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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B9FEC it is the complementary color #C46013. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B9FEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B9FEC shade: #409FE7, #51B1FA, #62C3FF, #73D5FF and #84E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B9FEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B9FEC shade: #3B9FEC, #2A8DD9, #197BC6, #0869B3 and #0057A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B9FEC shade: #3C9FEB, #3C6FEB, #3C40EB, #663CEB and #963CEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B9FEC shade: #3C9FEB, #3C6FEB, #3C40EB and #3C3CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B9FEC shade matches the following richer shades: #3C9FEB and #2AA1FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B9FEC shade: #3C9FEB, #4D9DDA, #5E9AC9, #7098B7 and #8196A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B9FEC shade: #3CEBDA, #3CCEEB, #3C9FEB, #3C70EB and #3C41EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B9FEC shade: #1376C2, #168CE7, #3C9FEB, #61B1EF and #87C4F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B9FEC shade: #3B9FEC, #AB3CEB and #E5EB3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B9FEC shade: #3B9FEC, #EB3C9F and #9FEB3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B9FEC shade: #3B9FEC, #AB3CEB, #EB883C and #7CEB3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B9FEC shade: #3B9FEC, #E03CEB, #EB883C and #47EB3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 33 / 0 / 7

HEX #3B9FEC

RGB 59 159 236

HSL 206.1, 0.82%, 0.58%

LAB 63.16, -3.29, -46.9

 

Complementary color

CMYK 0 / 51 / 90 / 23

HEX #C46013

RGB 196 96 19

HSL 26.1, 0.82%, 0.42%

LAB 52, 35.83, 56.32

 

CMYK 72 / 31 / 0 / 9

HEX #409FE7

RGB 64 159 231

HSL 205.87, 0.78%, 0.58%

LAB 63.06, -4.4, -44.3

 

CMYK 68 / 29 / 0 / 2

HEX #51B1FA

RGB 81 177 250

HSL 205.92, 0.94%, 0.65%

LAB 69.54, -5.7, -44.48

 

CMYK 62 / 24 / 0 / 0

HEX #62C3FF

RGB 98 195 255

HSL 202.93, 1%, 0.69%

LAB 75.36, -11.13, -38.05

 

CMYK 55 / 16 / 0 / 0

HEX #73D5FF

RGB 115 213 255

HSL 198, 1%, 0.73%

LAB 80.99, -17.38, -29.3

 

CMYK 48 / 9 / 0 / 0

HEX #84E7FF

RGB 132 231 255

HSL 191.71, 1%, 0.76%

LAB 86.64, -22.9, -20.64

 

CMYK 75 / 33 / 0 / 7

HEX #3B9FEC

RGB 59 159 236

HSL 206.1, 0.82%, 0.58%

LAB 63.16, -3.29, -46.9

 

CMYK 81 / 35 / 0 / 15

HEX #2A8DD9

RGB 42 141 217

HSL 206.06, 0.7%, 0.51%

LAB 56.64, -1.49, -46.7

 

CMYK 87 / 38 / 0 / 22

HEX #197BC6

RGB 25 123 198

HSL 206.01, 0.78%, 0.44%

LAB 50.04, 0.76, -46.44

 

CMYK 96 / 41 / 0 / 30

HEX #0869B3

RGB 8 105 179

HSL 205.96, 0.91%, 0.37%

LAB 43.37, 3.58, -46.09

 

CMYK 100 / 46 / 0 / 37

HEX #0057A0

RGB 0 87 160

HSL 207.38, 1%, 0.31%

LAB 36.66, 7.11, -45.62

 

CMYK 74 / 32 / 0 / 8

HEX #3C9FEB

RGB 60 159 235

HSL 206.06, 0.81%, 0.58%

LAB 63.14, -3.52, -46.39

 

CMYK 74 / 53 / 0 / 8

HEX #3C6FEB

RGB 60 111 235

HSL 222.51, 0.81%, 0.58%

LAB 49.89, 25.49, -67.57

 

