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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BDB5E it is the complementary color #C424A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BDB5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BDB5E shade: #40DB59, #51ED6C, #62FF7F, #73FF92 and #84FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BDB5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BDB5E shade: #3BDB5E, #2AC94B, #19B738, #08A525 and #009312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BDB5E shade: #3DDB60, #45DB3D, #70DB3D, #9BDB3D and #C5DB3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BDB5E shade: #3DDB60, #3DDB8A, #3DDBB5, #3DD7DB and #3DACDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BDB5E shade matches the following richer shades: #3DDB60 and #2BEE55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BDB5E shade: #3DDB60, #50C96A, #62B675, #75A47F and #879189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BDB5E shade: #6FDB3D, #45DB3D, #3DDB5F, #3DDB8A and #3DDBB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BDB5E shade: #1FA73D, #25CA49, #3DDB60, #60E27C and #83E899

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BDB5E shade: #3BDB5E, #3D99DB and #DB3D5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BDB5E shade: #3BDB5E, #5F3DDB and #DB5F3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BDB5E shade: #3BDB5E, #3D99DB, #DB3DB9 and #DB7F3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BDB5E shade: #3BDB5E, #3D6ADB, #DB3DB9 and #DBAF3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 57 / 14

HEX #3BDB5E

RGB 59 219 94

HSL 133.13, 0.69%, 0.55%

LAB 77.52, -65.9, 49.15

 

Complementary color

CMYK 0 / 82 / 18 / 23

HEX #C424A1

RGB 196 36 161

HSL 313.13, 0.69%, 0.45%

LAB 46.41, 70.79, -29.6

 

CMYK 71 / 0 / 59 / 14

HEX #40DB59

RGB 64 219 89

HSL 129.68, 0.68%, 0.55%

LAB 77.56, -65.72, 51.47

 

CMYK 66 / 0 / 54 / 7

HEX #51ED6C

RGB 81 237 108

HSL 130.38, 0.81%, 0.62%

LAB 83.65, -66.49, 50.16

 

CMYK 62 / 0 / 50 / 0

HEX #62FF7F

RGB 98 255 127

HSL 131.08, 1%, 0.69%

LAB 89.7, -66.97, 48.81

 

CMYK 55 / 0 / 43 / 0

HEX #73FF92

RGB 115 255 146

HSL 133.29, 1%, 0.73%

LAB 90.43, -60.54, 40.78

 

CMYK 48 / 0 / 35 / 0

HEX #84FFA5

RGB 132 255 165

HSL 136.1, 1%, 0.76%

LAB 91.3, -53.38, 32.65

 

CMYK 73 / 0 / 57 / 14

HEX #3BDB5E

RGB 59 219 94

HSL 133.13, 0.69%, 0.55%

LAB 77.52, -65.9, 49.15

 

CMYK 79 / 0 / 63 / 21

HEX #2AC94B

RGB 42 201 75

HSL 132.45, 0.65%, 0.48%

LAB 71.4, -64.65, 50.49

 

CMYK 86 / 0 / 69 / 28

HEX #19B738

RGB 25 183 56

HSL 131.77, 0.76%, 0.41%

LAB 65.25, -62.81, 51.62

 

CMYK 95 / 0 / 78 / 35

HEX #08A525

RGB 8 165 37

HSL 131.08, 0.91%, 0.34%

LAB 59.06, -60.19, 52.28

 

CMYK 100 / 0 / 88 / 42

HEX #009312

RGB 0 147 18

HSL 127.35, 1%, 0.29%

LAB 52.85, -56.54, 51.93

 

CMYK 72 / 0 / 56 / 14

HEX #3DDB60

RGB 61 219 96

HSL 133.29, 0.69%, 0.55%

LAB 77.58, -65.33, 48.32

 

CMYK 68 / 0 / 72 / 14

HEX #45DB3D

RGB 69 219 61

HSL 116.96, 0.69%, 0.55%

LAB 77.44, -67.59, 62.63

 

