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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BC12D it is the complementary color #C43ED2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BC12D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BC12D shade: #40C128, #51D33B, #62E54E, #73F761 and #84FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BC12D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BC12D shade: #3BC12D, #2AAF1A, #199D07, #088B00 and #007900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BC12D shade: #3CC22E, #64C22E, #8CC22E, #B4C22E and #C2A82E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BC12D shade: #3CC22E, #2EC248, #2EC270, #2EC298 and #2EC2C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BC12D shade matches the following richer shades: #3CC22E, #2CD61A and #1CE907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BC12D shade: #3CC22E, #4BAF41, #5B9B54, #6B8868 and #7A757B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BC12D shade: #8CC22E, #64C22E, #3CC22E, #2EC246 and #2EC26E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BC12D shade: #277F1E, #31A126, #3CC22E, #53D345 and #72DB67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BC12D shade: #3BC12D, #2EB3C2 and #C22E78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BC12D shade: #3BC12D, #2E3CC2 and #C22E3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BC12D shade: #3BC12D, #2EB3C2, #B32EC2 and #C23C2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BC12D shade: #3BC12D, #2E87C2, #B32EC2 and #C2692E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 77 / 24

HEX #3BC12D

RGB 59 193 45

HSL 114.32, 0.62%, 0.47%

LAB 68.94, -62.19, 59.53

 

Complementary color

CMYK 7 / 70 / 0 / 18

HEX #C43ED2

RGB 196 62 210

HSL 294.32, 0.62%, 0.53%

LAB 51.65, 70.58, -49.93

 

CMYK 67 / 0 / 79 / 24

HEX #40C128

RGB 64 193 40

HSL 110.59, 0.66%, 0.46%

LAB 69.03, -61.53, 61.22

 

CMYK 62 / 0 / 72 / 17

HEX #51D33B

RGB 81 211 59

HSL 111.32, 0.63%, 0.53%

LAB 75.24, -62.65, 61.2

 

CMYK 57 / 0 / 66 / 10

HEX #62E54E

RGB 98 229 78

HSL 112.05, 0.74%, 0.6%

LAB 81.39, -63.37, 60.61

 

CMYK 53 / 0 / 61 / 3

HEX #73F761

RGB 115 247 97

HSL 112.8, 0.9%, 0.67%

LAB 87.5, -63.81, 59.72

 

CMYK 48 / 0 / 55 / 0

HEX #84FF74

RGB 132 255 116

HSL 113.09, 1%, 0.73%

LAB 90.64, -60.29, 55.23

 

CMYK 69 / 0 / 77 / 24

HEX #3BC12D

RGB 59 193 45

HSL 114.32, 0.62%, 0.47%

LAB 68.94, -62.19, 59.53

 

CMYK 76 / 0 / 85 / 31

HEX #2AAF1A

RGB 42 175 26

HSL 113.56, 0.74%, 0.39%

LAB 62.7, -60.46, 59.01

 

CMYK 84 / 0 / 96 / 38

HEX #199D07

RGB 25 157 7

HSL 112.8, 0.91%, 0.32%

LAB 56.42, -57.92, 57.08

 

CMYK 94 / 0 / 100 / 45

HEX #088B00

RGB 8 139 0

HSL 116.55, 1%, 0.27%

LAB 50.12, -54.32, 53.04

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 69 / 0 / 76 / 24

HEX #3CC22E

RGB 60 194 46

HSL 114.32, 0.62%, 0.47%

LAB 69.29, -62.26, 59.55

 

CMYK 48 / 0 / 76 / 24

HEX #64C22E

RGB 100 194 46

HSL 98.11, 0.62%, 0.47%

LAB 70.52, -52.39, 61.17

 

CMYK 28 / 0 / 76 / 24

HEX #8CC22E

RGB 140 194 46

HSL 81.89, 0.62%, 0.47%

LAB 72.47, -38.63, 63.72

 

