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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BBE3E it is the complementary color #C441C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BBE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BBE3E shade: #40BE39, #51D04C, #62E25F, #73F472 and #84FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BBE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BBE3E shade: #3BBE3E, #2AAC2B, #199A18, #088805 and #007600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BBE3E shade: #3BBF3E, #5BBF3B, #7FBF3B, #A3BF3B and #BFB83B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BBE3E shade: #3BBF3E, #3BBF61, #3BBF85, #3BBFA9 and #3BB2BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BBE3E shade matches the following richer shades: #3BBF3E, #27D32A and #12E817

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BBE3E shade: #3BBF3E, #4FAB51, #639764, #778378 and #8C6E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BBE3E shade: #7FBF3B, #5CBF3B, #3BBF3D, #3BBF60 and #3BBF84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BBE3E shade: #278029, #31A034, #3BBF3E, #58CC5A and #77D579

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BBE3E shade: #3BBE3E, #3BA2BF and #BF3B6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BBE3E shade: #3BBE3E, #3D3BBF and #BF3D3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BBE3E shade: #3BBE3E, #3BA2BF, #BF3BBD and #BF573B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BBE3E shade: #3BBE3E, #3B7BBF, #BF3BBD and #BF7F3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 67 / 25

HEX #3BBE3E

RGB 59 190 62

HSL 121.37, 0.53%, 0.49%

LAB 68.1, -59.8, 52.41

 

Complementary color

CMYK 0 / 67 / 2 / 23

HEX #C441C1

RGB 196 65 193

HSL 301.37, 0.53%, 0.51%

LAB 51.11, 66.63, -41

 

CMYK 66 / 0 / 70 / 25

HEX #40BE39

RGB 64 190 57

HSL 116.84, 0.54%, 0.48%

LAB 68.18, -59.29, 54.52

 

CMYK 61 / 0 / 63 / 18

HEX #51D04C

RGB 81 208 76

HSL 117.73, 0.58%, 0.56%

LAB 74.43, -60.09, 53.68

 

CMYK 57 / 0 / 58 / 11

HEX #62E25F

RGB 98 226 95

HSL 118.63, 0.69%, 0.63%

LAB 80.64, -60.56, 52.59

 

CMYK 53 / 0 / 53 / 4

HEX #73F472

RGB 115 244 114

HSL 119.54, 0.86%, 0.7%

LAB 86.78, -60.8, 51.39

 

CMYK 48 / 0 / 48 / 0

HEX #84FF85

RGB 132 255 133

HSL 120.49, 1%, 0.76%

LAB 90.83, -58.19, 47.64

 

CMYK 69 / 0 / 67 / 25

HEX #3BBE3E

RGB 59 190 62

HSL 121.37, 0.53%, 0.49%

LAB 68.1, -59.8, 52.41

 

CMYK 76 / 0 / 75 / 33

HEX #2AAC2B

RGB 42 172 43

HSL 120.46, 0.61%, 0.42%

LAB 61.8, -58.45, 53.05

 

CMYK 84 / 0 / 84 / 40

HEX #199A18

RGB 25 154 24

HSL 119.54, 0.73%, 0.35%

LAB 55.47, -56.37, 52.87

 

CMYK 94 / 0 / 96 / 47

HEX #088805

RGB 8 136 5

HSL 118.63, 0.93%, 0.28%

LAB 49.09, -53.26, 51.27

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 69 / 0 / 68 / 25

HEX #3BBF3E

RGB 59 191 62

HSL 121.36, 0.53%, 0.49%

LAB 68.42, -60.14, 52.76

 

CMYK 52 / 0 / 69 / 25

HEX #5BBF3B

RGB 91 191 59

HSL 105.45, 0.53%, 0.49%

LAB 69.33, -52.93, 55.2

 

CMYK 34 / 0 / 69 / 25

HEX #7FBF3B

RGB 127 191 59

HSL 89.09, 0.53%, 0.49%

LAB 70.93, -41.33, 57.37

 

