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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BCD9B it is the complementary color #C43264. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BCD9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BCD9B shade: #40CD96, #51DFA9, #62F1BC, #73FFCF and #84FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BCD9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BCD9B shade: #3BCD9B, #2ABB88, #19A975, #089762 and #00854F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BCD9B shade: #3CCD9B, #3CCD74, #3CCD4D, #52CD3C and #79CD3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BCD9B shade: #3CCD9B, #3CCDC2, #3CB0CD, #3C89CD and #3C62CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BCD9B shade matches the following richer shades: #3CCD9B, #29E1A2 and #15F4A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BCD9B shade: #3CCD9B, #50B995, #64A58F, #789189 and #8C7E82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BCD9B shade: #3CCD4D, #3CCD74, #3CCD9A, #3CCDC1 and #3CB2CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BCD9B shade: #25916C, #2EB285, #3CCD9B, #5DD5AC and #7EDEBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BCD9B shade: #3BCD9B, #3C52CD and #CD603C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BCD9B shade: #3BCD9B, #9A3CCD and #CD9A3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BCD9B shade: #3BCD9B, #3C52CD, #CD3C6F and #CDB73C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BCD9B shade: #3BCD9B, #523CCD, #CD3C6F and #B7CD3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 24 / 20

HEX #3BCD9B

RGB 59 205 155

HSL 159.45, 0.59%, 0.52%

LAB 74.16, -49.91, 14.01

 

Complementary color

CMYK 0 / 74 / 49 / 23

HEX #C43264

RGB 196 50 100

HSL 339.45, 0.59%, 0.48%

LAB 45.55, 60.14, 6.24

 

CMYK 69 / 0 / 27 / 20

HEX #40CD96

RGB 64 205 150

HSL 156.6, 0.59%, 0.53%

LAB 74.16, -50.28, 16.69

 

CMYK 64 / 0 / 24 / 13

HEX #51DFA9

RGB 81 223 169

HSL 157.18, 0.69%, 0.6%

LAB 80.4, -50.62, 15.41

 

CMYK 59 / 0 / 22 / 5

HEX #62F1BC

RGB 98 241 188

HSL 157.76, 0.84%, 0.66%

LAB 86.57, -50.79, 14.24

 

CMYK 55 / 0 / 19 / 0

HEX #73FFCF

RGB 115 255 207

HSL 159.43, 1%, 0.73%

LAB 91.54, -49.17, 11.52

 

CMYK 48 / 0 / 11 / 0

HEX #84FFE2

RGB 132 255 226

HSL 165.85, 1%, 0.76%

LAB 92.54, -41.31, 3.23

 

CMYK 71 / 0 / 24 / 20

HEX #3BCD9B

RGB 59 205 155

HSL 159.45, 0.59%, 0.52%

LAB 74.16, -49.91, 14.01

 

CMYK 78 / 0 / 27 / 27

HEX #2ABB88

RGB 42 187 136

HSL 158.9, 0.63%, 0.45%

LAB 67.88, -49.22, 15.4

 

CMYK 85 / 0 / 31 / 34

HEX #19A975

RGB 25 169 117

HSL 158.33, 0.74%, 0.38%

LAB 61.54, -48.16, 16.94

 

CMYK 95 / 0 / 35 / 41

HEX #089762

RGB 8 151 98

HSL 157.76, 0.9%, 0.31%

LAB 55.14, -46.6, 18.67

 

CMYK 100 / 0 / 41 / 48

HEX #00854F

RGB 0 133 79

HSL 155.64, 1%, 0.26%

LAB 48.69, -44.37, 20.61

 

CMYK 71 / 0 / 24 / 20

HEX #3CCD9B

RGB 60 205 155

HSL 159.31, 0.59%, 0.52%

LAB 74.18, -49.77, 14.04

 

CMYK 71 / 0 / 43 / 20

HEX #3CCD74

RGB 60 205 116

HSL 143.17, 0.59%, 0.52%

LAB 73.47, -57.59, 33.51

 

