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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C2B7A it is the complementary color #C3D485. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C2B7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C2B7A shade: #412B75, #523D88, #634F9B, #7461AE and #8573C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C2B7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C2B7A shade: #3C2B7A, #2B1967, #1A0754, #090041 and #00002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C2B7A shade: #3B2A78, #502A78, #652A78, #782A76 and #782A61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C2B7A shade: #3B2A78 and #2A2A78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C2B7A shade matches the following richer shades: #3B2A78, #331D85, #2C1093 and #2402A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C2B7A shade: #3B2A78, #42376B, #4A445E, #515251 and #595F43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C2B7A shade: #2A4478, #2A2F78, #3A2A78, #4E2A78 and #632A78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C2B7A shade: #1D143B, #2C1F5A, #3B2A78, #4A3597 and #593FB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C2B7A shade: #3C2B7A, #782A59 and #3A782A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C2B7A shade: #3C2B7A, #783A2A and #2A783A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C2B7A shade: #3C2B7A, #782A59, #69782A and #2A7849

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C2B7A shade: #3C2B7A, #782A41, #69782A and #2A7861

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 65 / 0 / 52

HEX #3C2B7A

RGB 60 43 122

HSL 252.91, 0.48%, 0.32%

LAB 23.98, 29.39, -42.59

 

Complementary color

CMYK 8 / 0 / 37 / 17

HEX #C3D485

RGB 195 212 133

HSL 72.91, 0.48%, 0.68%

LAB 82.05, -18.22, 37.2

 

CMYK 44 / 63 / 0 / 54

HEX #412B75

RGB 65 43 117

HSL 257.84, 0.46%, 0.31%

LAB 24.12, 28.95, -39.16

 

CMYK 40 / 55 / 0 / 47

HEX #523D88

RGB 82 61 136

HSL 256.8, 0.38%, 0.39%

LAB 31.6, 27.62, -38.95

 

CMYK 36 / 49 / 0 / 39

HEX #634F9B

RGB 99 79 155

HSL 255.79, 0.32%, 0.46%

LAB 38.92, 26.45, -38.74

 

CMYK 33 / 44 / 0 / 32

HEX #7461AE

RGB 116 97 174

HSL 254.81, 0.32%, 0.53%

LAB 46.07, 25.42, -38.57

 

CMYK 31 / 40 / 0 / 24

HEX #8573C1

RGB 133 115 193

HSL 253.85, 0.39%, 0.6%

LAB 53.06, 24.52, -38.44

 

CMYK 51 / 65 / 0 / 52

HEX #3C2B7A

RGB 60 43 122

HSL 252.91, 0.48%, 0.32%

LAB 23.98, 29.39, -42.59

 

CMYK 58 / 76 / 0 / 60

HEX #2B1967

RGB 43 25 103

HSL 253.85, 0.61%, 0.25%

LAB 16.45, 31, -42.68

 

CMYK 69 / 92 / 0 / 67

HEX #1A0754

RGB 26 7 84

HSL 254.81, 0.85%, 0.18%

LAB 9.09, 32.21, -42.13

 

CMYK 86 / 100 / 0 / 75

HEX #090041

RGB 9 0 65

HSL 248.31, 1%, 0.13%

LAB 3.97, 25.86, -37.33

 

CMYK 100 / 100 / 0 / 82

HEX #00002E

RGB 0 0 46

HSL 240, 1%, 0.09%

LAB 1.78, 12.52, -26.91

 

CMYK 51 / 65 / 0 / 53

HEX #3B2A78

RGB 59 42 120

HSL 253.08, 0.48%, 0.32%

LAB 23.48, 29.16, -42.13

 

CMYK 33 / 65 / 0 / 53

HEX #502A78

RGB 80 42 120

HSL 269.23, 0.48%, 0.32%

LAB 25.91, 34.05, -38.07

 

CMYK 16 / 65 / 0 / 53

HEX #652A78

RGB 101 42 120

HSL 285.38, 0.48%, 0.32%

LAB 28.85, 39.42, -33.21

 

CMYK 0 / 65 / 2 / 53

HEX #782A76

RGB 120 42 118

HSL 301.54, 0.48%, 0.32%

LAB 31.71, 44.1, -27.22

 

CMYK 0 / 65 / 19 / 53

HEX #782A61

RGB 120 42 97

HSL 317.69, 0.48%, 0.32%

LAB 30.67, 40.5, -15.43

 

CMYK 51 / 65 / 0 / 53

HEX #3B2A78

RGB 59 42 120

HSL 253.08, 0.48%, 0.32%

LAB 23.48, 29.16, -42.13

 

CMYK 65 / 65 / 0 / 53

HEX #2A2A78

RGB 42 42 120

HSL 240, 0.48%, 0.32%

LAB 21.96, 25.86, -44.67

 

CMYK 51 / 65 / 0 / 53

HEX #3B2A78

RGB 59 42 120

HSL 253.08, 0.48%, 0.32%

LAB 23.48, 29.16, -42.13

 

CMYK 62 / 78 / 0 / 48

HEX #331D85

RGB 51 29 133

HSL 252.69, 0.64%, 0.32%

LAB 21.12, 39.52, -54.25

 

CMYK 70 / 89 / 0 / 42

HEX #2C1093

RGB 44 16 147

HSL 252.82, 0.8%, 0.32%

LAB 20.09, 48.79, -64.71

 

CMYK 78 / 99 / 0 / 37

HEX #2402A0

RGB 36 2 160

HSL 252.91, 0.98%, 0.32%

LAB 19.87, 55.91, -73.11

 

CMYK 51 / 65 / 0 / 53

HEX #3B2A78

RGB 59 42 120

HSL 253.08, 0.48%, 0.32%

LAB 23.48, 29.16, -42.13

 

