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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BC062 it is the complementary color #C43F9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BC062. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BC062 shade: #40C05D, #51D270, #62E483, #73F696 and #84FFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BC062. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BC062 shade: #3BC062, #2AAE4F, #199C3C, #088A29 and #007816

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BC062 shade: #3BBF62, #3BBF3E, #5BBF3B, #7FBF3B and #A3BF3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BC062 shade: #3BBF62, #3BBF85, #3BBFA9, #3BB2BF and #3B8EBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BC062 shade matches the following richer shades: #3BBF62, #27D359 and #12E851

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BC062 shade: #3BBF62, #4FAB6A, #639772, #77837B and #8C6E83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BC062 shade: #5CBF3B, #3BBF3D, #3BBF60, #3BBF84 and #3BBFA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BC062 shade: #278041, #31A051, #3BBF62, #58CC7A and #77D593

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BC062 shade: #3BC062, #3B7FBF and #BF3B4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BC062 shade: #3BC062, #603BBF and #BF603B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BC062 shade: #3BC062, #3B7FBF, #BF3B9A and #BF7B3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BC062 shade: #3BC062, #3B57BF, #BF3B9A and #BFA23B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 49 / 25

HEX #3BC062

RGB 59 192 98

HSL 137.59, 0.53%, 0.49%

LAB 69.12, -55.96, 37.04

 

Complementary color

CMYK 0 / 68 / 20 / 23

HEX #C43F9D

RGB 196 63 157

HSL 317.59, 0.53%, 0.51%

LAB 49.16, 61.93, -22.95

 

CMYK 67 / 0 / 52 / 25

HEX #40C05D

RGB 64 192 93

HSL 133.59, 0.5%, 0.5%

LAB 69.17, -55.8, 39.6

 

CMYK 61 / 0 / 47 / 18

HEX #51D270

RGB 81 210 112

HSL 134.42, 0.59%, 0.57%

LAB 75.46, -56.21, 38.16

 

CMYK 57 / 0 / 43 / 11

HEX #62E483

RGB 98 228 131

HSL 135.23, 0.71%, 0.64%

LAB 81.69, -56.39, 36.77

 

CMYK 53 / 0 / 39 / 4

HEX #73F696

RGB 115 246 150

HSL 136.03, 0.88%, 0.71%

LAB 87.85, -56.41, 35.45

 

CMYK 48 / 0 / 34 / 0

HEX #84FFA9

RGB 132 255 169

HSL 138.05, 1%, 0.76%

LAB 91.37, -52.7, 30.73

 

CMYK 69 / 0 / 49 / 25

HEX #3BC062

RGB 59 192 98

HSL 137.59, 0.53%, 0.49%

LAB 69.12, -55.96, 37.04

 

CMYK 76 / 0 / 55 / 32

HEX #2AAE4F

RGB 42 174 79

HSL 136.82, 0.61%, 0.42%

LAB 62.78, -55.13, 38.58

 

CMYK 84 / 0 / 62 / 39

HEX #199C3C

RGB 25 156 60

HSL 136.03, 0.72%, 0.35%

LAB 56.4, -53.75, 40.1

 

CMYK 94 / 0 / 70 / 46

HEX #088A29

RGB 8 138 41

HSL 135.23, 0.89%, 0.29%

LAB 49.96, -51.57, 41.44

 

CMYK 100 / 0 / 82 / 53

HEX #007816

RGB 0 120 22

HSL 131, 1%, 0.24%

LAB 43.49, -48.25, 42.16

 

CMYK 69 / 0 / 49 / 25

HEX #3BBF62

RGB 59 191 98

HSL 137.73, 0.53%, 0.49%

LAB 68.8, -55.6, 36.64

 

CMYK 69 / 0 / 68 / 25

HEX #3BBF3E

RGB 59 191 62

HSL 121.36, 0.53%, 0.49%

LAB 68.42, -60.14, 52.76

 

