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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BA122 it is the complementary color #C45EDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BA122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BA122 shade: #40A11D, #51B330, #62C543, #73D756 and #84E969

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BA122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BA122 shade: #3BA122, #2A8F0F, #197D00, #086B00 and #005900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BA122 shade: #3BA022, #5DA022, #7FA022, #A09F22 and #A07D22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BA122 shade: #3BA022, #22A02B, #22A04D, #22A06F and #22A091

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BA122 shade matches the following richer shades: #3BA022, #31B012 and #28BF03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BA122 shade: #3BA022, #449032, #4E8141, #577151 and #616161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BA122 shade: #7EA022, #5DA022, #3BA022, #22A02A and #22A04C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BA122 shade: #225C13, #2E7E1B, #3BA022, #47C229 and #5CD63E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BA122 shade: #3BA122, #22A0A0 and #A0226D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BA122 shade: #3BA122, #223BA0 and #A0223B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BA122 shade: #3BA122, #22A0A0, #8722A0 and #A02222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BA122 shade: #3BA122, #227AA0, #8722A0 and #A04822

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 79 / 37

HEX #3BA122

RGB 59 161 34

HSL 108.19, 0.65%, 0.38%

LAB 58.54, -52.08, 53.04

 

Complementary color

CMYK 11 / 57 / 0 / 13

HEX #C45EDD

RGB 196 94 221

HSL 288.19, 0.65%, 0.62%

LAB 57.04, 59.31, -47.61

 

CMYK 60 / 0 / 82 / 37

HEX #40A11D

RGB 64 161 29

HSL 104.09, 0.69%, 0.37%

LAB 58.67, -51.15, 54.74

 

CMYK 55 / 0 / 73 / 30

HEX #51B330

RGB 81 179 48

HSL 104.89, 0.58%, 0.45%

LAB 65.12, -52.04, 54.93

 

CMYK 50 / 0 / 66 / 23

HEX #62C543

RGB 98 197 67

HSL 105.69, 0.53%, 0.52%

LAB 71.51, -52.56, 54.39

 

CMYK 47 / 0 / 60 / 16

HEX #73D756

RGB 115 215 86

HSL 106.51, 0.62%, 0.59%

LAB 77.83, -52.82, 53.49

 

CMYK 43 / 0 / 55 / 9

HEX #84E969

RGB 132 233 105

HSL 107.34, 0.74%, 0.66%

LAB 84.07, -52.92, 52.42

 

CMYK 63 / 0 / 79 / 37

HEX #3BA122

RGB 59 161 34

HSL 108.19, 0.65%, 0.38%

LAB 58.54, -52.08, 53.04

 

CMYK 71 / 0 / 90 / 44

HEX #2A8F0F

RGB 42 143 15

HSL 107.34, 0.81%, 0.31%

LAB 52.03, -50.59, 52.09

 

CMYK 80 / 0 / 100 / 51

HEX #197D00

RGB 25 125 0

HSL 108, 1%, 0.25%

LAB 45.46, -48.25, 49.4

 

CMYK 93 / 0 / 100 / 58

HEX #086B00

RGB 8 107 0

HSL 115.51, 1%, 0.21%

LAB 38.84, -44.67, 44.01

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 63 / 0 / 79 / 37

HEX #3BA022

RGB 59 160 34

HSL 108.1, 0.65%, 0.38%

LAB 58.21, -51.72, 52.72

 

CMYK 42 / 0 / 79 / 37

HEX #5DA022

RGB 93 160 34

HSL 91.9, 0.65%, 0.38%

LAB 59.51, -41.72, 54.42

 

CMYK 21 / 0 / 79 / 37

HEX #7FA022

RGB 127 160 34

HSL 75.71, 0.65%, 0.38%

LAB 61.45, -28.68, 56.93

 

CMYK 0 / 1 / 79 / 37

HEX #A09F22

RGB 160 159 34

HSL 59.52, 0.65%, 0.38%

LAB 63.66, -13.93, 59.86

 

CMYK 0 / 22 / 79 / 37

HEX #A07D22

RGB 160 125 34

HSL 43.33, 0.65%, 0.38%

LAB 54.3, 4.54, 51.33

 

CMYK 63 / 0 / 79 / 37

HEX #3BA022

RGB 59 160 34

HSL 108.1, 0.65%, 0.38%

LAB 58.21, -51.72, 52.72

 

CMYK 79 / 0 / 73 / 37

HEX #22A02B

RGB 34 160 43

HSL 124.29, 0.65%, 0.38%

LAB 57.71, -55.77, 48.85

 

CMYK 79 / 0 / 52 / 37

HEX #22A04D

RGB 34 160 77

HSL 140.48, 0.65%, 0.38%

LAB 58.05, -51.6, 33.76

 

CMYK 79 / 0 / 31 / 37

HEX #22A06F

RGB 34 160 111

HSL 156.67, 0.65%, 0.38%

LAB 58.63, -45.03, 16.27

 

CMYK 79 / 0 / 9 / 37

HEX #22A091

RGB 34 160 145

HSL 172.86, 0.65%, 0.38%

LAB 59.46, -36.31, -1.66

 

CMYK 63 / 0 / 79 / 37

HEX #3BA022

RGB 59 160 34

HSL 108.1, 0.65%, 0.38%

LAB 58.21, -51.72, 52.72

 

CMYK 72 / 0 / 90 / 31

HEX #31B012

RGB 49 176 18

HSL 108.23, 0.81%, 0.38%

LAB 63.13, -59.93, 61.14

 

CMYK 79 / 0 / 98 / 25

HEX #28BF03

RGB 40 191 3

HSL 108.19, 0.97%, 0.38%

LAB 67.81, -66.26, 67

 

