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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BD2E5 it is the complementary color #C42D1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BD2E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BD2E5 shade: #40D2E0, #51E4F3, #62F6FF, #73FFFF and #84FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BD2E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BD2E5 shade: #3BD2E5, #2AC0D2, #19AEBF, #089CAC and #008A99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BD2E5 shade: #38D2E5, #38A3E5, #3875E5, #3846E5 and #5938E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BD2E5 shade: #38D2E5, #38A3E5, #3875E5, #3846E5 and #3838E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BD2E5 shade matches the following richer shades: #38D2E5 and #26E0F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BD2E5 shade: #38D2E5, #4BC4D3, #5DB6C1, #6FA8AF and #81999D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BD2E5 shade: #38E59A, #38E5C8, #38D4E5, #38A6E5 and #3878E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BD2E5 shade: #17A2B4, #1CC3D8, #38D2E5, #5DDAEA and #81E2EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BD2E5 shade: #3BD2E5, #6C38E5 and #E5B138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BD2E5 shade: #3BD2E5, #E538D4 and #D4E538

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BD2E5 shade: #3BD2E5, #6C38E5, #E54A38 and #B1E538

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BD2E5 shade: #3BD2E5, #A038E5, #E54A38 and #7EE538

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 8 / 0 / 10

HEX #3BD2E5

RGB 59 210 229

HSL 186.71, 0.77%, 0.56%

LAB 77.69, -32.29, -20.61

 

Complementary color

CMYK 0 / 77 / 87 / 23

HEX #C42D1A

RGB 196 45 26

HSL 6.71, 0.77%, 0.44%

LAB 43.78, 57.87, 47.31

 

CMYK 71 / 6 / 0 / 12

HEX #40D2E0

RGB 64 210 224

HSL 185.25, 0.72%, 0.56%

LAB 77.62, -33.2, -18.03

 

CMYK 67 / 6 / 0 / 5

HEX #51E4F3

RGB 81 228 243

HSL 185.56, 0.87%, 0.64%

LAB 83.81, -33.96, -18.75

 

CMYK 62 / 4 / 0 / 0

HEX #62F6FF

RGB 98 246 255

HSL 183.44, 1%, 0.69%

LAB 89.73, -36.47, -16.09

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 74 / 8 / 0 / 10

HEX #3BD2E5

RGB 59 210 229

HSL 186.71, 0.77%, 0.56%

LAB 77.69, -32.29, -20.61

 

CMYK 80 / 9 / 0 / 18

HEX #2AC0D2

RGB 42 192 210

HSL 186.43, 0.67%, 0.49%

LAB 71.45, -31.15, -19.83

 

CMYK 87 / 9 / 0 / 25

HEX #19AEBF

RGB 25 174 191

HSL 186.14, 0.77%, 0.42%

LAB 65.15, -29.69, -18.96

 

CMYK 95 / 9 / 0 / 33

HEX #089CAC

RGB 8 156 172

HSL 185.85, 0.91%, 0.35%

LAB 58.8, -27.83, -17.98

 

CMYK 100 / 10 / 0 / 40

HEX #008A99

RGB 0 138 153

HSL 185.88, 1%, 0.3%

LAB 52.37, -25.48, -16.88

 

CMYK 76 / 8 / 0 / 10

HEX #38D2E5

RGB 56 210 229

HSL 186.59, 0.77%, 0.56%

LAB 77.63, -32.62, -20.7

 

CMYK 76 / 29 / 0 / 10

HEX #38A3E5

RGB 56 163 229

HSL 202.89, 0.77%, 0.56%

LAB 63.91, -8.34, -41.88

 

CMYK 76 / 49 / 0 / 10

HEX #3875E5

RGB 56 117 229

HSL 218.84, 0.77%, 0.56%

LAB 50.94, 19.07, -62.51

 

CMYK 76 / 69 / 0 / 10

HEX #3846E5

RGB 56 70 229

HSL 235.14, 0.77%, 0.56%

LAB 39.37, 48.26, -81.38

 

CMYK 61 / 76 / 0 / 10

HEX #5938E5

RGB 89 56 229

HSL 251.45, 0.77%, 0.56%

LAB 38.91, 59.08, -82.06

 

CMYK 76 / 8 / 0 / 10

HEX #38D2E5

RGB 56 210 229

HSL 186.59, 0.77%, 0.56%

LAB 77.63, -32.62, -20.7

 

CMYK 76 / 29 / 0 / 10

HEX #38A3E5

RGB 56 163 229

HSL 202.89, 0.77%, 0.56%

LAB 63.91, -8.34, -41.88

 

CMYK 76 / 49 / 0 / 10

HEX #3875E5

RGB 56 117 229

HSL 218.84, 0.77%, 0.56%

LAB 50.94, 19.07, -62.51

 

CMYK 76 / 69 / 0 / 10

HEX #3846E5

RGB 56 70 229

HSL 235.14, 0.77%, 0.56%

LAB 39.37, 48.26, -81.38

 

CMYK 76 / 76 / 0 / 10

HEX #3838E5

RGB 56 56 229

HSL 240, 0.77%, 0.56%

LAB 36.6, 56, -85.95

 

CMYK 76 / 8 / 0 / 10

HEX #38D2E5

RGB 56 210 229

HSL 186.59, 0.77%, 0.56%

LAB 77.63, -32.62, -20.7

 

CMYK 85 / 9 / 0 / 3

HEX #26E0F7

RGB 38 224 247

HSL 186.6, 0.93%, 0.56%

LAB 82.08, -35.24, -23.56

 

CMYK 76 / 8 / 0 / 10

HEX #38D2E5

RGB 56 210 229

HSL 186.59, 0.77%, 0.56%

LAB 77.63, -32.62, -20.7

 