CMYK 52 / 0 / 69 / 25

HEX #5BBF3B

RGB 91 191 59

HSL 105.45, 0.53%, 0.49%

LAB 69.33, -52.93, 55.2

 

CMYK 34 / 0 / 69 / 25

HEX #7FBF3B

RGB 127 191 59

HSL 89.09, 0.53%, 0.49%

LAB 70.93, -41.33, 57.37

 

CMYK 15 / 0 / 69 / 25

HEX #A3BF3B

RGB 163 191 59

HSL 72.73, 0.53%, 0.49%

LAB 73.13, -27.43, 60.32

 

CMYK 69 / 0 / 49 / 25

HEX #3BBF62

RGB 59 191 98

HSL 137.73, 0.53%, 0.49%

LAB 68.8, -55.6, 36.64

 

CMYK 69 / 0 / 30 / 25

HEX #3BBF85

RGB 59 191 133

HSL 153.64, 0.53%, 0.49%

LAB 69.39, -49.11, 19.15

 

CMYK 69 / 0 / 12 / 25

HEX #3BBFA9

RGB 59 191 169

HSL 170, 0.53%, 0.49%

LAB 70.22, -40.53, 0.78

 

CMYK 69 / 7 / 0 / 25

HEX #3BB2BF

RGB 59 178 191

HSL 185.91, 0.53%, 0.49%

LAB 66.92, -28.23, -16.22

 

CMYK 69 / 26 / 0 / 25

HEX #3B8EBF

RGB 59 142 191

HSL 202.27, 0.53%, 0.49%

LAB 56.13, -9.19, -32.8

 

CMYK 69 / 0 / 49 / 25

HEX #3BBF62

RGB 59 191 98

HSL 137.73, 0.53%, 0.49%

LAB 68.8, -55.6, 36.64

 

CMYK 82 / 0 / 58 / 17

HEX #27D359

RGB 39 211 89

HSL 137.44, 0.69%, 0.49%

LAB 74.66, -66.48, 47.99

 

CMYK 92 / 0 / 65 / 9

HEX #12E851

RGB 18 232 81

HSL 137.66, 0.86%, 0.49%

LAB 80.98, -75.37, 58.57

 

CMYK 69 / 0 / 49 / 25

HEX #3BBF62

RGB 59 191 98

HSL 137.73, 0.53%, 0.49%

LAB 68.8, -55.6, 36.64

 

CMYK 54 / 0 / 38 / 33

HEX #4FAB6A

RGB 79 171 106

HSL 137.61, 0.37%, 0.49%

LAB 63.2, -42.07, 25.37

 

CMYK 34 / 0 / 25 / 41

HEX #639772

RGB 99 151 114

HSL 137.31, 0.21%, 0.49%

LAB 58.04, -25.5, 14.11

 

CMYK 9 / 0 / 6 / 49

HEX #77837B

RGB 119 131 123

HSL 140, 0.05%, 0.49%

LAB 53.58, -6.05, 2.81

 

CMYK 0 / 21 / 6 / 45

HEX #8C6E83

RGB 140 110 131

HSL 318, 0.12%, 0.49%

LAB 49.94, 15.58, -7.02

 

CMYK 52 / 0 / 69 / 25

HEX #5CBF3B

RGB 92 191 59

HSL 105, 0.53%, 0.49%

LAB 69.36, -52.65, 55.25

 

CMYK 69 / 0 / 68 / 25

HEX #3BBF3D

RGB 59 191 61

HSL 120.91, 0.53%, 0.49%

LAB 68.41, -60.24, 53.15

 

CMYK 69 / 0 / 50 / 25

HEX #3BBF60

RGB 59 191 96

HSL 136.82, 0.53%, 0.49%

LAB 68.78, -55.91, 37.61

 

CMYK 69 / 0 / 31 / 25

HEX #3BBF84

RGB 59 191 132

HSL 153.18, 0.53%, 0.49%

LAB 69.37, -49.33, 19.66

 

CMYK 69 / 0 / 13 / 25

HEX #3BBFA7

RGB 59 191 167

HSL 169.09, 0.53%, 0.49%

LAB 70.16, -41.05, 1.79

 

