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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BC6B7 it is the complementary color #C43948. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BC6B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BC6B7 shade: #40C6B2, #51D8C5, #62EAD8, #73FCEB and #84FFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BC6B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BC6B7 shade: #3BC6B7, #2AB4A4, #19A291, #08907E and #007E6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BC6B7 shade: #39C6B7, #39C691, #39C66B, #39C645 and #54C639

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BC6B7 shade: #39C6B7, #39AFC6, #3989C6, #3963C6 and #393DC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BC6B7 shade matches the following richer shades: #39C6B7, #25DAC7 and #10EFD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BC6B7 shade: #39C6B7, #4EB1A6, #639C96, #778886 and #8C7376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BC6B7 shade: #39C66A, #39C690, #39C6B5, #39B1C6 and #398BC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BC6B7 shade: #27867B, #30A699, #39C6B7, #59CFC2 and #79D8CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BC6B7 shade: #3BC6B7, #4539C6 and #C67D39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BC6B7 shade: #3BC6B7, #B539C6 and #C6B539

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BC6B7 shade: #3BC6B7, #4539C6, #C6394A and #BAC639

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BC6B7 shade: #3BC6B7, #6F39C6, #C6394A and #90C639

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 8 / 22

HEX #3BC6B7

RGB 59 198 183

HSL 173.53, 0.55%, 0.5%

LAB 72.72, -39.92, -3.19

 

Complementary color

CMYK 0 / 71 / 63 / 23

HEX #C43948

RGB 196 57 72

HSL 353.53, 0.55%, 0.5%

LAB 45.81, 55.62, 23.82

 

CMYK 68 / 0 / 10 / 22

HEX #40C6B2

RGB 64 198 178

HSL 171.04, 0.54%, 0.51%

LAB 72.69, -40.55, -0.51

 

CMYK 63 / 0 / 9 / 15

HEX #51D8C5

RGB 81 216 197

HSL 171.56, 0.63%, 0.58%

LAB 78.98, -40.96, -1.49

 

CMYK 58 / 0 / 8 / 8

HEX #62EAD8

RGB 98 234 216

HSL 172.06, 0.76%, 0.65%

LAB 85.2, -41.23, -2.39

 

CMYK 54 / 0 / 7 / 1

HEX #73FCEB

RGB 115 252 235

HSL 172.55, 0.96%, 0.72%

LAB 91.35, -41.39, -3.23

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFE

RGB 132 255 254

HSL 179.51, 1%, 0.76%

LAB 93.27, -34.65, -10.18

 

CMYK 70 / 0 / 8 / 22

HEX #3BC6B7

RGB 59 198 183

HSL 173.53, 0.55%, 0.5%

LAB 72.72, -39.92, -3.19

 

CMYK 77 / 0 / 9 / 29

HEX #2AB4A4

RGB 42 180 164

HSL 173.04, 0.62%, 0.44%

LAB 66.38, -39.15, -2.12

 

CMYK 85 / 0 / 10 / 36

HEX #19A291

RGB 25 162 145

HSL 172.55, 0.73%, 0.37%

LAB 59.97, -38.05, -0.92

 

CMYK 94 / 0 / 13 / 44

HEX #08907E

RGB 8 144 126

HSL 172.06, 0.89%, 0.3%

LAB 53.5, -36.51, 0.44

 

CMYK 100 / 0 / 15 / 51

HEX #007E6B

RGB 0 126 107

HSL 170.95, 1%, 0.25%

LAB 46.95, -34.41, 1.99

 

CMYK 71 / 0 / 8 / 22

HEX #39C6B7

RGB 57 198 183

HSL 173.62, 0.55%, 0.5%

LAB 72.68, -40.19, -3.26

 

CMYK 71 / 0 / 27 / 22

HEX #39C691

RGB 57 198 145

HSL 157.45, 0.55%, 0.5%

LAB 71.76, -49.62, 15.99

 

