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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BB5E3 it is the complementary color #C44A1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BB5E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BB5E3 shade: #40B5DE, #51C7F1, #62D9FF, #73EBFF and #84FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BB5E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BB5E3 shade: #3BB5E3, #2AA3D0, #1991BD, #087FAA and #006D97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BB5E3 shade: #3BB5E3, #3B87E3, #3B5AE3, #493BE3 and #763BE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BB5E3 shade: #3BB5E3, #3B87E3, #3B5AE3 and #3B3BE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BB5E3 shade matches the following richer shades: #3BB5E3 and #28BDF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BB5E3 shade: #3BB5E3, #4DADD1, #5FA4BF, #719CAC and #83949A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BB5E3 shade: #3BE3B6, #3BE3E3, #3BB6E3, #3B89E3 and #3B5CE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BB5E3 shade: #1988B2, #1FA4D6, #3BB5E3, #5FC2E8 and #83D0ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BB5E3 shade: #3BB5E3, #893BE3 and #E3CD3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BB5E3 shade: #3BB5E3, #E33BB6 and #B6E33B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BB5E3 shade: #3BB5E3, #893BE3, #E3683B and #94E33B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BB5E3 shade: #3BB5E3, #BC3BE3, #E3683B and #62E33B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 20 / 0 / 11

HEX #3BB5E3

RGB 59 181 227

HSL 196.43, 0.75%, 0.56%

LAB 69.13, -18.4, -32.64

 

Complementary color

CMYK 0 / 62 / 86 / 23

HEX #C44A1C

RGB 196 74 28

HSL 16.43, 0.75%, 0.44%

LAB 47.9, 46.72, 49.87

 

CMYK 71 / 18 / 0 / 13

HEX #40B5DE

RGB 64 181 222

HSL 195.57, 0.71%, 0.56%

LAB 69.05, -19.39, -30.02

 

CMYK 66 / 17 / 0 / 5

HEX #51C7F1

RGB 81 199 241

HSL 195.75, 0.85%, 0.63%

LAB 75.42, -20.31, -30.48

 

CMYK 62 / 15 / 0 / 0

HEX #62D9FF

RGB 98 217 255

HSL 194.52, 1%, 0.69%

LAB 81.53, -22.51, -28.52

 

CMYK 55 / 8 / 0 / 0

HEX #73EBFF

RGB 115 235 255

HSL 188.57, 1%, 0.73%

LAB 87.13, -28.32, -19.95

 

CMYK 48 / 1 / 0 / 0

HEX #84FDFF

RGB 132 253 255

HSL 180.98, 1%, 0.76%

LAB 92.74, -33.47, -11.48

 

CMYK 74 / 20 / 0 / 11

HEX #3BB5E3

RGB 59 181 227

HSL 196.43, 0.75%, 0.56%

LAB 69.13, -18.4, -32.64

 

CMYK 80 / 22 / 0 / 18

HEX #2AA3D0

RGB 42 163 208

HSL 196.27, 0.66%, 0.49%

LAB 62.71, -17.05, -32.14

 

CMYK 87 / 23 / 0 / 26

HEX #1991BD

RGB 25 145 189

HSL 196.1, 0.77%, 0.42%

LAB 56.22, -15.33, -31.58

 

CMYK 95 / 25 / 0 / 33

HEX #087FAA

RGB 8 127 170

HSL 195.93, 0.91%, 0.35%

LAB 49.66, -13.13, -30.92

 

CMYK 100 / 28 / 0 / 41

HEX #006D97

RGB 0 109 151

HSL 196.69, 1%, 0.3%

LAB 43.02, -10.34, -30.15

 

CMYK 74 / 20 / 0 / 11

HEX #3BB5E3

RGB 59 181 227

HSL 196.43, 0.75%, 0.56%

LAB 69.13, -18.4, -32.64

 

CMYK 74 / 41 / 0 / 11

HEX #3B87E3

RGB 59 135 227

HSL 212.86, 0.75%, 0.56%

LAB 55.89, 7.61, -53.45

 

