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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BDD68 it is the complementary color #C42297. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BDD68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BDD68 shade: #40DD63, #51EF76, #62FF89, #73FF9C and #84FFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BDD68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BDD68 shade: #3BDD68, #2ACB55, #19B942, #08A72F and #00951C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BDD68 shade: #3CDD69, #3CDD3D, #66DD3C, #91DD3C and #BDDD3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BDD68 shade: #3CDD69, #3CDD94, #3CDDBF, #3CCFDD and #3CA3DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BDD68 shade matches the following richer shades: #3CDD69 and #29EF60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BDD68 shade: #3CDD69, #4ECA71, #61B779, #74A581 and #86928A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BDD68 shade: #67DD3C, #3CDD3C, #3CDD67, #3CDD92 and #3CDDBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BDD68 shade: #1EA844, #24CB52, #3CDD69, #5FE384 and #82E99F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BDD68 shade: #3BDD68, #3C92DD and #DD3C51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BDD68 shade: #3BDD68, #673CDD and #DD673C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BDD68 shade: #3BDD68, #3C92DD, #DD3CB2 and #DD873C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BDD68 shade: #3BDD68, #3C61DD, #DD3CB2 and #DDB73C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 53 / 13

HEX #3BDD68

RGB 59 221 104

HSL 136.67, 0.7%, 0.55%

LAB 78.25, -65.23, 45.39

 

Complementary color

CMYK 0 / 83 / 23 / 23

HEX #C42297

RGB 196 34 151

HSL 316.67, 0.7%, 0.45%

LAB 45.79, 69.97, -24.57

 

CMYK 71 / 0 / 55 / 13

HEX #40DD63

RGB 64 221 99

HSL 133.38, 0.7%, 0.56%

LAB 78.29, -65.14, 47.79

 

CMYK 66 / 0 / 51 / 6

HEX #51EF76

RGB 81 239 118

HSL 134.05, 0.83%, 0.63%

LAB 84.38, -65.84, 46.38

 

CMYK 62 / 0 / 46 / 0

HEX #62FF89

RGB 98 255 137

HSL 134.9, 1%, 0.69%

LAB 89.82, -65.54, 44.24

 

CMYK 55 / 0 / 39 / 0

HEX #73FF9C

RGB 115 255 156

HSL 137.57, 1%, 0.73%

LAB 90.58, -58.94, 36.06

 

CMYK 48 / 0 / 31 / 0

HEX #84FFAF

RGB 132 255 175

HSL 140.98, 1%, 0.76%

LAB 91.47, -51.65, 27.85

 

CMYK 73 / 0 / 53 / 13

HEX #3BDD68

RGB 59 221 104

HSL 136.67, 0.7%, 0.55%

LAB 78.25, -65.23, 45.39

 

CMYK 79 / 0 / 58 / 20

HEX #2ACB55

RGB 42 203 85

HSL 136.02, 0.66%, 0.48%

LAB 72.13, -64.08, 46.86

 

CMYK 86 / 0 / 64 / 27

HEX #19B942

RGB 25 185 66

HSL 135.38, 0.76%, 0.41%

LAB 65.98, -62.38, 48.25

 

CMYK 95 / 0 / 72 / 35

HEX #08A72F

RGB 8 167 47

HSL 134.72, 0.91%, 0.34%

LAB 59.79, -59.95, 49.38

 

CMYK 100 / 0 / 81 / 42

HEX #00951C

RGB 0 149 28

HSL 131.28, 1%, 0.29%

LAB 53.58, -56.56, 49.87

 

CMYK 73 / 0 / 52 / 13

HEX #3CDD69

RGB 60 221 105

HSL 136.77, 0.7%, 0.55%

LAB 78.28, -64.94, 44.96

 

CMYK 73 / 0 / 72 / 13

HEX #3CDD3D

RGB 60 221 61

HSL 120.37, 0.7%, 0.55%

LAB 77.88, -69.76, 63.03

 

