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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C0E71 it is the complementary color #C3F18E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C0E71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C0E71 shade: #410E6C, #52207F, #633292, #7444A5 and #8556B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C0E71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C0E71 shade: #3C0E71, #2B005E, #1A004B, #090038 and #000025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C0E71 shade: #3C0E71, #570E71, #710E71, #710E56 and #710E3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C0E71 shade: #3C0E71, #210E71 and #0E0E71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C0E71 shade matches the following richer shades: #3C0E71 and #3B037B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C0E71 shade: #3C0E71, #3C1867, #3D225C, #3E2C52 and #3F3748

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C0E71 shade: #0E1671, #200E71, #3A0E71, #550E71 and #6F0E71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C0E71 shade: #150428, #28094C, #3C0E71, #4F1296 and #6317BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C0E71 shade: #3C0E71, #710E30 and #0E7112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C0E71 shade: #3C0E71, #713A0E and #0E713A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C0E71 shade: #3C0E71, #710E30, #44710E and #0E714E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C0E71 shade: #3C0E71, #710E12, #44710E and #0E716C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 88 / 0 / 56

HEX #3C0E71

RGB 60 14 113

HSL 267.88, 0.78%, 0.25%

LAB 17.77, 41.81, -46.95

 

Complementary color

CMYK 19 / 0 / 41 / 5

HEX #C3F18E

RGB 195 241 142

HSL 87.88, 0.78%, 0.75%

LAB 90.08, -31.08, 43.01

 

CMYK 40 / 87 / 0 / 58

HEX #410E6C

RGB 65 14 108

HSL 272.55, 0.77%, 0.24%

LAB 18.01, 41.29, -43.28

 

CMYK 35 / 75 / 0 / 50

HEX #52207F

RGB 82 32 127

HSL 271.58, 0.6%, 0.31%

LAB 24.82, 41.56, -44.26

 

CMYK 32 / 66 / 0 / 43

HEX #633292

RGB 99 50 146

HSL 270.63, 0.49%, 0.38%

LAB 31.83, 40.96, -44.63

 

CMYK 30 / 59 / 0 / 35

HEX #7444A5

RGB 116 68 165

HSL 269.69, 0.42%, 0.46%

LAB 38.84, 40.07, -44.76

 

CMYK 28 / 53 / 0 / 28

HEX #8556B8

RGB 133 86 184

HSL 268.78, 0.41%, 0.53%

LAB 45.77, 39.1, -44.77

 

CMYK 47 / 88 / 0 / 56

HEX #3C0E71

RGB 60 14 113

HSL 267.88, 0.78%, 0.25%

LAB 17.77, 41.81, -46.95

 

CMYK 54 / 100 / 0 / 63

HEX #2B005E

RGB 43 0 94

HSL 267.45, 1%, 0.18%

LAB 11.43, 40.09, -44.97

 

CMYK 65 / 100 / 0 / 71

HEX #1A004B

RGB 26 0 75

HSL 260.8, 1%, 0.15%

LAB 6.57, 33.36, -40.07

 

CMYK 84 / 100 / 0 / 78

HEX #090038

RGB 9 0 56

HSL 249.64, 1%, 0.11%

LAB 3.1, 20.48, -32.22

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 47 / 88 / 0 / 56

HEX #3C0E71

RGB 60 14 113

HSL 267.88, 0.78%, 0.25%

LAB 17.77, 41.81, -46.95

 

CMYK 23 / 88 / 0 / 56

HEX #570E71

RGB 87 14 113

HSL 284.24, 0.78%, 0.25%

LAB 22.06, 46.2, -39.77

 

CMYK 0 / 88 / 0 / 56

HEX #710E71

RGB 113 14 113

HSL 300, 0.78%, 0.25%

LAB 26.78, 51.22, -31.92

 

CMYK 0 / 88 / 24 / 56

HEX #710E56

RGB 113 14 86

HSL 316.36, 0.78%, 0.25%

LAB 25.25, 47.07, -16.69

 

CMYK 0 / 88 / 48 / 56

HEX #710E3B

RGB 113 14 59

HSL 332.73, 0.78%, 0.25%

LAB 24.13, 43.9, -0.1

 

CMYK 47 / 88 / 0 / 56

HEX #3C0E71

RGB 60 14 113

HSL 267.88, 0.78%, 0.25%

LAB 17.77, 41.81, -46.95

 

CMYK 71 / 88 / 0 / 56

HEX #210E71

RGB 33 14 113

HSL 251.52, 0.78%, 0.25%

LAB 14.57, 38.69, -52.35

 

CMYK 88 / 88 / 0 / 56

HEX #0E0E71

RGB 14 14 113

HSL 240, 0.78%, 0.25%

LAB 13.23, 37.44, -54.61

 

CMYK 47 / 88 / 0 / 56

HEX #3C0E71

RGB 60 14 113

HSL 267.88, 0.78%, 0.25%

LAB 17.77, 41.81, -46.95

 

CMYK 52 / 98 / 0 / 52

HEX #3B037B

RGB 59 3 123

HSL 268, 0.95%, 0.25%

LAB 17.58, 47.63, -53.72

 

CMYK 47 / 88 / 0 / 56

HEX #3C0E71

RGB 60 14 113

HSL 267.88, 0.78%, 0.25%

LAB 17.77, 41.81, -46.95

 

CMYK 42 / 77 / 0 / 60

HEX #3C1867

RGB 60 24 103

HSL 267.34, 0.62%, 0.25%

LAB 18.33, 34.72, -39.51

 