CMYK 74 / 60 / 0 / 11

HEX #3B5AE3

RGB 59 90 227

HSL 228.93, 0.75%, 0.56%

LAB 43.93, 35.7, -72.77

 

CMYK 68 / 74 / 0 / 11

HEX #493BE3

RGB 73 59 227

HSL 245, 0.75%, 0.56%

LAB 38, 55.29, -82.46

 

CMYK 48 / 74 / 0 / 11

HEX #763BE3

RGB 118 59 227

HSL 261.07, 0.75%, 0.56%

LAB 42.04, 60.96, -75.68

 

CMYK 74 / 20 / 0 / 11

HEX #3BB5E3

RGB 59 181 227

HSL 196.43, 0.75%, 0.56%

LAB 69.13, -18.4, -32.64

 

CMYK 74 / 41 / 0 / 11

HEX #3B87E3

RGB 59 135 227

HSL 212.86, 0.75%, 0.56%

LAB 55.89, 7.61, -53.45

 

CMYK 74 / 60 / 0 / 11

HEX #3B5AE3

RGB 59 90 227

HSL 228.93, 0.75%, 0.56%

LAB 43.93, 35.7, -72.77

 

CMYK 74 / 74 / 0 / 11

HEX #3B3BE3

RGB 59 59 227

HSL 240, 0.75%, 0.56%

LAB 37.12, 54.02, -83.95

 

CMYK 74 / 20 / 0 / 11

HEX #3BB5E3

RGB 59 181 227

HSL 196.43, 0.75%, 0.56%

LAB 69.13, -18.4, -32.64

 

CMYK 84 / 23 / 0 / 4

HEX #28BDF5

RGB 40 189 245

HSL 196.39, 0.91%, 0.56%

LAB 71.85, -18.41, -38.22

 

CMYK 74 / 20 / 0 / 11

HEX #3BB5E3

RGB 59 181 227

HSL 196.43, 0.75%, 0.56%

LAB 69.13, -18.4, -32.64

 

CMYK 63 / 17 / 0 / 18

HEX #4DADD1

RGB 77 173 209

HSL 196.36, 0.59%, 0.56%

LAB 66.57, -17.33, -26.66

 

CMYK 50 / 14 / 0 / 25

HEX #5FA4BF

RGB 95 164 191

HSL 196.88, 0.43%, 0.56%

LAB 63.95, -14.34, -20.62

 

CMYK 34 / 9 / 0 / 33

HEX #719CAC

RGB 113 156 172

HSL 196.27, 0.26%, 0.56%

LAB 61.88, -10.53, -13.01

 

CMYK 15 / 4 / 0 / 40

HEX #83949A

RGB 131 148 154

HSL 195.65, 0.1%, 0.56%

LAB 60.19, -4.75, -5.22

 

CMYK 74 / 0 / 20 / 11

HEX #3BE3B6

RGB 59 227 182

HSL 163.93, 0.75%, 0.56%

LAB 81.43, -52.52, 9.96

 

CMYK 74 / 0 / 0 / 11

HEX #3BE3E3

RGB 59 227 227

HSL 180, 0.75%, 0.56%

LAB 82.6, -40.76, -12.15

 

CMYK 74 / 20 / 0 / 11

HEX #3BB6E3

RGB 59 182 227

HSL 196.07, 0.75%, 0.56%

LAB 69.42, -18.93, -32.19

 

CMYK 74 / 40 / 0 / 11

HEX #3B89E3

RGB 59 137 227

HSL 212.14, 0.75%, 0.56%

LAB 56.45, 6.4, -52.55

 

CMYK 74 / 59 / 0 / 11

HEX #3B5CE3

RGB 59 92 227

HSL 228.21, 0.75%, 0.56%

LAB 44.42, 34.45, -71.97

 

