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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BF002 it is the complementary color #C40FFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BF002. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BF002 shade: #40F000, #51FF10, #62FF23, #73FF36 and #84FF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BF002. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BF002 shade: #3BF002, #2ADE00, #19CC00, #08BA00 and #00A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BF002 shade: #3BED02, #7AED02, #B9ED02, #EDE202 and #EDA302

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BF002 shade: #3BED02, #02ED09, #02ED49, #02ED88 and #02EDC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BF002 shade matches the following richer shades: #3BED02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BF002 shade: #3BED02, #45DA16, #4FC729, #59B33D and #63A050

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BF002 shade: #BAED02, #7CED02, #3DED02, #02ED06 and #02ED45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BF002 shade: #269C02, #31C402, #3BED02, #52FD1C and #71FD45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BF002 shade: #3BF002, #02EDE2 and #ED029B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BF002 shade: #3BF002, #023DED and #ED023D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BF002 shade: #3BF002, #02EDE2, #B302ED and #ED020E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BF002 shade: #3BF002, #02B3ED, #B302ED and #ED3D02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 99 / 6

HEX #3BF002

RGB 59 240 2

HSL 105.63, 0.98%, 0.47%

LAB 83.58, -77.88, 79.88

 

Complementary color

CMYK 23 / 94 / 0 / 1

HEX #C40FFD

RGB 196 15 253

HSL 285.63, 0.98%, 0.53%

LAB 50.88, 88.46, -75.45

 

CMYK 73 / 0 / 100 / 6

HEX #40F000

RGB 64 240 0

HSL 104, 1%, 0.47%

LAB 83.66, -77.17, 80.15

 

CMYK 68 / 0 / 94 / 0

HEX #51FF10

RGB 81 255 16

HSL 103.68, 1%, 0.53%

LAB 88.59, -78.51, 82.95

 

CMYK 62 / 0 / 86 / 0

HEX #62FF23

RGB 98 255 35

HSL 102.82, 1%, 0.57%

LAB 89.03, -74.64, 80.75

 

CMYK 55 / 0 / 79 / 0

HEX #73FF36

RGB 115 255 54

HSL 101.79, 1%, 0.61%

LAB 89.59, -69.84, 77.06

 

CMYK 48 / 0 / 71 / 0

HEX #84FF49

RGB 132 255 73

HSL 100.55, 1%, 0.64%

LAB 90.28, -64.18, 72.07

 

CMYK 75 / 0 / 99 / 6

HEX #3BF002

RGB 59 240 2

HSL 105.63, 0.98%, 0.47%

LAB 83.58, -77.88, 79.88

 

CMYK 81 / 0 / 100 / 13

HEX #2ADE00

RGB 42 222 0

HSL 108.65, 1%, 0.44%

LAB 77.72, -74.97, 75.27

 

CMYK 88 / 0 / 100 / 20

HEX #19CC00

RGB 25 204 0

HSL 112.65, 1%, 0.4%

LAB 71.82, -71.57, 70.48

 

CMYK 96 / 0 / 100 / 27

HEX #08BA00

RGB 8 186 0

HSL 117.42, 1%, 0.36%

LAB 65.88, -67.63, 65.67

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 75 / 0 / 99 / 7

HEX #3BED02

RGB 59 237 2

HSL 105.45, 0.98%, 0.47%

LAB 82.65, -77.01, 79.14

 

CMYK 49 / 0 / 99 / 7

HEX #7AED02

RGB 122 237 2

HSL 89.36, 0.98%, 0.47%

LAB 84.33, -63.1, 81.19

 

CMYK 22 / 0 / 99 / 7

HEX #B9ED02

RGB 185 237 2

HSL 73.28, 0.98%, 0.47%

LAB 87.43, -41.38, 84.93

 

CMYK 0 / 5 / 99 / 7

HEX #EDE202

RGB 237 226 2

HSL 57.19, 0.98%, 0.47%

LAB 88.16, -15.03, 87.13

 

CMYK 0 / 31 / 99 / 7

HEX #EDA302

RGB 237 163 2

HSL 41.11, 0.98%, 0.47%

LAB 72.36, 17.38, 76

 

CMYK 75 / 0 / 99 / 7

HEX #3BED02

RGB 59 237 2

HSL 105.45, 0.98%, 0.47%

LAB 82.65, -77.01, 79.14

 

CMYK 99 / 0 / 96 / 7

HEX #02ED09

RGB 2 237 9

HSL 121.79, 0.98%, 0.47%

LAB 82.16, -81.34, 77.96

 

CMYK 99 / 0 / 69 / 7

HEX #02ED49

RGB 2 237 73

HSL 138.13, 0.98%, 0.47%

LAB 82.41, -78.13, 63.2

 

CMYK 99 / 0 / 43 / 7

HEX #02ED88

RGB 2 237 136

HSL 154.21, 0.98%, 0.47%

LAB 83.1, -69.63, 35.85

 

CMYK 99 / 0 / 16 / 7

HEX #02EDC8

RGB 2 237 200

HSL 170.55, 0.98%, 0.47%

LAB 84.36, -55.59, 4.63

 

CMYK 75 / 0 / 99 / 7

HEX #3BED02

RGB 59 237 2

HSL 105.45, 0.98%, 0.47%

LAB 82.65, -77.01, 79.14

 

CMYK 75 / 0 / 99 / 7

HEX #3BED02

RGB 59 237 2

HSL 105.45, 0.98%, 0.47%

LAB 82.65, -77.01, 79.14

 