CMYK 54 / 0 / 73 / 13

HEX #66DD3C

RGB 102 221 60

HSL 104.35, 0.7%, 0.55%

LAB 78.96, -60.94, 64.82

 

CMYK 34 / 0 / 73 / 13

HEX #91DD3C

RGB 145 221 60

HSL 88.32, 0.7%, 0.55%

LAB 80.77, -47.65, 67.22

 

CMYK 14 / 0 / 73 / 13

HEX #BDDD3C

RGB 189 221 60

HSL 71.93, 0.7%, 0.55%

LAB 83.37, -31.08, 70.63

 

CMYK 73 / 0 / 52 / 13

HEX #3CDD69

RGB 60 221 105

HSL 136.77, 0.7%, 0.55%

LAB 78.28, -64.94, 44.96

 

CMYK 73 / 0 / 33 / 13

HEX #3CDD94

RGB 60 221 148

HSL 152.8, 0.7%, 0.55%

LAB 78.93, -57.54, 24.3

 

CMYK 73 / 0 / 14 / 13

HEX #3CDDBF

RGB 60 221 191

HSL 168.82, 0.7%, 0.55%

LAB 79.86, -47.7, 2.94

 

CMYK 73 / 6 / 0 / 13

HEX #3CCFDD

RGB 60 207 221

HSL 185.22, 0.7%, 0.55%

LAB 76.56, -33.14, -18.02

 

CMYK 73 / 26 / 0 / 13

HEX #3CA3DD

RGB 60 163 221

HSL 201.61, 0.7%, 0.55%

LAB 63.65, -10.59, -37.86

 

CMYK 73 / 0 / 52 / 13

HEX #3CDD69

RGB 60 221 105

HSL 136.77, 0.7%, 0.55%

LAB 78.28, -64.94, 44.96

 

CMYK 83 / 0 / 60 / 6

HEX #29EF60

RGB 41 239 96

HSL 136.67, 0.86%, 0.55%

LAB 83.47, -74.18, 55.12

 

CMYK 73 / 0 / 52 / 13

HEX #3CDD69

RGB 60 221 105

HSL 136.77, 0.7%, 0.55%

LAB 78.28, -64.94, 44.96

 

CMYK 61 / 0 / 44 / 21

HEX #4ECA71

RGB 78 202 113

HSL 136.94, 0.54%, 0.55%

LAB 72.93, -53.64, 34.41

 

CMYK 47 / 0 / 34 / 28

HEX #61B779

RGB 97 183 121

HSL 136.74, 0.37%, 0.55%

LAB 67.86, -39.79, 23.7

 

CMYK 30 / 0 / 22 / 35

HEX #74A581

RGB 116 165 129

HSL 135.92, 0.21%, 0.55%

LAB 63.51, -24.01, 13.51

 

CMYK 8 / 0 / 5 / 43

HEX #86928A

RGB 134 146 138

HSL 140, 0.05%, 0.55%

LAB 59.4, -5.93, 2.75

 

CMYK 53 / 0 / 73 / 13

HEX #67DD3C

RGB 103 221 60

HSL 103.98, 0.7%, 0.55%

LAB 79, -60.67, 64.86

 

CMYK 73 / 0 / 73 / 13

HEX #3CDD3C

RGB 60 221 60

HSL 120, 0.7%, 0.55%

LAB 77.87, -69.83, 63.37

 

CMYK 73 / 0 / 53 / 13

HEX #3CDD67

RGB 60 221 103

HSL 136.02, 0.7%, 0.55%

LAB 78.26, -65.22, 45.88

 

CMYK 73 / 0 / 34 / 13

HEX #3CDD92

RGB 60 221 146

HSL 152.05, 0.7%, 0.55%

LAB 78.9, -57.94, 25.28

 

CMYK 73 / 0 / 15 / 13

HEX #3CDDBC

RGB 60 221 188

HSL 167.7, 0.7%, 0.55%

LAB 79.79, -48.46, 4.43

 

