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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BC024 it is the complementary color #C43FDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BC024. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BC024 shade: #40C01F, #51D232, #62E445, #73F658 and #84FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BC024. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BC024 shade: #3BC024, #2AAE11, #199C00, #088A00 and #007800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BC024 shade: #3BC024, #65C024, #8FC024, #B9C024 and #C09D24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BC024 shade: #3BC024, #24C037, #24C061, #24C08B and #24C0B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BC024 shade matches the following richer shades: #3BC024 and #2ED312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BC024 shade: #3BC024, #48AE37, #559B49, #63895C and #70766E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BC024 shade: #8FC024, #65C024, #3CC024, #24C036 and #24C060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BC024 shade: #267B17, #309E1E, #3BC024, #4ED836 and #6CDF58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BC024 shade: #3BC024, #24B8C0 and #C0247A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BC024 shade: #3BC024, #243CC0 and #C0243C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BC024 shade: #3BC024, #24B8C0, #A924C0 and #C02C24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BC024 shade: #3BC024, #248AC0, #A924C0 and #C05B24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 81 / 25

HEX #3BC024

RGB 59 192 36

HSL 111.15, 0.68%, 0.45%

LAB 68.57, -62.41, 61.9

 

Complementary color

CMYK 11 / 71 / 0 / 14

HEX #C43FDB

RGB 196 63 219

HSL 291.15, 0.68%, 0.55%

LAB 52.29, 71.8, -54.03

 

CMYK 67 / 0 / 84 / 25

HEX #40C01F

RGB 64 192 31

HSL 107.7, 0.72%, 0.44%

LAB 68.67, -61.68, 63.33

 

CMYK 61 / 0 / 76 / 18

HEX #51D232

RGB 81 210 50

HSL 108.38, 0.64%, 0.51%

LAB 74.87, -62.94, 63.89

 

CMYK 57 / 0 / 70 / 11

HEX #62E445

RGB 98 228 69

HSL 109.06, 0.75%, 0.58%

LAB 81.02, -63.77, 63.67

 

CMYK 53 / 0 / 64 / 4

HEX #73F658

RGB 115 246 88

HSL 109.75, 0.9%, 0.65%

LAB 87.12, -64.31, 63

 

CMYK 48 / 0 / 58 / 0

HEX #84FF6B

RGB 132 255 107

HSL 109.86, 1%, 0.71%

LAB 90.55, -61.27, 59.08

 

CMYK 69 / 0 / 81 / 25

HEX #3BC024

RGB 59 192 36

HSL 111.15, 0.68%, 0.45%

LAB 68.57, -62.41, 61.9

 

CMYK 76 / 0 / 90 / 32

HEX #2AAE11

RGB 42 174 17

HSL 110.45, 0.82%, 0.37%

LAB 62.34, -60.51, 60.6

 

CMYK 84 / 0 / 100 / 39

HEX #199C00

RGB 25 156 0

HSL 110.38, 1%, 0.31%

LAB 56.07, -57.82, 57.88

 

CMYK 94 / 0 / 100 / 46

HEX #088A00

RGB 8 138 0

HSL 116.52, 1%, 0.27%

LAB 49.77, -54.02, 52.77

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 69 / 0 / 81 / 25

HEX #3BC024

RGB 59 192 36

HSL 111.15, 0.68%, 0.45%

LAB 68.57, -62.41, 61.9

 

CMYK 47 / 0 / 81 / 25

HEX #65C024

RGB 101 192 36

HSL 95, 0.68%, 0.45%

LAB 69.89, -51.86, 63.59

 

CMYK 26 / 0 / 81 / 25

HEX #8FC024

RGB 143 192 36

HSL 78.85, 0.68%, 0.45%

LAB 72, -37.03, 66.29

 

CMYK 4 / 0 / 81 / 25

HEX #B9C024

RGB 185 192 36

HSL 62.69, 0.68%, 0.45%

LAB 74.91, -19.77, 69.96

 

CMYK 0 / 18 / 81 / 25

HEX #C09D24

RGB 192 157 36

HSL 46.54, 0.68%, 0.45%

LAB 66.1, 1.47, 62.53

 

CMYK 69 / 0 / 81 / 25

HEX #3BC024

RGB 59 192 36

HSL 111.15, 0.68%, 0.45%

LAB 68.57, -62.41, 61.9

 

CMYK 81 / 0 / 71 / 25

HEX #24C037

RGB 36 192 55

HSL 127.31, 0.68%, 0.45%

LAB 68.28, -64.56, 55.23

 

CMYK 81 / 0 / 49 / 25

HEX #24C061

RGB 36 192 97

HSL 143.46, 0.68%, 0.45%

LAB 68.71, -59.35, 36.93

 

CMYK 81 / 0 / 28 / 25

HEX #24C08B

RGB 36 192 139

HSL 159.62, 0.68%, 0.45%

LAB 69.43, -51.15, 15.92

 

CMYK 81 / 0 / 5 / 25

HEX #24C0B6

RGB 36 192 182

HSL 176.15, 0.68%, 0.45%

LAB 70.49, -40.03, -5.98

 

CMYK 69 / 0 / 81 / 25

HEX #3BC024

RGB 59 192 36

HSL 111.15, 0.68%, 0.45%

LAB 68.57, -62.41, 61.9

 

CMYK 78 / 0 / 91 / 17

HEX #2ED312

RGB 46 211 18

HSL 111.3, 0.84%, 0.45%

LAB 74.33, -71, 70.62

 

CMYK 69 / 0 / 81 / 25

HEX #3BC024

RGB 59 192 36

HSL 111.15, 0.68%, 0.45%

LAB 68.57, -62.41, 61.9

 

