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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C12B5 it is the complementary color #C3ED4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C12B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C12B5 shade: #4112B0, #5224C3, #6336D6, #7448E9 and #855AFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C12B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C12B5 shade: #3C12B5, #2B00A2, #1A008F, #09007C and #000069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C12B5 shade: #3C12B5, #6812B5, #9412B5, #B512AA and #B5127E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C12B5 shade: #3C12B5 and #1212B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C12B5 shade matches the following richer shades: #3C12B5 and #3402C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C12B5 shade: #3C12B5, #4422A5, #4C3295, #534285 and #5B5275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C12B5 shade: #1240B5, #1215B5, #3B12B5, #6612B5 and #9212B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C12B5 shade: #230A6A, #2F0E8F, #3C12B5, #4816DB and #5F2FEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C12B5 shade: #3C12B5, #B5126C and #2AB512

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C12B5 shade: #3C12B5, #B53B12 and #12B53B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C12B5 shade: #3C12B5, #B5126C, #8CB512 and #12B55B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C12B5 shade: #3C12B5, #B5123B, #8CB512 and #12B58C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 90 / 0 / 29

HEX #3C12B5

RGB 60 18 181

HSL 255.46, 0.82%, 0.39%

LAB 25.95, 58.49, -75.63

 

Complementary color

CMYK 18 / 0 / 69 / 7

HEX #C3ED4A

RGB 195 237 74

HSL 75.46, 0.82%, 0.61%

LAB 88.29, -35.33, 70.74

 

CMYK 63 / 90 / 0 / 31

HEX #4112B0

RGB 65 18 176

HSL 257.85, 0.81%, 0.38%

LAB 25.84, 57.53, -72.81

 

CMYK 58 / 82 / 0 / 24

HEX #5224C3

RGB 82 36 195

HSL 257.36, 0.69%, 0.45%

LAB 31.8, 57.79, -74.17

 

CMYK 54 / 75 / 0 / 16

HEX #6336D6

RGB 99 54 214

HSL 256.88, 0.66%, 0.53%

LAB 38.1, 57.1, -74.77

 

CMYK 50 / 69 / 0 / 9

HEX #7448E9

RGB 116 72 233

HSL 256.4, 0.79%, 0.6%

LAB 44.56, 55.98, -74.96

 

CMYK 47 / 64 / 0 / 1

HEX #855AFC

RGB 133 90 252

HSL 255.93, 0.96%, 0.67%

LAB 51.07, 54.72, -74.94

 

CMYK 67 / 90 / 0 / 29

HEX #3C12B5

RGB 60 18 181

HSL 255.46, 0.82%, 0.39%

LAB 25.95, 58.49, -75.63

 

CMYK 73 / 100 / 0 / 36

HEX #2B00A2

RGB 43 0 162

HSL 255.93, 1%, 0.32%

LAB 20.53, 57.19, -73.22

 

CMYK 82 / 100 / 0 / 44

HEX #1A008F

RGB 26 0 143

HSL 250.91, 1%, 0.28%

LAB 16.52, 51.86, -68.22

 

CMYK 93 / 100 / 0 / 51

HEX #09007C

RGB 9 0 124

HSL 244.35, 1%, 0.24%

LAB 12.69, 46.55, -62.61

 

CMYK 100 / 100 / 0 / 59

HEX #000069

RGB 0 0 105

HSL 240, 1%, 0.21%

LAB 9.16, 41.25, -56.18

 

CMYK 67 / 90 / 0 / 29

HEX #3C12B5

RGB 60 18 181

HSL 255.46, 0.82%, 0.39%

LAB 25.95, 58.49, -75.63

 

CMYK 43 / 90 / 0 / 29

HEX #6812B5

RGB 104 18 181

HSL 271.66, 0.82%, 0.39%

LAB 31.14, 62.52, -66.87

 

CMYK 18 / 90 / 0 / 29

HEX #9412B5

RGB 148 18 181

HSL 287.85, 0.82%, 0.39%

LAB 37.96, 68.58, -55.46

 

CMYK 0 / 90 / 6 / 29

HEX #B512AA

RGB 181 18 170

HSL 304.05, 0.82%, 0.39%

LAB 43, 72.44, -40.52

 

CMYK 0 / 90 / 30 / 29

HEX #B5127E

RGB 181 18 126

HSL 320.25, 0.82%, 0.39%

LAB 40.84, 66.77, -17.18

 

CMYK 67 / 90 / 0 / 29

HEX #3C12B5

RGB 60 18 181

HSL 255.46, 0.82%, 0.39%

LAB 25.95, 58.49, -75.63

 

CMYK 90 / 90 / 0 / 29

HEX #1212B5

RGB 18 18 181

HSL 240, 0.82%, 0.39%

LAB 23.33, 56.73, -80.06

 

CMYK 67 / 90 / 0 / 29

HEX #3C12B5

RGB 60 18 181

HSL 255.46, 0.82%, 0.39%

LAB 25.95, 58.49, -75.63

 

CMYK 74 / 99 / 0 / 23

HEX #3402C5

RGB 52 2 197

HSL 255.38, 0.98%, 0.39%

LAB 26.17, 65.64, -84.76

 

CMYK 67 / 90 / 0 / 29

HEX #3C12B5

RGB 60 18 181

HSL 255.46, 0.82%, 0.39%

LAB 25.95, 58.49, -75.63

 

CMYK 59 / 79 / 0 / 35

HEX #4422A5

RGB 68 34 165

HSL 255.57, 0.66%, 0.39%

LAB 26.99, 48.74, -64.26

 

