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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BBC32 it is the complementary color #C443CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BBC32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BBC32 shade: #40BC2D, #51CE40, #62E053, #73F266 and #84FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BBC32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BBC32 shade: #3BBC32, #2AAA1F, #19980C, #088600 and #007400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BBC32 shade: #3BBD32, #61BD32, #86BD32, #ACBD32 and #BDA932

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BBC32 shade: #3BBD32, #32BD4F, #32BD74, #32BD9A and #32BBBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BBC32 shade matches the following richer shades: #3BBD32, #2BD11F and #1AE40C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BBC32 shade: #3BBD32, #4CAA46, #5D9759, #6E836D and #7F7080

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BBC32 shade: #86BD32, #61BD32, #3CBD32, #32BD4E and #32BD73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BBC32 shade: #277C21, #319D2A, #3BBD32, #53CF4A and #72D86B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BBC32 shade: #3BBC32, #32ABBD and #BD3273

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BBC32 shade: #3BBC32, #323CBD and #BD323C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BBC32 shade: #3BBC32, #32ABBD, #B432BD and #BD4532

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BBC32 shade: #3BBC32, #3281BD, #B432BD and #BD6F32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 73 / 26

HEX #3BBC32

RGB 59 188 50

HSL 116.09, 0.58%, 0.47%

LAB 67.37, -60.18, 56.27

 

Complementary color

CMYK 4 / 67 / 0 / 20

HEX #C443CD

RGB 196 67 205

HSL 296.09, 0.58%, 0.53%

LAB 52.02, 67.89, -46.48

 

CMYK 66 / 0 / 76 / 26

HEX #40BC2D

RGB 64 188 45

HSL 112.03, 0.61%, 0.46%

LAB 67.46, -59.55, 58.13

 

CMYK 61 / 0 / 69 / 19

HEX #51CE40

RGB 81 206 64

HSL 112.82, 0.59%, 0.53%

LAB 73.72, -60.51, 57.77

 

CMYK 56 / 0 / 63 / 12

HEX #62E053

RGB 98 224 83

HSL 113.62, 0.69%, 0.6%

LAB 79.92, -61.11, 56.96

 

CMYK 52 / 0 / 58 / 5

HEX #73F266

RGB 115 242 102

HSL 114.43, 0.84%, 0.67%

LAB 86.06, -61.45, 55.92

 

CMYK 48 / 0 / 53 / 0

HEX #84FF79

RGB 132 255 121

HSL 115.07, 1%, 0.74%

LAB 90.69, -59.7, 53.03

 

CMYK 69 / 0 / 73 / 26

HEX #3BBC32

RGB 59 188 50

HSL 116.09, 0.58%, 0.47%

LAB 67.37, -60.18, 56.27

 

CMYK 75 / 0 / 82 / 33

HEX #2AAA1F

RGB 42 170 31

HSL 115.25, 0.69%, 0.39%

LAB 61.08, -58.62, 56.21

 

CMYK 84 / 0 / 92 / 40

HEX #19980C

RGB 25 152 12

HSL 114.43, 0.85%, 0.32%

LAB 54.75, -56.27, 54.89

 

CMYK 94 / 0 / 100 / 47

HEX #088600

RGB 8 134 0

HSL 116.42, 1%, 0.26%

LAB 48.39, -52.85, 51.66

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 69 / 0 / 74 / 26

HEX #3BBD32

RGB 59 189 50

HSL 116.12, 0.58%, 0.47%

LAB 67.69, -60.51, 56.59

 

CMYK 49 / 0 / 74 / 26

HEX #61BD32

RGB 97 189 50

HSL 99.71, 0.58%, 0.47%

LAB 68.87, -51.11, 58.16

 

CMYK 29 / 0 / 74 / 26

HEX #86BD32

RGB 134 189 50

HSL 83.74, 0.58%, 0.47%

LAB 70.66, -38.46, 60.53

 

