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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B862D it is the complementary color #C479D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B862D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B862D shade: #408628, #51983B, #62AA4E, #73BC61 and #84CE74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B862D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B862D shade: #3B862D, #2A741A, #196207, #085000 and #003E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B862D shade: #3B862D, #53862D, #6B862D, #83862D and #86712D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B862D shade: #3B862D, #2D8637, #2D864F, #2D8667 and #2D867F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B862D shade matches the following richer shades: #3B862D, #31941E, #27A310 and #1DB101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B862D shade: #3B862D, #45773B, #4E694A, #585B58 and #624C66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B862D shade: #6B862D, #53862D, #3C862D, #2D8636 and #2D864D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B862D shade: #204818, #2D6722, #3B862D, #48A537 and #58C144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B862D shade: #3B862D, #2D8386 and #862D5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B862D shade: #3B862D, #2D3C86 and #862D3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B862D shade: #3B862D, #2D8386, #772D86 and #86302D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B862D shade: #3B862D, #2D6886, #772D86 and #864A2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 66 / 47

HEX #3B862D

RGB 59 134 45

HSL 110.56, 0.5%, 0.35%

LAB 49.7, -41, 39.7

 

Complementary color

CMYK 7 / 42 / 0 / 18

HEX #C479D2

RGB 196 121 210

HSL 290.56, 0.5%, 0.65%

LAB 61.71, 43.56, -34.08

 

CMYK 52 / 0 / 70 / 47

HEX #408628

RGB 64 134 40

HSL 104.68, 0.54%, 0.34%

LAB 49.85, -40.01, 42.12

 

CMYK 47 / 0 / 61 / 40

HEX #51983B

RGB 81 152 59

HSL 105.81, 0.44%, 0.41%

LAB 56.61, -40.31, 41.21

 

CMYK 42 / 0 / 54 / 33

HEX #62AA4E

RGB 98 170 78

HSL 106.96, 0.37%, 0.49%

LAB 63.26, -40.38, 40.05

 

CMYK 39 / 0 / 48 / 26

HEX #73BC61

RGB 115 188 97

HSL 108.13, 0.4%, 0.56%

LAB 69.81, -40.32, 38.81

 

CMYK 36 / 0 / 44 / 19

HEX #84CE74

RGB 132 206 116

HSL 109.33, 0.48%, 0.63%

LAB 76.26, -40.18, 37.58

 

CMYK 56 / 0 / 66 / 47

HEX #3B862D

RGB 59 134 45

HSL 110.56, 0.5%, 0.35%

LAB 49.7, -41, 39.7

 

CMYK 64 / 0 / 78 / 55

HEX #2A741A

RGB 42 116 26

HSL 109.33, 0.63%, 0.28%

LAB 42.85, -40.29, 40.34

 

CMYK 74 / 0 / 93 / 62

HEX #196207

RGB 25 98 7

HSL 108.13, 0.87%, 0.21%

LAB 35.9, -38.81, 39.73

 

CMYK 90 / 0 / 100 / 69

HEX #085000

RGB 8 80 0

HSL 114, 1%, 0.16%

LAB 28.87, -35.96, 36.04

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 56 / 0 / 66 / 47

HEX #3B862D

RGB 59 134 45

HSL 110.56, 0.5%, 0.35%

LAB 49.7, -41, 39.7

 

CMYK 38 / 0 / 66 / 47

HEX #53862D

RGB 83 134 45

HSL 94.38, 0.5%, 0.35%

LAB 50.78, -33.12, 41.19

 

CMYK 20 / 0 / 66 / 47

HEX #6B862D

RGB 107 134 45

HSL 78.2, 0.5%, 0.35%

LAB 52.25, -23.6, 43.2

 

CMYK 2 / 0 / 66 / 47

HEX #83862D

RGB 131 134 45

HSL 62.02, 0.5%, 0.35%

LAB 54.1, -13.11, 45.72

 

CMYK 0 / 16 / 66 / 47

HEX #86712D

RGB 134 113 45

HSL 45.84, 0.5%, 0.35%

LAB 48.35, -0.07, 39.69

 

CMYK 56 / 0 / 66 / 47

HEX #3B862D

RGB 59 134 45

HSL 110.56, 0.5%, 0.35%

LAB 49.7, -41, 39.7

 

CMYK 66 / 0 / 59 / 47

HEX #2D8637

RGB 45 134 55

HSL 126.74, 0.5%, 0.35%

LAB 49.36, -43.35, 34.42

 

CMYK 66 / 0 / 41 / 47

HEX #2D864F

RGB 45 134 79

HSL 142.92, 0.5%, 0.35%

LAB 49.7, -39.41, 22.08

 

CMYK 66 / 0 / 23 / 47

HEX #2D8667

RGB 45 134 103

HSL 159.1, 0.5%, 0.35%

LAB 50.2, -34.13, 9.08

 

CMYK 66 / 0 / 5 / 47

HEX #2D867F

RGB 45 134 127

HSL 175.28, 0.5%, 0.35%

LAB 50.85, -27.67, -3.96

 

CMYK 56 / 0 / 66 / 47

HEX #3B862D

RGB 59 134 45

HSL 110.56, 0.5%, 0.35%

LAB 49.7, -41, 39.7

 

CMYK 67 / 0 / 80 / 42

HEX #31941E

RGB 49 148 30

HSL 110.34, 0.66%, 0.35%

LAB 53.95, -50.04, 49.84

 

CMYK 76 / 0 / 90 / 36

HEX #27A310

RGB 39 163 16

HSL 110.61, 0.82%, 0.35%

LAB 58.66, -57.58, 57.6

 

CMYK 84 / 0 / 99 / 31

HEX #1DB101

RGB 29 177 1

HSL 110.45, 0.99%, 0.35%

LAB 63.1, -63.53, 63.39

 