CMYK 7 / 0 / 76 / 24

HEX #B4C22E

RGB 180 194 46

HSL 65.68, 0.62%, 0.47%

LAB 75.13, -22.5, 67.16

 

CMYK 0 / 13 / 76 / 24

HEX #C2A82E

RGB 194 168 46

HSL 49.46, 0.62%, 0.47%

LAB 69.24, -3.15, 62.14

 

CMYK 69 / 0 / 76 / 24

HEX #3CC22E

RGB 60 194 46

HSL 114.32, 0.62%, 0.47%

LAB 69.29, -62.26, 59.55

 

CMYK 76 / 0 / 63 / 24

HEX #2EC248

RGB 46 194 72

HSL 130.54, 0.62%, 0.47%

LAB 69.21, -62.2, 49.34

 

CMYK 76 / 0 / 42 / 24

HEX #2EC270

RGB 46 194 112

HSL 146.76, 0.62%, 0.47%

LAB 69.71, -56.31, 30.62

 

CMYK 76 / 0 / 22 / 24

HEX #2EC298

RGB 46 194 152

HSL 162.97, 0.62%, 0.47%

LAB 70.48, -47.81, 10.38

 

CMYK 76 / 0 / 1 / 24

HEX #2EC2C0

RGB 46 194 192

HSL 179.19, 0.62%, 0.47%

LAB 71.53, -37.13, -9.88

 

CMYK 69 / 0 / 76 / 24

HEX #3CC22E

RGB 60 194 46

HSL 114.32, 0.62%, 0.47%

LAB 69.29, -62.26, 59.55

 

CMYK 79 / 0 / 88 / 16

HEX #2CD61A

RGB 44 214 26

HSL 114.26, 0.78%, 0.47%

LAB 75.27, -71.87, 70.09

 

CMYK 88 / 0 / 97 / 9

HEX #1CE907

RGB 28 233 7

HSL 114.42, 0.94%, 0.47%

LAB 81.04, -79.14, 77.26

 

CMYK 69 / 0 / 76 / 24

HEX #3CC22E

RGB 60 194 46

HSL 114.32, 0.62%, 0.47%

LAB 69.29, -62.26, 59.55

 

CMYK 57 / 0 / 63 / 31

HEX #4BAF41

RGB 75 175 65

HSL 114.55, 0.46%, 0.47%

LAB 63.78, -50.6, 46.52

 

CMYK 41 / 0 / 46 / 39

HEX #5B9B54

RGB 91 155 84

HSL 114.08, 0.3%, 0.47%

LAB 58.33, -35.19, 30.85

 

CMYK 21 / 0 / 24 / 47

HEX #6B8868

RGB 107 136 104

HSL 114.38, 0.13%, 0.47%

LAB 53.74, -16.9, 13.89

 

CMYK 1 / 5 / 0 / 52

HEX #7A757B

RGB 122 117 123

HSL 290, 0.03%, 0.47%

LAB 49.85, 3.11, -2.61

 

CMYK 28 / 0 / 76 / 24

HEX #8CC22E

RGB 140 194 46

HSL 81.89, 0.62%, 0.47%

LAB 72.47, -38.63, 63.72

 

CMYK 48 / 0 / 76 / 24

HEX #64C22E

RGB 100 194 46

HSL 98.11, 0.62%, 0.47%

LAB 70.52, -52.39, 61.17

 

CMYK 69 / 0 / 76 / 24

HEX #3CC22E

RGB 60 194 46

HSL 114.32, 0.62%, 0.47%

LAB 69.29, -62.26, 59.55

 

CMYK 76 / 0 / 64 / 24

HEX #2EC246

RGB 46 194 70

HSL 129.73, 0.62%, 0.47%

LAB 69.19, -62.43, 50.18

 

CMYK 76 / 0 / 43 / 24

HEX #2EC26E

RGB 46 194 110

HSL 145.95, 0.62%, 0.47%

LAB 69.68, -56.67, 31.61

 

