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Color name
HEX #3C25D9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C25D9 it is the complementary color #C3DA26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C25D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C25D9 shade: #4125D4, #5237E7, #6349FA, #745BFF and #856DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C25D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C25D9 shade: #3C25D9, #2B13C6, #1A01B3, #0900A0 and #00008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C25D9 shade: #3C24DA, #6C24DA, #9D24DA, #CE24DA and #DA24B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C25D9 shade: #3C24DA and #2424DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C25D9 shade matches the following richer shades: #3C24DA and #2C10EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C25D9 shade: #3C24DA, #4B39C5, #5A4EB0, #6A629C and #797787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C25D9 shade: #2470DA, #2440DA, #3A24DA, #6A24DA and #9A24DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C25D9 shade: #281993, #321EB6, #3C24DA, #5B48E0 and #7B6BE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C25D9 shade: #3C25D9, #DA24A0 and #58DA24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C25D9 shade: #3C25D9, #DA3A24 and #24DA3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C25D9 shade: #3C25D9, #DA24A0, #C4DA24 and #24DA5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C25D9 shade: #3C25D9, #DA246A, #C4DA24 and #24DA94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 83 / 0 / 15

HEX #3C25D9

RGB 60 37 217

HSL 247.67, 0.71%, 0.5%

LAB 32.47, 61.59, -85.92

 

Complementary color

CMYK 11 / 0 / 83 / 15

HEX #C3DA26

RGB 195 218 38

HSL 67.67, 0.71%, 0.5%

LAB 82.85, -28.12, 76.58

 

CMYK 69 / 83 / 0 / 17

HEX #4125D4

RGB 65 37 212

HSL 249.6, 0.7%, 0.49%

LAB 32.26, 60.53, -83.36

 

CMYK 65 / 76 / 0 / 9

HEX #5237E7

RGB 82 55 231

HSL 249.2, 0.79%, 0.56%

LAB 38.37, 59.39, -84.12

 

CMYK 60 / 71 / 0 / 2

HEX #6349FA

RGB 99 73 250

HSL 248.81, 0.95%, 0.63%

LAB 44.69, 57.84, -84.37

 

CMYK 55 / 64 / 0 / 0

HEX #745BFF

RGB 116 91 255

HSL 249.15, 1%, 0.68%

LAB 50, 52.12, -78.41

 

CMYK 48 / 57 / 0 / 0

HEX #856DFF

RGB 133 109 255

HSL 249.86, 1%, 0.71%

LAB 55.22, 45.12, -69.86

 

CMYK 72 / 83 / 0 / 15

HEX #3C25D9

RGB 60 37 217

HSL 247.67, 0.71%, 0.5%

LAB 32.47, 61.59, -85.92

 

CMYK 78 / 90 / 0 / 22

HEX #2B13C6

RGB 43 19 198

HSL 248.04, 0.82%, 0.43%

LAB 26.9, 61.85, -84.16

 

CMYK 85 / 99 / 0 / 30

HEX #1A01B3

RGB 26 1 179

HSL 248.43, 0.99%, 0.35%

LAB 21.93, 60.75, -81.19

 

CMYK 94 / 100 / 0 / 37

HEX #0900A0

RGB 9 0 160

HSL 243.38, 1%, 0.31%

LAB 18.35, 55.97, -75.69

 

CMYK 100 / 100 / 0 / 45

HEX #00008D

RGB 0 0 141

HSL 240, 1%, 0.28%

LAB 15.08, 50.96, -69.4

 

CMYK 72 / 83 / 0 / 15

HEX #3C24DA

RGB 60 36 218

HSL 247.91, 0.72%, 0.5%

LAB 32.45, 62.28, -86.53

 

CMYK 50 / 83 / 0 / 15

HEX #6C24DA

RGB 108 36 218

HSL 263.74, 0.72%, 0.5%

LAB 36.95, 66.51, -78.93

 

CMYK 28 / 83 / 0 / 15

HEX #9D24DA

RGB 157 36 218

HSL 279.89, 0.72%, 0.5%

LAB 43.5, 73.01, -67.96

 

CMYK 6 / 83 / 0 / 15

HEX #CE24DA

RGB 206 36 218

HSL 296.04, 0.72%, 0.5%

LAB 51.2, 81.04, -55.12

 

CMYK 0 / 83 / 17 / 15

HEX #DA24B4

RGB 218 36 180

HSL 312.53, 0.72%, 0.5%

LAB 51.22, 77.88, -33.01

 

CMYK 72 / 83 / 0 / 15

HEX #3C24DA

RGB 60 36 218

HSL 247.91, 0.72%, 0.5%

LAB 32.45, 62.28, -86.53

 

CMYK 83 / 83 / 0 / 15

HEX #2424DA

RGB 36 36 218

HSL 240, 0.72%, 0.5%

LAB 31.11, 61.08, -88.79

 

CMYK 72 / 83 / 0 / 15

HEX #3C24DA

RGB 60 36 218

HSL 247.91, 0.72%, 0.5%

LAB 32.45, 62.28, -86.53

 

CMYK 82 / 93 / 0 / 7

HEX #2C10EE

RGB 44 16 238

HSL 247.57, 0.87%, 0.5%

LAB 31.99, 72.97, -98.77

 

CMYK 72 / 83 / 0 / 15

HEX #3C24DA

RGB 60 36 218

HSL 247.91, 0.72%, 0.5%

LAB 32.45, 62.28, -86.53

 

CMYK 62 / 71 / 0 / 23

HEX #4B39C5

RGB 75 57 197

HSL 247.71, 0.55%, 0.5%

LAB 34.91, 47.38, -70.23

 