CMYK 82 / 0 / 60 / 34

HEX #1EA844

RGB 30 168 68

HSL 136.52, 0.7%, 0.39%

LAB 60.51, -56.16, 41.13

 

CMYK 82 / 0 / 60 / 20

HEX #24CB52

RGB 36 203 82

HSL 136.53, 0.7%, 0.47%

LAB 72.02, -65.13, 48.08

 

CMYK 73 / 0 / 52 / 13

HEX #3CDD69

RGB 60 221 105

HSL 136.77, 0.7%, 0.55%

LAB 78.28, -64.94, 44.96

 

CMYK 58 / 0 / 42 / 11

HEX #5FE384

RGB 95 227 132

HSL 136.82, 0.7%, 0.63%

LAB 81.31, -56.51, 35.77

 

CMYK 44 / 0 / 32 / 9

HEX #82E99F

RGB 130 233 159

HSL 136.89, 0.7%, 0.71%

LAB 84.75, -45.74, 26.87

 

CMYK 73 / 0 / 53 / 13

HEX #3BDD68

RGB 59 221 104

HSL 136.67, 0.7%, 0.55%

LAB 78.25, -65.23, 45.39

 

CMYK 73 / 34 / 0 / 13

HEX #3C92DD

RGB 60 146 221

HSL 207.95, 0.7%, 0.55%

LAB 58.73, -0.94, -45.59

 

CMYK 0 / 73 / 63 / 13

HEX #DD3C51

RGB 221 60 81

HSL 352.17, 0.7%, 0.55%

LAB 50.92, 62.7, 25.88

 

CMYK 73 / 0 / 53 / 13

HEX #3BDD68

RGB 59 221 104

HSL 136.67, 0.7%, 0.55%

LAB 78.25, -65.23, 45.39

 

CMYK 53 / 73 / 0 / 13

HEX #673CDD

RGB 103 60 221

HSL 256.02, 0.7%, 0.55%

LAB 40.14, 56.7, -75.43

 

CMYK 0 / 53 / 73 / 13

HEX #DD673C

RGB 221 103 60

HSL 16.02, 0.7%, 0.55%

LAB 57.46, 43.38, 45.38

 

CMYK 73 / 0 / 53 / 13

HEX #3BDD68

RGB 59 221 104

HSL 136.67, 0.7%, 0.55%

LAB 78.25, -65.23, 45.39

 

CMYK 73 / 34 / 0 / 13

HEX #3C92DD

RGB 60 146 221

HSL 207.95, 0.7%, 0.55%

LAB 58.73, -0.94, -45.59

 

CMYK 0 / 73 / 19 / 13

HEX #DD3CB2

RGB 221 60 178

HSL 316.02, 0.7%, 0.55%

LAB 53.83, 72.03, -27.74

 

CMYK 0 / 39 / 73 / 13

HEX #DD873C

RGB 221 135 60

HSL 27.95, 0.7%, 0.55%

LAB 64.18, 26.88, 52.51

 

CMYK 73 / 0 / 53 / 13

HEX #3BDD68

RGB 59 221 104

HSL 136.67, 0.7%, 0.55%

LAB 78.25, -65.23, 45.39

 

CMYK 73 / 56 / 0 / 13

HEX #3C61DD

RGB 60 97 221

HSL 226.21, 0.7%, 0.55%

LAB 45.26, 29.26, -67.18

 

CMYK 0 / 73 / 19 / 13

HEX #DD3CB2

RGB 221 60 178

HSL 316.02, 0.7%, 0.55%

LAB 53.83, 72.03, -27.74

 

CMYK 0 / 17 / 73 / 13

HEX #DDB73C

RGB 221 183 60

HSL 45.84, 0.7%, 0.55%

LAB 75.8, 1.28, 64.19

 

Description

Color code: HEX #3BDD68 | qconv.com Color code: HEX #3BDD68 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 221 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 221 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 53 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 53% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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