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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BE7BF it is the complementary color #C41840. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BE7BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BE7BF shade: #40E7BA, #51F9CD, #62FFE0, #73FFF3 and #84FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BE7BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BE7BF shade: #3BE7BF, #2AD5AC, #19C399, #08B186 and #009F73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BE7BF shade: #3CE7BF, #3CE791, #3CE763, #43E73C and #71E73C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BE7BF shade: #3CE7BF, #3CE1E7, #3CB2E7, #3C84E7 and #3C56E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BE7BF shade matches the following richer shades: #3CE7BF and #2AF9C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BE7BF shade: #3CE7BF, #4ED5B6, #5FC3AC, #71B2A3 and #83A099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BE7BF shade: #3CE764, #3CE791, #3CE7BF, #3CE1E7 and #3CB4E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BE7BF shade: #17B994, #1BDEB1, #3CE7BF, #61EBCB and #85F0D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BE7BF shade: #3BE7BF, #3C42E7 and #E77B3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BE7BF shade: #3BE7BF, #BF3CE7 and #E7BF3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BE7BF shade: #3BE7BF, #3C42E7, #E73C64 and #E7E13C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BE7BF shade: #3BE7BF, #693CE7, #E73C64 and #B9E73C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 17 / 9

HEX #3BE7BF

RGB 59 231 191

HSL 166.05, 0.78%, 0.57%

LAB 82.83, -51.97, 7.22

 

Complementary color

CMYK 0 / 88 / 67 / 23

HEX #C41840

RGB 196 24 64

HSL 346.05, 0.78%, 0.43%

LAB 42.4, 64.39, 24.38

 

CMYK 72 / 0 / 19 / 9

HEX #40E7BA

RGB 64 231 186

HSL 163.83, 0.78%, 0.58%

LAB 82.8, -52.57, 9.82

 

CMYK 67 / 0 / 18 / 2

HEX #51F9CD

RGB 81 249 205

HSL 164.29, 0.93%, 0.65%

LAB 88.88, -53.1, 8.64

 

CMYK 62 / 0 / 12 / 0

HEX #62FFE0

RGB 98 255 224

HSL 168.15, 1%, 0.69%

LAB 91.46, -48.43, 2.57

 

CMYK 55 / 0 / 5 / 0

HEX #73FFF3

RGB 115 255 243

HSL 174.86, 1%, 0.73%

LAB 92.41, -40.76, -5.81

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 74 / 0 / 17 / 9

HEX #3BE7BF

RGB 59 231 191

HSL 166.05, 0.78%, 0.57%

LAB 82.83, -51.97, 7.22

 

CMYK 80 / 0 / 19 / 16

HEX #2AD5AC

RGB 42 213 172

HSL 165.61, 0.67%, 0.5%

LAB 76.71, -51.09, 8.5

 

CMYK 87 / 0 / 22 / 24

HEX #19C399

RGB 25 195 153

HSL 165.18, 0.77%, 0.43%

LAB 70.55, -49.88, 9.91

 

CMYK 95 / 0 / 24 / 31

HEX #08B186

RGB 8 177 134

HSL 164.73, 0.91%, 0.36%

LAB 64.34, -48.26, 11.47

 

CMYK 100 / 0 / 28 / 38

HEX #009F73

RGB 0 159 115

HSL 163.4, 1%, 0.31%

LAB 58.07, -46.14, 13.21

 

CMYK 74 / 0 / 17 / 9

HEX #3CE7BF

RGB 60 231 191

HSL 165.96, 0.78%, 0.57%

LAB 82.85, -51.86, 7.25

 

CMYK 74 / 0 / 37 / 9

HEX #3CE791

RGB 60 231 145

HSL 149.82, 0.78%, 0.57%

LAB 81.92, -61.83, 29.87

 

CMYK 74 / 0 / 57 / 9

HEX #3CE763

RGB 60 231 99

HSL 133.68, 0.78%, 0.57%

LAB 81.3, -69.07, 51.34

 

