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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B9DD2 it is the complementary color #C4622D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B9DD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B9DD2 shade: #409DCD, #51AFE0, #62C1F3, #73D3FF and #84E5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B9DD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B9DD2 shade: #3B9DD2, #2A8BBF, #1979AC, #086799 and #005586

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B9DD2 shade: #3B9DD2, #3B74D2, #3B4CD2, #533BD2 and #7C3BD2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B9DD2 shade: #3B9DD2, #3B74D2, #3B4CD2 and #3B3BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B9DD2 shade matches the following richer shades: #3B9DD2, #28A3E6 and #14A9F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B9DD2 shade: #3B9DD2, #4F97BF, #6292AB, #758C98 and #898685

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B9DD2 shade: #3BD2B6, #3BC6D2, #3B9DD2, #3B75D2 and #3B4DD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B9DD2 shade: #226F99, #2A88BA, #3B9DD2, #5DAEDA and #7EBFE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B9DD2 shade: #3B9DD2, #8E3BD2 and #D2CB3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B9DD2 shade: #3B9DD2, #D23B9D and #9DD23B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B9DD2 shade: #3B9DD2, #8E3BD2, #D2703B and #7FD23B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B9DD2 shade: #3B9DD2, #BC3BD2, #D2703B and #52D23B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 25 / 0 / 18

HEX #3B9DD2

RGB 59 157 210

HSL 201.06, 0.63%, 0.53%

LAB 61.39, -11.13, -35.28

 

Complementary color

CMYK 0 / 50 / 77 / 23

HEX #C4622D

RGB 196 98 45

HSL 21.06, 0.63%, 0.47%

LAB 52.58, 35.54, 46.54

Pantone® 7583 C

CMYK 69 / 23 / 0 / 20

HEX #409DCD

RGB 64 157 205

HSL 200.43, 0.59%, 0.53%

LAB 61.32, -12.09, -32.59

 

CMYK 64 / 22 / 0 / 12

HEX #51AFE0

RGB 81 175 224

HSL 200.56, 0.7%, 0.6%

LAB 67.87, -13.01, -32.91

 

CMYK 60 / 21 / 0 / 5

HEX #62C1F3

RGB 98 193 243

HSL 200.69, 0.86%, 0.67%

LAB 74.32, -13.74, -33.2

 

CMYK 55 / 17 / 0 / 0

HEX #73D3FF

RGB 115 211 255

HSL 198.86, 1%, 0.73%

LAB 80.43, -16.35, -30.16

 

CMYK 48 / 10 / 0 / 0

HEX #84E5FF

RGB 132 229 255

HSL 192.68, 1%, 0.76%

LAB 86.09, -21.91, -21.48

 

CMYK 72 / 25 / 0 / 18

HEX #3B9DD2

RGB 59 157 210

HSL 201.06, 0.63%, 0.53%

LAB 61.39, -11.13, -35.28

 

CMYK 78 / 27 / 0 / 25

HEX #2A8BBF

RGB 42 139 191

HSL 200.94, 0.64%, 0.46%

LAB 54.78, -9.74, -34.93

 

CMYK 85 / 30 / 0 / 33

HEX #1979AC

RGB 25 121 172

HSL 200.82, 0.75%, 0.39%

LAB 48.08, -7.93, -34.53

 

CMYK 95 / 33 / 0 / 40

HEX #086799

RGB 8 103 153

HSL 200.69, 0.9%, 0.32%

LAB 41.3, -5.55, -34.04

 

CMYK 100 / 37 / 0 / 47

HEX #005586

RGB 0 85 134

HSL 201.94, 1%, 0.26%

LAB 34.43, -2.44, -33.43

 

CMYK 72 / 25 / 0 / 18

HEX #3B9DD2

RGB 59 157 210

HSL 201.06, 0.63%, 0.53%

LAB 61.39, -11.13, -35.28

 

CMYK 72 / 45 / 0 / 18

HEX #3B74D2

RGB 59 116 210

HSL 217.35, 0.63%, 0.53%

LAB 49.59, 13.11, -53.95

 

