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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BE616 it is the complementary color #C419E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BE616. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BE616 shade: #40E611, #51F824, #62FF37, #73FF4A and #84FF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BE616. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BE616 shade: #3BE616, #2AD403, #19C200, #08B000 and #009E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BE616 shade: #3AE515, #72E515, #AAE515, #E2E515 and #E5AF15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BE616 shade: #3AE515, #15E528, #15E560, #15E598 and #15E5D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BE616 shade matches the following richer shades: #3AE515 and #2DF901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BE616 shade: #3AE515, #47D029, #54BC3E, #61A852 and #6E9466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BE616 shade: #AAE515, #73E515, #3BE515, #15E527 and #15E55E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BE616 shade: #27990E, #31BF12, #3AE515, #57EC37 and #77F05D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BE616 shade: #3BE616, #15E1E5 and #E5158E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BE616 shade: #3BE616, #153BE5 and #E5153B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BE616 shade: #3BE616, #15E1E5, #BF15E5 and #E51915

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BE616 shade: #3BE616, #15A3E5, #BF15E5 and #E55715

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 90 / 10

HEX #3BE616

RGB 59 230 22

HSL 109.33, 0.83%, 0.49%

LAB 80.51, -74.61, 75.32

 

Complementary color

CMYK 16 / 89 / 0 / 9

HEX #C419E9

RGB 196 25 233

HSL 289.33, 0.83%, 0.51%

LAB 49.88, 83.82, -65.86

 

CMYK 72 / 0 / 93 / 10

HEX #40E611

RGB 64 230 17

HSL 106.76, 0.86%, 0.48%

LAB 80.59, -73.96, 76.1

 

CMYK 67 / 0 / 85 / 3

HEX #51F824

RGB 81 248 36

HSL 107.26, 0.94%, 0.56%

LAB 86.51, -75.85, 78.2

 

CMYK 62 / 0 / 78 / 0

HEX #62FF37

RGB 98 255 55

HSL 107.1, 1%, 0.61%

LAB 89.11, -73.77, 76.15

 

CMYK 55 / 0 / 71 / 0

HEX #73FF4A

RGB 115 255 74

HSL 106.41, 1%, 0.65%

LAB 89.7, -68.62, 70.95

 

CMYK 48 / 0 / 64 / 0

HEX #84FF5D

RGB 132 255 93

HSL 105.56, 1%, 0.68%

LAB 90.42, -62.62, 64.77

 

CMYK 74 / 0 / 90 / 10

HEX #3BE616

RGB 59 230 22

HSL 109.33, 0.83%, 0.49%

LAB 80.51, -74.61, 75.32

 

CMYK 80 / 0 / 99 / 17

HEX #2AD403

RGB 42 212 3

HSL 108.8, 0.97%, 0.42%

LAB 74.56, -72.08, 72.45

 

CMYK 87 / 0 / 100 / 24

HEX #19C200

RGB 25 194 0

HSL 112.27, 1%, 0.38%

LAB 68.6, -68.79, 67.9

 

CMYK 95 / 0 / 100 / 31

HEX #08B000

RGB 8 176 0

HSL 117.27, 1%, 0.35%

LAB 62.59, -64.86, 63.04

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 75 / 0 / 91 / 10

HEX #3AE515

RGB 58 229 21

HSL 109.33, 0.83%, 0.49%

LAB 80.18, -74.5, 75.18

 

CMYK 50 / 0 / 91 / 10

HEX #72E515

RGB 114 229 21

HSL 93.17, 0.83%, 0.49%

LAB 81.66, -62.24, 77.02

 

CMYK 26 / 0 / 91 / 10

HEX #AAE515

RGB 170 229 21

HSL 77.02, 0.83%, 0.49%

LAB 84.3, -43.39, 80.27

 

CMYK 1 / 0 / 91 / 10

HEX #E2E515

RGB 226 229 21

HSL 60.87, 0.83%, 0.49%

LAB 88.09, -20.91, 84.88

 

CMYK 0 / 24 / 91 / 10

HEX #E5AF15

RGB 229 175 21

HSL 44.42, 0.83%, 0.49%

LAB 74.43, 7.79, 74.53

 

CMYK 75 / 0 / 91 / 10

HEX #3AE515

RGB 58 229 21

HSL 109.33, 0.83%, 0.49%

LAB 80.18, -74.5, 75.18

 

CMYK 91 / 0 / 83 / 10

HEX #15E528

RGB 21 229 40

HSL 125.48, 0.83%, 0.49%

LAB 79.81, -77.5, 71.01

 

CMYK 91 / 0 / 58 / 10

HEX #15E560

RGB 21 229 96

HSL 141.63, 0.83%, 0.49%

LAB 80.2, -72.58, 51.29

 

CMYK 91 / 0 / 34 / 10

HEX #15E598

RGB 21 229 152

HSL 157.79, 0.83%, 0.49%

LAB 81, -63.17, 24.96

 

CMYK 91 / 0 / 9 / 10

HEX #15E5D0

RGB 21 229 208

HSL 173.94, 0.83%, 0.49%

LAB 82.25, -49.67, -2.65

 

CMYK 75 / 0 / 91 / 10

HEX #3AE515

RGB 58 229 21

HSL 109.33, 0.83%, 0.49%

LAB 80.18, -74.5, 75.18

 

CMYK 82 / 0 / 100 / 2

HEX #2DF901

RGB 45 249 1

HSL 109.35, 0.99%, 0.49%

LAB 86.16, -82.1, 81.96

 

CMYK 75 / 0 / 91 / 10

HEX #3AE515

RGB 58 229 21

HSL 109.33, 0.83%, 0.49%

LAB 80.18, -74.5, 75.18

 