CMYK 9 / 0 / 74 / 26

HEX #ACBD32

RGB 172 189 50

HSL 67.34, 0.58%, 0.47%

LAB 73.15, -23.23, 63.8

 

CMYK 0 / 11 / 74 / 26

HEX #BDA932

RGB 189 169 50

HSL 51.37, 0.58%, 0.47%

LAB 69.06, -5.71, 60.37

 

CMYK 69 / 0 / 74 / 26

HEX #3BBD32

RGB 59 189 50

HSL 116.12, 0.58%, 0.47%

LAB 67.69, -60.51, 56.59

 

CMYK 74 / 0 / 58 / 26

HEX #32BD4F

RGB 50 189 79

HSL 132.52, 0.58%, 0.47%

LAB 67.75, -59.1, 44.53

 

CMYK 74 / 0 / 39 / 26

HEX #32BD74

RGB 50 189 116

HSL 148.49, 0.58%, 0.47%

LAB 68.27, -53.16, 26.65

 

CMYK 74 / 0 / 19 / 26

HEX #32BD9A

RGB 50 189 154

HSL 164.89, 0.58%, 0.47%

LAB 69.04, -44.74, 7.26

 

CMYK 74 / 1 / 0 / 26

HEX #32BBBD

RGB 50 187 189

HSL 180.86, 0.58%, 0.47%

LAB 69.39, -34.31, -11.43

 

CMYK 69 / 0 / 74 / 26

HEX #3BBD32

RGB 59 189 50

HSL 116.12, 0.58%, 0.47%

LAB 67.69, -60.51, 56.59

 

CMYK 79 / 0 / 85 / 18

HEX #2BD11F

RGB 43 209 31

HSL 115.96, 0.74%, 0.47%

LAB 73.68, -70.35, 67.67

 

CMYK 89 / 0 / 95 / 11

HEX #1AE40C

RGB 26 228 12

HSL 116.11, 0.9%, 0.47%

LAB 79.46, -77.85, 75.52

 

CMYK 69 / 0 / 74 / 26

HEX #3BBD32

RGB 59 189 50

HSL 116.12, 0.58%, 0.47%

LAB 67.69, -60.51, 56.59

 

CMYK 55 / 0 / 59 / 33

HEX #4CAA46

RGB 76 170 70

HSL 116.4, 0.42%, 0.47%

LAB 62.28, -47.84, 42.52

 

CMYK 38 / 0 / 41 / 41

HEX #5D9759

RGB 93 151 89

HSL 116.13, 0.26%, 0.47%

LAB 57.25, -31.92, 26.83

 

CMYK 16 / 0 / 17 / 49

HEX #6E836D

RGB 110 131 109

HSL 117.27, 0.09%, 0.47%

LAB 52.57, -12.15, 9.39

 

CMYK 1 / 13 / 0 / 50

HEX #7F7080

RGB 127 112 128

HSL 296.25, 0.07%, 0.47%

LAB 49.08, 8.95, -6.66

 

CMYK 29 / 0 / 74 / 26

HEX #86BD32

RGB 134 189 50

HSL 83.74, 0.58%, 0.47%

LAB 70.66, -38.46, 60.53

 

CMYK 49 / 0 / 74 / 26

HEX #61BD32

RGB 97 189 50

HSL 99.71, 0.58%, 0.47%

LAB 68.87, -51.11, 58.16

 

CMYK 68 / 0 / 74 / 26

HEX #3CBD32

RGB 60 189 50

HSL 115.68, 0.58%, 0.47%

LAB 67.71, -60.32, 56.62

 

CMYK 74 / 0 / 59 / 26

HEX #32BD4E

RGB 50 189 78

HSL 132.09, 0.58%, 0.47%

LAB 67.74, -59.22, 44.98

 

CMYK 74 / 0 / 39 / 26

HEX #32BD73

RGB 50 189 115

HSL 148.06, 0.58%, 0.47%

LAB 68.25, -53.35, 27.15

 

