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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C2AA1 it is the complementary color #C3D55E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C2AA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C2AA1 shade: #412A9C, #523CAF, #634EC2, #7460D5 and #8572E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C2AA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C2AA1 shade: #3C2AA1, #2B188E, #1A067B, #090068 and #000055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C2AA1 shade: #3C29A2, #5C29A2, #7C29A2, #9D29A2 and #A22986

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C2AA1 shade: #3C29A2 and #2929A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C2AA1 shade matches the following richer shades: #3C29A2, #3019B2 and #2508C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C2AA1 shade: #3C29A2, #473A91, #534A81, #5E5B70 and #6A6B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C2AA1 shade: #2957A2, #2937A2, #3B29A2, #5B29A2 and #7C29A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C2AA1 shade: #231860, #2F2181, #3C29A2, #4832C2 and #614DD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C2AA1 shade: #3C2AA1, #A22978 and #47A229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C2AA1 shade: #3C2AA1, #A23B29 and #29A23B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C2AA1 shade: #3C2AA1, #A22978, #90A229 and #29A253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C2AA1 shade: #3C2AA1, #A22953, #90A229 and #29A278

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 74 / 0 / 37

HEX #3C2AA1

RGB 60 42 161

HSL 249.08, 0.59%, 0.4%

LAB 27.27, 42.44, -61.4

 

Complementary color

CMYK 8 / 0 / 56 / 16

HEX #C3D55E

RGB 195 213 94

HSL 69.08, 0.59%, 0.6%

LAB 81.84, -22.66, 55.71

 

CMYK 58 / 73 / 0 / 39

HEX #412A9C

RGB 65 42 156

HSL 252.11, 0.58%, 0.39%

LAB 27.24, 41.58, -58.39

 

CMYK 53 / 66 / 0 / 31

HEX #523CAF

RGB 82 60 175

HSL 251.48, 0.49%, 0.46%

LAB 34.23, 39.99, -58.34

 

CMYK 49 / 60 / 0 / 24

HEX #634EC2

RGB 99 78 194

HSL 250.86, 0.49%, 0.53%

LAB 41.21, 38.43, -58.12

 

CMYK 46 / 55 / 0 / 16

HEX #7460D5

RGB 116 96 213

HSL 250.26, 0.58%, 0.61%

LAB 48.11, 37.01, -57.84

 

CMYK 43 / 51 / 0 / 9

HEX #8572E8

RGB 133 114 232

HSL 249.66, 0.72%, 0.68%

LAB 54.91, 35.73, -57.57

 

CMYK 63 / 74 / 0 / 37

HEX #3C2AA1

RGB 60 42 161

HSL 249.08, 0.59%, 0.4%

LAB 27.27, 42.44, -61.4

 

CMYK 70 / 83 / 0 / 44

HEX #2B188E

RGB 43 24 142

HSL 249.66, 0.71%, 0.33%

LAB 20.52, 43.93, -60.91

 

CMYK 79 / 95 / 0 / 52

HEX #1A067B

RGB 26 6 123

HSL 250.26, 0.91%, 0.25%

LAB 14.29, 44.33, -59.28

 

CMYK 91 / 100 / 0 / 59

HEX #090068

RGB 9 0 104

HSL 245.19, 1%, 0.2%

LAB 9.46, 41.12, -54.99

 

CMYK 100 / 100 / 0 / 67

HEX #000055

RGB 0 0 85

HSL 240, 1%, 0.17%

LAB 5.92, 34.69, -48.12

 

CMYK 63 / 75 / 0 / 36

HEX #3C29A2

RGB 60 41 162

HSL 249.42, 0.6%, 0.4%

LAB 27.17, 43.3, -62.17

 

CMYK 43 / 75 / 0 / 36

HEX #5C29A2

RGB 92 41 162

HSL 265.29, 0.6%, 0.4%

LAB 30.57, 48.2, -56.47

 

CMYK 23 / 75 / 0 / 36

HEX #7C29A2

RGB 124 41 162

HSL 281.16, 0.6%, 0.4%

LAB 34.96, 54.25, -49.13

 

CMYK 3 / 75 / 0 / 36

HEX #9D29A2

RGB 157 41 162

HSL 297.52, 0.6%, 0.4%

LAB 40.18, 61.14, -40.47

 

CMYK 0 / 75 / 17 / 36

HEX #A22986

RGB 162 41 134

HSL 313.88, 0.6%, 0.4%

LAB 39.56, 57.89, -24.38

 

CMYK 63 / 75 / 0 / 36

HEX #3C29A2

RGB 60 41 162

HSL 249.42, 0.6%, 0.4%

LAB 27.17, 43.3, -62.17

 

CMYK 75 / 75 / 0 / 36

HEX #2929A2

RGB 41 41 162

HSL 240, 0.6%, 0.4%

LAB 25.76, 41.19, -64.54

 

CMYK 63 / 75 / 0 / 36

HEX #3C29A2

RGB 60 41 162

HSL 249.42, 0.6%, 0.4%

LAB 27.17, 43.3, -62.17

 

CMYK 73 / 86 / 0 / 30

HEX #3019B2

RGB 48 25 178

HSL 249.02, 0.75%, 0.4%

LAB 25.38, 54.53, -74.81

 

CMYK 81 / 96 / 0 / 24

HEX #2508C3

RGB 37 8 195

HSL 249.3, 0.92%, 0.4%

LAB 25.28, 63.49, -85.09

 

CMYK 63 / 75 / 0 / 36

HEX #3C29A2

RGB 60 41 162

HSL 249.42, 0.6%, 0.4%

LAB 27.17, 43.3, -62.17

 