CMYK 72 / 64 / 0 / 18

HEX #3B4CD2

RGB 59 76 210

HSL 233.25, 0.63%, 0.53%

LAB 39.16, 38.44, -70.85

 

CMYK 60 / 72 / 0 / 18

HEX #533BD2

RGB 83 59 210

HSL 249.54, 0.63%, 0.53%

LAB 37.15, 51.3, -74.08

 

CMYK 41 / 72 / 0 / 18

HEX #7C3BD2

RGB 124 59 210

HSL 265.83, 0.63%, 0.53%

LAB 41.32, 57.62, -67.09

 

CMYK 72 / 25 / 0 / 18

HEX #3B9DD2

RGB 59 157 210

HSL 201.06, 0.63%, 0.53%

LAB 61.39, -11.13, -35.28

 

CMYK 72 / 45 / 0 / 18

HEX #3B74D2

RGB 59 116 210

HSL 217.35, 0.63%, 0.53%

LAB 49.59, 13.11, -53.95

 

CMYK 72 / 64 / 0 / 18

HEX #3B4CD2

RGB 59 76 210

HSL 233.25, 0.63%, 0.53%

LAB 39.16, 38.44, -70.85

 

CMYK 72 / 72 / 0 / 18

HEX #3B3BD2

RGB 59 59 210

HSL 240, 0.63%, 0.53%

LAB 35.42, 48.56, -76.99

 

CMYK 72 / 25 / 0 / 18

HEX #3B9DD2

RGB 59 157 210

HSL 201.06, 0.63%, 0.53%

LAB 61.39, -11.13, -35.28

 

CMYK 83 / 29 / 0 / 10

HEX #28A3E6

RGB 40 163 230

HSL 201.16, 0.79%, 0.53%

LAB 63.64, -9.57, -42.88

 

CMYK 92 / 32 / 0 / 2

HEX #14A9F9

RGB 20 169 249

HSL 200.96, 0.95%, 0.53%

LAB 66.03, -7.29, -49.53

 

CMYK 72 / 25 / 0 / 18

HEX #3B9DD2

RGB 59 157 210

HSL 201.06, 0.63%, 0.53%

LAB 61.39, -11.13, -35.28

 

CMYK 59 / 21 / 0 / 25

HEX #4F97BF

RGB 79 151 191

HSL 201.43, 0.47%, 0.53%

LAB 59.49, -10.69, -27.53

 

CMYK 43 / 15 / 0 / 33

HEX #6292AB

RGB 98 146 171

HSL 200.55, 0.3%, 0.53%

LAB 58.13, -9.45, -18.21

 

CMYK 23 / 8 / 0 / 40

HEX #758C98

RGB 117 140 152

HSL 200.57, 0.15%, 0.53%

LAB 56.89, -5.4, -9.1

 

CMYK 0 / 2 / 3 / 46

HEX #898685

RGB 137 134 133

HSL 15, 0.02%, 0.53%

LAB 56.15, 0.93, 0.93

 

CMYK 72 / 0 / 13 / 18

HEX #3BD2B6

RGB 59 210 182

HSL 168.87, 0.63%, 0.53%

LAB 76.31, -45.45, 2.6

 

CMYK 72 / 6 / 0 / 18

HEX #3BC6D2

RGB 59 198 210

HSL 184.77, 0.63%, 0.53%

LAB 73.53, -32.25, -16.66

 

CMYK 72 / 25 / 0 / 18

HEX #3B9DD2

RGB 59 157 210

HSL 201.06, 0.63%, 0.53%

LAB 61.39, -11.13, -35.28

 

CMYK 72 / 44 / 0 / 18

HEX #3B75D2

RGB 59 117 210

HSL 216.95, 0.63%, 0.53%

LAB 49.86, 12.49, -53.5

 

CMYK 72 / 63 / 0 / 18

HEX #3B4DD2

RGB 59 77 210

HSL 232.85, 0.63%, 0.53%

LAB 39.4, 37.82, -70.46

 