CMYK 86 / 24 / 0 / 30

HEX #1988B2

RGB 25 136 178

HSL 196.47, 0.75%, 0.4%

LAB 52.98, -14.3, -30.34

 

CMYK 86 / 23 / 0 / 16

HEX #1FA4D6

RGB 31 164 214

HSL 196.39, 0.75%, 0.48%

LAB 63.09, -16.43, -34.9

 

CMYK 74 / 20 / 0 / 11

HEX #3BB5E3

RGB 59 181 227

HSL 196.43, 0.75%, 0.56%

LAB 69.13, -18.4, -32.64

 

CMYK 59 / 16 / 0 / 9

HEX #5FC2E8

RGB 95 194 232

HSL 196.64, 0.75%, 0.64%

LAB 74.09, -18.12, -27.63

 

CMYK 45 / 12 / 0 / 7

HEX #83D0ED

RGB 131 208 237

HSL 196.42, 0.75%, 0.72%

LAB 79.64, -16.3, -21.71

 

CMYK 74 / 20 / 0 / 11

HEX #3BB5E3

RGB 59 181 227

HSL 196.43, 0.75%, 0.56%

LAB 69.13, -18.4, -32.64

 

CMYK 40 / 74 / 0 / 11

HEX #893BE3

RGB 137 59 227

HSL 267.86, 0.75%, 0.56%

LAB 44.22, 63.94, -72.02

 

CMYK 0 / 10 / 74 / 11

HEX #E3CD3B

RGB 227 205 59

HSL 52.14, 0.75%, 0.56%

LAB 82.01, -7.56, 70.7

 

CMYK 74 / 20 / 0 / 11

HEX #3BB5E3

RGB 59 181 227

HSL 196.43, 0.75%, 0.56%

LAB 69.13, -18.4, -32.64

 

CMYK 0 / 74 / 20 / 11

HEX #E33BB6

RGB 227 59 182

HSL 316.07, 0.75%, 0.56%

LAB 54.9, 74.27, -28.33

 

CMYK 20 / 0 / 74 / 11

HEX #B6E33B

RGB 182 227 59

HSL 76.07, 0.75%, 0.56%

LAB 84.59, -36.64, 71.96

 

CMYK 74 / 20 / 0 / 11

HEX #3BB5E3

RGB 59 181 227

HSL 196.43, 0.75%, 0.56%

LAB 69.13, -18.4, -32.64

 

CMYK 40 / 74 / 0 / 11

HEX #893BE3

RGB 137 59 227

HSL 267.86, 0.75%, 0.56%

LAB 44.22, 63.94, -72.02

 

CMYK 0 / 54 / 74 / 11

HEX #E3683B

RGB 227 104 59

HSL 16.07, 0.75%, 0.56%

LAB 58.55, 45.1, 47.33

 

CMYK 35 / 0 / 74 / 11

HEX #94E33B

RGB 148 227 59

HSL 88.21, 0.75%, 0.56%

LAB 82.67, -49.16, 69.46

 

CMYK 74 / 20 / 0 / 11

HEX #3BB5E3

RGB 59 181 227

HSL 196.43, 0.75%, 0.56%

LAB 69.13, -18.4, -32.64

 

CMYK 17 / 74 / 0 / 11

HEX #BC3BE3

RGB 188 59 227

HSL 286.07, 0.75%, 0.56%

LAB 51.11, 73.05, -60.53

 

CMYK 0 / 54 / 74 / 11

HEX #E3683B

RGB 227 104 59

HSL 16.07, 0.75%, 0.56%

LAB 58.55, 45.1, 47.33

 

CMYK 57 / 0 / 74 / 11

HEX #62E33B

RGB 98 227 59

HSL 106.07, 0.75%, 0.56%

LAB 80.66, -64.15, 66.8

 

Description

Color code: HEX #3BB5E3 | qconv.com Color code: HEX #3BB5E3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 181 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 181 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 20 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 20% 0% 11% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - BearingPoint - Busin...
Link: http://www.bearingpoint.com:80

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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