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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C0248 it is the complementary color #C3FDB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C0248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C0248 shade: #410243, #521456, #632669, #74387C and #854A8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C0248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C0248 shade: #3C0248, #2B0035, #1A0022, #09000F and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C0248 shade: #3E024B, #4B0243, #4B0230, #4B021C and #4B0209

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C0248 shade: #3E024B, #2B024B, #17024B, #03024B and #02024B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C0248 shade matches the following richer shades: #3E024B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C0248 shade: #3E024B, #3A0844, #360E3E, #321438 and #2E1B32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C0248 shade: #17024B, #2A024B, #3D024B, #4B0245 and #4B0231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C0248 shade: #000000, #1D0122, #3E024B, #600373 and #81049B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C0248 shade: #3C0248, #4B0302 and #024B20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C0248 shade: #3C0248, #4B3D02 and #024B3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C0248 shade: #3C0248, #4B0302, #0F4B02 and #02494B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C0248 shade: #3C0248, #4B1902, #0F4B02 and #02344B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 97 / 0 / 72

HEX #3C0248

RGB 60 2 72

HSL 289.71, 0.95%, 0.15%

LAB 12.43, 36.44, -28.15

 

Complementary color

CMYK 23 / 0 / 28 / 1

HEX #C3FDB7

RGB 195 253 183

HSL 109.71, 0.95%, 0.85%

LAB 94, -30.98, 27.74

 

CMYK 3 / 97 / 0 / 74

HEX #410243

RGB 65 2 67

HSL 298.15, 0.94%, 0.14%

LAB 13.06, 36.43, -23.57

 

CMYK 5 / 77 / 0 / 66

HEX #521456

RGB 82 20 86

HSL 296.36, 0.62%, 0.21%

LAB 19.91, 37.56, -25.51

 

CMYK 6 / 64 / 0 / 59

HEX #632669

RGB 99 38 105

HSL 294.63, 0.47%, 0.28%

LAB 26.9, 37.69, -26.73

 

CMYK 6 / 55 / 0 / 51

HEX #74387C

RGB 116 56 124

HSL 292.94, 0.38%, 0.35%

LAB 33.98, 37.18, -27.46

 

CMYK 7 / 48 / 0 / 44

HEX #854A8F

RGB 133 74 143

HSL 291.3, 0.32%, 0.43%

LAB 41, 36.44, -27.95

 

CMYK 17 / 97 / 0 / 72

HEX #3C0248

RGB 60 2 72

HSL 289.71, 0.95%, 0.15%

LAB 12.43, 36.44, -28.15

 

CMYK 19 / 100 / 0 / 79

HEX #2B0035

RGB 43 0 53

HSL 288.68, 1%, 0.1%

LAB 6.96, 30.2, -23.58

 

CMYK 24 / 100 / 0 / 87

HEX #1A0022

RGB 26 0 34

HSL 285.88, 1%, 0.07%

LAB 3.03, 16.23, -15.57

 

CMYK 40 / 100 / 0 / 94

HEX #09000F

RGB 9 0 15

HSL 276, 1%, 0.03%

LAB 0.84, 4.54, -5.13

 

CMYK 17 / 97 / 0 / 71

HEX #3E024B

RGB 62 2 75

HSL 289.32, 0.95%, 0.15%

LAB 13.08, 37.41, -29.16

 

CMYK 0 / 97 / 11 / 71

HEX #4B0243

RGB 75 2 67

HSL 306.58, 0.95%, 0.15%

LAB 15.19, 38.54, -20.05

 

CMYK 0 / 97 / 36 / 71

HEX #4B0230

RGB 75 2 48

HSL 322.19, 0.95%, 0.15%

LAB 14.13, 35.78, -8.13

 

CMYK 0 / 97 / 63 / 71

HEX #4B021C

RGB 75 2 28

HSL 338.63, 0.95%, 0.15%

LAB 13.37, 33.72, 5.56

 

CMYK 0 / 97 / 88 / 71

HEX #4B0209

RGB 75 2 9

HSL 354.25, 0.95%, 0.15%

LAB 12.98, 32.63, 16.62

 

CMYK 17 / 97 / 0 / 71

HEX #3E024B

RGB 62 2 75

HSL 289.32, 0.95%, 0.15%

LAB 13.08, 37.41, -29.16

 

CMYK 43 / 97 / 0 / 71

HEX #2B024B

RGB 43 2 75

HSL 273.7, 0.95%, 0.15%

LAB 9.52, 34.36, -35.12

 

CMYK 69 / 97 / 0 / 71

HEX #17024B

RGB 23 2 75

HSL 257.26, 0.95%, 0.15%

LAB 6.63, 31.81, -39.99

 

CMYK 96 / 97 / 0 / 71

HEX #03024B

RGB 3 2 75

HSL 240.82, 0.95%, 0.15%

LAB 5.16, 29.28, -42.47

 

CMYK 97 / 97 / 0 / 71

HEX #02024B

RGB 2 2 75

HSL 240, 0.95%, 0.15%

LAB 5.1, 29.15, -42.57

 

CMYK 17 / 97 / 0 / 71

HEX #3E024B

RGB 62 2 75

HSL 289.32, 0.95%, 0.15%

LAB 13.08, 37.41, -29.16

 

CMYK 17 / 97 / 0 / 71

HEX #3E024B

RGB 62 2 75

HSL 289.32, 0.95%, 0.15%

LAB 13.08, 37.41, -29.16

 