CMYK 49 / 56 / 0 / 31

HEX #5A4EB0

RGB 90 78 176

HSL 247.35, 0.39%, 0.5%

LAB 39.17, 31.06, -50.9

 

CMYK 32 / 37 / 0 / 39

HEX #6A629C

RGB 106 98 156

HSL 248.28, 0.23%, 0.5%

LAB 44.52, 17.01, -30.45

 

CMYK 10 / 12 / 0 / 47

HEX #797787

RGB 121 119 135

HSL 247.5, 0.06%, 0.5%

LAB 50.7, 4.12, -8.44

 

CMYK 83 / 49 / 0 / 15

HEX #2470DA

RGB 36 112 218

HSL 214.95, 0.72%, 0.5%

LAB 48.29, 16.14, -60.61

 

CMYK 83 / 71 / 0 / 15

HEX #2440DA

RGB 36 64 218

HSL 230.77, 0.72%, 0.5%

LAB 36.18, 46.56, -80.38

 

CMYK 73 / 83 / 0 / 15

HEX #3A24DA

RGB 58 36 218

HSL 247.25, 0.72%, 0.5%

LAB 32.31, 62.15, -86.76

 

CMYK 51 / 83 / 0 / 15

HEX #6A24DA

RGB 106 36 218

HSL 263.08, 0.72%, 0.5%

LAB 36.72, 66.28, -79.32

 

CMYK 29 / 83 / 0 / 15

HEX #9A24DA

RGB 154 36 218

HSL 278.9, 0.72%, 0.5%

LAB 43.05, 72.56, -68.7

 

CMYK 73 / 83 / 0 / 42

HEX #281993

RGB 40 25 147

HSL 247.38, 0.71%, 0.34%

LAB 21.03, 44.74, -63.17

 

CMYK 73 / 84 / 0 / 29

HEX #321EB6

RGB 50 30 182

HSL 247.89, 0.72%, 0.42%

LAB 26.69, 53.78, -75.02

 

CMYK 72 / 83 / 0 / 15

HEX #3C24DA

RGB 60 36 218

HSL 247.91, 0.72%, 0.5%

LAB 32.45, 62.28, -86.53

 

CMYK 59 / 68 / 0 / 12

HEX #5B48E0

RGB 91 72 224

HSL 247.5, 0.71%, 0.58%

LAB 41.6, 49.56, -74.8

 

CMYK 46 / 53 / 0 / 10

HEX #7B6BE5

RGB 123 107 229

HSL 247.87, 0.7%, 0.66%

LAB 52.27, 36.72, -60.18

 

CMYK 72 / 83 / 0 / 15

HEX #3C25D9

RGB 60 37 217

HSL 247.67, 0.71%, 0.5%

LAB 32.47, 61.59, -85.92

 

CMYK 0 / 83 / 27 / 15

HEX #DA24A0

RGB 218 36 160

HSL 319.12, 0.72%, 0.5%

LAB 50.34, 75.44, -22.59

 

CMYK 60 / 0 / 83 / 15

HEX #58DA24

RGB 88 218 36

HSL 102.86, 0.72%, 0.5%

LAB 77.49, -64.76, 70.28

 

CMYK 72 / 83 / 0 / 15

HEX #3C25D9

RGB 60 37 217

HSL 247.67, 0.71%, 0.5%

LAB 32.47, 61.59, -85.92

 

CMYK 0 / 73 / 83 / 15

HEX #DA3A24

RGB 218 58 36

HSL 7.25, 0.72%, 0.5%

LAB 49.57, 60.61, 49.25

 

CMYK 83 / 0 / 73 / 15

HEX #24DA3A

RGB 36 218 58

HSL 127.25, 0.72%, 0.5%

LAB 76.57, -72.12, 62.63

 

CMYK 72 / 83 / 0 / 15

HEX #3C25D9

RGB 60 37 217

HSL 247.67, 0.71%, 0.5%

LAB 32.47, 61.59, -85.92

 

CMYK 0 / 83 / 27 / 15

HEX #DA24A0

RGB 218 36 160

HSL 319.12, 0.72%, 0.5%

LAB 50.34, 75.44, -22.59

 

CMYK 10 / 0 / 83 / 15

HEX #C4DA24

RGB 196 218 36

HSL 67.25, 0.72%, 0.5%

LAB 82.92, -27.76, 77.12

 

CMYK 83 / 0 / 57 / 15

HEX #24DA5E

RGB 36 218 94

HSL 139.12, 0.72%, 0.5%

LAB 76.88, -68.35, 48.31

 

CMYK 72 / 83 / 0 / 15

HEX #3C25D9

RGB 60 37 217

HSL 247.67, 0.71%, 0.5%

LAB 32.47, 61.59, -85.92

 

CMYK 0 / 83 / 51 / 15

HEX #DA246A

RGB 218 36 106

HSL 336.92, 0.72%, 0.5%

LAB 48.52, 70.26, 7.35

 

CMYK 10 / 0 / 83 / 15

HEX #C4DA24

RGB 196 218 36

HSL 67.25, 0.72%, 0.5%

LAB 82.92, -27.76, 77.12

 

CMYK 83 / 0 / 32 / 15

HEX #24DA94

RGB 36 218 148

HSL 156.92, 0.72%, 0.5%

LAB 77.67, -59.05, 22.52

 

Description

Color code: HEX #3C25D9 | qconv.com Color code: HEX #3C25D9 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 37 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 37 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 83 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 83% 0% 15% C M Y K

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