CMYK 68 / 0 / 90 / 15

HEX #45DA16

RGB 69 218 22

HSL 105.61, 0.82%, 0.47%

LAB 76.96, -69.31, 72.4

 

CMYK 60 / 0 / 79 / 22

HEX #4FC729

RGB 79 199 41

HSL 105.57, 0.66%, 0.47%

LAB 71.33, -60.18, 63.23

 

CMYK 50 / 0 / 66 / 30

HEX #59B33D

RGB 89 179 61

HSL 105.76, 0.49%, 0.47%

LAB 65.52, -48.69, 50.3

 

CMYK 38 / 0 / 50 / 37

HEX #63A050

RGB 99 160 80

HSL 105.75, 0.33%, 0.47%

LAB 60.22, -35.36, 35.38

 

CMYK 22 / 0 / 99 / 7

HEX #BAED02

RGB 186 237 2

HSL 73.02, 0.98%, 0.47%

LAB 87.49, -40.99, 85

 

CMYK 48 / 0 / 99 / 7

HEX #7CED02

RGB 124 237 2

HSL 88.85, 0.98%, 0.47%

LAB 84.41, -62.51, 81.29

 

CMYK 74 / 0 / 99 / 7

HEX #3DED02

RGB 61 237 2

HSL 104.94, 0.98%, 0.47%

LAB 82.68, -76.72, 79.18

 

CMYK 99 / 0 / 97 / 7

HEX #02ED06

RGB 2 237 6

HSL 121.02, 0.98%, 0.47%

LAB 82.16, -81.38, 78.2

 

CMYK 99 / 0 / 71 / 7

HEX #02ED45

RGB 2 237 69

HSL 137.11, 0.98%, 0.47%

LAB 82.38, -78.48, 64.64

 

CMYK 76 / 0 / 99 / 39

HEX #269C02

RGB 38 156 2

HSL 105.97, 0.97%, 0.31%

LAB 56.28, -55.95, 57.82

 

CMYK 75 / 0 / 99 / 23

HEX #31C402

RGB 49 196 2

HSL 105.46, 0.98%, 0.39%

LAB 69.57, -66.47, 68.58

 

CMYK 75 / 0 / 99 / 7

HEX #3BED02

RGB 59 237 2

HSL 105.45, 0.98%, 0.47%

LAB 82.65, -77.01, 79.14

 

CMYK 68 / 0 / 89 / 1

HEX #52FD1C

RGB 82 253 28

HSL 105.6, 0.98%, 0.55%

LAB 88.03, -77.45, 80.94

 

CMYK 55 / 0 / 73 / 1

HEX #71FD45

RGB 113 253 69

HSL 105.65, 0.98%, 0.63%

LAB 89.01, -68.78, 71.94

 

CMYK 75 / 0 / 99 / 6

HEX #3BF002

RGB 59 240 2

HSL 105.63, 0.98%, 0.47%

LAB 83.58, -77.88, 79.88

 

CMYK 99 / 0 / 5 / 7

HEX #02EDE2

RGB 2 237 226

HSL 177.19, 0.98%, 0.47%

LAB 85.03, -48.59, -8.05

 

CMYK 0 / 99 / 35 / 7

HEX #ED029B

RGB 237 2 155

HSL 320.94, 0.98%, 0.47%

LAB 52.3, 82.96, -16.3

 

CMYK 75 / 0 / 99 / 6

HEX #3BF002

RGB 59 240 2

HSL 105.63, 0.98%, 0.47%

LAB 83.58, -77.88, 79.88

 

CMYK 99 / 74 / 0 / 7

HEX #023DED

RGB 2 61 237

HSL 224.94, 0.98%, 0.47%

LAB 36.86, 53.74, -90.11

 

CMYK 0 / 99 / 74 / 7

HEX #ED023D

RGB 237 2 61

HSL 344.94, 0.98%, 0.47%

LAB 49.96, 76.75, 37.29

 

CMYK 75 / 0 / 99 / 6

HEX #3BF002

RGB 59 240 2

HSL 105.63, 0.98%, 0.47%

LAB 83.58, -77.88, 79.88

 

CMYK 99 / 0 / 5 / 7

HEX #02EDE2

RGB 2 237 226

HSL 177.19, 0.98%, 0.47%

LAB 85.03, -48.59, -8.05

 

CMYK 24 / 99 / 0 / 7

HEX #B302ED

RGB 179 2 237

HSL 285.19, 0.98%, 0.47%

LAB 46.63, 84.61, -73.51

 

CMYK 0 / 99 / 94 / 7

HEX #ED020E

RGB 237 2 14

HSL 356.94, 0.98%, 0.47%

LAB 49.59, 75.74, 59.81

 

CMYK 75 / 0 / 99 / 6

HEX #3BF002

RGB 59 240 2

HSL 105.63, 0.98%, 0.47%

LAB 83.58, -77.88, 79.88

 

CMYK 99 / 24 / 0 / 7

HEX #02B3ED

RGB 2 179 237

HSL 194.81, 0.98%, 0.47%

LAB 68.29, -17.56, -39.45

 

CMYK 24 / 99 / 0 / 7

HEX #B302ED

RGB 179 2 237

HSL 285.19, 0.98%, 0.47%

LAB 46.63, 84.61, -73.51

 

CMYK 0 / 74 / 99 / 7

HEX #ED3D02

RGB 237 61 2

HSL 15.06, 0.98%, 0.47%

LAB 53.33, 64.96, 64.66

 

Description

Color code: HEX #3BF002 | qconv.com Color code: HEX #3BF002 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 240 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 240 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 99 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 99% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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