CMYK 49 / 66 / 0 / 42

HEX #4C3295

RGB 76 50 149

HSL 255.76, 0.5%, 0.39%

LAB 29.38, 36.81, -50.56

 

CMYK 38 / 50 / 0 / 48

HEX #534285

RGB 83 66 133

HSL 255.22, 0.34%, 0.39%

LAB 32.76, 23.86, -35.23

 

CMYK 22 / 30 / 0 / 54

HEX #5B5275

RGB 91 82 117

HSL 255.43, 0.18%, 0.39%

LAB 37.01, 11.75, -18.61

 

CMYK 90 / 65 / 0 / 29

HEX #1240B5

RGB 18 64 181

HSL 223.07, 0.82%, 0.39%

LAB 32.1, 31.98, -65.53

 

CMYK 90 / 88 / 0 / 29

HEX #1215B5

RGB 18 21 181

HSL 238.9, 0.82%, 0.39%

LAB 23.68, 55.68, -79.48

 

CMYK 67 / 90 / 0 / 29

HEX #3B12B5

RGB 59 18 181

HSL 255.09, 0.82%, 0.39%

LAB 25.86, 58.42, -75.78

 

CMYK 44 / 90 / 0 / 29

HEX #6612B5

RGB 102 18 181

HSL 270.92, 0.82%, 0.39%

LAB 30.86, 62.29, -67.34

 

CMYK 19 / 90 / 0 / 29

HEX #9212B5

RGB 146 18 181

HSL 287.12, 0.82%, 0.39%

LAB 37.63, 68.27, -56.02

 

CMYK 67 / 91 / 0 / 58

HEX #230A6A

RGB 35 10 106

HSL 255.63, 0.83%, 0.23%

LAB 13.32, 38.41, -49.83

 

CMYK 67 / 90 / 0 / 44

HEX #2F0E8F

RGB 47 14 143

HSL 255.35, 0.82%, 0.31%

LAB 19.65, 48.57, -62.96

 

CMYK 67 / 90 / 0 / 29

HEX #3C12B5

RGB 60 18 181

HSL 255.46, 0.82%, 0.39%

LAB 25.95, 58.49, -75.63

 

CMYK 67 / 90 / 0 / 14

HEX #4816DB

RGB 72 22 219

HSL 255.23, 0.82%, 0.47%

LAB 31.96, 67.9, -87.89

 

CMYK 59 / 80 / 0 / 8

HEX #5F2FEA

RGB 95 47 234

HSL 255.4, 0.82%, 0.55%

LAB 38.56, 65.1, -85.46

 

CMYK 67 / 90 / 0 / 29

HEX #3C12B5

RGB 60 18 181

HSL 255.46, 0.82%, 0.39%

LAB 25.95, 58.49, -75.63

 

CMYK 0 / 90 / 40 / 29

HEX #B5126C

RGB 181 18 108

HSL 326.87, 0.82%, 0.39%

LAB 40.15, 64.89, -6.99

 

CMYK 77 / 0 / 90 / 29

HEX #2AB512

RGB 42 181 18

HSL 111.17, 0.82%, 0.39%

LAB 64.63, -62.62, 62.38

 

CMYK 67 / 90 / 0 / 29

HEX #3C12B5

RGB 60 18 181

HSL 255.46, 0.82%, 0.39%

LAB 25.95, 58.49, -75.63

 

CMYK 0 / 67 / 90 / 29

HEX #B53B12

RGB 181 59 18

HSL 15.09, 0.82%, 0.39%

LAB 42.76, 47.71, 48.64

 

CMYK 90 / 0 / 67 / 29

HEX #12B53B

RGB 18 181 59

HSL 135.09, 0.82%, 0.39%

LAB 64.56, -62.44, 49.64

 

CMYK 67 / 90 / 0 / 29

HEX #3C12B5

RGB 60 18 181

HSL 255.46, 0.82%, 0.39%

LAB 25.95, 58.49, -75.63

 

CMYK 0 / 90 / 40 / 29

HEX #B5126C

RGB 181 18 108

HSL 326.87, 0.82%, 0.39%

LAB 40.15, 64.89, -6.99

 

CMYK 23 / 0 / 90 / 29

HEX #8CB512

RGB 140 181 18

HSL 75.09, 0.82%, 0.39%

LAB 68.51, -33.77, 67.18

 

CMYK 90 / 0 / 50 / 29

HEX #12B55B

RGB 18 181 91

HSL 146.87, 0.82%, 0.39%

LAB 64.91, -58.13, 35.15

 

CMYK 67 / 90 / 0 / 29

HEX #3C12B5

RGB 60 18 181

HSL 255.46, 0.82%, 0.39%

LAB 25.95, 58.49, -75.63

 

CMYK 0 / 90 / 67 / 29

HEX #B5123B

RGB 181 18 59

HSL 344.91, 0.82%, 0.39%

LAB 38.85, 61.28, 22.38

 

CMYK 23 / 0 / 90 / 29

HEX #8CB512

RGB 140 181 18

HSL 75.09, 0.82%, 0.39%

LAB 68.51, -33.77, 67.18

 

CMYK 90 / 0 / 23 / 29

HEX #12B58C

RGB 18 181 140

HSL 164.91, 0.82%, 0.39%

LAB 65.8, -47.91, 10.26

 

Description

Color code: HEX #3C12B5 | qconv.com Color code: HEX #3C12B5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 18 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 18 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 90 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 90% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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