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Color name
HEX #3BF115

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BF115 it is the complementary color #C40EEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BF115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BF115 shade: #40F110, #51FF23, #62FF36, #73FF49 and #84FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BF115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BF115 shade: #3BF115, #2ADF02, #19CD00, #08BB00 and #00A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BF115 shade: #39F113, #75F113, #B1F113, #EDF113 and #F1B913

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BF115 shade: #39F113, #13F128, #13F164, #13F1A0 and #13F1DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BF115 shade matches the following richer shades: #39F113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BF115 shade: #39F113, #46DD27, #54C93B, #61B54F and #6EA064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BF115 shade: #B2F113, #77F113, #3CF113, #13F125 and #13F161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BF115 shade: #25A80A, #2ECF0C, #39F113, #5AF43A and #7BF661

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BF115 shade: #3BF115, #13EEF1 and #F11395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BF115 shade: #3BF115, #133CF1 and #F1133C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BF115 shade: #3BF115, #13EEF1, #C813F1 and #F11713

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BF115 shade: #3BF115, #13ABF1, #C813F1 and #F15913

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 91 / 5

HEX #3BF115

RGB 59 241 21

HSL 109.64, 0.89%, 0.51%

LAB 83.91, -77.83, 78.32

 

Complementary color

CMYK 16 / 94 / 0 / 8

HEX #C40EEA

RGB 196 14 234

HSL 289.64, 0.89%, 0.49%

LAB 49.48, 85.35, -67.06

 

CMYK 73 / 0 / 93 / 5

HEX #40F110

RGB 64 241 16

HSL 107.2, 0.89%, 0.5%

LAB 83.99, -77.21, 79.03

 

CMYK 68 / 0 / 86 / 0

HEX #51FF23

RGB 81 255 35

HSL 107.45, 1%, 0.57%

LAB 88.63, -78.02, 80.24

 

CMYK 62 / 0 / 79 / 0

HEX #62FF36

RGB 98 255 54

HSL 106.87, 1%, 0.61%

LAB 89.1, -73.82, 76.42

 

CMYK 55 / 0 / 71 / 0

HEX #73FF49

RGB 115 255 73

HSL 106.15, 1%, 0.64%

LAB 89.69, -68.69, 71.29

 

CMYK 48 / 0 / 64 / 0

HEX #84FF5C

RGB 132 255 92

HSL 105.28, 1%, 0.68%

LAB 90.41, -62.71, 65.16

 

CMYK 76 / 0 / 91 / 5

HEX #3BF115

RGB 59 241 21

HSL 109.64, 0.89%, 0.51%

LAB 83.91, -77.83, 78.32

 

CMYK 81 / 0 / 99 / 13

HEX #2ADF02

RGB 42 223 2

HSL 109.14, 0.98%, 0.44%

LAB 78.04, -75.21, 75.34

 

CMYK 88 / 0 / 100 / 20

HEX #19CD00

RGB 25 205 0

HSL 112.68, 1%, 0.4%

LAB 72.14, -71.85, 70.73

 

CMYK 96 / 0 / 100 / 27

HEX #08BB00

RGB 8 187 0

HSL 117.43, 1%, 0.37%

LAB 66.21, -67.9, 65.93

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 76 / 0 / 92 / 5

HEX #39F113

RGB 57 241 19

HSL 109.73, 0.89%, 0.51%

LAB 83.88, -78.16, 78.54

 

CMYK 51 / 0 / 92 / 5

HEX #75F113

RGB 117 241 19

HSL 93.51, 0.89%, 0.51%

LAB 85.37, -65.69, 80.39

 

CMYK 27 / 0 / 92 / 5

HEX #B1F113

RGB 177 241 19

HSL 77.3, 0.89%, 0.51%

LAB 88.12, -45.94, 83.75

 

CMYK 2 / 0 / 92 / 5

HEX #EDF113

RGB 237 241 19

HSL 61.08, 0.89%, 0.51%

LAB 92.11, -22.14, 88.59

 

CMYK 0 / 23 / 92 / 5

HEX #F1B913

RGB 241 185 19

HSL 44.86, 0.89%, 0.51%

LAB 78.14, 7.69, 78.19

 

CMYK 76 / 0 / 92 / 5

HEX #39F113

RGB 57 241 19

HSL 109.73, 0.89%, 0.51%

LAB 83.88, -78.16, 78.54

 

CMYK 92 / 0 / 83 / 5

HEX #13F128

RGB 19 241 40

HSL 125.68, 0.89%, 0.51%

LAB 83.55, -80.87, 74.39

 

CMYK 92 / 0 / 59 / 5

HEX #13F164

RGB 19 241 100

HSL 141.89, 0.89%, 0.51%

LAB 83.95, -75.8, 53.89

 

CMYK 92 / 0 / 34 / 5

HEX #13F1A0

RGB 19 241 160

HSL 158.11, 0.89%, 0.51%

LAB 84.79, -65.85, 26

 

CMYK 92 / 0 / 9 / 5

HEX #13F1DC

RGB 19 241 220

HSL 174.32, 0.89%, 0.51%

LAB 86.11, -51.49, -3.29

 

CMYK 76 / 0 / 92 / 5

HEX #39F113

RGB 57 241 19

HSL 109.73, 0.89%, 0.51%

LAB 83.88, -78.16, 78.54

 

CMYK 76 / 0 / 92 / 5

HEX #39F113

RGB 57 241 19

HSL 109.73, 0.89%, 0.51%

LAB 83.88, -78.16, 78.54

 

