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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C24DF it is the complementary color #C3DB20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C24DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C24DF shade: #4124DA, #5236ED, #6348FF, #745AFF and #856CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C24DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C24DF shade: #3C24DF, #2B12CC, #1A00B9, #0900A6 and #000093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C24DF shade: #3C24E0, #6F24E0, #A124E0, #D424E0 and #E024B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C24DF shade: #3C24E0 and #2424E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C24DF shade matches the following richer shades: #3C24E0 and #2D10F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C24DF shade: #3C24E0, #4B39CC, #5A4DB7, #6961A3 and #79758F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C24DF shade: #2472E0, #2440E0, #3A24E0, #6C24E0 and #9E24E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C24DF shade: #27169B, #301BBF, #3C24E0, #5D48E5 and #7D6DEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C24DF shade: #3C24DF, #E024A4 and #59E024

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C24DF shade: #3C24DF, #E03A24 and #24E03A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C24DF shade: #3C24DF, #E024A4, #CAE024 and #24E060

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C24DF shade: #3C24DF, #E0246C, #CAE024 and #24E098

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 84 / 0 / 13

HEX #3C24DF

RGB 60 36 223

HSL 247.7, 0.75%, 0.51%

LAB 33.03, 63.67, -88.44

 

Complementary color

CMYK 11 / 0 / 85 / 14

HEX #C3DB20

RGB 195 219 32

HSL 67.7, 0.75%, 0.49%

LAB 83.11, -28.75, 78.1

 

CMYK 70 / 83 / 0 / 15

HEX #4124DA

RGB 65 36 218

HSL 249.56, 0.72%, 0.5%

LAB 32.8, 62.6, -85.93

 

CMYK 65 / 77 / 0 / 7

HEX #5236ED

RGB 82 54 237

HSL 249.18, 0.84%, 0.57%

LAB 38.81, 61.58, -86.8

 

CMYK 61 / 72 / 0 / 0

HEX #6348FF

RGB 99 72 255

HSL 248.85, 1%, 0.64%

LAB 44.95, 59.81, -86.73

 

CMYK 55 / 65 / 0 / 0

HEX #745AFF

RGB 116 90 255

HSL 249.45, 1%, 0.68%

LAB 49.79, 52.67, -78.75

 

CMYK 48 / 58 / 0 / 0

HEX #856CFF

RGB 133 108 255

HSL 250.2, 1%, 0.71%

LAB 55, 45.68, -70.22

 

CMYK 73 / 84 / 0 / 13

HEX #3C24DF

RGB 60 36 223

HSL 247.7, 0.75%, 0.51%

LAB 33.03, 63.67, -88.44

 

CMYK 79 / 91 / 0 / 20

HEX #2B12CC

RGB 43 18 204

HSL 248.06, 0.84%, 0.44%

LAB 27.59, 63.73, -86.52

 

CMYK 86 / 100 / 0 / 27

HEX #1A00B9

RGB 26 0 185

HSL 248.43, 1%, 0.36%

LAB 22.73, 62.48, -83.44

 

CMYK 95 / 100 / 0 / 35

HEX #0900A6

RGB 9 0 166

HSL 243.25, 1%, 0.33%

LAB 19.27, 57.51, -77.8

 

CMYK 100 / 100 / 0 / 42

HEX #000093

RGB 0 0 147

HSL 240, 1%, 0.29%

LAB 16.04, 52.53, -71.54

 

CMYK 73 / 84 / 0 / 12

HEX #3C24E0

RGB 60 36 224

HSL 247.66, 0.75%, 0.51%

LAB 33.14, 63.95, -88.82

 

CMYK 50 / 84 / 0 / 12

HEX #6F24E0

RGB 111 36 224

HSL 263.94, 0.75%, 0.51%

LAB 37.88, 68.28, -80.83

 

CMYK 28 / 84 / 0 / 12

HEX #A124E0

RGB 161 36 224

HSL 279.89, 0.75%, 0.51%

LAB 44.55, 74.79, -69.65

 

CMYK 5 / 84 / 0 / 12

HEX #D424E0

RGB 212 36 224

HSL 296.17, 0.75%, 0.51%

LAB 52.55, 83.03, -56.31

 

CMYK 0 / 84 / 17 / 12

HEX #E024B9

RGB 224 36 185

HSL 312.45, 0.75%, 0.51%

LAB 52.52, 79.74, -33.82

 

CMYK 73 / 84 / 0 / 12

HEX #3C24E0

RGB 60 36 224

HSL 247.66, 0.75%, 0.51%

LAB 33.14, 63.95, -88.82

 

CMYK 84 / 84 / 0 / 12

HEX #2424E0

RGB 36 36 224

HSL 240, 0.75%, 0.51%

LAB 31.85, 62.83, -91.01

 

CMYK 73 / 84 / 0 / 12

HEX #3C24E0

RGB 60 36 224

HSL 247.66, 0.75%, 0.51%

LAB 33.14, 63.95, -88.82

 

CMYK 82 / 93 / 0 / 4

HEX #2D10F4

RGB 45 16 244

HSL 247.63, 0.91%, 0.51%

LAB 32.83, 74.49, -100.75

 

CMYK 73 / 84 / 0 / 12

HEX #3C24E0

RGB 60 36 224

HSL 247.66, 0.75%, 0.51%

LAB 33.14, 63.95, -88.82

 

CMYK 63 / 72 / 0 / 20

HEX #4B39CC

RGB 75 57 204

HSL 247.35, 0.59%, 0.51%

LAB 35.56, 49.53, -73.24

 

