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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C263E it is the complementary color #C3D9C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C263E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C263E shade: #412639, #52384C, #634A5F, #745C72 and #856E85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C263E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C263E shade: #3C263E, #2B142B, #1A0218 and #090005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C263E shade: #3D263F, #3F263A, #3F2634, #3F262D and #3F2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C263E shade: #3D263F, #36263F, #2F263F, #29263F and #26263F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C263E shade matches the following richer shades: #3D263F, #441E47, #4A164F, #510E57 and #580560

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C263E shade: #3D263F, #362F36, #2F372E, #283F26 and #21471E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C263E shade: #30263F, #36263F, #3D263F, #3F263A and #3F2634

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C263E shade: #0B070C, #241725, #3D263F, #553658 and #6E4672

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C263E shade: #3C263E, #3F2926 and #263F33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C263E shade: #3C263E, #3F3D26 and #263F3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C263E shade: #3C263E, #3F2926, #283F26 and #263C3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C263E shade: #3C263E, #3F3026, #283F26 and #26353F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 39 / 0 / 76

HEX #3C263E

RGB 60 38 62

HSL 295, 0.24%, 0.2%

LAB 18.78, 15.27, -11.16

 

Complementary color

CMYK 10 / 0 / 11 / 15

HEX #C3D9C1

RGB 195 217 193

HSL 115, 0.24%, 0.8%

LAB 84.52, -11.78, 9.34

 

CMYK 0 / 42 / 12 / 75

HEX #412639

RGB 65 38 57

HSL 317.78, 0.26%, 0.2%

LAB 19.25, 16.17, -6.92

 

CMYK 0 / 32 / 7 / 68

HEX #52384C

RGB 82 56 76

HSL 313.85, 0.19%, 0.27%

LAB 27.14, 15.3, -7.62

 

CMYK 0 / 25 / 4 / 61

HEX #634A5F

RGB 99 74 95

HSL 309.6, 0.14%, 0.34%

LAB 34.75, 14.57, -8.21

 

CMYK 0 / 21 / 2 / 55

HEX #745C72

RGB 116 92 114

HSL 305, 0.12%, 0.41%

LAB 42.13, 13.93, -8.74

 

CMYK 0 / 17 / 0 / 48

HEX #856E85

RGB 133 110 133

HSL 300, 0.09%, 0.48%

LAB 49.29, 13.38, -9.25

 

CMYK 3 / 39 / 0 / 76

HEX #3C263E

RGB 60 38 62

HSL 295, 0.24%, 0.2%

LAB 18.78, 15.27, -11.16

 

CMYK 0 / 53 / 0 / 83

HEX #2B142B

RGB 43 20 43

HSL 300, 0.37%, 0.12%

LAB 10.47, 16.21, -10.64

 

CMYK 0 / 92 / 8 / 90

HEX #1A0218

RGB 26 2 24

HSL 305, 0.86%, 0.05%

LAB 2.97, 12.28, -7.68

 

CMYK 0 / 100 / 44 / 96

HEX #090005

RGB 9 0 5

HSL 326.67, 1%, 0.02%

LAB 0.62, 3.05, -1.06

 

CMYK 3 / 40 / 0 / 75

HEX #3D263F

RGB 61 38 63

HSL 295.2, 0.25%, 0.2%

LAB 18.96, 15.89, -11.56

 

CMYK 0 / 40 / 8 / 75

HEX #3F263A

RGB 63 38 58

HSL 312, 0.25%, 0.2%

LAB 19.01, 15.56, -8.01

 

CMYK 0 / 40 / 17 / 75

HEX #3F2634

RGB 63 38 52

HSL 326.4, 0.25%, 0.2%

LAB 18.76, 14.31, -4.21

 

CMYK 0 / 40 / 29 / 75

HEX #3F262D

RGB 63 38 45

HSL 343.2, 0.25%, 0.2%

LAB 18.51, 12.99, 0.31

 

