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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BE465 it is the complementary color #C41B9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BE465. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BE465 shade: #40E460, #51F673, #62FF86, #73FF99 and #84FFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BE465. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BE465 shade: #3BE465, #2AD252, #19C03F, #08AE2C and #009C19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BE465 shade: #3AE464, #3DE43A, #6BE43A, #99E43A and #C7E43A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BE465 shade: #3AE464, #3AE492, #3AE4C0, #3ADAE4 and #3AACE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BE465 shade matches the following richer shades: #3AE464 and #27F65B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BE465 shade: #3AE464, #4CD26D, #5EC076, #70AE7F and #829B88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BE465 shade: #6DE43A, #3FE43A, #3AE461, #3AE48F and #3AE4BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BE465 shade: #18B33F, #1DD74B, #3AE464, #5EE980 and #82EE9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BE465 shade: #3BE465, #3A9AE4 and #E43A56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BE465 shade: #3BE465, #613AE4 and #E4613A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BE465 shade: #3BE465, #3A9AE4, #E43ABC and #E4833A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BE465 shade: #3BE465, #3A67E4, #E43ABC and #E4B73A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 56 / 11

HEX #3BE465

RGB 59 228 101

HSL 134.91, 0.76%, 0.56%

LAB 80.38, -67.97, 49.35

 

Complementary color

CMYK 0 / 86 / 21 / 23

HEX #C41B9A

RGB 196 27 154

HSL 314.91, 0.76%, 0.44%

LAB 45.43, 71.77, -26.93

 

CMYK 72 / 0 / 58 / 11

HEX #40E460

RGB 64 228 96

HSL 131.71, 0.75%, 0.57%

LAB 80.42, -67.86, 51.67

 

CMYK 67 / 0 / 53 / 4

HEX #51F673

RGB 81 246 115

HSL 132.36, 0.9%, 0.64%

LAB 86.45, -68.66, 50.32

 

CMYK 62 / 0 / 47 / 0

HEX #62FF86

RGB 98 255 134

HSL 133.76, 1%, 0.69%

LAB 89.78, -65.98, 45.62

 

CMYK 55 / 0 / 40 / 0

HEX #73FF99

RGB 115 255 153

HSL 136.29, 1%, 0.73%

LAB 90.54, -59.43, 37.48

 

CMYK 48 / 0 / 33 / 0

HEX #84FFAC

RGB 132 255 172

HSL 139.51, 1%, 0.76%

LAB 91.42, -52.18, 29.3

 

CMYK 74 / 0 / 56 / 11

HEX #3BE465

RGB 59 228 101

HSL 134.91, 0.76%, 0.56%

LAB 80.38, -67.97, 49.35

 

CMYK 80 / 0 / 61 / 18

HEX #2AD252

RGB 42 210 82

HSL 134.29, 0.67%, 0.49%

LAB 74.31, -66.7, 50.73

 

CMYK 87 / 0 / 67 / 25

HEX #19C03F

RGB 25 192 63

HSL 133.65, 0.77%, 0.43%

LAB 68.22, -64.87, 51.98

 

CMYK 95 / 0 / 75 / 32

HEX #08AE2C

RGB 8 174 44

HSL 133.01, 0.91%, 0.36%

LAB 62.09, -62.3, 52.85

 

CMYK 100 / 0 / 84 / 39

HEX #009C19

RGB 0 156 25

HSL 129.62, 1%, 0.31%

LAB 55.93, -58.78, 52.95

 

CMYK 75 / 0 / 56 / 11

HEX #3AE464

RGB 58 228 100

HSL 134.82, 0.76%, 0.56%

LAB 80.35, -68.24, 49.76

 

CMYK 73 / 0 / 75 / 11

HEX #3DE43A

RGB 61 228 58

HSL 118.94, 0.76%, 0.56%

LAB 80.06, -71.99, 66.24

 