CMYK 34 / 63 / 0 / 64

HEX #3D225C

RGB 61 34 92

HSL 267.93, 0.46%, 0.25%

LAB 19.68, 26.14, -30.07

 

CMYK 24 / 46 / 0 / 68

HEX #3E2C52

RGB 62 44 82

HSL 268.42, 0.3%, 0.25%

LAB 21.71, 17.14, -20.17

 

CMYK 13 / 24 / 0 / 72

HEX #3F3748

RGB 63 55 72

HSL 268.24, 0.13%, 0.25%

LAB 24.5, 7.44, -9.17

 

CMYK 88 / 81 / 0 / 56

HEX #0E1671

RGB 14 22 113

HSL 235.15, 0.78%, 0.25%

LAB 14.73, 33.07, -52.11

 

CMYK 72 / 88 / 0 / 56

HEX #200E71

RGB 32 14 113

HSL 250.91, 0.78%, 0.25%

LAB 14.48, 38.6, -52.5

 

CMYK 49 / 88 / 0 / 56

HEX #3A0E71

RGB 58 14 113

HSL 266.67, 0.78%, 0.25%

LAB 17.49, 41.53, -47.43

 

CMYK 25 / 88 / 0 / 56

HEX #550E71

RGB 85 14 113

HSL 283.03, 0.78%, 0.25%

LAB 21.72, 45.84, -40.34

 

CMYK 2 / 88 / 0 / 56

HEX #6F0E71

RGB 111 14 113

HSL 298.79, 0.78%, 0.25%

LAB 26.41, 50.81, -32.55

 

CMYK 48 / 90 / 0 / 84

HEX #150428

RGB 21 4 40

HSL 268.33, 0.82%, 0.09%

LAB 3.61, 14.58, -19.36

 

CMYK 47 / 88 / 0 / 70

HEX #28094C

RGB 40 9 76

HSL 267.76, 0.79%, 0.17%

LAB 10.32, 30.69, -34.52

 

CMYK 47 / 88 / 0 / 56

HEX #3C0E71

RGB 60 14 113

HSL 267.88, 0.78%, 0.25%

LAB 17.77, 41.81, -46.95

 

CMYK 47 / 88 / 0 / 41

HEX #4F1296

RGB 79 18 150

HSL 267.73, 0.79%, 0.33%

LAB 24.63, 52.31, -58.94

 

CMYK 47 / 88 / 0 / 27

HEX #6317BA

RGB 99 23 186

HSL 267.98, 0.78%, 0.41%

LAB 31.37, 61.83, -69.49

 

CMYK 47 / 88 / 0 / 56

HEX #3C0E71

RGB 60 14 113

HSL 267.88, 0.78%, 0.25%

LAB 17.77, 41.81, -46.95

 

CMYK 0 / 88 / 58 / 56

HEX #710E30

RGB 113 14 48

HSL 339.39, 0.78%, 0.25%

LAB 23.8, 42.92, 7.02

 

CMYK 88 / 0 / 84 / 56

HEX #0E7112

RGB 14 113 18

HSL 122.42, 0.78%, 0.25%

LAB 41.13, -45.04, 41.27

 

CMYK 47 / 88 / 0 / 56

HEX #3C0E71

RGB 60 14 113

HSL 267.88, 0.78%, 0.25%

LAB 17.77, 41.81, -46.95

 

CMYK 0 / 49 / 88 / 56

HEX #713A0E

RGB 113 58 14

HSL 26.67, 0.78%, 0.25%

LAB 30.8, 21, 35.69

 

CMYK 88 / 0 / 49 / 56

HEX #0E713A

RGB 14 113 58

HSL 146.67, 0.78%, 0.25%

LAB 41.55, -39.97, 23.12

 

CMYK 47 / 88 / 0 / 56

HEX #3C0E71

RGB 60 14 113

HSL 267.88, 0.78%, 0.25%

LAB 17.77, 41.81, -46.95

 

CMYK 0 / 88 / 58 / 56

HEX #710E30

RGB 113 14 48

HSL 339.39, 0.78%, 0.25%

LAB 23.8, 42.92, 7.02

 

CMYK 40 / 0 / 88 / 56

HEX #44710E

RGB 68 113 14

HSL 87.27, 0.78%, 0.25%

LAB 42.87, -31.31, 44.68

 

CMYK 88 / 0 / 31 / 56

HEX #0E714E

RGB 14 113 78

HSL 158.79, 0.78%, 0.25%

LAB 41.93, -35.6, 12.06

 

CMYK 47 / 88 / 0 / 56

HEX #3C0E71

RGB 60 14 113

HSL 267.88, 0.78%, 0.25%

LAB 17.77, 41.81, -46.95

 

CMYK 0 / 88 / 84 / 56

HEX #710E12

RGB 113 14 18

HSL 357.58, 0.78%, 0.25%

LAB 23.23, 41.24, 26.52

 

CMYK 40 / 0 / 88 / 56

HEX #44710E

RGB 68 113 14

HSL 87.27, 0.78%, 0.25%

LAB 42.87, -31.31, 44.68

 

CMYK 88 / 0 / 4 / 56

HEX #0E716C

RGB 14 113 108

HSL 176.97, 0.78%, 0.25%

LAB 42.74, -27.07, -4.76

 

Description

Color code: HEX #3C0E71 | qconv.com Color code: HEX #3C0E71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 14 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 14 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 88 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 88% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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