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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BF87A it is the complementary color #C40785. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BF87A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BF87A shade: #40F875, #51FF88, #62FF9B, #73FFAE and #84FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BF87A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BF87A shade: #3BF87A, #2AE667, #19D454, #08C241 and #00B02E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BF87A shade: #3AF879, #3AF846, #61F83A, #94F83A and #C8F83A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BF87A shade: #3AF879, #3AF8AD, #3AF8E0, #3ADDF8 and #3AAAF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BF87A shade matches the following richer shades: #3AF879

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BF87A shade: #3AF879, #4BE77F, #5BD784, #6CC68A and #7CB68F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BF87A shade: #60F83A, #3AF847, #3AF879, #3AF8AC and #3AF8DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BF87A shade: #08D84D, #12F65E, #3AF879, #62F994 and #8AFBAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BF87A shade: #3BF87A, #3A93F8 and #F83A47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BF87A shade: #3BF87A, #793AF8 and #F8793A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BF87A shade: #3BF87A, #3A93F8, #F83AB9 and #F89F3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BF87A shade: #3BF87A, #3A5AF8, #F83AB9 and #F8D83A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 51 / 3

HEX #3BF87A

RGB 59 248 122

HSL 140, 0.93%, 0.6%

LAB 86.74, -71.65, 47.32

 

Complementary color

CMYK 0 / 96 / 32 / 23

HEX #C40785

RGB 196 7 133

HSL 320, 0.93%, 0.4%

LAB 43.63, 71.98, -16.97

 

CMYK 74 / 0 / 53 / 3

HEX #40F875

RGB 64 248 117

HSL 137.28, 0.93%, 0.61%

LAB 86.76, -71.71, 49.69

 

CMYK 68 / 0 / 47 / 0

HEX #51FF88

RGB 81 255 136

HSL 138.97, 1%, 0.66%

LAB 89.41, -68.77, 44.12

 

CMYK 62 / 0 / 39 / 0

HEX #62FF9B

RGB 98 255 155

HSL 141.78, 1%, 0.69%

LAB 90.08, -62.67, 35.81

 

CMYK 55 / 0 / 32 / 0

HEX #73FFAE

RGB 115 255 174

HSL 145.29, 1%, 0.73%

LAB 90.88, -55.8, 27.46

 

CMYK 48 / 0 / 24 / 0

HEX #84FFC1

RGB 132 255 193

HSL 149.76, 1%, 0.76%

LAB 91.81, -48.28, 19.17

 

CMYK 76 / 0 / 51 / 3

HEX #3BF87A

RGB 59 248 122

HSL 140, 0.93%, 0.6%

LAB 86.74, -71.65, 47.32

 

CMYK 82 / 0 / 55 / 10

HEX #2AE667

RGB 42 230 103

HSL 139.47, 0.79%, 0.53%

LAB 80.77, -70.39, 48.84

 

CMYK 88 / 0 / 60 / 17

HEX #19D454

RGB 25 212 84

HSL 138.93, 0.79%, 0.46%

LAB 74.78, -68.64, 50.34

 

CMYK 96 / 0 / 66 / 24

HEX #08C241

RGB 8 194 65

HSL 138.39, 0.92%, 0.4%

LAB 68.76, -66.26, 51.72

 

CMYK 100 / 0 / 74 / 31

HEX #00B02E

RGB 0 176 46

HSL 135.68, 1%, 0.35%

LAB 62.72, -63.11, 52.75

 

CMYK 77 / 0 / 51 / 3

HEX #3AF879

RGB 58 248 121

HSL 139.89, 0.93%, 0.6%

LAB 86.71, -71.92, 47.75

 

CMYK 77 / 0 / 72 / 3

HEX #3AF846

RGB 58 248 70

HSL 123.79, 0.93%, 0.6%

LAB 86.24, -77.55, 68.39

 

CMYK 61 / 0 / 77 / 3

HEX #61F83A

RGB 97 248 58

HSL 107.68, 0.93%, 0.6%

LAB 86.99, -71.54, 73.27

 

CMYK 40 / 0 / 77 / 3

HEX #94F83A

RGB 148 248 58

HSL 91.58, 0.93%, 0.6%

LAB 88.8, -57.61, 75.63

 

CMYK 19 / 0 / 77 / 3

HEX #C8F83A

RGB 200 248 58

HSL 75.16, 0.93%, 0.6%

LAB 91.56, -39.15, 79.2

 

CMYK 77 / 0 / 51 / 3

HEX #3AF879

RGB 58 248 121

HSL 139.89, 0.93%, 0.6%

LAB 86.71, -71.92, 47.75

 

CMYK 77 / 0 / 30 / 3

HEX #3AF8AD

RGB 58 248 173

HSL 156.32, 0.93%, 0.6%

LAB 87.51, -62.76, 23.15

 

CMYK 77 / 0 / 10 / 3

HEX #3AF8E0

RGB 58 248 224

HSL 172.42, 0.93%, 0.6%

LAB 88.65, -50.78, -1.63

 

CMYK 77 / 11 / 0 / 3

HEX #3ADDF8

RGB 58 221 248

HSL 188.53, 0.93%, 0.6%

LAB 81.51, -31.9, -24.94

 

CMYK 77 / 31 / 0 / 3

HEX #3AAAF8

RGB 58 170 248

HSL 204.63, 0.93%, 0.6%

LAB 66.84, -5.44, -47.67

 

CMYK 77 / 0 / 51 / 3

HEX #3AF879

RGB 58 248 121

HSL 139.89, 0.93%, 0.6%

LAB 86.71, -71.92, 47.75

 

CMYK 77 / 0 / 51 / 3

HEX #3AF879

RGB 58 248 121

HSL 139.89, 0.93%, 0.6%

LAB 86.71, -71.92, 47.75

 