CMYK 69 / 0 / 76 / 50

HEX #277F1E

RGB 39 127 30

HSL 114.43, 0.62%, 0.31%

LAB 46.58, -44.76, 42.53

 

CMYK 70 / 0 / 76 / 37

HEX #31A126

RGB 49 161 38

HSL 114.63, 0.62%, 0.39%

LAB 58.3, -53.97, 51.38

 

CMYK 69 / 0 / 76 / 24

HEX #3CC22E

RGB 60 194 46

HSL 114.32, 0.62%, 0.47%

LAB 69.29, -62.26, 59.55

 

CMYK 61 / 0 / 67 / 17

HEX #53D345

RGB 83 211 69

HSL 114.08, 0.62%, 0.55%

LAB 75.36, -61.37, 57.58

 

CMYK 48 / 0 / 53 / 14

HEX #72DB67

RGB 114 219 103

HSL 114.31, 0.62%, 0.63%

LAB 79.17, -52.78, 47.33

 

CMYK 69 / 0 / 77 / 24

HEX #3BC12D

RGB 59 193 45

HSL 114.32, 0.62%, 0.47%

LAB 68.94, -62.19, 59.53

 

CMYK 76 / 8 / 0 / 24

HEX #2EB3C2

RGB 46 179 194

HSL 186.08, 0.62%, 0.47%

LAB 67.06, -29.41, -17.7

 

CMYK 0 / 76 / 38 / 24

HEX #C22E78

RGB 194 46 120

HSL 330, 0.62%, 0.47%

LAB 45.33, 62.76, -6.45

 

CMYK 69 / 0 / 77 / 24

HEX #3BC12D

RGB 59 193 45

HSL 114.32, 0.62%, 0.47%

LAB 68.94, -62.19, 59.53

 

CMYK 76 / 69 / 0 / 24

HEX #2E3CC2

RGB 46 60 194

HSL 234.32, 0.62%, 0.47%

LAB 33.37, 41.35, -71.08

 

CMYK 0 / 76 / 69 / 24

HEX #C22E3C

RGB 194 46 60

HSL 354.32, 0.62%, 0.47%

LAB 43.87, 58.14, 28.58

 

CMYK 69 / 0 / 77 / 24

HEX #3BC12D

RGB 59 193 45

HSL 114.32, 0.62%, 0.47%

LAB 68.94, -62.19, 59.53

 

CMYK 76 / 8 / 0 / 24

HEX #2EB3C2

RGB 46 179 194

HSL 186.08, 0.62%, 0.47%

LAB 67.06, -29.41, -17.7

 

CMYK 8 / 76 / 0 / 24

HEX #B32EC2

RGB 179 46 194

HSL 293.92, 0.62%, 0.47%

LAB 46.22, 69.59, -49.53

 

CMYK 0 / 69 / 76 / 24

HEX #C23C2E

RGB 194 60 46

HSL 5.68, 0.62%, 0.47%

LAB 45.49, 52.53, 38.57

 

CMYK 69 / 0 / 77 / 24

HEX #3BC12D

RGB 59 193 45

HSL 114.32, 0.62%, 0.47%

LAB 68.94, -62.19, 59.53

 

CMYK 76 / 30 / 0 / 24

HEX #2E87C2

RGB 46 135 194

HSL 203.92, 0.62%, 0.47%

LAB 53.82, -5.9, -38.15

 

CMYK 8 / 76 / 0 / 24

HEX #B32EC2

RGB 179 46 194

HSL 293.92, 0.62%, 0.47%

LAB 46.22, 69.59, -49.53

 

CMYK 0 / 46 / 76 / 24

HEX #C2692E

RGB 194 105 46

HSL 23.92, 0.62%, 0.47%

LAB 53.78, 31.09, 47.19

 

Description

Color code: HEX #3BC12D | qconv.com Color code: HEX #3BC12D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 193 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 193 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 77 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 77% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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