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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C202B it is the complementary color #C3DFD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C202B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C202B shade: #412026, #523239, #63444C, #74565F and #856872

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C202B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C202B shade: #3C202B, #2B0E18, #1A0005, #090000 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C202B shade: #3C202B, #3C2024 and #3C2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C202B shade: #3C202B, #3C2032, #3C203A, #36203C and #2F203C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C202B shade matches the following richer shades: #3C202B, #431929, #4B1128, #520A26 and #590225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C202B shade: #3C202B, #34282D, #2D2F2E, #253630 and #1E3E31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C202B shade: #3C203A, #3C2032, #3C202B, #3C2024 and #3C2420

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C202B shade: #060304, #211218, #3C202B, #562F3E and #713D52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C202B shade: #3C202B, #3C3620 and #20363C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C202B shade: #3C202B, #2B3C20 and #202B3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C202B shade: #3C202B, #3C3620, #203C31 and #20263C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C202B shade: #3C202B, #393C20, #203C31 and #23203C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 28 / 76

HEX #3C202B

RGB 60 32 43

HSL 336.43, 0.3%, 0.18%

LAB 16.35, 15.29, -1.49

 

Complementary color

CMYK 13 / 0 / 5 / 13

HEX #C3DFD4

RGB 195 223 212

HSL 156.43, 0.3%, 0.82%

LAB 86.57, -11.35, 2.26

 

CMYK 0 / 51 / 42 / 75

HEX #412026

RGB 65 32 38

HSL 349.09, 0.34%, 0.19%

LAB 16.97, 16.7, 3.08

 

CMYK 0 / 39 / 30 / 68

HEX #523239

RGB 82 50 57

HSL 346.88, 0.24%, 0.26%

LAB 24.86, 15.6, 1.65

 

CMYK 0 / 31 / 23 / 61

HEX #63444C

RGB 99 68 76

HSL 344.52, 0.19%, 0.33%

LAB 32.5, 14.7, 0.56

 

CMYK 0 / 26 / 18 / 55

HEX #74565F

RGB 116 86 95

HSL 342, 0.15%, 0.4%

LAB 39.91, 13.94, -0.35

 

CMYK 0 / 22 / 14 / 48

HEX #856872

RGB 133 104 114

HSL 339.31, 0.12%, 0.46%

LAB 47.11, 13.3, -1.16

 

CMYK 0 / 47 / 28 / 76

HEX #3C202B

RGB 60 32 43

HSL 336.43, 0.3%, 0.18%

LAB 16.35, 15.29, -1.49

 

CMYK 0 / 67 / 44 / 83

HEX #2B0E18

RGB 43 14 24

HSL 339.31, 0.51%, 0.11%

LAB 8.07, 16.37, 0.08

 

CMYK 0 / 100 / 81 / 90

HEX #1A0005

RGB 26 0 5

HSL 348.46, 1%, 0.05%

LAB 2.08, 9.6, 1.24

 

CMYK 0 / 100 / 100 / 96

HEX #090000

RGB 9 0 0

HSL 0, 1%, 0.02%

LAB 0.52, 2.35, 0.83

 

CMYK 0 / 47 / 28 / 76

HEX #3C202B

RGB 60 32 43

HSL 336.43, 0.3%, 0.18%

LAB 16.35, 15.29, -1.49

 

CMYK 0 / 47 / 40 / 76

HEX #3C2024

RGB 60 32 36

HSL 351.43, 0.3%, 0.18%

LAB 16.11, 14.13, 3.16

 

CMYK 0 / 47 / 47 / 76

HEX #3C2020

RGB 60 32 32

HSL 0, 0.3%, 0.18%

LAB 15.99, 13.53, 5.85

 

CMYK 0 / 47 / 28 / 76

HEX #3C202B

RGB 60 32 43

HSL 336.43, 0.3%, 0.18%

LAB 16.35, 15.29, -1.49

 

CMYK 0 / 47 / 17 / 76

HEX #3C2032

RGB 60 32 50

HSL 321.43, 0.3%, 0.18%

LAB 16.62, 16.62, -6.06

 

CMYK 0 / 47 / 3 / 76

HEX #3C203A

RGB 60 32 58

HSL 304.29, 0.3%, 0.18%

LAB 16.98, 18.32, -11.14

 

CMYK 10 / 47 / 0 / 76

HEX #36203C

RGB 54 32 60

HSL 287.14, 0.3%, 0.18%

LAB 16.22, 16.51, -13.79

 

CMYK 22 / 47 / 0 / 76

HEX #2F203C

RGB 47 32 60

HSL 272.14, 0.3%, 0.18%

LAB 15.3, 13.89, -15.3

 

CMYK 0 / 47 / 28 / 76

HEX #3C202B

RGB 60 32 43

HSL 336.43, 0.3%, 0.18%

LAB 16.35, 15.29, -1.49

 

CMYK 0 / 63 / 39 / 74

HEX #431929

RGB 67 25 41

HSL 337.14, 0.46%, 0.18%

LAB 15.74, 22.29, -0.82

 

CMYK 0 / 77 / 47 / 71

HEX #4B1128

RGB 75 17 40

HSL 336.21, 0.63%, 0.18%

LAB 15.75, 29.27, 0.1

 

CMYK 0 / 88 / 54 / 68

HEX #520A26

RGB 82 10 38

HSL 336.67, 0.78%, 0.18%

LAB 16.26, 33.96, 2.49

 

CMYK 0 / 98 / 58 / 65

HEX #590225

RGB 89 2 37

HSL 335.86, 0.96%, 0.18%

LAB 16.99, 38.34, 4.48

 