CMYK 71 / 0 / 62 / 20

HEX #3CCD4D

RGB 60 205 77

HSL 127.03, 0.59%, 0.52%

LAB 73, -63.1, 51.5

 

CMYK 60 / 0 / 71 / 20

HEX #52CD3C

RGB 82 205 60

HSL 110.9, 0.59%, 0.52%

LAB 73.4, -60.26, 58.97

 

CMYK 41 / 0 / 71 / 20

HEX #79CD3C

RGB 121 205 60

HSL 94.76, 0.59%, 0.52%

LAB 74.86, -49.2, 60.92

 

CMYK 71 / 0 / 24 / 20

HEX #3CCD9B

RGB 60 205 155

HSL 159.31, 0.59%, 0.52%

LAB 74.18, -49.77, 14.04

 

CMYK 71 / 0 / 5 / 20

HEX #3CCDC2

RGB 60 205 194

HSL 175.45, 0.59%, 0.52%

LAB 75.15, -39.94, -5.57

 

CMYK 71 / 14 / 0 / 20

HEX #3CB0CD

RGB 60 176 205

HSL 192, 0.59%, 0.52%

LAB 66.84, -22.76, -24.09

 

CMYK 71 / 33 / 0 / 20

HEX #3C89CD

RGB 60 137 205

HSL 208.14, 0.59%, 0.52%

LAB 55.34, -1.3, -41.96

 

CMYK 71 / 52 / 0 / 20

HEX #3C62CD

RGB 60 98 205

HSL 224.28, 0.59%, 0.52%

LAB 44.38, 22.83, -59.47

 

CMYK 71 / 0 / 24 / 20

HEX #3CCD9B

RGB 60 205 155

HSL 159.31, 0.59%, 0.52%

LAB 74.18, -49.77, 14.04

 

CMYK 82 / 0 / 28 / 12

HEX #29E1A2

RGB 41 225 162

HSL 159.46, 0.75%, 0.52%

LAB 80.14, -58.21, 18.62

 

CMYK 91 / 0 / 31 / 4

HEX #15F4A8

RGB 21 244 168

HSL 159.55, 0.91%, 0.52%

LAB 85.85, -65.17, 23.37

 

CMYK 71 / 0 / 24 / 20

HEX #3CCD9B

RGB 60 205 155

HSL 159.31, 0.59%, 0.52%

LAB 74.18, -49.77, 14.04

 

CMYK 57 / 0 / 19 / 27

HEX #50B995

RGB 80 185 149

HSL 159.43, 0.43%, 0.52%

LAB 68.44, -39.05, 9.23

 

CMYK 39 / 0 / 13 / 35

HEX #64A58F

RGB 100 165 143

HSL 159.69, 0.27%, 0.52%

LAB 63.01, -26.01, 4.89

 

CMYK 17 / 0 / 6 / 43

HEX #789189

RGB 120 145 137

HSL 160.8, 0.1%, 0.52%

LAB 58.08, -10.55, 1.29

 

CMYK 0 / 10 / 7 / 45

HEX #8C7E82

RGB 140 126 130

HSL 342.86, 0.06%, 0.52%

LAB 54.14, 6.07, -0.23

 

CMYK 71 / 0 / 62 / 20

HEX #3CCD4D

RGB 60 205 77

HSL 127.03, 0.59%, 0.52%

LAB 73, -63.1, 51.5

 

CMYK 71 / 0 / 43 / 20

HEX #3CCD74

RGB 60 205 116

HSL 143.17, 0.59%, 0.52%

LAB 73.47, -57.59, 33.51

 

CMYK 71 / 0 / 25 / 20

HEX #3CCD9A

RGB 60 205 154

HSL 158.9, 0.59%, 0.52%

LAB 74.16, -49.99, 14.54

 

CMYK 71 / 0 / 6 / 20

HEX #3CCDC1

RGB 60 205 193

HSL 175.03, 0.59%, 0.52%

LAB 75.12, -40.21, -5.07

 

CMYK 71 / 13 / 0 / 20

HEX #3CB2CD

RGB 60 178 205

HSL 191.17, 0.59%, 0.52%

LAB 67.43, -23.78, -23.18

 

