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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C134E it is the complementary color #C3ECB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C134E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C134E shade: #411349, #52255C, #63376F, #744982 and #855B95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C134E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C134E shade: #3C134E, #2B013B, #1A0028, #090015 and #000002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C134E shade: #3C134E, #4C134E, #4E1340, #4E1330 and #4E1320

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C134E shade: #3C134E, #2C134E, #1C134E and #13134E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C134E shade matches the following richer shades: #3C134E, #3F0B56 and #42035E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C134E shade: #3C134E, #391B46, #36233E, #332A36 and #30322F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C134E shade: #1C134E, #2C134E, #3B134E, #4B134E and #4E1341

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C134E shade: #09030C, #220B2D, #3C134E, #551B6F and #6F2390

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C134E shade: #3C134E, #4E131A and #134E24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C134E shade: #3C134E, #4E3B13 and #134E3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C134E shade: #3C134E, #4E131A, #264E13 and #134E47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C134E shade: #3C134E, #4E1E13, #264E13 and #13434E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 76 / 0 / 69

HEX #3C134E

RGB 60 19 78

HSL 281.69, 0.61%, 0.19%

LAB 15.36, 30.71, -27.57

 

Complementary color

CMYK 17 / 0 / 25 / 7

HEX #C3ECB1

RGB 195 236 177

HSL 101.69, 0.61%, 0.81%

LAB 89.28, -23.85, 24.35

 

CMYK 11 / 74 / 0 / 71

HEX #411349

RGB 65 19 73

HSL 291.11, 0.59%, 0.18%

LAB 15.85, 30.86, -23.3

 

CMYK 11 / 60 / 0 / 64

HEX #52255C

RGB 82 37 92

HSL 289.09, 0.43%, 0.25%

LAB 23.3, 30.48, -24.11

 

CMYK 11 / 50 / 0 / 56

HEX #63376F

RGB 99 55 111

HSL 287.14, 0.34%, 0.33%

LAB 30.72, 29.7, -24.56

 

CMYK 11 / 44 / 0 / 49

HEX #744982

RGB 116 73 130

HSL 285.26, 0.28%, 0.4%

LAB 38, 28.84, -24.87

 

CMYK 11 / 39 / 0 / 42

HEX #855B95

RGB 133 91 149

HSL 283.45, 0.24%, 0.47%

LAB 45.14, 28.01, -25.12

 

CMYK 23 / 76 / 0 / 69

HEX #3C134E

RGB 60 19 78

HSL 281.69, 0.61%, 0.19%

LAB 15.36, 30.71, -27.57

 

CMYK 27 / 98 / 0 / 77

HEX #2B013B

RGB 43 1 59

HSL 283.45, 0.97%, 0.12%

LAB 7.69, 31.09, -26.77

 

CMYK 35 / 100 / 0 / 84

HEX #1A0028

RGB 26 0 40

HSL 279, 1%, 0.08%

LAB 3.37, 18.62, -19.7

 

CMYK 57 / 100 / 0 / 92

HEX #090015

RGB 9 0 21

HSL 265.71, 1%, 0.04%

LAB 1.01, 5.79, -8.52

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 23 / 76 / 0 / 69

HEX #3C134E

RGB 60 19 78

HSL 281.69, 0.61%, 0.19%

LAB 15.36, 30.71, -27.57

 

CMYK 3 / 76 / 0 / 69

HEX #4C134E

RGB 76 19 78

HSL 297.97, 0.61%, 0.19%

LAB 18.15, 34.85, -22.95

 

CMYK 0 / 76 / 18 / 69

HEX #4E1340

RGB 78 19 64

HSL 314.24, 0.61%, 0.19%

LAB 17.72, 32.83, -13.95

 

CMYK 0 / 76 / 38 / 69

HEX #4E1330

RGB 78 19 48

HSL 330.51, 0.61%, 0.19%

LAB 16.98, 30.41, -3.77

 

CMYK 0 / 76 / 59 / 69

HEX #4E1320

RGB 78 19 32

HSL 346.78, 0.61%, 0.19%

LAB 16.45, 28.58, 6.99

 

CMYK 23 / 76 / 0 / 69

HEX #3C134E

RGB 60 19 78

HSL 281.69, 0.61%, 0.19%

LAB 15.36, 30.71, -27.57

 

CMYK 44 / 76 / 0 / 69

HEX #2C134E

RGB 44 19 78

HSL 265.42, 0.61%, 0.19%

LAB 12.93, 26.85, -31.62

 

CMYK 64 / 76 / 0 / 69

HEX #1C134E

RGB 28 19 78

HSL 249.15, 0.61%, 0.19%

LAB 11.01, 23.58, -34.83

 

CMYK 76 / 76 / 0 / 69

HEX #13134E

RGB 19 19 78

HSL 240, 0.61%, 0.19%

LAB 10.22, 22.14, -36.17

 

CMYK 23 / 76 / 0 / 69

HEX #3C134E

RGB 60 19 78

HSL 281.69, 0.61%, 0.19%

LAB 15.36, 30.71, -27.57

 

CMYK 27 / 87 / 0 / 66

HEX #3F0B56

RGB 63 11 86

HSL 281.6, 0.77%, 0.19%

LAB 15.32, 36.71, -33.06

 

CMYK 30 / 97 / 0 / 63

HEX #42035E

RGB 66 3 94

HSL 281.54, 0.94%, 0.19%

LAB 15.65, 41.73, -37.88

 

CMYK 23 / 76 / 0 / 69

HEX #3C134E

RGB 60 19 78

HSL 281.69, 0.61%, 0.19%

LAB 15.36, 30.71, -27.57

 