CMYK 74 / 73 / 0 / 8

HEX #3C40EB

RGB 60 64 235

HSL 238.63, 0.81%, 0.58%

LAB 38.94, 53.95, -85.49

 

CMYK 57 / 74 / 0 / 8

HEX #663CEB

RGB 102 60 235

HSL 254.4, 0.81%, 0.58%

LAB 41.3, 60.42, -81.49

 

CMYK 36 / 74 / 0 / 8

HEX #963CEB

RGB 150 60 235

HSL 270.86, 0.81%, 0.58%

LAB 46.6, 67.52, -72.61

 

CMYK 74 / 32 / 0 / 8

HEX #3C9FEB

RGB 60 159 235

HSL 206.06, 0.81%, 0.58%

LAB 63.14, -3.52, -46.39

 

CMYK 74 / 53 / 0 / 8

HEX #3C6FEB

RGB 60 111 235

HSL 222.51, 0.81%, 0.58%

LAB 49.89, 25.49, -67.57

 

CMYK 74 / 73 / 0 / 8

HEX #3C40EB

RGB 60 64 235

HSL 238.63, 0.81%, 0.58%

LAB 38.94, 53.95, -85.49

 

CMYK 74 / 74 / 0 / 8

HEX #3C3CEB

RGB 60 60 235

HSL 240, 0.81%, 0.58%

LAB 38.18, 56.09, -86.74

 

CMYK 74 / 32 / 0 / 8

HEX #3C9FEB

RGB 60 159 235

HSL 206.06, 0.81%, 0.58%

LAB 63.14, -3.52, -46.39

 

CMYK 83 / 36 / 0 / 1

HEX #2AA1FD

RGB 42 161 253

HSL 206.16, 0.98%, 0.58%

LAB 64.22, -0.02, -54.56

 

CMYK 74 / 32 / 0 / 8

HEX #3C9FEB

RGB 60 159 235

HSL 206.06, 0.81%, 0.58%

LAB 63.14, -3.52, -46.39

 

CMYK 65 / 28 / 0 / 15

HEX #4D9DDA

RGB 77 157 218

HSL 205.96, 0.66%, 0.58%

LAB 62.3, -5.71, -38.27

 

CMYK 53 / 23 / 0 / 21

HEX #5E9AC9

RGB 94 154 201

HSL 206.36, 0.5%, 0.58%

LAB 61.4, -6.11, -30.14

 

CMYK 39 / 17 / 0 / 28

HEX #7098B7

RGB 112 152 183

HSL 206.2, 0.33%, 0.58%

LAB 61.06, -5.7, -20.46

 

CMYK 22 / 10 / 0 / 35

HEX #8196A6

RGB 129 150 166

HSL 205.95, 0.17%, 0.58%

LAB 60.99, -3.8, -10.87

 

CMYK 74 / 0 / 7 / 8

HEX #3CEBDA

RGB 60 235 218

HSL 174.17, 0.81%, 0.58%

LAB 84.71, -46.64, -4.26

 

CMYK 74 / 12 / 0 / 8

HEX #3CCEEB

RGB 60 206 235

HSL 189.94, 0.81%, 0.58%

LAB 76.74, -28.42, -25.27

 

CMYK 74 / 32 / 0 / 8

HEX #3C9FEB

RGB 60 159 235

HSL 206.06, 0.81%, 0.58%

LAB 63.14, -3.52, -46.39

 

CMYK 74 / 52 / 0 / 8

HEX #3C70EB

RGB 60 112 235

HSL 222.17, 0.81%, 0.58%

LAB 50.15, 24.86, -67.15

 

CMYK 74 / 72 / 0 / 8

HEX #3C41EB

RGB 60 65 235

HSL 238.29, 0.81%, 0.58%

LAB 39.14, 53.4, -85.17

 