CMYK 15 / 88 / 0 / 73

HEX #3A0844

RGB 58 8 68

HSL 290, 0.79%, 0.15%

LAB 12.55, 32.74, -25.18

 

CMYK 13 / 77 / 0 / 76

HEX #360E3E

RGB 54 14 62

HSL 290, 0.63%, 0.15%

LAB 12.26, 27.82, -21.44

 

CMYK 11 / 64 / 0 / 78

HEX #321438

RGB 50 20 56

HSL 290, 0.47%, 0.15%

LAB 12.38, 21.87, -17.02

 

CMYK 8 / 46 / 0 / 80

HEX #2E1B32

RGB 46 27 50

HSL 289.57, 0.3%, 0.15%

LAB 13.2, 14.32, -11.47

 

CMYK 69 / 97 / 0 / 71

HEX #17024B

RGB 23 2 75

HSL 257.26, 0.95%, 0.15%

LAB 6.63, 31.81, -39.99

 

CMYK 44 / 97 / 0 / 71

HEX #2A024B

RGB 42 2 75

HSL 272.88, 0.95%, 0.15%

LAB 9.35, 34.23, -35.41

 

CMYK 19 / 97 / 0 / 71

HEX #3D024B

RGB 61 2 75

HSL 288.49, 0.95%, 0.15%

LAB 12.88, 37.23, -29.49

 

CMYK 0 / 97 / 8 / 71

HEX #4B0245

RGB 75 2 69

HSL 304.93, 0.95%, 0.15%

LAB 15.32, 38.87, -21.24

 

CMYK 0 / 97 / 35 / 71

HEX #4B0231

RGB 75 2 49

HSL 321.37, 0.95%, 0.15%

LAB 14.18, 35.91, -8.79

 

CMYK 15 / 97 / 0 / 87

HEX #1D0122

RGB 29 1 34

HSL 290.91, 0.94%, 0.07%

LAB 3.6, 17.52, -14.66

 

CMYK 17 / 97 / 0 / 71

HEX #3E024B

RGB 62 2 75

HSL 289.32, 0.95%, 0.15%

LAB 13.08, 37.41, -29.16

 

CMYK 17 / 97 / 0 / 55

HEX #600373

RGB 96 3 115

HSL 289.82, 0.95%, 0.23%

LAB 22.96, 50.73, -39.52

 

CMYK 17 / 97 / 0 / 39

HEX #81049B

RGB 129 4 155

HSL 289.67, 0.95%, 0.31%

LAB 32.08, 63.04, -49.51

 

CMYK 17 / 97 / 0 / 72

HEX #3C0248

RGB 60 2 72

HSL 289.71, 0.95%, 0.15%

LAB 12.43, 36.44, -28.15

 

CMYK 0 / 96 / 97 / 71

HEX #4B0302

RGB 75 3 2

HSL 0.82, 0.95%, 0.15%

LAB 13.02, 31.97, 19.52

 

CMYK 97 / 0 / 57 / 71

HEX #024B20

RGB 2 75 32

HSL 144.66, 0.95%, 0.15%

LAB 27.16, -31.56, 19.83

 

CMYK 17 / 97 / 0 / 72

HEX #3C0248

RGB 60 2 72

HSL 289.71, 0.95%, 0.15%

LAB 12.43, 36.44, -28.15

 

CMYK 0 / 19 / 97 / 71

HEX #4B3D02

RGB 75 61 2

HSL 48.49, 0.95%, 0.15%

LAB 26.27, -0.22, 34.56

 

CMYK 97 / 0 / 19 / 71

HEX #024B3D

RGB 2 75 61

HSL 168.49, 0.95%, 0.15%

LAB 27.8, -24.3, 2.6

 

CMYK 17 / 97 / 0 / 72

HEX #3C0248

RGB 60 2 72

HSL 289.71, 0.95%, 0.15%

LAB 12.43, 36.44, -28.15

 

CMYK 0 / 96 / 97 / 71

HEX #4B0302

RGB 75 3 2

HSL 0.82, 0.95%, 0.15%

LAB 13.02, 31.97, 19.52

 

CMYK 80 / 0 / 97 / 71

HEX #0F4B02

RGB 15 75 2

HSL 109.32, 0.95%, 0.15%

LAB 27.12, -32.87, 33.81

 

CMYK 97 / 3 / 0 / 71

HEX #02494B

RGB 2 73 75

HSL 181.64, 0.95%, 0.15%

LAB 27.53, -18.54, -6.86

 

CMYK 17 / 97 / 0 / 72

HEX #3C0248

RGB 60 2 72

HSL 289.71, 0.95%, 0.15%

LAB 12.43, 36.44, -28.15

 

CMYK 0 / 67 / 97 / 71

HEX #4B1902

RGB 75 25 2

HSL 18.9, 0.95%, 0.15%

LAB 16.48, 22.45, 23.99

 

CMYK 80 / 0 / 97 / 71

HEX #0F4B02

RGB 15 75 2

HSL 109.32, 0.95%, 0.15%

LAB 27.12, -32.87, 33.81

 

CMYK 97 / 31 / 0 / 71

HEX #02344B

RGB 2 52 75

HSL 198.9, 0.95%, 0.15%

LAB 19.95, -5.81, -18.51

 

Description

Color code: HEX #3C0248 | qconv.com Color code: HEX #3C0248 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 2 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 2 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 97 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 97% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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