CMYK 53 / 0 / 75 / 11

HEX #6BE43A

RGB 107 228 58

HSL 102.71, 0.76%, 0.56%

LAB 81.25, -62.26, 67.81

 

CMYK 33 / 0 / 75 / 11

HEX #99E43A

RGB 153 228 58

HSL 86.47, 0.76%, 0.56%

LAB 83.21, -47.88, 70.39

 

CMYK 13 / 0 / 75 / 11

HEX #C7E43A

RGB 199 228 58

HSL 70.24, 0.76%, 0.56%

LAB 85.97, -30.44, 73.99

 

CMYK 75 / 0 / 56 / 11

HEX #3AE464

RGB 58 228 100

HSL 134.82, 0.76%, 0.56%

LAB 80.35, -68.24, 49.76

 

CMYK 75 / 0 / 36 / 11

HEX #3AE492

RGB 58 228 146

HSL 151.06, 0.76%, 0.56%

LAB 80.99, -60.81, 28.11

 

CMYK 75 / 0 / 16 / 11

HEX #3AE4C0

RGB 58 228 192

HSL 167.29, 0.76%, 0.56%

LAB 81.94, -50.61, 5.42

 

CMYK 75 / 4 / 0 / 11

HEX #3ADAE4

RGB 58 218 228

HSL 183.53, 0.76%, 0.56%

LAB 79.98, -36.46, -16.62

 

CMYK 75 / 25 / 0 / 11

HEX #3AACE4

RGB 58 172 228

HSL 199.76, 0.76%, 0.56%

LAB 66.52, -13.39, -37.24

 

CMYK 75 / 0 / 56 / 11

HEX #3AE464

RGB 58 228 100

HSL 134.82, 0.76%, 0.56%

LAB 80.35, -68.24, 49.76

 

CMYK 84 / 0 / 63 / 4

HEX #27F65B

RGB 39 246 91

HSL 135.07, 0.92%, 0.56%

LAB 85.55, -77.04, 59.6

 

CMYK 75 / 0 / 56 / 11

HEX #3AE464

RGB 58 228 100

HSL 134.82, 0.76%, 0.56%

LAB 80.35, -68.24, 49.76

 

CMYK 64 / 0 / 48 / 18

HEX #4CD26D

RGB 76 210 109

HSL 134.78, 0.6%, 0.56%

LAB 75.29, -57.69, 39.4

 

CMYK 51 / 0 / 39 / 25

HEX #5EC076

RGB 94 192 118

HSL 134.69, 0.44%, 0.56%

LAB 70.45, -45, 28.71

 

CMYK 36 / 0 / 27 / 32

HEX #70AE7F

RGB 112 174 127

HSL 134.52, 0.28%, 0.56%

LAB 65.94, -30.09, 17.95

 

CMYK 16 / 0 / 12 / 39

HEX #829B88

RGB 130 155 136

HSL 134.4, 0.11%, 0.56%

LAB 61.62, -12.65, 7.05

 

CMYK 52 / 0 / 75 / 11

HEX #6DE43A

RGB 109 228 58

HSL 102, 0.76%, 0.56%

LAB 81.32, -61.72, 67.9

 

CMYK 72 / 0 / 75 / 11

HEX #3FE43A

RGB 63 228 58

HSL 118.24, 0.76%, 0.56%

LAB 80.09, -71.67, 66.28

 

CMYK 75 / 0 / 57 / 11

HEX #3AE461

RGB 58 228 97

HSL 133.76, 0.76%, 0.56%

LAB 80.32, -68.62, 51.08

 

CMYK 75 / 0 / 37 / 11

HEX #3AE48F

RGB 58 228 143

HSL 150, 0.76%, 0.56%

LAB 80.94, -61.38, 29.57

 

CMYK 75 / 0 / 18 / 11

HEX #3AE4BC

RGB 58 228 188

HSL 165.88, 0.76%, 0.56%

LAB 81.85, -51.6, 7.39

 

