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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BA41C it is the complementary color #C45BE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BA41C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3BA41C: #40A417, #51B62A, #62C83D, #73DA50 and #84EC63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BA41C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3BA41C: #3BA41C, #2A9209, #198000, #086E00 and #005C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 83 / 36

HEX #3BA41C

RGB 59 164 28

HSL 106.32, 0.71%, 0.38%

LAB 59.49, -53.48, 55.72

 

Complementary color

CMYK 14 / 60 / 0 / 11

HEX #C45BE3

RGB 196 91 227

HSL 286.32, 0.71%, 0.62%

LAB 56.84, 61.86, -51.29

 

CMYK 61 / 0 / 86 / 36

HEX #40A417

RGB 64 164 23

HSL 102.55, 0.75%, 0.37%

LAB 59.62, -52.51, 57.18

 

CMYK 55 / 0 / 77 / 29

HEX #51B62A

RGB 81 182 42

HSL 103.29, 0.63%, 0.44%

LAB 66.04, -53.57, 57.9

 

CMYK 51 / 0 / 70 / 22

HEX #62C83D

RGB 98 200 61

HSL 104.03, 0.56%, 0.51%

LAB 72.39, -54.21, 57.7

 

CMYK 47 / 0 / 63 / 15

HEX #73DA50

RGB 115 218 80

HSL 104.78, 0.65%, 0.58%

LAB 78.68, -54.58, 57.01

 

CMYK 44 / 0 / 58 / 7

HEX #84EC63

RGB 132 236 99

HSL 105.55, 0.78%, 0.66%

LAB 84.89, -54.76, 56.06

 

CMYK 64 / 0 / 83 / 36

HEX #3BA41C

RGB 59 164 28

HSL 106.32, 0.71%, 0.38%

LAB 59.49, -53.48, 55.72

 

CMYK 71 / 0 / 94 / 43

HEX #2A9209

RGB 42 146 9

HSL 105.55, 0.88%, 0.3%

LAB 53.03, -51.79, 54.05

 

CMYK 80 / 0 / 100 / 50

HEX #198000

RGB 25 128 0

HSL 108.28, 1%, 0.25%

LAB 46.51, -49.21, 50.24

 

CMYK 93 / 0 / 100 / 57

HEX #086E00

RGB 8 110 0

HSL 115.64, 1%, 0.22%

LAB 39.92, -45.6, 44.88

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 64 / 0 / 83 / 36

HEX #3BA41C

RGB 59 164 28

HSL 106.32, 0.71%, 0.38%

LAB 59.49, -53.48, 55.72

 

CMYK 78 / 0 / 83 / 35

HEX #25A51C

RGB 37 165 28

HSL 116.06, 0.71%, 0.38%

LAB 59.33, -57.98, 55.4

 

CMYK 83 / 0 / 75 / 35

HEX #1CA529

RGB 28 165 41

HSL 125.69, 0.71%, 0.38%

LAB 59.27, -58.28, 51.15

 

CMYK 83 / 0 / 61 / 35

HEX #1CA540

RGB 28 165 64

HSL 135.77, 0.71%, 0.38%

LAB 59.46, -55.9, 41.77

 

CMYK 83 / 0 / 47 / 35

HEX #1CA557

RGB 28 165 87

HSL 145.84, 0.71%, 0.38%

LAB 59.75, -52.43, 30.71

 

CMYK 64 / 0 / 83 / 36

HEX #3BA41C

RGB 59 164 28

HSL 106.32, 0.71%, 0.38%

LAB 59.49, -53.48, 55.72

 

CMYK 64 / 0 / 83 / 16

HEX #4DD725

RGB 77 215 37

HSL 106.52, 0.71%, 0.49%

LAB 76.26, -66.19, 68.83

 

CMYK 64 / 0 / 82 / 96

HEX #040B02

RGB 4 11 2

HSL 106.67, 0.69%, 0.03%

LAB 2.43, -3.09, 2.77

 

CMYK 65 / 0 / 82 / 76

HEX #163E0B

RGB 22 62 11

HSL 107.06, 0.7%, 0.14%

LAB 22.44, -25.09, 25.71

 

CMYK 64 / 0 / 83 / 56

HEX #297113

RGB 41 113 19

HSL 105.96, 0.71%, 0.26%

LAB 41.73, -39.9, 41.73

 

CMYK 64 / 0 / 83 / 36

HEX #3BA41C

RGB 59 164 28

HSL 106.32, 0.71%, 0.38%

LAB 59.49, -53.48, 55.72

 

CMYK 83 / 0 / 2 / 35

HEX #1CA5A1

RGB 28 165 161

HSL 178.25, 0.71%, 0.38%

LAB 61.42, -34.51, -7.8

 

CMYK 0 / 83 / 30 / 35

HEX #A51C73

RGB 165 28 115

HSL 321.9, 0.71%, 0.38%

LAB 37.96, 59.89, -14.99

 

CMYK 64 / 0 / 83 / 36

HEX #3BA41C

RGB 59 164 28

HSL 106.32, 0.71%, 0.38%

LAB 59.49, -53.48, 55.72

 

CMYK 83 / 64 / 0 / 35

HEX #1C3CA5

RGB 28 60 165

HSL 225.99, 0.71%, 0.38%

LAB 29.9, 29.09, -59.57

 

CMYK 0 / 83 / 64 / 35

HEX #A51C3C

RGB 165 28 60

HSL 345.99, 0.71%, 0.38%

LAB 36.28, 54.96, 17.77

 

CMYK 64 / 0 / 83 / 36

HEX #3BA41C

RGB 59 164 28

HSL 106.32, 0.71%, 0.38%

LAB 59.49, -53.48, 55.72

 

CMYK 83 / 0 / 2 / 35

HEX #1CA5A1

RGB 28 165 161

HSL 178.25, 0.71%, 0.38%

LAB 61.42, -34.51, -7.8

 

CMYK 19 / 83 / 0 / 35

HEX #851CA5

RGB 133 28 165

HSL 285.99, 0.71%, 0.38%

LAB 35.07, 60.92, -50.7

 

CMYK 0 / 83 / 81 / 35

HEX #A51C20

RGB 165 28 32

HSL 358.25, 0.71%, 0.38%

LAB 35.86, 53.66, 34.63

 

CMYK 64 / 0 / 83 / 36

HEX #3BA41C

RGB 59 164 28

HSL 106.32, 0.71%, 0.38%

LAB 59.49, -53.48, 55.72

 

CMYK 83 / 22 / 0 / 35

HEX #1C81A5

RGB 28 129 165

HSL 195.77, 0.71%, 0.38%

LAB 50.29, -14.82, -27.01

 

CMYK 19 / 83 / 0 / 35

HEX #851CA5

RGB 133 28 165

HSL 285.99, 0.71%, 0.38%

LAB 35.07, 60.92, -50.7

 

CMYK 0 / 61 / 83 / 35

HEX #A5401C

RGB 165 64 28

HSL 15.77, 0.71%, 0.38%

LAB 40.82, 39.88, 41.56

 

Description

Color code: HEX #3BA41C | qconv.com Color code: HEX #3BA41C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 164 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 164 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 83 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 83% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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