CMYK 19 / 61 / 0 / 73

HEX #391B46

RGB 57 27 70

HSL 281.86, 0.44%, 0.19%

LAB 15.98, 23.34, -21.1

 

CMYK 13 / 44 / 0 / 76

HEX #36233E

RGB 54 35 62

HSL 282.22, 0.28%, 0.19%

LAB 17.15, 14.98, -13.74

 

CMYK 6 / 22 / 0 / 79

HEX #332A36

RGB 51 42 54

HSL 285, 0.13%, 0.19%

LAB 18.48, 6.88, -6.18

 

CMYK 4 / 0 / 6 / 80

HEX #30322F

RGB 48 50 47

HSL 100, 0.03%, 0.19%

LAB 20.5, -1.57, 1.6

 

CMYK 64 / 76 / 0 / 69

HEX #1C134E

RGB 28 19 78

HSL 249.15, 0.61%, 0.19%

LAB 11.01, 23.58, -34.83

 

CMYK 44 / 76 / 0 / 69

HEX #2C134E

RGB 44 19 78

HSL 265.42, 0.61%, 0.19%

LAB 12.93, 26.85, -31.62

 

CMYK 24 / 76 / 0 / 69

HEX #3B134E

RGB 59 19 78

HSL 280.68, 0.61%, 0.19%

LAB 15.2, 30.46, -27.84

 

CMYK 4 / 76 / 0 / 69

HEX #4B134E

RGB 75 19 78

HSL 296.95, 0.61%, 0.19%

LAB 17.97, 34.58, -23.25

 

CMYK 0 / 76 / 17 / 69

HEX #4E1341

RGB 78 19 65

HSL 313.22, 0.61%, 0.19%

LAB 17.77, 33, -14.57

 

CMYK 25 / 75 / 0 / 95

HEX #09030C

RGB 9 3 12

HSL 280, 0.6%, 0.03%

LAB 1.35, 2.84, -2.9

 

CMYK 24 / 76 / 0 / 82

HEX #220B2D

RGB 34 11 45

HSL 280.59, 0.61%, 0.11%

LAB 6.95, 19.21, -17.77

 

CMYK 23 / 76 / 0 / 69

HEX #3C134E

RGB 60 19 78

HSL 281.69, 0.61%, 0.19%

LAB 15.36, 30.71, -27.57

 

CMYK 23 / 76 / 0 / 56

HEX #551B6F

RGB 85 27 111

HSL 281.43, 0.61%, 0.27%

LAB 23.21, 40.64, -36.63

 

CMYK 23 / 76 / 0 / 44

HEX #6F2390

RGB 111 35 144

HSL 281.83, 0.61%, 0.35%

LAB 30.87, 50.14, -44.87

 

CMYK 23 / 76 / 0 / 69

HEX #3C134E

RGB 60 19 78

HSL 281.69, 0.61%, 0.19%

LAB 15.36, 30.71, -27.57

 

CMYK 0 / 76 / 67 / 69

HEX #4E131A

RGB 78 19 26

HSL 352.88, 0.61%, 0.19%

LAB 16.31, 28.06, 11.11

 

CMYK 76 / 0 / 54 / 69

HEX #134E24

RGB 19 78 36

HSL 137.29, 0.61%, 0.19%

LAB 28.68, -29.29, 19.46

 

CMYK 23 / 76 / 0 / 69

HEX #3C134E

RGB 60 19 78

HSL 281.69, 0.61%, 0.19%

LAB 15.36, 30.71, -27.57

 

CMYK 0 / 24 / 76 / 69

HEX #4E3B13

RGB 78 59 19

HSL 40.68, 0.61%, 0.19%

LAB 26.14, 3.47, 27.1

 

CMYK 76 / 0 / 24 / 69

HEX #134E3B

RGB 19 78 59

HSL 160.68, 0.61%, 0.19%

LAB 29.17, -23.98, 5.88

 

CMYK 23 / 76 / 0 / 69

HEX #3C134E

RGB 60 19 78

HSL 281.69, 0.61%, 0.19%

LAB 15.36, 30.71, -27.57

 

CMYK 0 / 76 / 67 / 69

HEX #4E131A

RGB 78 19 26

HSL 352.88, 0.61%, 0.19%

LAB 16.31, 28.06, 11.11

 

CMYK 51 / 0 / 76 / 69

HEX #264E13

RGB 38 78 19

HSL 100.68, 0.61%, 0.19%

LAB 29.18, -26.18, 29.27

 

CMYK 76 / 0 / 9 / 69

HEX #134E47

RGB 19 78 71

HSL 172.88, 0.61%, 0.19%

LAB 29.52, -20.42, -1.29

 

CMYK 23 / 76 / 0 / 69

HEX #3C134E

RGB 60 19 78

HSL 281.69, 0.61%, 0.19%

LAB 15.36, 30.71, -27.57

 

CMYK 0 / 62 / 76 / 69

HEX #4E1E13

RGB 78 30 19

HSL 11.19, 0.61%, 0.19%

LAB 18.34, 21.78, 18.46

 

CMYK 51 / 0 / 76 / 69

HEX #264E13

RGB 38 78 19

HSL 100.68, 0.61%, 0.19%

LAB 29.18, -26.18, 29.27

 

CMYK 76 / 14 / 0 / 69

HEX #13434E

RGB 19 67 78

HSL 191.19, 0.61%, 0.19%

LAB 25.87, -11.77, -11.31

 

Description

Color code: HEX #3C134E | qconv.com Color code: HEX #3C134E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 19 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 19 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 76 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 76% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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