CMYK 51 / 60 / 0 / 43

HEX #473A91

RGB 71 58 145

HSL 248.97, 0.43%, 0.4%

LAB 30.42, 29.65, -46.44

 

CMYK 36 / 43 / 0 / 49

HEX #534A81

RGB 83 74 129

HSL 249.82, 0.27%, 0.4%

LAB 34.64, 17.58, -29.77

 

CMYK 16 / 19 / 0 / 56

HEX #5E5B70

RGB 94 91 112

HSL 248.57, 0.1%, 0.4%

LAB 39.63, 5.92, -11.49

 

CMYK 1 / 0 / 10 / 58

HEX #6A6B60

RGB 106 107 96

HSL 65.45, 0.05%, 0.4%

LAB 44.84, -2.55, 6.03

 

CMYK 75 / 46 / 0 / 36

HEX #2957A2

RGB 41 87 162

HSL 217.19, 0.6%, 0.4%

LAB 37.66, 11.23, -45.17

 

CMYK 75 / 66 / 0 / 36

HEX #2937A2

RGB 41 55 162

HSL 233.06, 0.6%, 0.4%

LAB 28.93, 32.53, -59.32

 

CMYK 64 / 75 / 0 / 36

HEX #3B29A2

RGB 59 41 162

HSL 248.93, 0.6%, 0.4%

LAB 27.09, 43.17, -62.31

 

CMYK 44 / 75 / 0 / 36

HEX #5B29A2

RGB 91 41 162

HSL 264.79, 0.6%, 0.4%

LAB 30.45, 48.03, -56.68

 

CMYK 23 / 75 / 0 / 36

HEX #7C29A2

RGB 124 41 162

HSL 281.16, 0.6%, 0.4%

LAB 34.96, 54.25, -49.13

 

CMYK 64 / 75 / 0 / 62

HEX #231860

RGB 35 24 96

HSL 249.17, 0.6%, 0.24%

LAB 14.71, 27.92, -40.93

 

CMYK 64 / 74 / 0 / 49

HEX #2F2181

RGB 47 33 129

HSL 248.75, 0.59%, 0.32%

LAB 21.12, 35.46, -51.74

 

CMYK 63 / 75 / 0 / 36

HEX #3C29A2

RGB 60 41 162

HSL 249.42, 0.6%, 0.4%

LAB 27.17, 43.3, -62.17

 

CMYK 63 / 74 / 0 / 24

HEX #4832C2

RGB 72 50 194

HSL 249.17, 0.59%, 0.48%

LAB 33.04, 49.84, -71.57

 

CMYK 54 / 63 / 0 / 18

HEX #614DD1

RGB 97 77 209

HSL 249.09, 0.59%, 0.56%

LAB 41.93, 43.14, -65.65

 

CMYK 63 / 74 / 0 / 37

HEX #3C2AA1

RGB 60 42 161

HSL 249.08, 0.59%, 0.4%

LAB 27.27, 42.44, -61.4

 

CMYK 0 / 75 / 26 / 36

HEX #A22978

RGB 162 41 120

HSL 320.83, 0.6%, 0.4%

LAB 38.94, 55.98, -16.67

 

CMYK 56 / 0 / 75 / 36

HEX #47A229

RGB 71 162 41

HSL 105.12, 0.6%, 0.4%

LAB 59.29, -48.91, 51.5

 

CMYK 63 / 74 / 0 / 37

HEX #3C2AA1

RGB 60 42 161

HSL 249.08, 0.59%, 0.4%

LAB 27.27, 42.44, -61.4

 

CMYK 0 / 64 / 75 / 36

HEX #A23B29

RGB 162 59 41

HSL 8.93, 0.6%, 0.4%

LAB 39.53, 41.61, 33.22

 

CMYK 75 / 0 / 64 / 36

HEX #29A23B

RGB 41 162 59

HSL 128.93, 0.6%, 0.4%

LAB 58.63, -53.75, 43.17

 

CMYK 63 / 74 / 0 / 37

HEX #3C2AA1

RGB 60 42 161

HSL 249.08, 0.59%, 0.4%

LAB 27.27, 42.44, -61.4

 

CMYK 0 / 75 / 26 / 36

HEX #A22978

RGB 162 41 120

HSL 320.83, 0.6%, 0.4%

LAB 38.94, 55.98, -16.67

 

CMYK 11 / 0 / 75 / 36

HEX #90A229

RGB 144 162 41

HSL 68.93, 0.6%, 0.4%

LAB 63.29, -22.15, 56.76

 

CMYK 75 / 0 / 49 / 36

HEX #29A253

RGB 41 162 83

HSL 140.83, 0.6%, 0.4%

LAB 58.92, -50.35, 31.78

 

CMYK 63 / 74 / 0 / 37

HEX #3C2AA1

RGB 60 42 161

HSL 249.08, 0.59%, 0.4%

LAB 27.27, 42.44, -61.4

 

CMYK 0 / 75 / 49 / 36

HEX #A22953

RGB 162 41 83

HSL 339.17, 0.6%, 0.4%

LAB 37.65, 51.87, 4.79

 

CMYK 11 / 0 / 75 / 36

HEX #90A229

RGB 144 162 41

HSL 68.93, 0.6%, 0.4%

LAB 63.29, -22.15, 56.76

 

CMYK 75 / 0 / 26 / 36

HEX #29A278

RGB 41 162 120

HSL 159.17, 0.6%, 0.4%

LAB 59.59, -42.86, 12.61

 

Description

Color code: HEX #3C2AA1 | qconv.com Color code: HEX #3C2AA1 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 42 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 42 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 74 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 74% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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