CMYK 49 / 0 / 72 / 14

HEX #70DB3D

RGB 112 219 61

HSL 100.63, 0.69%, 0.55%

LAB 78.72, -57.37, 64.35

 

CMYK 29 / 0 / 72 / 14

HEX #9BDB3D

RGB 155 219 61

HSL 84.3, 0.69%, 0.55%

LAB 80.72, -43.17, 67

 

CMYK 10 / 0 / 72 / 14

HEX #C5DB3D

RGB 197 219 61

HSL 68.35, 0.69%, 0.55%

LAB 83.37, -26.87, 70.49

 

CMYK 72 / 0 / 56 / 14

HEX #3DDB60

RGB 61 219 96

HSL 133.29, 0.69%, 0.55%

LAB 77.58, -65.33, 48.32

 

CMYK 72 / 0 / 37 / 14

HEX #3DDB8A

RGB 61 219 138

HSL 149.24, 0.69%, 0.55%

LAB 78.16, -58.61, 28.43

 

CMYK 72 / 0 / 17 / 14

HEX #3DDBB5

RGB 61 219 181

HSL 165.57, 0.69%, 0.55%

LAB 79.04, -49.23, 7.07

 

CMYK 72 / 2 / 0 / 14

HEX #3DD7DB

RGB 61 215 219

HSL 181.52, 0.69%, 0.55%

LAB 78.87, -37.35, -13.46

 

CMYK 72 / 21 / 0 / 14

HEX #3DACDB

RGB 61 172 219

HSL 197.85, 0.69%, 0.55%

LAB 66.22, -16.02, -32.75

 

CMYK 72 / 0 / 56 / 14

HEX #3DDB60

RGB 61 219 96

HSL 133.29, 0.69%, 0.55%

LAB 77.58, -65.33, 48.32

 

CMYK 82 / 0 / 64 / 7

HEX #2BEE55

RGB 43 238 85

HSL 132.92, 0.85%, 0.55%

LAB 83.08, -74.91, 59.32

 

CMYK 72 / 0 / 56 / 14

HEX #3DDB60

RGB 61 219 96

HSL 133.29, 0.69%, 0.55%

LAB 77.58, -65.33, 48.32

 

CMYK 60 / 0 / 47 / 21

HEX #50C96A

RGB 80 201 106

HSL 132.89, 0.53%, 0.55%

LAB 72.57, -53.93, 37.5

 

CMYK 46 / 0 / 36 / 29

HEX #62B675

RGB 98 182 117

HSL 133.57, 0.37%, 0.55%

LAB 67.53, -39.78, 25.39

 

CMYK 29 / 0 / 23 / 36

HEX #75A47F

RGB 117 164 127

HSL 132.77, 0.21%, 0.55%

LAB 63.23, -23.55, 14.23

 

CMYK 7 / 0 / 6 / 43

HEX #879189

RGB 135 145 137

HSL 132, 0.04%, 0.55%

LAB 59.17, -5.21, 2.99

 

CMYK 49 / 0 / 72 / 14

HEX #6FDB3D

RGB 111 219 61

HSL 101.01, 0.69%, 0.55%

LAB 78.68, -57.66, 64.3

 

CMYK 68 / 0 / 72 / 14

HEX #45DB3D

RGB 69 219 61

HSL 116.96, 0.69%, 0.55%

LAB 77.44, -67.59, 62.63

 

CMYK 72 / 0 / 57 / 14

HEX #3DDB5F

RGB 61 219 95

HSL 132.91, 0.69%, 0.55%

LAB 77.57, -65.46, 48.76

 

CMYK 72 / 0 / 37 / 14

HEX #3DDB8A

RGB 61 219 138

HSL 149.24, 0.69%, 0.55%

LAB 78.16, -58.61, 28.43

 

CMYK 72 / 0 / 18 / 14

HEX #3DDBB4

RGB 61 219 180

HSL 165.19, 0.69%, 0.55%

LAB 79.01, -49.48, 7.57

 

