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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BED1E it is the complementary color #C412E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BED1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BED1E shade: #40ED19, #51FF2C, #62FF3F, #73FF52 and #84FF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BED1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BED1E shade: #3BED1E, #2ADB0B, #19C900, #08B700 and #00A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BED1E shade: #3AED1D, #72ED1D, #AAED1D, #E2ED1D and #EDBF1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BED1E shade: #3AED1D, #1DED38, #1DED70, #1DEDA8 and #1DEDE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BED1E shade matches the following richer shades: #3AED1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BED1E shade: #3AED1D, #48D930, #56C544, #64B158 and #739D6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BED1E shade: #ABED1D, #73ED1D, #3CED1D, #1DED35 and #1DED6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BED1E shade: #23A90E, #2BCF11, #3AED1D, #5BF043 and #7CF369

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BED1E shade: #3BED1E, #1DE2ED and #ED1D8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BED1E shade: #3BED1E, #1D3CED and #ED1D3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BED1E shade: #3BED1E, #1DE2ED, #CD1DED and #ED271D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BED1E shade: #3BED1E, #1DA4ED, #CD1DED and #ED651D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 87 / 7

HEX #3BED1E

RGB 59 237 30

HSL 111.59, 0.85%, 0.52%

LAB 82.7, -76.41, 75.87

 

Complementary color

CMYK 13 / 92 / 0 / 12

HEX #C412E1

RGB 196 18 225

HSL 291.59, 0.85%, 0.48%

LAB 49.01, 83.44, -62.72

 

CMYK 73 / 0 / 89 / 7

HEX #40ED19

RGB 64 237 25

HSL 108.96, 0.85%, 0.51%

LAB 82.77, -75.82, 76.81

 

CMYK 68 / 0 / 83 / 0

HEX #51FF2C

RGB 81 255 44

HSL 109.48, 1%, 0.59%

LAB 88.66, -77.67, 78.38

 

CMYK 62 / 0 / 75 / 0

HEX #62FF3F

RGB 98 255 63

HSL 109.06, 1%, 0.62%

LAB 89.15, -73.31, 73.85

 

CMYK 55 / 0 / 68 / 0

HEX #73FF52

RGB 115 255 82

HSL 108.55, 1%, 0.66%

LAB 89.75, -68.02, 68.13

 

CMYK 48 / 0 / 60 / 0

HEX #84FF65

RGB 132 255 101

HSL 107.92, 1%, 0.7%

LAB 90.49, -61.87, 61.57

 

CMYK 75 / 0 / 87 / 7

HEX #3BED1E

RGB 59 237 30

HSL 111.59, 0.85%, 0.52%

LAB 82.7, -76.41, 75.87

 

CMYK 81 / 0 / 95 / 14

HEX #2ADB0B

RGB 42 219 11

HSL 111.06, 0.9%, 0.45%

LAB 76.79, -73.93, 73.49

 

CMYK 88 / 0 / 100 / 21

HEX #19C900

RGB 25 201 0

HSL 112.54, 1%, 0.39%

LAB 70.86, -70.74, 69.71

 

CMYK 96 / 0 / 100 / 28

HEX #08B700

RGB 8 183 0

HSL 117.38, 1%, 0.36%

LAB 64.9, -66.8, 64.88

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 76 / 0 / 88 / 7

HEX #3AED1D

RGB 58 237 29

HSL 111.63, 0.85%, 0.52%

LAB 82.68, -76.59, 76.02

 

CMYK 52 / 0 / 88 / 7

HEX #72ED1D

RGB 114 237 29

HSL 95.48, 0.85%, 0.52%

LAB 84.09, -64.87, 77.79

 

CMYK 28 / 0 / 88 / 7

HEX #AAED1D

RGB 170 237 29

HSL 79.33, 0.85%, 0.52%

LAB 86.6, -46.64, 80.91

 

CMYK 5 / 0 / 88 / 7

HEX #E2ED1D

RGB 226 237 29

HSL 63.17, 0.85%, 0.52%

LAB 90.24, -24.61, 85.38

 

CMYK 0 / 19 / 88 / 7

HEX #EDBF1D

RGB 237 191 29

HSL 46.73, 0.85%, 0.52%

LAB 79.25, 3.01, 77.05

 

CMYK 76 / 0 / 88 / 7

HEX #3AED1D

RGB 58 237 29

HSL 111.63, 0.85%, 0.52%

LAB 82.68, -76.59, 76.02

 

CMYK 88 / 0 / 76 / 7

HEX #1DED38

RGB 29 237 56

HSL 127.79, 0.85%, 0.52%

LAB 82.44, -78.28, 69.08

 

CMYK 88 / 0 / 53 / 7

HEX #1DED70

RGB 29 237 112

HSL 143.94, 0.85%, 0.52%

LAB 82.91, -72.41, 47.23

 

CMYK 88 / 0 / 29 / 7

HEX #1DEDA8

RGB 29 237 168

HSL 160.1, 0.85%, 0.52%

LAB 83.79, -62.23, 20.53

 

CMYK 88 / 0 / 5 / 7

HEX #1DEDE0

RGB 29 237 224

HSL 176.25, 0.85%, 0.52%

LAB 85.1, -48.29, -6.88

 

CMYK 76 / 0 / 88 / 7

HEX #3AED1D

RGB 58 237 29

HSL 111.63, 0.85%, 0.52%

LAB 82.68, -76.59, 76.02

 

CMYK 76 / 0 / 88 / 7

HEX #3AED1D

RGB 58 237 29

HSL 111.63, 0.85%, 0.52%

LAB 82.68, -76.59, 76.02

 

