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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BAD44 it is the complementary color #C452BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BAD44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BAD44 shade: #40AD3F, #51BF52, #62D165, #73E378 and #84F58B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BAD44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BAD44 shade: #3BAD44, #2A9B31, #19891E, #08770B and #006500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BAD44 shade: #3BAB43, #50AB3B, #6EAB3B, #8DAB3B and #ABAB3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BAD44 shade: #3BAB43, #3BAB62, #3BAB80, #3BAB9E and #3B99AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BAD44 shade matches the following richer shades: #3BAB43, #28BE34, #15D024 and #03E315

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BAD44 shade: #3BAB43, #4D9853, #608663, #727372 and #856182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BAD44 shade: #6FAB3B, #51AB3B, #3BAB42, #3BAB60 and #3BAB7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BAD44 shade: #256E2B, #308C37, #3BAB43, #4DC256 and #6CCD73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BAD44 shade: #3BAD44, #3B8DAB and #AB3B60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BAD44 shade: #3BAD44, #423BAB and #AB423B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BAD44 shade: #3BAD44, #3B8DAB, #AB3BA3 and #AB593B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BAD44 shade: #3BAD44, #3B6BAB, #AB3BA3 and #AB7A3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 61 / 32

HEX #3BAD44

RGB 59 173 68

HSL 124.74, 0.49%, 0.45%

LAB 62.7, -53.23, 43.81

 

Complementary color

CMYK 0 / 58 / 5 / 23

HEX #C452BB

RGB 196 82 187

HSL 304.74, 0.49%, 0.55%

LAB 53.34, 58.66, -34.03

 

CMYK 63 / 0 / 64 / 32

HEX #40AD3F

RGB 64 173 63

HSL 119.45, 0.47%, 0.46%

LAB 62.79, -52.72, 46.2

 

CMYK 58 / 0 / 57 / 25

HEX #51BF52

RGB 81 191 82

HSL 120.55, 0.46%, 0.53%

LAB 69.2, -53.2, 45.02

 

CMYK 53 / 0 / 52 / 18

HEX #62D165

RGB 98 209 101

HSL 121.62, 0.55%, 0.6%

LAB 75.54, -53.42, 43.74

 

CMYK 49 / 0 / 47 / 11

HEX #73E378

RGB 115 227 120

HSL 122.68, 0.67%, 0.67%

LAB 81.81, -53.46, 42.45

 

CMYK 46 / 0 / 43 / 4

HEX #84F58B

RGB 132 245 139

HSL 123.72, 0.85%, 0.74%

LAB 88, -53.39, 41.19

 

CMYK 66 / 0 / 61 / 32

HEX #3BAD44

RGB 59 173 68

HSL 124.74, 0.49%, 0.45%

LAB 62.7, -53.23, 43.81

 

CMYK 73 / 0 / 68 / 39

HEX #2A9B31

RGB 42 155 49

HSL 123.72, 0.57%, 0.39%

LAB 56.24, -52.27, 44.93

 

CMYK 82 / 0 / 78 / 46

HEX #19891E

RGB 25 137 30

HSL 122.68, 0.69%, 0.32%

LAB 49.73, -50.61, 45.56

 

CMYK 93 / 0 / 91 / 53

HEX #08770B

RGB 8 119 11

HSL 121.62, 0.87%, 0.25%

LAB 43.17, -47.89, 45

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 65 / 0 / 61 / 33

HEX #3BAB43

RGB 59 171 67

HSL 124.29, 0.49%, 0.45%

LAB 62.05, -52.63, 43.52

 

CMYK 53 / 0 / 65 / 33

HEX #50AB3B

RGB 80 171 59

HSL 108.75, 0.49%, 0.45%

LAB 62.63, -48.33, 47.92

 

CMYK 36 / 0 / 65 / 33

HEX #6EAB3B

RGB 110 171 59

HSL 92.68, 0.49%, 0.45%

LAB 63.96, -38.69, 49.75

 