CMYK 87 / 0 / 65 / 30

HEX #18B33F

RGB 24 179 63

HSL 135.1, 0.76%, 0.4%

LAB 63.99, -60.93, 47.34

 

CMYK 87 / 0 / 65 / 16

HEX #1DD74B

RGB 29 215 75

HSL 134.84, 0.76%, 0.48%

LAB 75.68, -70.28, 55.21

 

CMYK 75 / 0 / 56 / 11

HEX #3AE464

RGB 58 228 100

HSL 134.82, 0.76%, 0.56%

LAB 80.35, -68.24, 49.76

 

CMYK 60 / 0 / 45 / 9

HEX #5EE980

RGB 94 233 128

HSL 134.68, 0.76%, 0.64%

LAB 83.03, -59.63, 39.95

 

CMYK 45 / 0 / 34 / 7

HEX #82EE9D

RGB 130 238 157

HSL 135, 0.76%, 0.72%

LAB 86.17, -48.21, 29.8

 

CMYK 74 / 0 / 56 / 11

HEX #3BE465

RGB 59 228 101

HSL 134.91, 0.76%, 0.56%

LAB 80.38, -67.97, 49.35

 

CMYK 75 / 32 / 0 / 11

HEX #3A9AE4

RGB 58 154 228

HSL 206.12, 0.76%, 0.56%

LAB 61.32, -3.35, -45.4

 

CMYK 0 / 75 / 62 / 11

HEX #E43A56

RGB 228 58 86

HSL 350.12, 0.76%, 0.56%

LAB 52.05, 65.69, 24.62

 

CMYK 74 / 0 / 56 / 11

HEX #3BE465

RGB 59 228 101

HSL 134.91, 0.76%, 0.56%

LAB 80.38, -67.97, 49.35

 

CMYK 57 / 75 / 0 / 11

HEX #613AE4

RGB 97 58 228

HSL 253.76, 0.76%, 0.56%

LAB 39.86, 58.8, -79.9

 

CMYK 0 / 57 / 75 / 11

HEX #E4613A

RGB 228 97 58

HSL 13.76, 0.76%, 0.56%

LAB 57.41, 48.75, 46.67

 

CMYK 74 / 0 / 56 / 11

HEX #3BE465

RGB 59 228 101

HSL 134.91, 0.76%, 0.56%

LAB 80.38, -67.97, 49.35

 

CMYK 75 / 32 / 0 / 11

HEX #3A9AE4

RGB 58 154 228

HSL 206.12, 0.76%, 0.56%

LAB 61.32, -3.35, -45.4

 

CMYK 0 / 75 / 18 / 11

HEX #E43ABC

RGB 228 58 188

HSL 314.12, 0.76%, 0.56%

LAB 55.23, 75.58, -31.29

 

CMYK 0 / 43 / 75 / 11

HEX #E4833A

RGB 228 131 58

HSL 25.76, 0.76%, 0.56%

LAB 64.19, 31.77, 53.71

 

CMYK 74 / 0 / 56 / 11

HEX #3BE465

RGB 59 228 101

HSL 134.91, 0.76%, 0.56%

LAB 80.38, -67.97, 49.35

 

CMYK 75 / 55 / 0 / 11

HEX #3A67E4

RGB 58 103 228

HSL 224.12, 0.76%, 0.56%

LAB 47.24, 27.76, -67.94

 

CMYK 0 / 75 / 18 / 11

HEX #E43ABC

RGB 228 58 188

HSL 314.12, 0.76%, 0.56%

LAB 55.23, 75.58, -31.29

 

CMYK 0 / 20 / 75 / 11

HEX #E4B73A

RGB 228 183 58

HSL 44.12, 0.76%, 0.56%

LAB 76.48, 4.19, 65.83

 

Description

Color code: HEX #3BE465 | qconv.com Color code: HEX #3BE465 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 228 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 228 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 56 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 56% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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