CMYK 71 / 0 / 46 / 22

HEX #39C66B

RGB 57 198 107

HSL 141.28, 0.55%, 0.5%

LAB 71.09, -57.03, 35

 

CMYK 71 / 0 / 65 / 22

HEX #39C645

RGB 57 198 69

HSL 125.11, 0.55%, 0.5%

LAB 70.66, -62.14, 52.29

 

CMYK 58 / 0 / 71 / 22

HEX #54C639

RGB 84 198 57

HSL 108.51, 0.55%, 0.5%

LAB 71.26, -57.53, 57.89

 

CMYK 71 / 0 / 8 / 22

HEX #39C6B7

RGB 57 198 183

HSL 173.62, 0.55%, 0.5%

LAB 72.68, -40.19, -3.26

 

CMYK 71 / 12 / 0 / 22

HEX #39AFC6

RGB 57 175 198

HSL 189.79, 0.55%, 0.5%

LAB 66.22, -24.86, -21.17

 

CMYK 71 / 31 / 0 / 22

HEX #3989C6

RGB 57 137 198

HSL 205.96, 0.55%, 0.5%

LAB 54.91, -4.19, -38.69

 

CMYK 71 / 50 / 0 / 22

HEX #3963C6

RGB 57 99 198

HSL 222.13, 0.55%, 0.5%

LAB 44.05, 19.21, -55.99

 

CMYK 71 / 69 / 0 / 22

HEX #393DC6

RGB 57 61 198

HSL 238.3, 0.55%, 0.5%

LAB 34.57, 43.22, -71.43

 

CMYK 71 / 0 / 8 / 22

HEX #39C6B7

RGB 57 198 183

HSL 173.62, 0.55%, 0.5%

LAB 72.68, -40.19, -3.26

 

CMYK 83 / 0 / 9 / 15

HEX #25DAC7

RGB 37 218 199

HSL 173.7, 0.71%, 0.5%

LAB 78.84, -46.57, -2.85

 

CMYK 93 / 0 / 10 / 6

HEX #10EFD7

RGB 16 239 215

HSL 173.54, 0.87%, 0.5%

LAB 85.38, -52.11, -1.75

 

CMYK 71 / 0 / 8 / 22

HEX #39C6B7

RGB 57 198 183

HSL 173.62, 0.55%, 0.5%

LAB 72.68, -40.19, -3.26

 

CMYK 56 / 0 / 6 / 31

HEX #4EB1A6

RGB 78 177 166

HSL 173.33, 0.39%, 0.5%

LAB 66.38, -31.57, -3.13

 

CMYK 37 / 0 / 4 / 39

HEX #639C96

RGB 99 156 150

HSL 173.68, 0.22%, 0.5%

LAB 60.46, -20.07, -2.78

 

CMYK 13 / 0 / 1 / 47

HEX #778886

RGB 119 136 134

HSL 172.94, 0.07%, 0.5%

LAB 55.33, -6.56, -1.02

 

CMYK 0 / 18 / 16 / 45

HEX #8C7376

RGB 140 115 118

HSL 352.8, 0.1%, 0.5%

LAB 50.86, 10.29, 2.02

 

CMYK 71 / 0 / 46 / 22

HEX #39C66A

RGB 57 198 106

HSL 140.85, 0.55%, 0.5%

LAB 71.08, -57.19, 35.48

 

CMYK 71 / 0 / 27 / 22

HEX #39C690

RGB 57 198 144

HSL 157.02, 0.55%, 0.5%

LAB 71.74, -49.84, 16.5

 

CMYK 71 / 0 / 9 / 22

HEX #39C6B5

RGB 57 198 181

HSL 172.77, 0.55%, 0.5%

LAB 72.62, -40.73, -2.25

 

CMYK 71 / 11 / 0 / 22

HEX #39B1C6

RGB 57 177 198

HSL 188.94, 0.55%, 0.5%

LAB 66.82, -25.86, -20.26

 

CMYK 71 / 30 / 0 / 22

HEX #398BC6

RGB 57 139 198

HSL 205.11, 0.55%, 0.5%

LAB 55.49, -5.35, -37.76

 