CMYK 64 / 7 / 0 / 17

HEX #4BC4D3

RGB 75 196 211

HSL 186.62, 0.61%, 0.56%

LAB 73.34, -28.75, -17.45

 

CMYK 52 / 6 / 0 / 24

HEX #5DB6C1

RGB 93 182 193

HSL 186.6, 0.45%, 0.56%

LAB 69.21, -23.59, -13.78

 

CMYK 37 / 4 / 0 / 31

HEX #6FA8AF

RGB 111 168 175

HSL 186.56, 0.29%, 0.56%

LAB 65.34, -16.75, -9.52

 

CMYK 18 / 3 / 0 / 38

HEX #81999D

RGB 129 153 157

HSL 188.57, 0.13%, 0.56%

LAB 61.55, -7.52, -4.93

 

CMYK 76 / 0 / 33 / 10

HEX #38E59A

RGB 56 229 154

HSL 153.99, 0.77%, 0.56%

LAB 81.41, -59.84, 24.55

 

CMYK 76 / 0 / 13 / 10

HEX #38E5C8

RGB 56 229 200

HSL 169.94, 0.77%, 0.56%

LAB 82.41, -49.23, 1.86

 

CMYK 76 / 7 / 0 / 10

HEX #38D4E5

RGB 56 212 229

HSL 185.9, 0.77%, 0.56%

LAB 78.22, -33.57, -19.81

 

CMYK 76 / 28 / 0 / 10

HEX #38A6E5

RGB 56 166 229

HSL 201.85, 0.77%, 0.56%

LAB 64.78, -10, -40.51

 

CMYK 76 / 48 / 0 / 10

HEX #3878E5

RGB 56 120 229

HSL 217.8, 0.77%, 0.56%

LAB 51.76, 17.19, -61.2

 

CMYK 87 / 10 / 0 / 29

HEX #17A2B4

RGB 23 162 180

HSL 186.88, 0.77%, 0.4%

LAB 61.06, -27.45, -19.04

 

CMYK 87 / 10 / 0 / 15

HEX #1CC3D8

RGB 28 195 216

HSL 186.7, 0.77%, 0.48%

LAB 72.39, -31.73, -21.69

 

CMYK 76 / 8 / 0 / 10

HEX #38D2E5

RGB 56 210 229

HSL 186.59, 0.77%, 0.56%

LAB 77.63, -32.62, -20.7

 

CMYK 60 / 7 / 0 / 8

HEX #5DDAEA

RGB 93 218 234

HSL 186.81, 0.77%, 0.64%

LAB 80.97, -29.89, -18.24

 

CMYK 46 / 5 / 0 / 6

HEX #81E2EF

RGB 129 226 239

HSL 187.09, 0.77%, 0.72%

LAB 84.63, -25.28, -15.25

 

CMYK 74 / 8 / 0 / 10

HEX #3BD2E5

RGB 59 210 229

HSL 186.71, 0.77%, 0.56%

LAB 77.69, -32.29, -20.61

 

CMYK 53 / 76 / 0 / 10

HEX #6C38E5

RGB 108 56 229

HSL 258.03, 0.77%, 0.56%

LAB 40.69, 61.42, -79.07

 

CMYK 0 / 23 / 76 / 10

HEX #E5B138

RGB 229 177 56

HSL 41.97, 0.77%, 0.56%

LAB 75.07, 7.69, 65.27

 

CMYK 74 / 8 / 0 / 10

HEX #3BD2E5

RGB 59 210 229

HSL 186.71, 0.77%, 0.56%

LAB 77.69, -32.29, -20.61

 

CMYK 0 / 76 / 7 / 10

HEX #E538D4

RGB 229 56 212

HSL 305.9, 0.77%, 0.56%

LAB 56.33, 79.7, -43.32

 

CMYK 7 / 0 / 76 / 10

HEX #D4E538

RGB 212 229 56

HSL 65.9, 0.77%, 0.56%

LAB 87.15, -25.75, 76.03

 

CMYK 74 / 8 / 0 / 10

HEX #3BD2E5

RGB 59 210 229

HSL 186.71, 0.77%, 0.56%

LAB 77.69, -32.29, -20.61

 

CMYK 53 / 76 / 0 / 10

HEX #6C38E5

RGB 108 56 229

HSL 258.03, 0.77%, 0.56%

LAB 40.69, 61.42, -79.07

 

CMYK 0 / 68 / 76 / 10

HEX #E54A38

RGB 229 74 56

HSL 6.24, 0.77%, 0.56%

LAB 53.86, 58.89, 43.97

 

CMYK 23 / 0 / 76 / 10

HEX #B1E538

RGB 177 229 56

HSL 78.03, 0.77%, 0.56%

LAB 84.83, -39.6, 73.02

 

CMYK 74 / 8 / 0 / 10

HEX #3BD2E5

RGB 59 210 229

HSL 186.71, 0.77%, 0.56%

LAB 77.69, -32.29, -20.61

 

CMYK 30 / 76 / 0 / 10

HEX #A038E5

RGB 160 56 229

HSL 276.07, 0.77%, 0.56%

LAB 46.92, 69.43, -68.64

 

CMYK 0 / 68 / 76 / 10

HEX #E54A38

RGB 229 74 56

HSL 6.24, 0.77%, 0.56%

LAB 53.86, 58.89, 43.97

 

CMYK 45 / 0 / 76 / 10

HEX #7EE538

RGB 126 229 56

HSL 95.72, 0.77%, 0.56%

LAB 82.25, -57.3, 69.66

 

Description

Color code: HEX #3BD2E5 | qconv.com Color code: HEX #3BD2E5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 210 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 210 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 8 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 8% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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