CMYK 18 / 0 / 65 / 33

HEX #8DAB3B

RGB 141 171 59

HSL 76.07, 0.49%, 0.45%

LAB 65.83, -26.74, 52.3

 

CMYK 0 / 0 / 65 / 33

HEX #ABAB3B

RGB 171 171 59

HSL 60, 0.49%, 0.45%

LAB 68.09, -14.11, 55.37

 

CMYK 65 / 0 / 61 / 33

HEX #3BAB43

RGB 59 171 67

HSL 124.29, 0.49%, 0.45%

LAB 62.05, -52.63, 43.52

 

CMYK 65 / 0 / 43 / 33

HEX #3BAB62

RGB 59 171 98

HSL 140.89, 0.49%, 0.45%

LAB 62.45, -48.03, 28.54

 

CMYK 65 / 0 / 25 / 33

HEX #3BAB80

RGB 59 171 128

HSL 156.96, 0.49%, 0.45%

LAB 63.02, -41.92, 13.04

 

CMYK 65 / 0 / 8 / 33

HEX #3BAB9E

RGB 59 171 158

HSL 173.04, 0.49%, 0.45%

LAB 63.77, -34.37, -2.57

 

CMYK 65 / 11 / 0 / 33

HEX #3B99AB

RGB 59 153 171

HSL 189.64, 0.49%, 0.45%

LAB 58.65, -21.7, -17.56

 

CMYK 65 / 0 / 61 / 33

HEX #3BAB43

RGB 59 171 67

HSL 124.29, 0.49%, 0.45%

LAB 62.05, -52.63, 43.52

 

CMYK 79 / 0 / 73 / 25

HEX #28BE34

RGB 40 190 52

HSL 124.8, 0.65%, 0.45%

LAB 67.67, -63.71, 55.73

 

CMYK 90 / 0 / 83 / 18

HEX #15D024

RGB 21 208 36

HSL 124.81, 0.82%, 0.45%

LAB 73.15, -71.88, 65.92

 

CMYK 99 / 0 / 91 / 11

HEX #03E315

RGB 3 227 21

HSL 124.82, 0.97%, 0.45%

LAB 79.05, -78.42, 74.03

 

CMYK 65 / 0 / 61 / 33

HEX #3BAB43

RGB 59 171 67

HSL 124.29, 0.49%, 0.45%

LAB 62.05, -52.63, 43.52

 

CMYK 49 / 0 / 45 / 40

HEX #4D9853

RGB 77 152 83

HSL 124.8, 0.33%, 0.45%

LAB 56.74, -38.33, 29.24

 

CMYK 28 / 0 / 26 / 47

HEX #608663

RGB 96 134 99

HSL 124.74, 0.17%, 0.45%

LAB 52.33, -20.76, 14.68

 

CMYK 1 / 0 / 1 / 55

HEX #727372

RGB 114 115 114

HSL 120, 0%, 0.45%

LAB 48.33, -0.58, 0.41

 

CMYK 0 / 27 / 2 / 48

HEX #856182

RGB 133 97 130

HSL 305, 0.16%, 0.45%

LAB 45.84, 20.48, -12.66

 

CMYK 35 / 0 / 65 / 33

HEX #6FAB3B

RGB 111 171 59

HSL 92.14, 0.49%, 0.45%

LAB 64.02, -38.33, 49.82

 

CMYK 53 / 0 / 65 / 33

HEX #51AB3B

RGB 81 171 59

HSL 108.21, 0.49%, 0.45%

LAB 62.67, -48.05, 47.97

 

CMYK 65 / 0 / 61 / 33

HEX #3BAB42

RGB 59 171 66

HSL 123.75, 0.49%, 0.45%

LAB 62.04, -52.75, 43.97

 

CMYK 65 / 0 / 44 / 33

HEX #3BAB60

RGB 59 171 96

HSL 139.82, 0.49%, 0.45%

LAB 62.42, -48.38, 29.55

 

CMYK 65 / 0 / 26 / 33

HEX #3BAB7E

RGB 59 171 126

HSL 155.89, 0.49%, 0.45%

LAB 62.98, -42.38, 14.08

 