CMYK 51 / 58 / 0 / 28

HEX #5A4DB7

RGB 90 77 183

HSL 247.36, 0.42%, 0.51%

LAB 39.41, 33.84, -54.63

 

CMYK 36 / 40 / 0 / 36

HEX #6961A3

RGB 105 97 163

HSL 247.27, 0.26%, 0.51%

LAB 44.51, 19.27, -34.61

 

CMYK 15 / 18 / 0 / 44

HEX #79758F

RGB 121 117 143

HSL 249.23, 0.1%, 0.51%

LAB 50.42, 7.11, -13.57

 

CMYK 84 / 49 / 0 / 12

HEX #2472E0

RGB 36 114 224

HSL 215.11, 0.75%, 0.51%

LAB 49.24, 17.16, -62.47

 

CMYK 84 / 71 / 0 / 12

HEX #2440E0

RGB 36 64 224

HSL 231.06, 0.75%, 0.51%

LAB 36.79, 48.63, -82.82

 

CMYK 74 / 84 / 0 / 12

HEX #3A24E0

RGB 58 36 224

HSL 247.02, 0.75%, 0.51%

LAB 33.01, 63.84, -89.04

 

CMYK 52 / 84 / 0 / 12

HEX #6C24E0

RGB 108 36 224

HSL 262.98, 0.75%, 0.51%

LAB 37.54, 67.96, -81.41

 

CMYK 29 / 84 / 0 / 12

HEX #9E24E0

RGB 158 36 224

HSL 278.94, 0.75%, 0.51%

LAB 44.11, 74.34, -70.38

 

CMYK 75 / 86 / 0 / 39

HEX #27169B

RGB 39 22 155

HSL 247.67, 0.75%, 0.35%

LAB 21.47, 48.45, -67.37

 

CMYK 75 / 86 / 0 / 25

HEX #301BBF

RGB 48 27 191

HSL 247.68, 0.75%, 0.43%

LAB 27.22, 57.46, -79.47

 

CMYK 73 / 84 / 0 / 12

HEX #3C24E0

RGB 60 36 224

HSL 247.66, 0.75%, 0.51%

LAB 33.14, 63.95, -88.82

 

CMYK 59 / 69 / 0 / 10

HEX #5D48E5

RGB 93 72 229

HSL 248.03, 0.75%, 0.59%

LAB 42.18, 51.36, -76.67

 

CMYK 47 / 53 / 0 / 8

HEX #7D6DEA

RGB 125 109 234

HSL 247.68, 0.75%, 0.67%

LAB 53.21, 37.43, -61.46

 

CMYK 73 / 84 / 0 / 13

HEX #3C24DF

RGB 60 36 223

HSL 247.7, 0.75%, 0.51%

LAB 33.03, 63.67, -88.44

 

CMYK 0 / 84 / 27 / 12

HEX #E024A4

RGB 224 36 164

HSL 319.15, 0.75%, 0.51%

LAB 51.6, 77.2, -22.93

 

CMYK 60 / 0 / 84 / 12

HEX #59E024

RGB 89 224 36

HSL 103.09, 0.75%, 0.51%

LAB 79.36, -66.53, 71.97

 

CMYK 73 / 84 / 0 / 13

HEX #3C24DF

RGB 60 36 223

HSL 247.7, 0.75%, 0.51%

LAB 33.03, 63.67, -88.44

 

CMYK 0 / 74 / 84 / 12

HEX #E03A24

RGB 224 58 36

HSL 7.02, 0.75%, 0.51%

LAB 50.69, 62.45, 50.67

 

CMYK 84 / 0 / 74 / 12

HEX #24E03A

RGB 36 224 58

HSL 127.02, 0.75%, 0.51%

LAB 78.46, -73.87, 64.52

 

CMYK 73 / 84 / 0 / 13

HEX #3C24DF

RGB 60 36 223

HSL 247.7, 0.75%, 0.51%

LAB 33.03, 63.67, -88.44

 

CMYK 0 / 84 / 27 / 12

HEX #E024A4

RGB 224 36 164

HSL 319.15, 0.75%, 0.51%

LAB 51.6, 77.2, -22.93

 

CMYK 10 / 0 / 84 / 12

HEX #CAE024

RGB 202 224 36

HSL 67.02, 0.75%, 0.51%

LAB 84.99, -28.14, 79.04

 

CMYK 84 / 0 / 57 / 12

HEX #24E060

RGB 36 224 96

HSL 139.15, 0.75%, 0.51%

LAB 78.77, -69.98, 49.64

 

CMYK 73 / 84 / 0 / 13

HEX #3C24DF

RGB 60 36 223

HSL 247.7, 0.75%, 0.51%

LAB 33.03, 63.67, -88.44

 

CMYK 0 / 84 / 52 / 12

HEX #E0246C

RGB 224 36 108

HSL 337.02, 0.75%, 0.51%

LAB 49.73, 71.9, 8

 

CMYK 10 / 0 / 84 / 12

HEX #CAE024

RGB 202 224 36

HSL 67.02, 0.75%, 0.51%

LAB 84.99, -28.14, 79.04

 

CMYK 84 / 0 / 32 / 12

HEX #24E098

RGB 36 224 152

HSL 157.02, 0.75%, 0.51%

LAB 79.59, -60.41, 23.06

 

Description

Color code: HEX #3C24DF | qconv.com Color code: HEX #3C24DF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 36 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 36 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 84 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 84% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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