CMYK 90 / 39 / 0 / 24

HEX #1376C2

RGB 19 118 194

HSL 206.06, 0.82%, 0.42%

LAB 48.25, 1.91, -47

 

CMYK 90 / 39 / 0 / 9

HEX #168CE7

RGB 22 140 231

HSL 206.12, 0.83%, 0.5%

LAB 56.78, 2.91, -54.31

 

CMYK 74 / 32 / 0 / 8

HEX #3C9FEB

RGB 60 159 235

HSL 206.06, 0.81%, 0.58%

LAB 63.14, -3.52, -46.39

 

CMYK 59 / 26 / 0 / 6

HEX #61B1EF

RGB 97 177 239

HSL 206.2, 0.82%, 0.66%

LAB 69.62, -6.53, -38.32

 

CMYK 44 / 19 / 0 / 5

HEX #87C4F3

RGB 135 196 243

HSL 206.11, 0.82%, 0.74%

LAB 76.74, -7.44, -29.34

 

CMYK 75 / 33 / 0 / 7

HEX #3B9FEC

RGB 59 159 236

HSL 206.1, 0.82%, 0.58%

LAB 63.16, -3.29, -46.9

 

CMYK 27 / 74 / 0 / 8

HEX #AB3CEB

RGB 171 60 235

HSL 278.06, 0.81%, 0.58%

LAB 49.36, 71.13, -68

 

CMYK 3 / 0 / 74 / 8

HEX #E5EB3C

RGB 229 235 60

HSL 62.06, 0.81%, 0.58%

LAB 90.05, -21.52, 77.94

 

CMYK 75 / 33 / 0 / 7

HEX #3B9FEC

RGB 59 159 236

HSL 206.1, 0.82%, 0.58%

LAB 63.16, -3.29, -46.9

 

CMYK 0 / 74 / 32 / 8

HEX #EB3C9F

RGB 235 60 159

HSL 326.06, 0.81%, 0.58%

LAB 55.48, 73.15, -13.89

 

CMYK 32 / 0 / 74 / 8

HEX #9FEB3C

RGB 159 235 60

HSL 86.06, 0.81%, 0.58%

LAB 85.56, -48.58, 72.12

 

CMYK 75 / 33 / 0 / 7

HEX #3B9FEC

RGB 59 159 236

HSL 206.1, 0.82%, 0.58%

LAB 63.16, -3.29, -46.9

 

CMYK 27 / 74 / 0 / 8

HEX #AB3CEB

RGB 171 60 235

HSL 278.06, 0.81%, 0.58%

LAB 49.36, 71.13, -68

 

CMYK 0 / 42 / 74 / 8

HEX #EB883C

RGB 235 136 60

HSL 26.06, 0.81%, 0.58%

LAB 66.21, 32.08, 55.16

 

CMYK 47 / 0 / 74 / 8

HEX #7CEB3C

RGB 124 235 60

HSL 98.06, 0.81%, 0.58%

LAB 83.98, -59.93, 70.04

 

CMYK 75 / 33 / 0 / 7

HEX #3B9FEC

RGB 59 159 236

HSL 206.1, 0.82%, 0.58%

LAB 63.16, -3.29, -46.9

 

CMYK 5 / 74 / 0 / 8

HEX #E03CEB

RGB 224 60 235

HSL 296.23, 0.81%, 0.58%

LAB 57.15, 81.07, -55.05

 

CMYK 0 / 42 / 74 / 8

HEX #EB883C

RGB 235 136 60

HSL 26.06, 0.81%, 0.58%

LAB 66.21, 32.08, 55.16

 

CMYK 70 / 0 / 74 / 8

HEX #47EB3C

RGB 71 235 60

HSL 116.23, 0.81%, 0.58%

LAB 82.42, -72.38, 67.99

 

Description

Color code: HEX #3B9FEC | qconv.com Color code: HEX #3B9FEC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 159 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 159 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 33 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 33% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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