CMYK 38 / 49 / 0 / 58

HEX #42376B

RGB 66 55 107

HSL 252.69, 0.32%, 0.32%

LAB 26.6, 18.38, -28.77

 

CMYK 21 / 28 / 0 / 63

HEX #4A445E

RGB 74 68 94

HSL 253.85, 0.16%, 0.32%

LAB 30.4, 8.71, -14.44

 

CMYK 1 / 0 / 1 / 68

HEX #515251

RGB 81 82 81

HSL 120, 0.01%, 0.32%

LAB 34.76, -0.62, 0.44

 

CMYK 6 / 0 / 29 / 63

HEX #595F43

RGB 89 95 67

HSL 72.86, 0.17%, 0.32%

LAB 39.09, -7.69, 15.28

 

CMYK 65 / 43 / 0 / 53

HEX #2A4478

RGB 42 68 120

HSL 220, 0.48%, 0.32%

LAB 29.37, 7.99, -32.72

 

CMYK 65 / 61 / 0 / 53

HEX #2A2F78

RGB 42 47 120

HSL 236.15, 0.48%, 0.32%

LAB 23.28, 22.47, -42.53

 

CMYK 52 / 65 / 0 / 53

HEX #3A2A78

RGB 58 42 120

HSL 252.31, 0.48%, 0.32%

LAB 23.38, 28.95, -42.3

 

CMYK 35 / 65 / 0 / 53

HEX #4E2A78

RGB 78 42 120

HSL 267.69, 0.48%, 0.32%

LAB 25.66, 33.55, -38.5

 

CMYK 18 / 65 / 0 / 53

HEX #632A78

RGB 99 42 120

HSL 283.85, 0.48%, 0.32%

LAB 28.55, 38.9, -33.7

 

CMYK 51 / 66 / 0 / 77

HEX #1D143B

RGB 29 20 59

HSL 253.85, 0.49%, 0.15%

LAB 9.62, 16.26, -23.75

 

CMYK 51 / 66 / 0 / 65

HEX #2C1F5A

RGB 44 31 90

HSL 253.22, 0.49%, 0.24%

LAB 16.77, 23.1, -33.53

 

CMYK 51 / 65 / 0 / 53

HEX #3B2A78

RGB 59 42 120

HSL 253.08, 0.48%, 0.32%

LAB 23.48, 29.16, -42.13

 

CMYK 51 / 65 / 0 / 41

HEX #4A3597

RGB 74 53 151

HSL 252.86, 0.48%, 0.4%

LAB 30, 35.24, -50.79

 

CMYK 51 / 65 / 0 / 29

HEX #593FB5

RGB 89 63 181

HSL 253.22, 0.48%, 0.48%

LAB 36.01, 41.35, -58.97

 

CMYK 51 / 65 / 0 / 52

HEX #3C2B7A

RGB 60 43 122

HSL 252.91, 0.48%, 0.32%

LAB 23.98, 29.39, -42.59

 

CMYK 0 / 65 / 26 / 53

HEX #782A59

RGB 120 42 89

HSL 323.85, 0.48%, 0.32%

LAB 30.33, 39.28, -10.76

 

CMYK 52 / 0 / 65 / 53

HEX #3A782A

RGB 58 120 42

HSL 107.69, 0.48%, 0.32%

LAB 44.94, -35.8, 35.81

 

CMYK 51 / 65 / 0 / 52

HEX #3C2B7A

RGB 60 43 122

HSL 252.91, 0.48%, 0.32%

LAB 23.98, 29.39, -42.59

 

CMYK 0 / 52 / 65 / 53

HEX #783A2A

RGB 120 58 42

HSL 12.31, 0.48%, 0.32%

LAB 32.23, 25.59, 22.29

 

CMYK 65 / 0 / 52 / 53

HEX #2A783A

RGB 42 120 58

HSL 132.31, 0.48%, 0.32%

LAB 44.56, -38.02, 27.04

 

CMYK 51 / 65 / 0 / 52

HEX #3C2B7A

RGB 60 43 122

HSL 252.91, 0.48%, 0.32%

LAB 23.98, 29.39, -42.59

 

CMYK 0 / 65 / 26 / 53

HEX #782A59

RGB 120 42 89

HSL 323.85, 0.48%, 0.32%

LAB 30.33, 39.28, -10.76

 

CMYK 13 / 0 / 65 / 53

HEX #69782A

RGB 105 120 42

HSL 71.54, 0.48%, 0.32%

LAB 47.76, -17.46, 39.71

 

CMYK 65 / 0 / 39 / 53

HEX #2A7849

RGB 42 120 73

HSL 143.85, 0.48%, 0.32%

LAB 44.81, -35.28, 18.98

 

CMYK 51 / 65 / 0 / 52

HEX #3C2B7A

RGB 60 43 122

HSL 252.91, 0.48%, 0.32%

LAB 23.98, 29.39, -42.59

 

CMYK 0 / 65 / 46 / 53

HEX #782A41

RGB 120 42 65

HSL 342.31, 0.48%, 0.32%

LAB 29.49, 36.19, 3.78

 

CMYK 13 / 0 / 65 / 53

HEX #69782A

RGB 105 120 42

HSL 71.54, 0.48%, 0.32%

LAB 47.76, -17.46, 39.71

 

CMYK 65 / 0 / 19 / 53

HEX #2A7861

RGB 42 120 97

HSL 162.31, 0.48%, 0.32%

LAB 45.34, -29.72, 5.68

 

Description

Color code: HEX #3C2B7A | qconv.com Color code: HEX #3C2B7A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 43 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 43 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 65 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 65% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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