CMYK 15 / 0 / 69 / 25

HEX #A3BF3B

RGB 163 191 59

HSL 72.73, 0.53%, 0.49%

LAB 73.13, -27.43, 60.32

 

CMYK 0 / 4 / 69 / 25

HEX #BFB83B

RGB 191 184 59

HSL 56.82, 0.53%, 0.49%

LAB 73.33, -12.19, 61.23

 

CMYK 69 / 0 / 68 / 25

HEX #3BBF3E

RGB 59 191 62

HSL 121.36, 0.53%, 0.49%

LAB 68.42, -60.14, 52.76

 

CMYK 69 / 0 / 49 / 25

HEX #3BBF61

RGB 59 191 97

HSL 137.27, 0.53%, 0.49%

LAB 68.79, -55.75, 37.13

 

CMYK 69 / 0 / 30 / 25

HEX #3BBF85

RGB 59 191 133

HSL 153.64, 0.53%, 0.49%

LAB 69.39, -49.11, 19.15

 

CMYK 69 / 0 / 12 / 25

HEX #3BBFA9

RGB 59 191 169

HSL 170, 0.53%, 0.49%

LAB 70.22, -40.53, 0.78

 

CMYK 69 / 7 / 0 / 25

HEX #3BB2BF

RGB 59 178 191

HSL 185.91, 0.53%, 0.49%

LAB 66.92, -28.23, -16.22

 

CMYK 69 / 0 / 68 / 25

HEX #3BBF3E

RGB 59 191 62

HSL 121.36, 0.53%, 0.49%

LAB 68.42, -60.14, 52.76

 

CMYK 82 / 0 / 80 / 17

HEX #27D32A

RGB 39 211 42

HSL 121.05, 0.69%, 0.49%

LAB 74.31, -70.84, 65.46

 

CMYK 92 / 0 / 90 / 9

HEX #12E817

RGB 18 232 23

HSL 121.4, 0.86%, 0.49%

LAB 80.69, -79.13, 75.14

 

CMYK 69 / 0 / 68 / 25

HEX #3BBF3E

RGB 59 191 62

HSL 121.36, 0.53%, 0.49%

LAB 68.42, -60.14, 52.76

 

CMYK 54 / 0 / 53 / 33

HEX #4FAB51

RGB 79 171 81

HSL 121.3, 0.37%, 0.49%

LAB 62.83, -46.03, 37.87

 

CMYK 34 / 0 / 34 / 41

HEX #639764

RGB 99 151 100

HSL 121.15, 0.21%, 0.49%

LAB 57.76, -28.09, 21.53

 

CMYK 9 / 0 / 8 / 49

HEX #778378

RGB 119 131 120

HSL 125, 0.05%, 0.49%

LAB 53.5, -6.65, 4.44

 

CMYK 0 / 21 / 1 / 45

HEX #8C6E8B

RGB 140 110 139

HSL 302, 0.12%, 0.49%

LAB 50.21, 17.15, -11.36

 

CMYK 34 / 0 / 69 / 25

HEX #7FBF3B

RGB 127 191 59

HSL 89.09, 0.53%, 0.49%

LAB 70.93, -41.33, 57.37

 

CMYK 52 / 0 / 69 / 25

HEX #5CBF3B

RGB 92 191 59

HSL 105, 0.53%, 0.49%

LAB 69.36, -52.65, 55.25

 

CMYK 69 / 0 / 68 / 25

HEX #3BBF3D

RGB 59 191 61

HSL 120.91, 0.53%, 0.49%

LAB 68.41, -60.24, 53.15

 

CMYK 69 / 0 / 50 / 25

HEX #3BBF60

RGB 59 191 96

HSL 136.82, 0.53%, 0.49%

LAB 68.78, -55.91, 37.61

 

CMYK 69 / 0 / 31 / 25

HEX #3BBF84

RGB 59 191 132

HSL 153.18, 0.53%, 0.49%

LAB 69.37, -49.33, 19.66

 