CMYK 68 / 0 / 45 / 9

HEX #4BE77F

RGB 75 231 127

HSL 140, 0.76%, 0.6%

LAB 81.94, -62.71, 38.95

 

CMYK 58 / 0 / 39 / 16

HEX #5BD784

RGB 91 215 132

HSL 139.84, 0.61%, 0.6%

LAB 77.57, -52.7, 30.85

 

CMYK 45 / 0 / 30 / 22

HEX #6CC68A

RGB 108 198 138

HSL 140, 0.44%, 0.6%

LAB 73.16, -40.27, 21.9

 

CMYK 32 / 0 / 21 / 29

HEX #7CB68F

RGB 124 182 143

HSL 139.66, 0.28%, 0.6%

LAB 69.27, -27.13, 13.95

 

CMYK 61 / 0 / 77 / 3

HEX #60F83A

RGB 96 248 58

HSL 108, 0.93%, 0.6%

LAB 86.96, -71.76, 73.23

 

CMYK 77 / 0 / 71 / 3

HEX #3AF847

RGB 58 248 71

HSL 124.11, 0.93%, 0.6%

LAB 86.25, -77.47, 68.05

 

CMYK 77 / 0 / 51 / 3

HEX #3AF879

RGB 58 248 121

HSL 139.89, 0.93%, 0.6%

LAB 86.71, -71.92, 47.75

 

CMYK 77 / 0 / 31 / 3

HEX #3AF8AC

RGB 58 248 172

HSL 156, 0.93%, 0.6%

LAB 87.49, -62.97, 23.64

 

CMYK 77 / 0 / 10 / 3

HEX #3AF8DF

RGB 58 248 223

HSL 172.11, 0.93%, 0.6%

LAB 88.62, -51.04, -1.14

 

CMYK 96 / 0 / 64 / 15

HEX #08D84D

RGB 8 216 77

HSL 139.9, 0.93%, 0.44%

LAB 75.88, -71.5, 54.57

 

CMYK 93 / 0 / 62 / 4

HEX #12F65E

RGB 18 246 94

HSL 140, 0.93%, 0.52%

LAB 85.43, -78.04, 58.17

 

CMYK 77 / 0 / 51 / 3

HEX #3AF879

RGB 58 248 121

HSL 139.89, 0.93%, 0.6%

LAB 86.71, -71.92, 47.75

 

CMYK 61 / 0 / 41 / 2

HEX #62F994

RGB 98 249 148

HSL 139.87, 0.93%, 0.68%

LAB 88.2, -61.6, 36.81

 

CMYK 45 / 0 / 30 / 2

HEX #8AFBAF

RGB 138 251 175

HSL 139.65, 0.93%, 0.76%

LAB 90.55, -48.45, 26.64

 

CMYK 76 / 0 / 51 / 3

HEX #3BF87A

RGB 59 248 122

HSL 140, 0.93%, 0.6%

LAB 86.74, -71.65, 47.32

 

CMYK 77 / 41 / 0 / 3

HEX #3A93F8

RGB 58 147 248

HSL 211.89, 0.93%, 0.6%

LAB 60.38, 7.87, -57.93

 

CMYK 0 / 77 / 71 / 3

HEX #F83A47

RGB 248 58 71

HSL 355.89, 0.93%, 0.6%

LAB 55.52, 70.62, 38.49

 

CMYK 76 / 0 / 51 / 3

HEX #3BF87A

RGB 59 248 122

HSL 140, 0.93%, 0.6%

LAB 86.74, -71.65, 47.32

 

CMYK 51 / 77 / 0 / 3

HEX #793AF8

RGB 121 58 248

HSL 259.89, 0.93%, 0.6%

LAB 44.04, 67.18, -84.24

 

CMYK 0 / 51 / 77 / 3

HEX #F8793A

RGB 248 121 58

HSL 19.89, 0.93%, 0.6%

LAB 64.91, 44.69, 55.35

 

CMYK 76 / 0 / 51 / 3

HEX #3BF87A

RGB 59 248 122

HSL 140, 0.93%, 0.6%

LAB 86.74, -71.65, 47.32

 

CMYK 77 / 41 / 0 / 3

HEX #3A93F8

RGB 58 147 248

HSL 211.89, 0.93%, 0.6%

LAB 60.38, 7.87, -57.93

 

CMYK 0 / 77 / 25 / 3

HEX #F83AB9

RGB 248 58 185

HSL 319.89, 0.93%, 0.6%

LAB 58.49, 79.77, -24.23

 

CMYK 0 / 36 / 77 / 3

HEX #F89F3A

RGB 248 159 58

HSL 31.89, 0.93%, 0.6%

LAB 72.93, 25.29, 63.19

 

CMYK 76 / 0 / 51 / 3

HEX #3BF87A

RGB 59 248 122

HSL 140, 0.93%, 0.6%

LAB 86.74, -71.65, 47.32

 

CMYK 77 / 64 / 0 / 3

HEX #3A5AF8

RGB 58 90 248

HSL 229.89, 0.93%, 0.6%

LAB 45.62, 42.99, -81.82

 

CMYK 0 / 77 / 25 / 3

HEX #F83AB9

RGB 248 58 185

HSL 319.89, 0.93%, 0.6%

LAB 58.49, 79.77, -24.23

 

CMYK 0 / 13 / 77 / 3

HEX #F8D83A

RGB 248 216 58

HSL 49.89, 0.93%, 0.6%

LAB 86.69, -4.31, 76.06

 

Description

Color code: HEX #3BF87A | qconv.com Color code: HEX #3BF87A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 248 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 248 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 51 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 51% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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