CMYK 81 / 0 / 63 / 35

HEX #1FA73D

RGB 31 167 61

HSL 133.24, 0.69%, 0.39%

LAB 60.13, -56.59, 43.91

 

CMYK 82 / 0 / 64 / 21

HEX #25CA49

RGB 37 202 73

HSL 133.09, 0.69%, 0.47%

LAB 71.63, -65.76, 51.59

 

CMYK 72 / 0 / 56 / 14

HEX #3DDB60

RGB 61 219 96

HSL 133.29, 0.69%, 0.55%

LAB 77.58, -65.33, 48.32

 

CMYK 58 / 0 / 45 / 11

HEX #60E27C

RGB 96 226 124

HSL 132.92, 0.69%, 0.63%

LAB 80.92, -57.16, 39.25

 

CMYK 44 / 0 / 34 / 9

HEX #83E899

RGB 131 232 153

HSL 133.07, 0.69%, 0.71%

LAB 84.4, -46.07, 29.47

 

CMYK 73 / 0 / 57 / 14

HEX #3BDB5E

RGB 59 219 94

HSL 133.13, 0.69%, 0.55%

LAB 77.52, -65.9, 49.15

 

CMYK 72 / 30 / 0 / 14

HEX #3D99DB

RGB 61 153 219

HSL 205.06, 0.69%, 0.55%

LAB 60.68, -5.53, -41.4

 

CMYK 0 / 72 / 59 / 14

HEX #DB3D5A

RGB 219 61 90

HSL 348.99, 0.69%, 0.55%

LAB 50.85, 62.32, 20.33

 

CMYK 73 / 0 / 57 / 14

HEX #3BDB5E

RGB 59 219 94

HSL 133.13, 0.69%, 0.55%

LAB 77.52, -65.9, 49.15

 

CMYK 57 / 72 / 0 / 14

HEX #5F3DDB

RGB 95 61 219

HSL 252.91, 0.69%, 0.55%

LAB 39.39, 54.51, -75.55

 

CMYK 0 / 57 / 72 / 14

HEX #DB5F3D

RGB 219 95 61

HSL 12.91, 0.69%, 0.55%

LAB 55.67, 46.54, 42.81

 

CMYK 73 / 0 / 57 / 14

HEX #3BDB5E

RGB 59 219 94

HSL 133.13, 0.69%, 0.55%

LAB 77.52, -65.9, 49.15

 

CMYK 72 / 30 / 0 / 14

HEX #3D99DB

RGB 61 153 219

HSL 205.06, 0.69%, 0.55%

LAB 60.68, -5.53, -41.4

 

CMYK 0 / 72 / 16 / 14

HEX #DB3DB9

RGB 219 61 185

HSL 312.91, 0.69%, 0.55%

LAB 53.92, 72.18, -31.7

 

CMYK 0 / 42 / 72 / 14

HEX #DB7F3D

RGB 219 127 61

HSL 25.06, 0.69%, 0.55%

LAB 62.15, 30.35, 49.83

 

CMYK 73 / 0 / 57 / 14

HEX #3BDB5E

RGB 59 219 94

HSL 133.13, 0.69%, 0.55%

LAB 77.52, -65.9, 49.15

 

CMYK 72 / 52 / 0 / 14

HEX #3D6ADB

RGB 61 106 219

HSL 222.91, 0.69%, 0.55%

LAB 47.51, 22.96, -62.4

 

CMYK 0 / 72 / 16 / 14

HEX #DB3DB9

RGB 219 61 185

HSL 312.91, 0.69%, 0.55%

LAB 53.92, 72.18, -31.7

 

CMYK 0 / 20 / 72 / 14

HEX #DBAF3D

RGB 219 175 61

HSL 43.29, 0.69%, 0.55%

LAB 73.58, 4.68, 61.55

 

Description

Color code: HEX #3BDB5E | qconv.com Color code: HEX #3BDB5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 219 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 219 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 57 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 57% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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