CMYK 0 / 40 / 40 / 75

HEX #3F2626

RGB 63 38 38

HSL 0, 0.25%, 0.2%

LAB 18.29, 11.83, 4.9

 

CMYK 3 / 40 / 0 / 75

HEX #3D263F

RGB 61 38 63

HSL 295.2, 0.25%, 0.2%

LAB 18.96, 15.89, -11.56

 

CMYK 14 / 40 / 0 / 75

HEX #36263F

RGB 54 38 63

HSL 278.4, 0.25%, 0.2%

LAB 18.05, 13.18, -13.04

 

CMYK 25 / 40 / 0 / 75

HEX #2F263F

RGB 47 38 63

HSL 261.6, 0.25%, 0.2%

LAB 17.22, 10.53, -14.39

 

CMYK 35 / 40 / 0 / 75

HEX #29263F

RGB 41 38 63

HSL 247.2, 0.25%, 0.2%

LAB 16.58, 8.34, -15.43

 

CMYK 40 / 40 / 0 / 75

HEX #26263F

RGB 38 38 63

HSL 240, 0.25%, 0.2%

LAB 16.29, 7.29, -15.91

 

CMYK 3 / 40 / 0 / 75

HEX #3D263F

RGB 61 38 63

HSL 295.2, 0.25%, 0.2%

LAB 18.96, 15.89, -11.56

 

CMYK 4 / 58 / 0 / 72

HEX #441E47

RGB 68 30 71

HSL 295.61, 0.41%, 0.2%

LAB 18.42, 25.35, -17.83

 

CMYK 6 / 72 / 0 / 69

HEX #4A164F

RGB 74 22 79

HSL 294.74, 0.56%, 0.2%

LAB 18.34, 33.16, -23.36

 

CMYK 7 / 84 / 0 / 66

HEX #510E57

RGB 81 14 87

HSL 295.07, 0.72%, 0.2%

LAB 19.02, 39.72, -27.61

 

CMYK 8 / 95 / 0 / 62

HEX #580560

RGB 88 5 96

HSL 294.73, 0.9%, 0.2%

LAB 20.15, 45.33, -31.72

 

CMYK 3 / 40 / 0 / 75

HEX #3D263F

RGB 61 38 63

HSL 295.2, 0.25%, 0.2%

LAB 18.96, 15.89, -11.56

 

CMYK 0 / 13 / 0 / 79

HEX #362F36

RGB 54 47 54

HSL 300, 0.07%, 0.2%

LAB 20.38, 4.72, -3.3

 

CMYK 15 / 0 / 16 / 78

HEX #2F372E

RGB 47 55 46

HSL 113.33, 0.09%, 0.2%

LAB 22.07, -5.51, 4.52

 

CMYK 37 / 0 / 40 / 75

HEX #283F26

RGB 40 63 38

HSL 115.2, 0.25%, 0.2%

LAB 24.15, -15, 12.56

 

CMYK 54 / 0 / 58 / 72

HEX #21471E

RGB 33 71 30

HSL 115.61, 0.41%, 0.2%

LAB 26.52, -23.25, 20.41

 

CMYK 24 / 40 / 0 / 75

HEX #30263F

RGB 48 38 63

HSL 264, 0.25%, 0.2%

LAB 17.34, 10.9, -14.2

 

CMYK 14 / 40 / 0 / 75

HEX #36263F

RGB 54 38 63

HSL 278.4, 0.25%, 0.2%

LAB 18.05, 13.18, -13.04

 

CMYK 3 / 40 / 0 / 75

HEX #3D263F

RGB 61 38 63

HSL 295.2, 0.25%, 0.2%

LAB 18.96, 15.89, -11.56

 

CMYK 0 / 40 / 8 / 75

HEX #3F263A

RGB 63 38 58

HSL 312, 0.25%, 0.2%

LAB 19.01, 15.56, -8.01

 