CMYK 0 / 47 / 28 / 76

HEX #3C202B

RGB 60 32 43

HSL 336.43, 0.3%, 0.18%

LAB 16.35, 15.29, -1.49

 

CMYK 0 / 23 / 13 / 80

HEX #34282D

RGB 52 40 45

HSL 335, 0.13%, 0.18%

LAB 17.63, 6.62, -1.14

 

CMYK 4 / 0 / 2 / 82

HEX #2D2F2E

RGB 45 47 46

HSL 150, 0.02%, 0.18%

LAB 19.17, -1.12, 0.33

 

CMYK 31 / 0 / 11 / 79

HEX #253630

RGB 37 54 48

HSL 158.82, 0.19%, 0.18%

LAB 21, -8.53, 1.53

 

CMYK 52 / 0 / 21 / 76

HEX #1E3E31

RGB 30 62 49

HSL 155.63, 0.35%, 0.18%

LAB 23.48, -15.53, 4.37

 

CMYK 0 / 47 / 3 / 76

HEX #3C203A

RGB 60 32 58

HSL 304.29, 0.3%, 0.18%

LAB 16.98, 18.32, -11.14

 

CMYK 0 / 47 / 17 / 76

HEX #3C2032

RGB 60 32 50

HSL 321.43, 0.3%, 0.18%

LAB 16.62, 16.62, -6.06

 

CMYK 0 / 47 / 28 / 76

HEX #3C202B

RGB 60 32 43

HSL 336.43, 0.3%, 0.18%

LAB 16.35, 15.29, -1.49

 

CMYK 0 / 47 / 40 / 76

HEX #3C2024

RGB 60 32 36

HSL 351.43, 0.3%, 0.18%

LAB 16.11, 14.13, 3.16

 

CMYK 0 / 40 / 47 / 76

HEX #3C2420

RGB 60 36 32

HSL 8.57, 0.3%, 0.18%

LAB 17.12, 10.85, 7.4

 

CMYK 0 / 50 / 33 / 98

HEX #060304

RGB 6 3 4

HSL 340, 0.33%, 0.02%

LAB 1.02, 0.92, -0.1

 

CMYK 0 / 45 / 27 / 87

HEX #211218

RGB 33 18 24

HSL 336, 0.29%, 0.1%

LAB 7.42, 8.9, -1.07

 

CMYK 0 / 47 / 28 / 76

HEX #3C202B

RGB 60 32 43

HSL 336.43, 0.3%, 0.18%

LAB 16.35, 15.29, -1.49

 

CMYK 0 / 45 / 28 / 66

HEX #562F3E

RGB 86 47 62

HSL 336.92, 0.29%, 0.26%

LAB 24.83, 20.01, -1.69

 

CMYK 0 / 46 / 27 / 56

HEX #713D52

RGB 113 61 82

HSL 335.77, 0.3%, 0.34%

LAB 32.83, 25.6, -2.6

 

CMYK 0 / 47 / 28 / 76

HEX #3C202B

RGB 60 32 43

HSL 336.43, 0.3%, 0.18%

LAB 16.35, 15.29, -1.49

 

CMYK 0 / 10 / 47 / 76

HEX #3C3620

RGB 60 54 32

HSL 47.14, 0.3%, 0.18%

LAB 22.67, -1.22, 14.79

 

CMYK 47 / 10 / 0 / 76

HEX #20363C

RGB 32 54 60

HSL 192.86, 0.3%, 0.18%

LAB 21.1, -6.78, -6.5

 

CMYK 0 / 47 / 28 / 76

HEX #3C202B

RGB 60 32 43

HSL 336.43, 0.3%, 0.18%

LAB 16.35, 15.29, -1.49

 

CMYK 28 / 0 / 47 / 76

HEX #2B3C20

RGB 43 60 32

HSL 96.43, 0.3%, 0.18%

LAB 23.17, -13.08, 15.13

 

CMYK 47 / 28 / 0 / 76

HEX #202B3C

RGB 32 43 60

HSL 216.43, 0.3%, 0.18%

LAB 17.28, 0.66, -12.33

 

CMYK 0 / 47 / 28 / 76

HEX #3C202B

RGB 60 32 43

HSL 336.43, 0.3%, 0.18%

LAB 16.35, 15.29, -1.49

 

CMYK 0 / 10 / 47 / 76

HEX #3C3620

RGB 60 54 32

HSL 47.14, 0.3%, 0.18%

LAB 22.67, -1.22, 14.79

 

CMYK 47 / 0 / 18 / 76

HEX #203C31

RGB 32 60 49

HSL 156.43, 0.3%, 0.18%

LAB 22.86, -13.72, 3.5

 

CMYK 47 / 37 / 0 / 76

HEX #20263C

RGB 32 38 60

HSL 227.14, 0.3%, 0.18%

LAB 15.59, 4.24, -14.96

 

CMYK 0 / 47 / 28 / 76

HEX #3C202B

RGB 60 32 43

HSL 336.43, 0.3%, 0.18%

LAB 16.35, 15.29, -1.49

 

CMYK 5 / 0 / 47 / 76

HEX #393C20

RGB 57 60 32

HSL 66.43, 0.3%, 0.18%

LAB 24.34, -6.53, 16.87

 

CMYK 47 / 0 / 18 / 76

HEX #203C31

RGB 32 60 49

HSL 156.43, 0.3%, 0.18%

LAB 22.86, -13.72, 3.5

 

CMYK 42 / 47 / 0 / 76

HEX #23203C

RGB 35 32 60

HSL 246.43, 0.3%, 0.18%

LAB 13.92, 9.64, -17.55

 

Description

Color code: HEX #3C202B | qconv.com Color code: HEX #3C202B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 32 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 32 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 28 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 28% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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