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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C254E it is the complementary color #C3DAB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C254E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C254E shade: #412549, #52375C, #63496F, #745B82 and #856D95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C254E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C254E shade: #3C254E, #2B133B, #1A0128, #090015 and #000002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C254E shade: #3D254F, #48254F, #4F254B, #4F2540 and #4F2534

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C254E shade: #3D254F, #31254F, #26254F and #25254F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C254E shade matches the following richer shades: #3D254F, #3E1C59, #3F1262 and #40096C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C254E shade: #3D254F, #3C2F46, #3A383C, #394233 and #384B29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C254E shade: #26254F, #31254F, #3C254F, #48254F and #4F254C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C254E shade: #120B17, #271833, #3D254F, #52326B and #683F87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C254E shade: #3C254E, #4F2530 and #254F2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C254E shade: #3C254E, #4F3C25 and #254F3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C254E shade: #3C254E, #4F2530, #384F25 and #254F45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C254E shade: #3C254E, #4F2725, #384F25 and #254D4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 53 / 0 / 69

HEX #3C254E

RGB 60 37 78

HSL 273.66, 0.36%, 0.23%

LAB 19.37, 20.02, -21.19

 

Complementary color

CMYK 11 / 0 / 19 / 15

HEX #C3DAB1

RGB 195 218 177

HSL 93.66, 0.36%, 0.77%

LAB 84.44, -14.99, 17.65

 

CMYK 11 / 49 / 0 / 71

HEX #412549

RGB 65 37 73

HSL 286.67, 0.33%, 0.22%

LAB 19.75, 20.45, -17.14

 

CMYK 11 / 40 / 0 / 64

HEX #52375C

RGB 82 55 92

HSL 283.78, 0.25%, 0.29%

LAB 27.57, 19.54, -17.43

 

CMYK 11 / 34 / 0 / 56

HEX #63496F

RGB 99 73 111

HSL 281.05, 0.21%, 0.36%

LAB 35.13, 18.72, -17.69

 

CMYK 11 / 30 / 0 / 49

HEX #745B82

RGB 116 91 130

HSL 278.46, 0.18%, 0.43%

LAB 42.47, 18.01, -17.96

 

CMYK 11 / 27 / 0 / 42

HEX #856D95

RGB 133 109 149

HSL 276, 0.16%, 0.51%

LAB 49.61, 17.38, -18.23

 

CMYK 23 / 53 / 0 / 69

HEX #3C254E

RGB 60 37 78

HSL 273.66, 0.36%, 0.23%

LAB 19.37, 20.02, -21.19

 

CMYK 27 / 68 / 0 / 77

HEX #2B133B

RGB 43 19 59

HSL 276, 0.51%, 0.15%

LAB 11.24, 21.05, -21.04

 

CMYK 35 / 98 / 0 / 84

HEX #1A0128

RGB 26 1 40

HSL 278.46, 0.95%, 0.08%

LAB 3.56, 18.22, -19.39

 

CMYK 57 / 100 / 0 / 92

HEX #090015

RGB 9 0 21

HSL 265.71, 1%, 0.04%

LAB 1.01, 5.79, -8.52

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 23 / 53 / 0 / 69

HEX #3D254F

RGB 61 37 79

HSL 274.29, 0.36%, 0.23%

LAB 19.56, 20.62, -21.55

 

CMYK 9 / 53 / 0 / 69

HEX #48254F

RGB 72 37 79

HSL 290, 0.36%, 0.23%

LAB 21.08, 24.3, -19.06

 

CMYK 0 / 53 / 5 / 69

HEX #4F254B

RGB 79 37 75

HSL 305.71, 0.36%, 0.23%

LAB 21.92, 25.83, -14.97

 

CMYK 0 / 53 / 19 / 69

HEX #4F2540

RGB 79 37 64

HSL 321.43, 0.36%, 0.23%

LAB 21.42, 23.69, -8.26

 

CMYK 0 / 53 / 34 / 69

HEX #4F2534

RGB 79 37 52

HSL 338.57, 0.36%, 0.23%

LAB 20.96, 21.67, -0.69

 

CMYK 23 / 53 / 0 / 69

HEX #3D254F

RGB 61 37 79

HSL 274.29, 0.36%, 0.23%

LAB 19.56, 20.62, -21.55

 

CMYK 38 / 53 / 0 / 69

HEX #31254F

RGB 49 37 79

HSL 257.14, 0.36%, 0.23%

LAB 18.1, 16.77, -23.95

 

CMYK 52 / 53 / 0 / 69

HEX #26254F

RGB 38 37 79

HSL 241.43, 0.36%, 0.23%

LAB 16.99, 13.55, -25.79

 

CMYK 53 / 53 / 0 / 69

HEX #25254F

RGB 37 37 79

HSL 240, 0.36%, 0.23%

LAB 16.9, 13.28, -25.94

 

CMYK 23 / 53 / 0 / 69

HEX #3D254F

RGB 61 37 79

HSL 274.29, 0.36%, 0.23%

LAB 19.56, 20.62, -21.55

 

CMYK 30 / 69 / 0 / 65

HEX #3E1C59

RGB 62 28 89

HSL 273.44, 0.52%, 0.23%

LAB 18.26, 29.17, -30.34

 

CMYK 36 / 82 / 0 / 62

HEX #3F1262

RGB 63 18 98

HSL 273.75, 0.69%, 0.23%

LAB 17.33, 36.84, -37.83

 

CMYK 41 / 92 / 0 / 58

HEX #40096C

RGB 64 9 108

HSL 273.33, 0.85%, 0.23%

LAB 17.31, 42.75, -44.43

 