CMYK 69 / 0 / 73 / 51

HEX #277C21

RGB 39 124 33

HSL 116.04, 0.58%, 0.31%

LAB 45.57, -43.41, 40.31

 

CMYK 69 / 0 / 73 / 38

HEX #319D2A

RGB 49 157 42

HSL 116.35, 0.58%, 0.39%

LAB 57.01, -52.28, 48.61

 

CMYK 69 / 0 / 74 / 26

HEX #3BBD32

RGB 59 189 50

HSL 116.12, 0.58%, 0.47%

LAB 67.69, -60.51, 56.59

 

CMYK 60 / 0 / 64 / 19

HEX #53CF4A

RGB 83 207 74

HSL 115.94, 0.58%, 0.55%

LAB 74.16, -59.48, 54.24

 

CMYK 47 / 0 / 50 / 15

HEX #72D86B

RGB 114 216 107

HSL 116.15, 0.58%, 0.63%

LAB 78.32, -51.08, 44.4

 

CMYK 69 / 0 / 73 / 26

HEX #3BBC32

RGB 59 188 50

HSL 116.09, 0.58%, 0.47%

LAB 67.37, -60.18, 56.27

 

CMYK 74 / 10 / 0 / 26

HEX #32ABBD

RGB 50 171 189

HSL 187.77, 0.58%, 0.47%

LAB 64.55, -26.55, -18.74

 

CMYK 0 / 74 / 39 / 26

HEX #BD3273

RGB 189 50 115

HSL 331.94, 0.58%, 0.47%

LAB 44.71, 59.61, -4.39

 

CMYK 69 / 0 / 73 / 26

HEX #3BBC32

RGB 59 188 50

HSL 116.09, 0.58%, 0.47%

LAB 67.37, -60.18, 56.27

 

CMYK 74 / 68 / 0 / 26

HEX #323CBD

RGB 50 60 189

HSL 235.68, 0.58%, 0.47%

LAB 33.1, 40, -68.58

 

CMYK 0 / 74 / 68 / 26

HEX #BD323C

RGB 189 50 60

HSL 355.68, 0.58%, 0.47%

LAB 43.4, 55.29, 27.78

 

CMYK 69 / 0 / 73 / 26

HEX #3BBC32

RGB 59 188 50

HSL 116.09, 0.58%, 0.47%

LAB 67.37, -60.18, 56.27

 

CMYK 74 / 10 / 0 / 26

HEX #32ABBD

RGB 50 171 189

HSL 187.77, 0.58%, 0.47%

LAB 64.55, -26.55, -18.74

 

CMYK 5 / 74 / 0 / 26

HEX #B432BD

RGB 180 50 189

HSL 296.12, 0.58%, 0.47%

LAB 46.52, 67.68, -46.12

 

CMYK 0 / 63 / 74 / 26

HEX #BD4532

RGB 189 69 50

HSL 8.2, 0.58%, 0.47%

LAB 46.05, 47.21, 36.71

 

CMYK 69 / 0 / 73 / 26

HEX #3BBC32

RGB 59 188 50

HSL 116.09, 0.58%, 0.47%

LAB 67.37, -60.18, 56.27

 

CMYK 74 / 32 / 0 / 26

HEX #3281BD

RGB 50 129 189

HSL 205.9, 0.58%, 0.47%

LAB 51.9, -3.67, -38.31

 

CMYK 5 / 74 / 0 / 26

HEX #B432BD

RGB 180 50 189

HSL 296.12, 0.58%, 0.47%

LAB 46.52, 67.68, -46.12

 

CMYK 0 / 41 / 74 / 26

HEX #BD6F32

RGB 189 111 50

HSL 26.33, 0.58%, 0.47%

LAB 54.47, 25.94, 45.78

 

Description

Color code: HEX #3BBC32 | qconv.com Color code: HEX #3BBC32 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 188 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 188 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 73 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 73% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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