CMYK 78 / 27 / 0 / 40

HEX #226F99

RGB 34 111 153

HSL 201.18, 0.64%, 0.37%

LAB 44.25, -8.19, -29.38

 

CMYK 77 / 27 / 0 / 27

HEX #2A88BA

RGB 42 136 186

HSL 200.83, 0.63%, 0.45%

LAB 53.65, -9.81, -33.86

 

CMYK 72 / 25 / 0 / 18

HEX #3B9DD2

RGB 59 157 210

HSL 201.06, 0.63%, 0.53%

LAB 61.39, -11.13, -35.28

 

CMYK 57 / 20 / 0 / 15

HEX #5DAEDA

RGB 93 174 218

HSL 201.12, 0.63%, 0.61%

LAB 67.77, -12.14, -29.73

 

CMYK 44 / 15 / 0 / 12

HEX #7EBFE1

RGB 126 191 225

HSL 200.61, 0.62%, 0.69%

LAB 74.28, -11.86, -23.45

 

CMYK 72 / 25 / 0 / 18

HEX #3B9DD2

RGB 59 157 210

HSL 201.06, 0.63%, 0.53%

LAB 61.39, -11.13, -35.28

 

CMYK 32 / 72 / 0 / 18

HEX #8E3BD2

RGB 142 59 210

HSL 272.98, 0.63%, 0.53%

LAB 43.55, 60.87, -63.36

 

CMYK 0 / 3 / 72 / 18

HEX #D2CB3B

RGB 210 203 59

HSL 57.22, 0.63%, 0.53%

LAB 80.03, -13.75, 68.31

 

CMYK 72 / 25 / 0 / 18

HEX #3B9DD2

RGB 59 157 210

HSL 201.06, 0.63%, 0.53%

LAB 61.39, -11.13, -35.28

 

CMYK 0 / 72 / 25 / 18

HEX #D23B9D

RGB 210 59 157

HSL 321.06, 0.63%, 0.53%

LAB 50.99, 66.96, -19.93

 

CMYK 25 / 0 / 72 / 18

HEX #9DD23B

RGB 157 210 59

HSL 81.06, 0.63%, 0.53%

LAB 78.21, -38.59, 65.26

 

CMYK 72 / 25 / 0 / 18

HEX #3B9DD2

RGB 59 157 210

HSL 201.06, 0.63%, 0.53%

LAB 61.39, -11.13, -35.28

 

CMYK 32 / 72 / 0 / 18

HEX #8E3BD2

RGB 142 59 210

HSL 272.98, 0.63%, 0.53%

LAB 43.55, 60.87, -63.36

 

CMYK 0 / 47 / 72 / 18

HEX #D2703B

RGB 210 112 59

HSL 21.06, 0.63%, 0.53%

LAB 57.66, 34.49, 45.63

 

CMYK 40 / 0 / 72 / 18

HEX #7FD23B

RGB 127 210 59

HSL 92.98, 0.63%, 0.53%

LAB 76.63, -49.32, 63.16

 

CMYK 72 / 25 / 0 / 18

HEX #3B9DD2

RGB 59 157 210

HSL 201.06, 0.63%, 0.53%

LAB 61.39, -11.13, -35.28

 

CMYK 10 / 72 / 0 / 18

HEX #BC3BD2

RGB 188 59 210

HSL 291.26, 0.63%, 0.53%

LAB 50.06, 69.95, -52.53

 

CMYK 0 / 47 / 72 / 18

HEX #D2703B

RGB 210 112 59

HSL 21.06, 0.63%, 0.53%

LAB 57.66, 34.49, 45.63

 

CMYK 61 / 0 / 72 / 18

HEX #52D23B

RGB 82 210 59

HSL 110.86, 0.63%, 0.53%

LAB 74.95, -62.08, 60.92

 

Description

Color code: HEX #3B9DD2 | qconv.com Color code: HEX #3B9DD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 157 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 157 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 25 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 25% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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