CMYK 67 / 0 / 78 / 15

HEX #48D930

RGB 72 217 48

HSL 111.48, 0.69%, 0.52%

LAB 76.81, -67.28, 66.29

 

CMYK 56 / 0 / 65 / 23

HEX #56C544

RGB 86 197 68

HSL 111.63, 0.53%, 0.52%

LAB 71.1, -55.71, 53.41

 

CMYK 44 / 0 / 50 / 31

HEX #64B158

RGB 100 177 88

HSL 111.91, 0.36%, 0.52%

LAB 65.64, -41.49, 38.01

 

CMYK 27 / 0 / 31 / 38

HEX #739D6C

RGB 115 157 108

HSL 111.43, 0.2%, 0.52%

LAB 60.64, -24.13, 21.16

 

CMYK 28 / 0 / 88 / 7

HEX #ABED1D

RGB 171 237 29

HSL 79.04, 0.85%, 0.52%

LAB 86.66, -46.27, 80.98

 

CMYK 51 / 0 / 88 / 7

HEX #73ED1D

RGB 115 237 29

HSL 95.19, 0.85%, 0.52%

LAB 84.12, -64.6, 77.83

 

CMYK 75 / 0 / 88 / 7

HEX #3CED1D

RGB 60 237 29

HSL 111.06, 0.85%, 0.52%

LAB 82.71, -76.3, 76.06

 

CMYK 88 / 0 / 78 / 7

HEX #1DED35

RGB 29 237 53

HSL 126.92, 0.85%, 0.52%

LAB 82.43, -78.48, 69.96

 

CMYK 88 / 0 / 54 / 7

HEX #1DED6C

RGB 29 237 108

HSL 142.79, 0.85%, 0.52%

LAB 82.87, -72.97, 49.03

 

CMYK 79 / 0 / 92 / 34

HEX #23A90E

RGB 35 169 14

HSL 111.87, 0.85%, 0.36%

LAB 60.57, -60.1, 59.56

 

CMYK 79 / 0 / 92 / 19

HEX #2BCF11

RGB 43 207 17

HSL 111.79, 0.85%, 0.44%

LAB 73.01, -70.24, 69.64

 

CMYK 76 / 0 / 88 / 7

HEX #3AED1D

RGB 58 237 29

HSL 111.63, 0.85%, 0.52%

LAB 82.68, -76.59, 76.02

 

CMYK 62 / 0 / 72 / 6

HEX #5BF043

RGB 91 240 67

HSL 111.68, 0.85%, 0.6%

LAB 84.46, -69.62, 67.83

 

CMYK 49 / 0 / 57 / 5

HEX #7CF369

RGB 124 243 105

HSL 111.74, 0.85%, 0.68%

LAB 86.7, -59.12, 55.43

 

CMYK 75 / 0 / 87 / 7

HEX #3BED1E

RGB 59 237 30

HSL 111.59, 0.85%, 0.52%

LAB 82.7, -76.41, 75.87

 

CMYK 88 / 5 / 0 / 7

HEX #1DE2ED

RGB 29 226 237

HSL 183.17, 0.85%, 0.52%

LAB 82.25, -39.7, -18

 

CMYK 0 / 88 / 40 / 7

HEX #ED1D8F

RGB 237 29 143

HSL 327.12, 0.85%, 0.52%

LAB 52.8, 79.13, -8.39

 

CMYK 75 / 0 / 87 / 7

HEX #3BED1E

RGB 59 237 30

HSL 111.59, 0.85%, 0.52%

LAB 82.7, -76.41, 75.87

 

CMYK 88 / 75 / 0 / 7

HEX #1D3CED

RGB 29 60 237

HSL 231.06, 0.85%, 0.52%

LAB 37.13, 54.95, -89.66

 

CMYK 0 / 88 / 75 / 7

HEX #ED1D3C

RGB 237 29 60

HSL 351.06, 0.85%, 0.52%

LAB 50.93, 73.87, 38.97

 

CMYK 75 / 0 / 87 / 7

HEX #3BED1E

RGB 59 237 30

HSL 111.59, 0.85%, 0.52%

LAB 82.7, -76.41, 75.87

 

CMYK 88 / 5 / 0 / 7

HEX #1DE2ED

RGB 29 226 237

HSL 183.17, 0.85%, 0.52%

LAB 82.25, -39.7, -18

 

CMYK 14 / 88 / 0 / 7

HEX #CD1DED

RGB 205 29 237

HSL 290.77, 0.85%, 0.52%

LAB 51.81, 85.22, -64.92

 

CMYK 0 / 84 / 88 / 7

HEX #ED271D

RGB 237 39 29

HSL 2.88, 0.85%, 0.52%

LAB 51.32, 71.17, 55.36

 

CMYK 75 / 0 / 87 / 7

HEX #3BED1E

RGB 59 237 30

HSL 111.59, 0.85%, 0.52%

LAB 82.7, -76.41, 75.87

 

CMYK 88 / 31 / 0 / 7

HEX #1DA4ED

RGB 29 164 237

HSL 201.06, 0.85%, 0.52%

LAB 64.1, -8.39, -46.01

 

CMYK 14 / 88 / 0 / 7

HEX #CD1DED

RGB 205 29 237

HSL 290.77, 0.85%, 0.52%

LAB 51.81, 85.22, -64.92

 

CMYK 0 / 57 / 88 / 7

HEX #ED651D

RGB 237 101 29

HSL 20.77, 0.85%, 0.52%

LAB 59.34, 49.31, 61.51

 

Description

Color code: HEX #3BED1E | qconv.com Color code: HEX #3BED1E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 237 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 237 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 87 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 87% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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