77, 0.4%, 0.3%

LAB 23.59, 22.67, -33.61

 

CMYK 44 / 57 / 0 / 47

HEX #4C3A88

RGB 76 58 136

HSL 253.85, 0.4%, 0.38%

LAB 30.25, 27.99, -41.14

 

CMYK 44 / 57 / 0 / 35

HEX #5C47A5

RGB 92 71 165

HSL 253.4, 0.4%, 0.46%

LAB 36.93, 32.48, -47.96

 

CMYK 44 / 57 / 0 / 58

HEX #3C2E6B

RGB 60 46 107

HSL 253.77, 0.4%, 0.3%

LAB 23.59, 22.67, -33.61

 

CMYK 0 / 57 / 23 / 58

HEX #6B2E52

RGB 107 46 82

HSL 324.59, 0.4%, 0.3%

LAB 28.61, 31.85, -8.99

 

CMYK 47 / 0 / 57 / 58

HEX #396B2E

RGB 57 107 46

HSL 109.18, 0.4%, 0.3%

LAB 40.54, -29.86, 28.71

 

CMYK 44 / 57 / 0 / 58

HEX #3C2E6B

RGB 60 46 107

HSL 253.77, 0.4%, 0.3%

LAB 23.59, 22.67, -33.61

 

CMYK 0 / 45 / 57 / 58

HEX #6B3B2E

RGB 107 59 46

HSL 12.79, 0.4%, 0.3%

LAB 30.52, 19.69, 17.22

 

CMYK 57 / 0 / 45 / 58

HEX #2E6B3B

RGB 46 107 59

HSL 132.79, 0.4%, 0.3%

LAB 40.27, -31.22, 21.06

 

CMYK 44 / 57 / 0 / 58

HEX #3C2E6B

RGB 60 46 107

HSL 253.77, 0.4%, 0.3%

LAB 23.59, 22.67, -33.61

 

CMYK 0 / 57 / 23 / 58

HEX #6B2E52

RGB 107 46 82

HSL 324.59, 0.4%, 0.3%

LAB 28.61, 31.85, -8.99

 

CMYK 12 / 0 / 57 / 58

HEX #5E6B2E

RGB 94 107 46

HSL 72.79, 0.4%, 0.3%

LAB 42.9, -14.99, 32.07

 

CMYK 57 / 0 / 34 / 58

HEX #2E6B47

RGB 46 107 71

HSL 144.59, 0.4%, 0.3%

LAB 40.49, -28.84, 14.36

 

CMYK 44 / 57 / 0 / 58

HEX #3C2E6B

RGB 60 46 107

HSL 253.77, 0.4%, 0.3%

LAB 23.59, 22.67, -33.61

 

CMYK 0 / 57 / 41 / 58

HEX #6B2E3F

RGB 107 46 63

HSL 343.28, 0.4%, 0.3%

LAB 27.95, 29.11, 2.59

 

CMYK 12 / 0 / 57 / 58

HEX #5E6B2E

RGB 94 107 46

HSL 72.79, 0.4%, 0.3%

LAB 42.9, -14.99, 32.07

 

CMYK 57 / 0 / 16 / 58

HEX #2E6B5A

RGB 46 107 90

HSL 163.28, 0.4%, 0.3%

LAB 40.95, -24.28, 3.59

 

Description

Color code: HEX #3C2E6B | qconv.com Color code: HEX #3C2E6B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 46 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 46 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 57 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 57% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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