CMYK 74 / 0 / 26 / 43

HEX #25916C

RGB 37 145 108

HSL 159.44, 0.59%, 0.36%

LAB 53.74, -39.1, 11.15

 

CMYK 74 / 0 / 25 / 30

HEX #2EB285

RGB 46 178 133

HSL 159.55, 0.59%, 0.44%

LAB 65.05, -45.76, 13.09

 

CMYK 71 / 0 / 24 / 20

HEX #3CCD9B

RGB 60 205 155

HSL 159.31, 0.59%, 0.52%

LAB 74.18, -49.77, 14.04

 

CMYK 56 / 0 / 19 / 16

HEX #5DD5AC

RGB 93 213 172

HSL 159.5, 0.59%, 0.6%

LAB 77.81, -43.42, 10.22

 

CMYK 43 / 0 / 15 / 13

HEX #7EDEBD

RGB 126 222 189

HSL 159.38, 0.59%, 0.68%

LAB 82.03, -36.01, 7.38

 

CMYK 71 / 0 / 24 / 20

HEX #3BCD9B

RGB 59 205 155

HSL 159.45, 0.59%, 0.52%

LAB 74.16, -49.91, 14.01

 

CMYK 71 / 60 / 0 / 20

HEX #3C52CD

RGB 60 82 205

HSL 230.9, 0.59%, 0.52%

LAB 40.25, 33.04, -66.18

 

CMYK 0 / 53 / 71 / 20

HEX #CD603C

RGB 205 96 60

HSL 14.9, 0.59%, 0.52%

LAB 53.68, 40.77, 40.52

 

CMYK 71 / 0 / 24 / 20

HEX #3BCD9B

RGB 59 205 155

HSL 159.45, 0.59%, 0.52%

LAB 74.16, -49.91, 14.01

 

CMYK 25 / 71 / 0 / 20

HEX #9A3CCD

RGB 154 60 205

HSL 278.9, 0.59%, 0.52%

LAB 44.95, 61.68, -58.13

 

CMYK 0 / 25 / 71 / 20

HEX #CD9A3C

RGB 205 154 60

HSL 38.9, 0.59%, 0.52%

LAB 66.84, 9.82, 54.66

 

CMYK 71 / 0 / 24 / 20

HEX #3BCD9B

RGB 59 205 155

HSL 159.45, 0.59%, 0.52%

LAB 74.16, -49.91, 14.01

 

CMYK 71 / 60 / 0 / 20

HEX #3C52CD

RGB 60 82 205

HSL 230.9, 0.59%, 0.52%

LAB 40.25, 33.04, -66.18

 

CMYK 0 / 71 / 46 / 20

HEX #CD3C6F

RGB 205 60 111

HSL 338.9, 0.59%, 0.52%

LAB 48.71, 60.23, 4.24

 

CMYK 0 / 11 / 71 / 20

HEX #CDB73C

RGB 205 183 60

HSL 50.9, 0.59%, 0.52%

LAB 74.3, -5.61, 62.21

 

CMYK 71 / 0 / 24 / 20

HEX #3BCD9B

RGB 59 205 155

HSL 159.45, 0.59%, 0.52%

LAB 74.16, -49.91, 14.01

 

CMYK 60 / 71 / 0 / 20

HEX #523CCD

RGB 82 60 205

HSL 249.1, 0.59%, 0.52%

LAB 36.81, 49.13, -71.76

 

CMYK 0 / 71 / 46 / 20

HEX #CD3C6F

RGB 205 60 111

HSL 338.9, 0.59%, 0.52%

LAB 48.71, 60.23, 4.24

 

CMYK 11 / 0 / 71 / 20

HEX #B7CD3C

RGB 183 205 60

HSL 69.1, 0.59%, 0.52%

LAB 78.49, -25.94, 65.75

 

Description

Color code: HEX #3BCD9B | qconv.com Color code: HEX #3BCD9B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 205 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 205 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 24 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 24% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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