CMYK 0 / 40 / 17 / 75

HEX #3F2634

RGB 63 38 52

HSL 326.4, 0.25%, 0.2%

LAB 18.76, 14.31, -4.21

 

CMYK 8 / 42 / 0 / 95

HEX #0B070C

RGB 11 7 12

HSL 288, 0.26%, 0.04%

LAB 2.26, 1.76, -1.56

 

CMYK 3 / 38 / 0 / 85

HEX #241725

RGB 36 23 37

HSL 295.71, 0.23%, 0.12%

LAB 9.96, 9.7, -7.06

 

CMYK 3 / 40 / 0 / 75

HEX #3D263F

RGB 61 38 63

HSL 295.2, 0.25%, 0.2%

LAB 18.96, 15.89, -11.56

 

CMYK 3 / 39 / 0 / 65

HEX #553658

RGB 85 54 88

HSL 294.71, 0.24%, 0.28%

LAB 27.5, 20.33, -14.9

 

CMYK 4 / 39 / 0 / 55

HEX #6E4672

RGB 110 70 114

HSL 294.55, 0.24%, 0.36%

LAB 35.81, 25.1, -18.42

 

CMYK 3 / 39 / 0 / 76

HEX #3C263E

RGB 60 38 62

HSL 295, 0.24%, 0.2%

LAB 18.78, 15.27, -11.16

 

CMYK 0 / 35 / 40 / 75

HEX #3F2926

RGB 63 41 38

HSL 7.2, 0.25%, 0.2%

LAB 19.15, 9.81, 6.11

 

CMYK 40 / 0 / 19 / 75

HEX #263F33

RGB 38 63 51

HSL 151.2, 0.25%, 0.2%

LAB 24.34, -12.87, 4.33

 

CMYK 3 / 39 / 0 / 76

HEX #3C263E

RGB 60 38 62

HSL 295, 0.24%, 0.2%

LAB 18.78, 15.27, -11.16

 

CMYK 0 / 3 / 40 / 75

HEX #3F3D26

RGB 63 61 38

HSL 55.2, 0.25%, 0.2%

LAB 25.36, -3.39, 14.51

 

CMYK 40 / 0 / 3 / 75

HEX #263F3D

RGB 38 63 61

HSL 175.2, 0.25%, 0.2%

LAB 24.65, -10.17, -1.84

 

CMYK 3 / 39 / 0 / 76

HEX #3C263E

RGB 60 38 62

HSL 295, 0.24%, 0.2%

LAB 18.78, 15.27, -11.16

 

CMYK 0 / 35 / 40 / 75

HEX #3F2926

RGB 63 41 38

HSL 7.2, 0.25%, 0.2%

LAB 19.15, 9.81, 6.11

 

CMYK 37 / 0 / 40 / 75

HEX #283F26

RGB 40 63 38

HSL 115.2, 0.25%, 0.2%

LAB 24.15, -15, 12.56

 

CMYK 40 / 5 / 0 / 75

HEX #263C3F

RGB 38 60 63

HSL 187.2, 0.25%, 0.2%

LAB 23.68, -7.72, -4.61

 

CMYK 3 / 39 / 0 / 76

HEX #3C263E

RGB 60 38 62

HSL 295, 0.24%, 0.2%

LAB 18.78, 15.27, -11.16

 

CMYK 0 / 24 / 40 / 75

HEX #3F3026

RGB 63 48 38

HSL 24, 0.25%, 0.2%

LAB 21.25, 5.11, 9.01

 

CMYK 37 / 0 / 40 / 75

HEX #283F26

RGB 40 63 38

HSL 115.2, 0.25%, 0.2%

LAB 24.15, -15, 12.56

 

CMYK 40 / 16 / 0 / 75

HEX #26353F

RGB 38 53 63

HSL 204, 0.25%, 0.2%

LAB 21.27, -3.17, -8.24

 

Description

Color code: HEX #3C263E | qconv.com Color code: HEX #3C263E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 38 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 38 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 39 magenta, none yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 39% 0% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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