CMYK 68 / 0 / 82 / 13

HEX #46DD27

RGB 70 221 39

HSL 109.78, 0.73%, 0.51%

LAB 77.97, -69.41, 69.82

 

CMYK 58 / 0 / 71 / 21

HEX #54C93B

RGB 84 201 59

HSL 109.44, 0.57%, 0.51%

LAB 72.21, -58.45, 58.13

 

CMYK 46 / 0 / 56 / 29

HEX #61B54F

RGB 97 181 79

HSL 109.41, 0.41%, 0.51%

LAB 66.64, -45.23, 43.57

 

CMYK 31 / 0 / 38 / 37

HEX #6EA064

RGB 110 160 100

HSL 110, 0.24%, 0.51%

LAB 61.11, -28.67, 26.1

 

CMYK 26 / 0 / 92 / 5

HEX #B2F113

RGB 178 241 19

HSL 77.03, 0.89%, 0.51%

LAB 88.17, -45.57, 83.81

 

CMYK 51 / 0 / 92 / 5

HEX #77F113

RGB 119 241 19

HSL 92.97, 0.89%, 0.51%

LAB 85.44, -65.14, 80.47

 

CMYK 75 / 0 / 92 / 5

HEX #3CF113

RGB 60 241 19

HSL 108.92, 0.89%, 0.51%

LAB 83.92, -77.74, 78.6

 

CMYK 92 / 0 / 85 / 5

HEX #13F125

RGB 19 241 37

HSL 124.86, 0.89%, 0.51%

LAB 83.54, -81, 75.05

 

CMYK 92 / 0 / 60 / 5

HEX #13F161

RGB 19 241 97

HSL 141.08, 0.89%, 0.51%

LAB 83.92, -76.17, 55.17

 

CMYK 78 / 0 / 94 / 34

HEX #25A80A

RGB 37 168 10

HSL 109.75, 0.89%, 0.35%

LAB 60.27, -59.62, 59.91

 

CMYK 78 / 0 / 94 / 19

HEX #2ECF0C

RGB 46 207 12

HSL 109.54, 0.89%, 0.43%

LAB 73.05, -69.97, 70.32

 

CMYK 76 / 0 / 92 / 5

HEX #39F113

RGB 57 241 19

HSL 109.73, 0.89%, 0.51%

LAB 83.88, -78.16, 78.54

 

CMYK 63 / 0 / 76 / 4

HEX #5AF43A

RGB 90 244 58

HSL 109.68, 0.89%, 0.59%

LAB 85.6, -71.74, 71.86

 

CMYK 50 / 0 / 61 / 4

HEX #7BF661

RGB 123 246 97

HSL 109.53, 0.89%, 0.67%

LAB 87.48, -61.35, 59.77

 

CMYK 76 / 0 / 91 / 5

HEX #3BF115

RGB 59 241 21

HSL 109.64, 0.89%, 0.51%

LAB 83.91, -77.83, 78.32

 

CMYK 92 / 1 / 0 / 5

HEX #13EEF1

RGB 19 238 241

HSL 180.81, 0.89%, 0.51%

LAB 85.83, -44.3, -14.75

 

CMYK 0 / 92 / 38 / 5

HEX #F11395

RGB 241 19 149

HSL 324.86, 0.89%, 0.51%

LAB 53.32, 81.86, -11.12

 

CMYK 76 / 0 / 91 / 5

HEX #3BF115

RGB 59 241 21

HSL 109.64, 0.89%, 0.51%

LAB 83.91, -77.83, 78.32

 

CMYK 92 / 75 / 0 / 5

HEX #133CF1

RGB 19 60 241

HSL 228.92, 0.89%, 0.51%

LAB 37.34, 55.96, -91.59

 

CMYK 0 / 92 / 75 / 5

HEX #F1133C

RGB 241 19 60

HSL 348.92, 0.89%, 0.51%

LAB 51.26, 76.24, 39.56

 

CMYK 76 / 0 / 91 / 5

HEX #3BF115

RGB 59 241 21

HSL 109.64, 0.89%, 0.51%

LAB 83.91, -77.83, 78.32

 

CMYK 92 / 1 / 0 / 5

HEX #13EEF1

RGB 19 238 241

HSL 180.81, 0.89%, 0.51%

LAB 85.83, -44.3, -14.75

 

CMYK 17 / 92 / 0 / 5

HEX #C813F1

RGB 200 19 241

HSL 288.92, 0.89%, 0.51%

LAB 50.8, 86.55, -68.84

 

CMYK 0 / 90 / 92 / 5

HEX #F11713

RGB 241 23 19

HSL 1.08, 0.89%, 0.51%

LAB 51.11, 74.84, 59.48

 

CMYK 76 / 0 / 91 / 5

HEX #3BF115

RGB 59 241 21

HSL 109.64, 0.89%, 0.51%

LAB 83.91, -77.83, 78.32

 

CMYK 92 / 29 / 0 / 5

HEX #13ABF1

RGB 19 171 241

HSL 198.92, 0.89%, 0.51%

LAB 66.22, -11.33, -44.86

 

CMYK 17 / 92 / 0 / 5

HEX #C813F1

RGB 200 19 241

HSL 288.92, 0.89%, 0.51%

LAB 50.8, 86.55, -68.84

 

CMYK 0 / 63 / 92 / 5

HEX #F15913

RGB 241 89 19

HSL 18.92, 0.89%, 0.51%

LAB 57.93, 55.9, 63.84

 

Description

Color code: HEX #3BF115 | qconv.com Color code: HEX #3BF115 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 241 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 241 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 91% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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