CMYK 66 / 0 / 80 / 18

HEX #47D029

RGB 71 208 41

HSL 109.22, 0.67%, 0.49%

LAB 73.94, -64.96, 65.6

 

CMYK 55 / 0 / 67 / 26

HEX #54BC3E

RGB 84 188 62

HSL 109.52, 0.5%, 0.49%

LAB 68.17, -53.45, 52.7

 

CMYK 42 / 0 / 51 / 34

HEX #61A852

RGB 97 168 82

HSL 109.53, 0.34%, 0.49%

LAB 62.64, -39.33, 37.31

 

CMYK 26 / 0 / 31 / 42

HEX #6E9466

RGB 110 148 102

HSL 109.57, 0.18%, 0.49%

LAB 57.52, -22.39, 20.21

 

CMYK 26 / 0 / 91 / 10

HEX #AAE515

RGB 170 229 21

HSL 77.02, 0.83%, 0.49%

LAB 84.3, -43.39, 80.27

 

CMYK 50 / 0 / 91 / 10

HEX #73E515

RGB 115 229 21

HSL 92.88, 0.83%, 0.49%

LAB 81.7, -61.95, 77.07

 

CMYK 74 / 0 / 91 / 10

HEX #3BE515

RGB 59 229 21

HSL 109.04, 0.83%, 0.49%

LAB 80.19, -74.35, 75.2

 

CMYK 91 / 0 / 83 / 10

HEX #15E527

RGB 21 229 39

HSL 125.19, 0.83%, 0.49%

LAB 79.81, -77.55, 71.25

 

CMYK 91 / 0 / 59 / 10

HEX #15E55E

RGB 21 229 94

HSL 141.06, 0.83%, 0.49%

LAB 80.18, -72.83, 52.16

 

CMYK 75 / 0 / 91 / 40

HEX #27990E

RGB 39 153 14

HSL 109.21, 0.83%, 0.33%

LAB 55.32, -54.48, 55.11

 

CMYK 74 / 0 / 91 / 25

HEX #31BF12

RGB 49 191 18

HSL 109.25, 0.83%, 0.41%

LAB 67.99, -64.6, 65.29

 

CMYK 75 / 0 / 91 / 10

HEX #3AE515

RGB 58 229 21

HSL 109.33, 0.83%, 0.49%

LAB 80.18, -74.5, 75.18

 

CMYK 63 / 0 / 77 / 7

HEX #57EC37

RGB 87 236 55

HSL 109.39, 0.83%, 0.57%

LAB 83.07, -69.96, 70.31

 

CMYK 50 / 0 / 61 / 6

HEX #77F05D

RGB 119 240 93

HSL 109.39, 0.83%, 0.65%

LAB 85.52, -60.59, 59.21

 

CMYK 74 / 0 / 90 / 10

HEX #3BE616

RGB 59 230 22

HSL 109.33, 0.83%, 0.49%

LAB 80.51, -74.61, 75.32

 

CMYK 91 / 2 / 0 / 10

HEX #15E1E5

RGB 21 225 229

HSL 181.15, 0.83%, 0.49%

LAB 81.66, -41.99, -14.67

 

CMYK 0 / 91 / 38 / 10

HEX #E5158E

RGB 229 21 142

HSL 325.1, 0.83%, 0.49%

LAB 50.86, 78.42, -10.86

 

CMYK 74 / 0 / 90 / 10

HEX #3BE616

RGB 59 230 22

HSL 109.33, 0.83%, 0.49%

LAB 80.51, -74.61, 75.32

 

CMYK 91 / 74 / 0 / 10

HEX #153BE5

RGB 21 59 229

HSL 229.04, 0.83%, 0.49%

LAB 35.88, 52.56, -87.19

 

CMYK 0 / 91 / 74 / 10

HEX #E5153B

RGB 229 21 59

HSL 349.04, 0.83%, 0.49%

LAB 48.9, 73.01, 36.82

 

CMYK 74 / 0 / 90 / 10

HEX #3BE616

RGB 59 230 22

HSL 109.33, 0.83%, 0.49%

LAB 80.51, -74.61, 75.32

 

CMYK 91 / 2 / 0 / 10

HEX #15E1E5

RGB 21 225 229

HSL 181.15, 0.83%, 0.49%

LAB 81.66, -41.99, -14.67

 

CMYK 17 / 91 / 0 / 10

HEX #BF15E5

RGB 191 21 229

HSL 289.04, 0.83%, 0.49%

LAB 48.6, 82.98, -65.7

 

CMYK 0 / 89 / 91 / 10

HEX #E51915

RGB 229 25 21

HSL 1.15, 0.83%, 0.49%

LAB 48.77, 71.52, 56.06

 

CMYK 74 / 0 / 90 / 10

HEX #3BE616

RGB 59 230 22

HSL 109.33, 0.83%, 0.49%

LAB 80.51, -74.61, 75.32

 

CMYK 91 / 29 / 0 / 10

HEX #15A3E5

RGB 21 163 229

HSL 199.04, 0.83%, 0.49%

LAB 63.35, -11.14, -42.79

 

CMYK 17 / 91 / 0 / 10

HEX #BF15E5

RGB 191 21 229

HSL 289.04, 0.83%, 0.49%

LAB 48.6, 82.98, -65.7

 

CMYK 0 / 62 / 91 / 10

HEX #E55715

RGB 229 87 21

HSL 19.04, 0.83%, 0.49%

LAB 55.61, 52.61, 60.73

 

Description

Color code: HEX #3BE616 | qconv.com Color code: HEX #3BE616 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 230 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 230 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 90 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 90% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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