CMYK 23 / 53 / 0 / 69

HEX #3D254F

RGB 61 37 79

HSL 274.29, 0.36%, 0.23%

LAB 19.56, 20.62, -21.55

 

CMYK 14 / 33 / 0 / 73

HEX #3C2F46

RGB 60 47 70

HSL 273.91, 0.2%, 0.23%

LAB 21.71, 11.16, -12.12

 

CMYK 3 / 7 / 0 / 76

HEX #3A383C

RGB 58 56 60

HSL 270, 0.03%, 0.23%

LAB 23.85, 1.78, -2.18

 

CMYK 14 / 0 / 23 / 74

HEX #394233

RGB 57 66 51

HSL 96, 0.13%, 0.23%

LAB 26.75, -7.03, 7.92

 

CMYK 25 / 0 / 45 / 71

HEX #384B29

RGB 56 75 41

HSL 93.53, 0.29%, 0.23%

LAB 29.5, -14.59, 17.88

 

CMYK 52 / 53 / 0 / 69

HEX #26254F

RGB 38 37 79

HSL 241.43, 0.36%, 0.23%

LAB 16.99, 13.55, -25.79

 

CMYK 38 / 53 / 0 / 69

HEX #31254F

RGB 49 37 79

HSL 257.14, 0.36%, 0.23%

LAB 18.1, 16.77, -23.95

 

CMYK 24 / 53 / 0 / 69

HEX #3C254F

RGB 60 37 79

HSL 272.86, 0.36%, 0.23%

LAB 19.43, 20.29, -21.77

 

CMYK 9 / 53 / 0 / 69

HEX #48254F

RGB 72 37 79

HSL 290, 0.36%, 0.23%

LAB 21.08, 24.3, -19.06

 

CMYK 0 / 53 / 4 / 69

HEX #4F254C

RGB 79 37 76

HSL 304.29, 0.36%, 0.23%

LAB 21.97, 26.03, -15.56

 

CMYK 22 / 52 / 0 / 91

HEX #120B17

RGB 18 11 23

HSL 275, 0.35%, 0.07%

LAB 3.88, 4.72, -5.69

 

CMYK 24 / 53 / 0 / 80

HEX #271833

RGB 39 24 51

HSL 273.33, 0.36%, 0.15%

LAB 11.44, 14.03, -15.01

 

CMYK 23 / 53 / 0 / 69

HEX #3D254F

RGB 61 37 79

HSL 274.29, 0.36%, 0.23%

LAB 19.56, 20.62, -21.55

 

CMYK 23 / 53 / 0 / 58

HEX #52326B

RGB 82 50 107

HSL 273.68, 0.36%, 0.31%

LAB 27.12, 26.42, -27.83

 

CMYK 23 / 53 / 0 / 47

HEX #683F87

RGB 104 63 135

HSL 274.17, 0.36%, 0.39%

LAB 34.49, 32.21, -33.57

 

CMYK 23 / 53 / 0 / 69

HEX #3C254E

RGB 60 37 78

HSL 273.66, 0.36%, 0.23%

LAB 19.37, 20.02, -21.19

 

CMYK 0 / 53 / 39 / 69

HEX #4F2530

RGB 79 37 48

HSL 344.29, 0.36%, 0.23%

LAB 20.82, 21.08, 1.89

 

CMYK 53 / 0 / 46 / 69

HEX #254F2B

RGB 37 79 43

HSL 128.57, 0.36%, 0.23%

LAB 29.81, -23.62, 16.86

 

CMYK 23 / 53 / 0 / 69

HEX #3C254E

RGB 60 37 78

HSL 273.66, 0.36%, 0.23%

LAB 19.37, 20.02, -21.19

 

CMYK 0 / 24 / 53 / 69

HEX #4F3C25

RGB 79 60 37

HSL 32.86, 0.36%, 0.23%

LAB 26.81, 4.96, 17.37

 

CMYK 53 / 0 / 24 / 69

HEX #254F3C

RGB 37 79 60

HSL 152.86, 0.36%, 0.23%

LAB 30.19, -19.89, 6.78

 

CMYK 23 / 53 / 0 / 69

HEX #3C254E

RGB 60 37 78

HSL 273.66, 0.36%, 0.23%

LAB 19.37, 20.02, -21.19

 

CMYK 0 / 53 / 39 / 69

HEX #4F2530

RGB 79 37 48

HSL 344.29, 0.36%, 0.23%

LAB 20.82, 21.08, 1.89

 

CMYK 29 / 0 / 53 / 69

HEX #384F25

RGB 56 79 37

HSL 92.86, 0.36%, 0.23%

LAB 30.8, -17.41, 21.89

 

CMYK 53 / 0 / 13 / 69

HEX #254F45

RGB 37 79 69

HSL 165.71, 0.36%, 0.23%

LAB 30.44, -17.51, 1.4

 

CMYK 23 / 53 / 0 / 69

HEX #3C254E

RGB 60 37 78

HSL 273.66, 0.36%, 0.23%

LAB 19.37, 20.02, -21.19

 

CMYK 0 / 51 / 53 / 69

HEX #4F2725

RGB 79 39 37

HSL 2.86, 0.36%, 0.23%

LAB 21.01, 18.43, 9.74

 

CMYK 29 / 0 / 53 / 69

HEX #384F25

RGB 56 79 37

HSL 92.86, 0.36%, 0.23%

LAB 30.8, -17.41, 21.89

 

CMYK 53 / 3 / 0 / 69

HEX #254D4F

RGB 37 77 79

HSL 182.86, 0.36%, 0.23%

LAB 30.07, -13.41, -5.54

 

Description

Color code: HEX #3C254E | qconv.com Color code: HEX #3C254E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 37 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 37 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 53 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 53% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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