CMYK 70 / 0 / 49 / 50

HEX #278041

RGB 39 128 65

HSL 137.53, 0.53%, 0.33%

LAB 47.3, -40.73, 26.66

 

CMYK 69 / 0 / 49 / 37

HEX #31A051

RGB 49 160 81

HSL 137.3, 0.53%, 0.41%

LAB 58.4, -48.58, 32.21

 

CMYK 69 / 0 / 49 / 25

HEX #3BBF62

RGB 59 191 98

HSL 137.73, 0.53%, 0.49%

LAB 68.8, -55.6, 36.64

 

CMYK 57 / 0 / 40 / 20

HEX #58CC7A

RGB 88 204 122

HSL 137.59, 0.53%, 0.57%

LAB 73.98, -50.71, 31.23

 

CMYK 44 / 0 / 31 / 16

HEX #77D593

RGB 119 213 147

HSL 137.87, 0.53%, 0.65%

LAB 78.24, -42.21, 24.16

 

CMYK 69 / 0 / 49 / 25

HEX #3BC062

RGB 59 192 98

HSL 137.59, 0.53%, 0.49%

LAB 69.12, -55.96, 37.04

 

CMYK 69 / 34 / 0 / 25

HEX #3B7FBF

RGB 59 127 191

HSL 209.09, 0.53%, 0.49%

LAB 51.69, -0.46, -39.76

 

CMYK 0 / 69 / 61 / 25

HEX #BF3B4A

RGB 191 59 74

HSL 353.18, 0.53%, 0.49%

LAB 45.22, 53.41, 21.66

 

CMYK 69 / 0 / 49 / 25

HEX #3BC062

RGB 59 192 98

HSL 137.59, 0.53%, 0.49%

LAB 69.12, -55.96, 37.04

 

CMYK 50 / 69 / 0 / 25

HEX #603BBF

RGB 96 59 191

HSL 256.82, 0.53%, 0.49%

LAB 36.7, 47.72, -63.71

 

CMYK 0 / 50 / 69 / 25

HEX #BF603B

RGB 191 96 59

HSL 16.82, 0.53%, 0.49%

LAB 51.56, 35.25, 38.09

 

CMYK 69 / 0 / 49 / 25

HEX #3BC062

RGB 59 192 98

HSL 137.59, 0.53%, 0.49%

LAB 69.12, -55.96, 37.04

 

CMYK 69 / 34 / 0 / 25

HEX #3B7FBF

RGB 59 127 191

HSL 209.09, 0.53%, 0.49%

LAB 51.69, -0.46, -39.76

 

CMYK 0 / 69 / 19 / 25

HEX #BF3B9A

RGB 191 59 154

HSL 316.82, 0.53%, 0.49%

LAB 47.67, 61.7, -23.53

 

CMYK 0 / 36 / 69 / 25

HEX #BF7B3B

RGB 191 123 59

HSL 29.09, 0.53%, 0.49%

LAB 57.62, 20.68, 44.85

 

CMYK 69 / 0 / 49 / 25

HEX #3BC062

RGB 59 192 98

HSL 137.59, 0.53%, 0.49%

LAB 69.12, -55.96, 37.04

 

CMYK 69 / 54 / 0 / 25

HEX #3B57BF

RGB 59 87 191

HSL 227.27, 0.53%, 0.49%

LAB 40.42, 24.67, -57.78

 

CMYK 0 / 69 / 19 / 25

HEX #BF3B9A

RGB 191 59 154

HSL 316.82, 0.53%, 0.49%

LAB 47.67, 61.7, -23.53

 

CMYK 0 / 15 / 69 / 25

HEX #BFA23B

RGB 191 162 59

HSL 46.82, 0.53%, 0.49%

LAB 67.45, -0.66, 55.27

 

Description

Color code: HEX #3BC062 | qconv.com Color code: HEX #3BC062 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 192 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 192 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 49 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 49% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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