CMYK 59 / 0 / 68 / 32

HEX #48AE37

RGB 72 174 55

HSL 111.43, 0.52%, 0.45%

LAB 63.28, -51.97, 50.22

 

CMYK 45 / 0 / 53 / 39

HEX #559B49

RGB 85 155 73

HSL 111.22, 0.36%, 0.45%

LAB 57.9, -38.65, 35.94

 

CMYK 28 / 0 / 33 / 46

HEX #63895C

RGB 99 137 92

HSL 110.67, 0.2%, 0.45%

LAB 53.29, -22.47, 20

 

CMYK 5 / 0 / 7 / 54

HEX #70766E

RGB 112 118 110

HSL 105, 0.04%, 0.45%

LAB 48.92, -3.88, 3.62

 

CMYK 26 / 0 / 81 / 25

HEX #8FC024

RGB 143 192 36

HSL 78.85, 0.68%, 0.45%

LAB 72, -37.03, 66.29

 

CMYK 47 / 0 / 81 / 25

HEX #65C024

RGB 101 192 36

HSL 95, 0.68%, 0.45%

LAB 69.89, -51.86, 63.59

 

CMYK 69 / 0 / 81 / 25

HEX #3CC024

RGB 60 192 36

HSL 110.77, 0.68%, 0.45%

LAB 68.6, -62.22, 61.92

 

CMYK 81 / 0 / 72 / 25

HEX #24C036

RGB 36 192 54

HSL 126.92, 0.68%, 0.45%

LAB 68.27, -64.64, 55.59

 

CMYK 81 / 0 / 50 / 25

HEX #24C060

RGB 36 192 96

HSL 143.08, 0.68%, 0.45%

LAB 68.69, -59.51, 37.42

 

CMYK 69 / 0 / 81 / 52

HEX #267B17

RGB 38 123 23

HSL 111, 0.68%, 0.29%

LAB 45.14, -44.06, 43.61

 

CMYK 70 / 0 / 81 / 38

HEX #309E1E

RGB 48 158 30

HSL 111.56, 0.68%, 0.37%

LAB 57.25, -53.69, 52.96

 

CMYK 69 / 0 / 81 / 25

HEX #3BC024

RGB 59 192 36

HSL 111.15, 0.68%, 0.45%

LAB 68.57, -62.41, 61.9

 

CMYK 64 / 0 / 75 / 15

HEX #4ED836

RGB 78 216 54

HSL 111.11, 0.68%, 0.53%

LAB 76.68, -65.35, 64.33

 

CMYK 52 / 0 / 61 / 13

HEX #6CDF58

RGB 108 223 88

HSL 111.11, 0.68%, 0.61%

LAB 79.99, -57.67, 55.01

 

CMYK 69 / 0 / 81 / 25

HEX #3BC024

RGB 59 192 36

HSL 111.15, 0.68%, 0.45%

LAB 68.57, -62.41, 61.9

 

CMYK 81 / 4 / 0 / 25

HEX #24B8C0

RGB 36 184 192

HSL 183.08, 0.68%, 0.45%

LAB 68.36, -33.39, -14.65

 

CMYK 0 / 81 / 36 / 25

HEX #C0247A

RGB 192 36 122

HSL 326.92, 0.68%, 0.45%

LAB 44.05, 65.24, -9.63

 

CMYK 69 / 0 / 81 / 25

HEX #3BC024

RGB 59 192 36

HSL 111.15, 0.68%, 0.45%

LAB 68.57, -62.41, 61.9

 

CMYK 81 / 69 / 0 / 25

HEX #243CC0

RGB 36 60 192

HSL 230.77, 0.68%, 0.45%

LAB 32.73, 39.8, -70.98

 

CMYK 0 / 81 / 69 / 25

HEX #C0243C

RGB 192 36 60

HSL 350.77, 0.68%, 0.45%

LAB 42.45, 60.46, 26.75

 

CMYK 69 / 0 / 81 / 25

HEX #3BC024

RGB 59 192 36

HSL 111.15, 0.68%, 0.45%

LAB 68.57, -62.41, 61.9

 

CMYK 81 / 4 / 0 / 25

HEX #24B8C0

RGB 36 184 192

HSL 183.08, 0.68%, 0.45%

LAB 68.36, -33.39, -14.65

 

CMYK 12 / 81 / 0 / 25

HEX #A924C0

RGB 169 36 192

HSL 291.15, 0.68%, 0.45%

LAB 43.51, 70.16, -52.8

 

CMYK 0 / 77 / 81 / 25

HEX #C02C24

RGB 192 44 36

HSL 3.08, 0.68%, 0.45%

LAB 42.97, 57.22, 41.3

 

CMYK 69 / 0 / 81 / 25

HEX #3BC024

RGB 59 192 36

HSL 111.15, 0.68%, 0.45%

LAB 68.57, -62.41, 61.9

 

CMYK 81 / 28 / 0 / 25

HEX #248AC0

RGB 36 138 192

HSL 200.77, 0.68%, 0.45%

LAB 54.4, -9.43, -36.1

 

CMYK 12 / 81 / 0 / 25

HEX #A924C0

RGB 169 36 192

HSL 291.15, 0.68%, 0.45%

LAB 43.51, 70.16, -52.8

 

CMYK 0 / 53 / 81 / 25

HEX #C05B24

RGB 192 91 36

HSL 21.15, 0.68%, 0.45%

LAB 50.47, 37.22, 48.45

 

Description

Color code: HEX #3BC024 | qconv.com Color code: HEX #3BC024 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 192 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 192 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 81 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 81% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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