CMYK 71 / 0 / 74 / 9

HEX #43E73C

RGB 67 231 60

HSL 117.54, 0.78%, 0.57%

LAB 81.11, -71.81, 66.66

 

CMYK 51 / 0 / 74 / 9

HEX #71E73C

RGB 113 231 60

HSL 101.4, 0.78%, 0.57%

LAB 82.37, -61.58, 68.33

 

CMYK 74 / 0 / 17 / 9

HEX #3CE7BF

RGB 60 231 191

HSL 165.96, 0.78%, 0.57%

LAB 82.85, -51.86, 7.25

 

CMYK 74 / 3 / 0 / 9

HEX #3CE1E7

RGB 60 225 231

HSL 182.11, 0.78%, 0.57%

LAB 82.15, -38.6, -14.94

 

CMYK 74 / 23 / 0 / 9

HEX #3CB2E7

RGB 60 178 231

HSL 198.6, 0.78%, 0.57%

LAB 68.44, -15.38, -35.89

 

CMYK 74 / 43 / 0 / 9

HEX #3C84E7

RGB 60 132 231

HSL 214.74, 0.78%, 0.57%

LAB 55.31, 11, -56.61

 

CMYK 74 / 63 / 0 / 9

HEX #3C56E7

RGB 60 86 231

HSL 230.88, 0.78%, 0.57%

LAB 43.34, 39.7, -75.99

 

CMYK 74 / 0 / 17 / 9

HEX #3CE7BF

RGB 60 231 191

HSL 165.96, 0.78%, 0.57%

LAB 82.85, -51.86, 7.25

 

CMYK 83 / 0 / 19 / 2

HEX #2AF9C9

RGB 42 249 201

HSL 166.09, 0.95%, 0.57%

LAB 88.19, -58.32, 9.65

 

CMYK 74 / 0 / 17 / 9

HEX #3CE7BF

RGB 60 231 191

HSL 165.96, 0.78%, 0.57%

LAB 82.85, -51.86, 7.25

 

CMYK 63 / 0 / 15 / 16

HEX #4ED5B6

RGB 78 213 182

HSL 166.22, 0.62%, 0.57%

LAB 77.63, -43.9, 4.56

 

CMYK 51 / 0 / 12 / 24

HEX #5FC3AC

RGB 95 195 172

HSL 166.2, 0.45%, 0.57%

LAB 72.52, -34.89, 2.62

 

CMYK 37 / 0 / 8 / 30

HEX #71B2A3

RGB 113 178 163

HSL 166.15, 0.3%, 0.57%

LAB 68.02, -24.22, 1.1

 

CMYK 18 / 0 / 4 / 37

HEX #83A099

RGB 131 160 153

HSL 165.52, 0.13%, 0.57%

LAB 63.56, -11.52, 0.3

 

CMYK 74 / 0 / 57 / 9

HEX #3CE764

RGB 60 231 100

HSL 134.04, 0.78%, 0.57%

LAB 81.31, -68.94, 50.91

 

CMYK 74 / 0 / 37 / 9

HEX #3CE791

RGB 60 231 145

HSL 149.82, 0.78%, 0.57%

LAB 81.92, -61.83, 29.87

 

CMYK 74 / 0 / 17 / 9

HEX #3CE7BF

RGB 60 231 191

HSL 165.96, 0.78%, 0.57%

LAB 82.85, -51.86, 7.25

 

CMYK 74 / 3 / 0 / 9

HEX #3CE1E7

RGB 60 225 231

HSL 182.11, 0.78%, 0.57%

LAB 82.15, -38.6, -14.94

 

CMYK 74 / 22 / 0 / 9

HEX #3CB4E7

RGB 60 180 231

HSL 197.89, 0.78%, 0.57%

LAB 69.02, -16.44, -34.99

 