CMYK 66 / 0 / 61 / 57

HEX #256E2B

RGB 37 110 43

HSL 124.93, 0.5%, 0.29%

LAB 40.77, -37.37, 30.35

 

CMYK 66 / 0 / 61 / 45

HEX #308C37

RGB 48 140 55

HSL 124.57, 0.49%, 0.37%

LAB 51.45, -44.98, 36.89

 

CMYK 65 / 0 / 61 / 33

HEX #3BAB43

RGB 59 171 67

HSL 124.29, 0.49%, 0.45%

LAB 62.05, -52.63, 43.52

 

CMYK 60 / 0 / 56 / 24

HEX #4DC256

RGB 77 194 86

HSL 124.62, 0.49%, 0.53%

LAB 70.06, -54.77, 44.13

 

CMYK 47 / 0 / 44 / 20

HEX #6CCD73

RGB 108 205 115

HSL 124.33, 0.49%, 0.61%

LAB 74.88, -47.15, 36.11

 

CMYK 66 / 0 / 61 / 32

HEX #3BAD44

RGB 59 173 68

HSL 124.74, 0.49%, 0.45%

LAB 62.7, -53.23, 43.81

 

CMYK 65 / 18 / 0 / 33

HEX #3B8DAB

RGB 59 141 171

HSL 196.07, 0.49%, 0.45%

LAB 54.99, -15.29, -23.15

 

CMYK 0 / 65 / 44 / 33

HEX #AB3B60

RGB 171 59 96

HSL 340.18, 0.49%, 0.45%

LAB 42.2, 48.84, 3.34

 

CMYK 66 / 0 / 61 / 32

HEX #3BAD44

RGB 59 173 68

HSL 124.74, 0.49%, 0.45%

LAB 62.7, -53.23, 43.81

 

CMYK 61 / 65 / 0 / 33

HEX #423BAB

RGB 66 59 171

HSL 243.75, 0.49%, 0.45%

LAB 32.32, 36.59, -59.14

 

CMYK 0 / 61 / 65 / 33

HEX #AB423B

RGB 171 66 59

HSL 3.75, 0.49%, 0.45%

LAB 42.57, 42.61, 26.63

 

CMYK 66 / 0 / 61 / 32

HEX #3BAD44

RGB 59 173 68

HSL 124.74, 0.49%, 0.45%

LAB 62.7, -53.23, 43.81

 

CMYK 65 / 18 / 0 / 33

HEX #3B8DAB

RGB 59 141 171

HSL 196.07, 0.49%, 0.45%

LAB 54.99, -15.29, -23.15

 

CMYK 0 / 65 / 5 / 33

HEX #AB3BA3

RGB 171 59 163

HSL 304.29, 0.49%, 0.45%

LAB 44.84, 57.97, -33.55

 

CMYK 0 / 48 / 65 / 33

HEX #AB593B

RGB 171 89 59

HSL 16.07, 0.49%, 0.45%

LAB 47.13, 30.91, 32.18

 

CMYK 66 / 0 / 61 / 32

HEX #3BAD44

RGB 59 173 68

HSL 124.74, 0.49%, 0.45%

LAB 62.7, -53.23, 43.81

 

CMYK 65 / 37 / 0 / 33

HEX #3B6BAB

RGB 59 107 171

HSL 214.29, 0.49%, 0.45%

LAB 44.78, 4.64, -39.09

 

CMYK 0 / 65 / 5 / 33

HEX #AB3BA3

RGB 171 59 163

HSL 304.29, 0.49%, 0.45%

LAB 44.84, 57.97, -33.55

 

CMYK 0 / 29 / 65 / 33

HEX #AB7A3B

RGB 171 122 59

HSL 33.75, 0.49%, 0.45%

LAB 54.96, 12.53, 41.24

 

Description

Color code: HEX #3BAD44 | qconv.com Color code: HEX #3BAD44 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 173 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 173 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 61 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 61% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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