CMYK 63 / 0 / 79 / 37

HEX #3BA022

RGB 59 160 34

HSL 108.1, 0.65%, 0.38%

LAB 58.21, -51.72, 52.72

 

CMYK 53 / 0 / 65 / 44

HEX #449032

RGB 68 144 50

HSL 108.51, 0.48%, 0.38%

LAB 53.39, -41.93, 41.6

 

CMYK 40 / 0 / 50 / 49

HEX #4E8141

RGB 78 129 65

HSL 107.81, 0.33%, 0.38%

LAB 49.13, -30.29, 29.28

 

CMYK 23 / 0 / 28 / 56

HEX #577151

RGB 87 113 81

HSL 108.75, 0.16%, 0.38%

LAB 44.84, -16.25, 14.75

 

CMYK 0 / 0 / 0 / 62

HEX #616161

RGB 97 97 97

HSL 0, 0%, 0.38%

LAB 41.14, 0, -0.01

 

CMYK 21 / 0 / 79 / 37

HEX #7EA022

RGB 126 160 34

HSL 76.19, 0.65%, 0.38%

LAB 61.39, -29.09, 56.84

 

CMYK 42 / 0 / 79 / 37

HEX #5DA022

RGB 93 160 34

HSL 91.9, 0.65%, 0.38%

LAB 59.51, -41.72, 54.42

 

CMYK 63 / 0 / 79 / 37

HEX #3BA022

RGB 59 160 34

HSL 108.1, 0.65%, 0.38%

LAB 58.21, -51.72, 52.72

 

CMYK 79 / 0 / 74 / 37

HEX #22A02A

RGB 34 160 42

HSL 123.81, 0.65%, 0.38%

LAB 57.7, -55.85, 49.22

 

CMYK 79 / 0 / 53 / 37

HEX #22A04C

RGB 34 160 76

HSL 140, 0.65%, 0.38%

LAB 58.04, -51.76, 34.25

 

CMYK 63 / 0 / 79 / 64

HEX #225C13

RGB 34 92 19

HSL 107.67, 0.66%, 0.22%

LAB 34.07, -33.54, 34.22

 

CMYK 63 / 0 / 79 / 51

HEX #2E7E1B

RGB 46 126 27

HSL 108.48, 0.65%, 0.3%

LAB 46.42, -42.98, 43.54

 

CMYK 63 / 0 / 79 / 37

HEX #3BA022

RGB 59 160 34

HSL 108.1, 0.65%, 0.38%

LAB 58.21, -51.72, 52.72

 

CMYK 63 / 0 / 79 / 24

HEX #47C229

RGB 71 194 41

HSL 108.24, 0.65%, 0.46%

LAB 69.53, -60.32, 61.45

 

CMYK 57 / 0 / 71 / 16

HEX #5CD63E

RGB 92 214 62

HSL 108.16, 0.65%, 0.54%

LAB 76.51, -60.86, 61.52

 

CMYK 63 / 0 / 79 / 37

HEX #3BA122

RGB 59 161 34

HSL 108.19, 0.65%, 0.38%

LAB 58.54, -52.08, 53.04

 

CMYK 79 / 0 / 0 / 37

HEX #22A0A0

RGB 34 160 160

HSL 180, 0.65%, 0.38%

LAB 59.91, -31.91, -9.48

 

CMYK 0 / 79 / 32 / 37

HEX #A0226D

RGB 160 34 109

HSL 324.29, 0.65%, 0.38%

LAB 37.34, 56.32, -12.25

 

CMYK 63 / 0 / 79 / 37

HEX #3BA122

RGB 59 161 34

HSL 108.19, 0.65%, 0.38%

LAB 58.54, -52.08, 53.04

 

CMYK 79 / 63 / 0 / 37

HEX #223BA0

RGB 34 59 160

HSL 228.1, 0.65%, 0.38%

LAB 29.43, 28.39, -57.32

 

CMYK 0 / 79 / 63 / 37

HEX #A0223B

RGB 160 34 59

HSL 348.1, 0.65%, 0.38%

LAB 35.86, 51.75, 17.66

 

CMYK 63 / 0 / 79 / 37

HEX #3BA122

RGB 59 161 34

HSL 108.19, 0.65%, 0.38%

LAB 58.54, -52.08, 53.04

 

CMYK 79 / 0 / 0 / 37

HEX #22A0A0

RGB 34 160 160

HSL 180, 0.65%, 0.38%

LAB 59.91, -31.91, -9.48

 

CMYK 16 / 79 / 0 / 37

HEX #8722A0

RGB 135 34 160

HSL 288.1, 0.65%, 0.38%

LAB 35.66, 58.53, -46.71

 

CMYK 0 / 79 / 79 / 37

HEX #A02222

RGB 160 34 34

HSL 0, 0.65%, 0.38%

LAB 35.47, 50.5, 32.74

 

CMYK 63 / 0 / 79 / 37

HEX #3BA122

RGB 59 161 34

HSL 108.19, 0.65%, 0.38%

LAB 58.54, -52.08, 53.04

 

CMYK 79 / 24 / 0 / 37

HEX #227AA0

RGB 34 122 160

HSL 198.1, 0.65%, 0.38%

LAB 48, -12.04, -27.64

 

CMYK 16 / 79 / 0 / 37

HEX #8722A0

RGB 135 34 160

HSL 288.1, 0.65%, 0.38%

LAB 35.66, 58.53, -46.71

 

CMYK 0 / 55 / 79 / 37

HEX #A04822

RGB 160 72 34

HSL 18.1, 0.65%, 0.38%

LAB 41.57, 34.14, 39.04

 

Description

Color code: HEX #3BA122 | qconv.com Color code: HEX #3BA122 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 161 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 161 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 79 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 79% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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