CMYK 56 / 0 / 66 / 47

HEX #3B862D

RGB 59 134 45

HSL 110.56, 0.5%, 0.35%

LAB 49.7, -41, 39.7

 

CMYK 42 / 0 / 50 / 53

HEX #45773B

RGB 69 119 59

HSL 110, 0.34%, 0.35%

LAB 45.32, -29.55, 27.68

 

CMYK 26 / 0 / 30 / 59

HEX #4E694A

RGB 78 105 74

HSL 112.26, 0.17%, 0.35%

LAB 41.56, -16.64, 14.3

 

CMYK 3 / 0 / 3 / 64

HEX #585B58

RGB 88 91 88

HSL 120, 0.02%, 0.35%

LAB 38.31, -1.82, 1.31

 

CMYK 4 / 25 / 0 / 60

HEX #624C66

RGB 98 76 102

HSL 290.77, 0.15%, 0.35%

LAB 35.45, 14.43, -11.58

 

CMYK 20 / 0 / 66 / 47

HEX #6B862D

RGB 107 134 45

HSL 78.2, 0.5%, 0.35%

LAB 52.25, -23.6, 43.2

 

CMYK 38 / 0 / 66 / 47

HEX #53862D

RGB 83 134 45

HSL 94.38, 0.5%, 0.35%

LAB 50.78, -33.12, 41.19

 

CMYK 55 / 0 / 66 / 47

HEX #3C862D

RGB 60 134 45

HSL 109.89, 0.5%, 0.35%

LAB 49.74, -40.71, 39.76

 

CMYK 66 / 0 / 60 / 47

HEX #2D8636

RGB 45 134 54

HSL 126.07, 0.5%, 0.35%

LAB 49.34, -43.48, 34.9

 

CMYK 66 / 0 / 43 / 47

HEX #2D864D

RGB 45 134 77

HSL 141.57, 0.5%, 0.35%

LAB 49.67, -39.79, 23.15

 

CMYK 56 / 0 / 67 / 72

HEX #204818

RGB 32 72 24

HSL 110, 0.5%, 0.19%

LAB 26.76, -24.93, 24.04

 

CMYK 56 / 0 / 67 / 60

HEX #2D6722

RGB 45 103 34

HSL 110.43, 0.5%, 0.27%

LAB 38.51, -33.43, 32.33

 

CMYK 56 / 0 / 66 / 47

HEX #3B862D

RGB 59 134 45

HSL 110.56, 0.5%, 0.35%

LAB 49.7, -41, 39.7

 

CMYK 56 / 0 / 67 / 35

HEX #48A537

RGB 72 165 55

HSL 110.73, 0.5%, 0.43%

LAB 60.39, -48.59, 47.11

 

CMYK 54 / 0 / 65 / 24

HEX #58C144

RGB 88 193 68

HSL 110.4, 0.5%, 0.51%

LAB 69.92, -53.7, 52.14

 

CMYK 56 / 0 / 66 / 47

HEX #3B862D

RGB 59 134 45

HSL 110.56, 0.5%, 0.35%

LAB 49.7, -41, 39.7

 

CMYK 66 / 2 / 0 / 47

HEX #2D8386

RGB 45 131 134

HSL 182.02, 0.5%, 0.35%

LAB 50.11, -24.07, -9.16

 

CMYK 0 / 66 / 29 / 47

HEX #862D5F

RGB 134 45 95

HSL 326.29, 0.5%, 0.35%

LAB 33.5, 43.15, -9.6

 

CMYK 56 / 0 / 66 / 47

HEX #3B862D

RGB 59 134 45

HSL 110.56, 0.5%, 0.35%

LAB 49.7, -41, 39.7

 

CMYK 66 / 55 / 0 / 47

HEX #2D3C86

RGB 45 60 134

HSL 229.89, 0.5%, 0.35%

LAB 28.14, 19.32, -43.43

 

CMYK 0 / 66 / 55 / 47

HEX #862D3C

RGB 134 45 60

HSL 349.89, 0.5%, 0.35%

LAB 32.42, 39.22, 11.53

 

CMYK 56 / 0 / 66 / 47

HEX #3B862D

RGB 59 134 45

HSL 110.56, 0.5%, 0.35%

LAB 49.7, -41, 39.7

 

CMYK 66 / 2 / 0 / 47

HEX #2D8386

RGB 45 131 134

HSL 182.02, 0.5%, 0.35%

LAB 50.11, -24.07, -9.16

 

CMYK 11 / 66 / 0 / 47

HEX #772D86

RGB 119 45 134

HSL 289.89, 0.5%, 0.35%

LAB 32.96, 45.57, -35.26

 

CMYK 0 / 64 / 66 / 47

HEX #86302D

RGB 134 48 45

HSL 2.02, 0.5%, 0.35%

LAB 32.64, 36.66, 21.46

 

CMYK 56 / 0 / 66 / 47

HEX #3B862D

RGB 59 134 45

HSL 110.56, 0.5%, 0.35%

LAB 49.7, -41, 39.7

 

CMYK 66 / 22 / 0 / 47

HEX #2D6886

RGB 45 104 134

HSL 200.22, 0.5%, 0.35%

LAB 41.5, -9.19, -22.28

 

CMYK 11 / 66 / 0 / 47

HEX #772D86

RGB 119 45 134

HSL 289.89, 0.5%, 0.35%

LAB 32.96, 45.57, -35.26

 

CMYK 0 / 45 / 66 / 47

HEX #864A2D

RGB 134 74 45

HSL 19.55, 0.5%, 0.35%

LAB 38.12, 22.7, 28.12

 

Description

Color code: HEX #3B862D | qconv.com Color code: HEX #3B862D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 134 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 134 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 66 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 66% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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