CMYK 88 / 0 / 20 / 27

HEX #17B994

RGB 23 185 148

HSL 166.3, 0.78%, 0.41%

LAB 67.29, -47.22, 7.99

 

CMYK 88 / 0 / 20 / 13

HEX #1BDEB1

RGB 27 222 177

HSL 166.15, 0.78%, 0.49%

LAB 79.41, -54.57, 9.68

 

CMYK 74 / 0 / 17 / 9

HEX #3CE7BF

RGB 60 231 191

HSL 165.96, 0.78%, 0.57%

LAB 82.85, -51.86, 7.25

 

CMYK 59 / 0 / 14 / 8

HEX #61EBCB

RGB 97 235 203

HSL 166.09, 0.78%, 0.65%

LAB 85.13, -45.02, 4.34

 

CMYK 45 / 0 / 10 / 6

HEX #85F0D7

RGB 133 240 215

HSL 165.98, 0.78%, 0.73%

LAB 88.07, -36.78, 2.47

 

CMYK 74 / 0 / 17 / 9

HEX #3BE7BF

RGB 59 231 191

HSL 166.05, 0.78%, 0.57%

LAB 82.83, -51.97, 7.22

 

CMYK 74 / 71 / 0 / 9

HEX #3C42E7

RGB 60 66 231

HSL 237.89, 0.78%, 0.57%

LAB 38.94, 51.55, -83.22

 

CMYK 0 / 47 / 74 / 9

HEX #E77B3C

RGB 231 123 60

HSL 22.11, 0.78%, 0.57%

LAB 62.91, 37.2, 51.6

 

CMYK 74 / 0 / 17 / 9

HEX #3BE7BF

RGB 59 231 191

HSL 166.05, 0.78%, 0.57%

LAB 82.83, -51.97, 7.22

 

CMYK 17 / 74 / 0 / 9

HEX #BF3CE7

RGB 191 60 231

HSL 285.96, 0.78%, 0.57%

LAB 51.92, 74.02, -61.46

 

CMYK 0 / 17 / 74 / 9

HEX #E7BF3C

RGB 231 191 60

HSL 45.96, 0.78%, 0.57%

LAB 78.8, 1.38, 67.43

 

CMYK 74 / 0 / 17 / 9

HEX #3BE7BF

RGB 59 231 191

HSL 166.05, 0.78%, 0.57%

LAB 82.83, -51.97, 7.22

 

CMYK 74 / 71 / 0 / 9

HEX #3C42E7

RGB 60 66 231

HSL 237.89, 0.78%, 0.57%

LAB 38.94, 51.55, -83.22

 

CMYK 0 / 74 / 57 / 9

HEX #E73C64

RGB 231 60 100

HSL 345.96, 0.78%, 0.57%

LAB 53.1, 66.8, 17.73

 

CMYK 0 / 3 / 74 / 9

HEX #E7E13C

RGB 231 225 60

HSL 57.89, 0.78%, 0.57%

LAB 87.57, -15.83, 75.7

 

CMYK 74 / 0 / 17 / 9

HEX #3BE7BF

RGB 59 231 191

HSL 166.05, 0.78%, 0.57%

LAB 82.83, -51.97, 7.22

 

CMYK 55 / 74 / 0 / 9

HEX #693CE7

RGB 105 60 231

HSL 255.79, 0.78%, 0.57%

LAB 41.22, 59.72, -79.34

 

CMYK 0 / 74 / 57 / 9

HEX #E73C64

RGB 231 60 100

HSL 345.96, 0.78%, 0.57%

LAB 53.1, 66.8, 17.73

 

CMYK 20 / 0 / 74 / 9

HEX #B9E73C

RGB 185 231 60

HSL 76.14, 0.78%, 0.57%

LAB 85.9, -37.23, 72.96

 

Description

Color code: HEX #3BE7BF | qconv.com Color code: HEX #3BE7BF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 231 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 231 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 17 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 17% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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