CMYK 71 / 0 / 8 / 47

HEX #27867B

RGB 39 134 123

HSL 173.05, 0.55%, 0.34%

LAB 50.58, -29.8, -2.04

 

CMYK 71 / 0 / 8 / 35

HEX #30A699

RGB 48 166 153

HSL 173.39, 0.55%, 0.42%

LAB 61.83, -35.1, -2.66

 

CMYK 71 / 0 / 8 / 22

HEX #39C6B7

RGB 57 198 183

HSL 173.62, 0.55%, 0.5%

LAB 72.68, -40.19, -3.26

 

CMYK 57 / 0 / 6 / 19

HEX #59CFC2

RGB 89 207 194

HSL 173.39, 0.55%, 0.58%

LAB 76.46, -36.22, -3.55

 

CMYK 44 / 0 / 5 / 15

HEX #79D8CE

RGB 121 216 206

HSL 173.68, 0.55%, 0.66%

LAB 80.53, -30.54, -3.86

 

CMYK 70 / 0 / 8 / 22

HEX #3BC6B7

RGB 59 198 183

HSL 173.53, 0.55%, 0.5%

LAB 72.72, -39.92, -3.19

 

CMYK 65 / 71 / 0 / 22

HEX #4539C6

RGB 69 57 198

HSL 245.11, 0.55%, 0.5%

LAB 34.54, 46.92, -71.45

 

CMYK 0 / 37 / 71 / 22

HEX #C67D39

RGB 198 125 57

HSL 28.94, 0.55%, 0.5%

LAB 58.95, 22.46, 47.51

 

CMYK 70 / 0 / 8 / 22

HEX #3BC6B7

RGB 59 198 183

HSL 173.53, 0.55%, 0.5%

LAB 72.72, -39.92, -3.19

 

CMYK 9 / 71 / 0 / 22

HEX #B539C6

RGB 181 57 198

HSL 292.77, 0.55%, 0.5%

LAB 48.04, 67.06, -48.92

 

CMYK 0 / 9 / 71 / 22

HEX #C6B539

RGB 198 181 57

HSL 52.77, 0.55%, 0.5%

LAB 73.12, -7.74, 61.98

 

CMYK 70 / 0 / 8 / 22

HEX #3BC6B7

RGB 59 198 183

HSL 173.53, 0.55%, 0.5%

LAB 72.72, -39.92, -3.19

 

CMYK 65 / 71 / 0 / 22

HEX #4539C6

RGB 69 57 198

HSL 245.11, 0.55%, 0.5%

LAB 34.54, 46.92, -71.45

 

CMYK 0 / 71 / 63 / 22

HEX #C6394A

RGB 198 57 74

HSL 352.77, 0.55%, 0.5%

LAB 46.21, 56.37, 23.2

 

CMYK 6 / 0 / 71 / 22

HEX #BAC639

RGB 186 198 57

HSL 65.11, 0.55%, 0.5%

LAB 76.75, -21.45, 65.19

 

CMYK 70 / 0 / 8 / 22

HEX #3BC6B7

RGB 59 198 183

HSL 173.53, 0.55%, 0.5%

LAB 72.72, -39.92, -3.19

 

CMYK 44 / 71 / 0 / 22

HEX #6F39C6

RGB 111 57 198

HSL 262.98, 0.55%, 0.5%

LAB 38.52, 53.25, -64.77

 

CMYK 0 / 71 / 63 / 22

HEX #C6394A

RGB 198 57 74

HSL 352.77, 0.55%, 0.5%

LAB 46.21, 56.37, 23.2

 

CMYK 27 / 0 / 71 / 22

HEX #90C639

RGB 144 198 57

HSL 82.98, 0.55%, 0.5%

LAB 73.94, -38.28, 61.48

 

Description

Color code: HEX #3BC6B7 | qconv.com Color code: HEX #3BC6B7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 198 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 198 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 8 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 8% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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