CMYK 70 / 0 / 68 / 50

HEX #278029

RGB 39 128 41

HSL 121.35, 0.53%, 0.33%

LAB 47.01, -44.08, 38.39

 

CMYK 69 / 0 / 68 / 37

HEX #31A034

RGB 49 160 52

HSL 121.62, 0.53%, 0.41%

LAB 58.08, -52.4, 45.69

 

CMYK 69 / 0 / 68 / 25

HEX #3BBF3E

RGB 59 191 62

HSL 121.36, 0.53%, 0.49%

LAB 68.42, -60.14, 52.76

 

CMYK 57 / 0 / 56 / 20

HEX #58CC5A

RGB 88 204 90

HSL 121.03, 0.53%, 0.57%

LAB 73.54, -55.42, 46.47

 

CMYK 44 / 0 / 43 / 16

HEX #77D579

RGB 119 213 121

HSL 121.28, 0.53%, 0.65%

LAB 77.81, -46.48, 36.93

 

CMYK 69 / 0 / 67 / 25

HEX #3BBE3E

RGB 59 190 62

HSL 121.37, 0.53%, 0.49%

LAB 68.1, -59.8, 52.41

 

CMYK 69 / 15 / 0 / 25

HEX #3BA2BF

RGB 59 162 191

HSL 193.18, 0.53%, 0.49%

LAB 62.11, -20.09, -23.55

 

CMYK 0 / 69 / 43 / 25

HEX #BF3B6D

RGB 191 59 109

HSL 337.27, 0.53%, 0.49%

LAB 46.05, 56.31, 1.31

 

CMYK 69 / 0 / 67 / 25

HEX #3BBE3E

RGB 59 190 62

HSL 121.37, 0.53%, 0.49%

LAB 68.1, -59.8, 52.41

 

CMYK 68 / 69 / 0 / 25

HEX #3D3BBF

RGB 61 59 191

HSL 240.91, 0.53%, 0.49%

LAB 33.74, 42.53, -68.69

 

CMYK 0 / 68 / 69 / 25

HEX #BF3D3B

RGB 191 61 59

HSL 0.91, 0.53%, 0.49%

LAB 45.26, 51.72, 30.72

 

CMYK 69 / 0 / 67 / 25

HEX #3BBE3E

RGB 59 190 62

HSL 121.37, 0.53%, 0.49%

LAB 68.1, -59.8, 52.41

 

CMYK 69 / 15 / 0 / 25

HEX #3BA2BF

RGB 59 162 191

HSL 193.18, 0.53%, 0.49%

LAB 62.11, -20.09, -23.55

 

CMYK 0 / 69 / 1 / 25

HEX #BF3BBD

RGB 191 59 189

HSL 300.91, 0.53%, 0.49%

LAB 49.35, 67.01, -41.52

 

CMYK 0 / 54 / 69 / 25

HEX #BF573B

RGB 191 87 59

HSL 12.73, 0.53%, 0.49%

LAB 49.75, 39.86, 36.01

 

CMYK 69 / 0 / 67 / 25

HEX #3BBE3E

RGB 59 190 62

HSL 121.37, 0.53%, 0.49%

LAB 68.1, -59.8, 52.41

 

CMYK 69 / 36 / 0 / 25

HEX #3B7BBF

RGB 59 123 191

HSL 210.91, 0.53%, 0.49%

LAB 50.52, 1.95, -41.61

 

CMYK 0 / 69 / 1 / 25

HEX #BF3BBD

RGB 191 59 189

HSL 300.91, 0.53%, 0.49%

LAB 49.35, 67.01, -41.52

 

CMYK 0 / 34 / 69 / 25

HEX #BF7F3B

RGB 191 127 59

HSL 30.91, 0.53%, 0.49%

LAB 58.58, 18.48, 45.9

 

Description

Color code: HEX #3BBE3E | qconv.com Color code: HEX #3BBE3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 190 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 190 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 67 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 67% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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