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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B7DF9CE it is the complementary color #C48206CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B7DF9CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B7DF9CE shade: #407DF4CE, #518FFFCE, #62A1FFCE, #73B3FFCE and #84C5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B7DF9CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B7DF9CE shade: #3B7DF9CE, #2A6BE6CE, #1959D3CE, #0847C0CE and #0035ADCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B7DF9CE shade: #397CF9, #3948F9, #5E39F9, #9239F9 and #C539F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B7DF9CE shade: #397CF9, #3948F9 and #3939F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B7DF9CE shade matches the following richer shades: #397CF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B7DF9CE shade: #397CF9, #4A81E8, #5A86D8, #6B8BC7 and #7B90B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B7DF9CE shade: #39E3F9, #39AFF9, #397CF9, #3949F9 and #5C39F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B7DF9CE shade: #0750D9, #1161F8, #397CF9, #6196FA and #89B1FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B7DF9CE shade: #3B7DF9, #DC39F9 and #C9F939

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B7DF9CE shade: #3B7DF9, #F9397C and #7CF939

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B7DF9CE shade: #3B7DF9, #DC39F9, #F9B639 and #56F939

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B7DF9CE shade: #3B7DF9, #F939DC, #F9B639 and #39F956

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 40 / 0 / 2

HEX #3B7DF9CE

RGBA 59 125 249 0.81

HSLA 219.16, 0.94%, 0.6%, 0.81

LABA 54.49, 21.73, -67.94, 0.81

 

Complementary color

CMYK 0 / 27 / 79 / 19

HEX #C48206CE

RGBA 196 130 6 0.81

HSLA 39.16, 0.94%, 0.4%, 0.81

LABA 59.63, 17.37, 64.47, 0.81

 

CMYK 60 / 40 / 0 / 3

HEX #407DF4CE

RGBA 64 125 244 0.81

HSLA 219.67, 0.89%, 0.6%, 0.81

LABA 54.33, 20.49, -65.41, 0.81

 

CMYK 55 / 36 / 0 / 0

HEX #518FFFCE

RGBA 81 143 255 0.81

HSLA 218.62, 1%, 0.66%, 0.81

LABA 60.44, 15.67, -61.63, 0.81

 

CMYK 50 / 30 / 0 / 0

HEX #62A1FFCE

RGBA 98 161 255 0.81

HSLA 215.92, 1%, 0.69%, 0.81

LABA 65.99, 7.81, -52.75, 0.81

 

CMYK 44 / 24 / 0 / 0

HEX #73B3FFCE

RGBA 115 179 255 0.81

HSLA 212.57, 1%, 0.73%, 0.81

LABA 71.63, 0.83, -43.81, 0.81

 

CMYK 39 / 18 / 0 / 0

HEX #84C5FFCE

RGBA 132 197 255 0.81

HSLA 208.29, 1%, 0.76%, 0.81

LABA 77.32, -5.35, -34.9, 0.81

 

CMYK 62 / 40 / 0 / 2

HEX #3B7DF9CE

RGBA 59 125 249 0.81

HSLA 219.16, 0.94%, 0.6%, 0.81

LABA 54.49, 21.73, -67.94, 0.81

 

CMYK 66 / 43 / 0 / 8

HEX #2A6BE6CE

RGBA 42 107 230 0.81

HSLA 219.26, 0.79%, 0.53%, 0.81

LABA 47.91, 24.37, -68.01, 0.81

 

CMYK 71 / 47 / 0 / 14

HEX #1959D3CE

RGBA 25 89 211 0.81

HSLA 219.35, 0.79%, 0.46%, 0.81

LABA 41.3, 27.53, -67.97, 0.81

 

CMYK 78 / 51 / 0 / 20

HEX #0847C0CE

RGBA 8 71 192 0.81

HSLA 219.46, 0.92%, 0.39%, 0.81

LABA 34.73, 31.25, -67.71, 0.81

 

CMYK 81 / 56 / 0 / 26

HEX #0035ADCE

RGBA 0 53 173 0.81

HSLA 221.62, 1%, 0.34%, 0.81

LABA 28.28, 35.46, -67.06, 0.81

 

CMYK 77 / 50 / 0 / 2

HEX #397CF9

RGB 57 124 249

HSL 219.06, 0.94%, 0.6%

LAB 54.16, 22.14, -68.47

 

CMYK 77 / 71 / 0 / 2

HEX #3948F9

RGB 57 72 249

HSL 235.31, 0.94%, 0.6%

LAB 41.76, 53.81, -88.73

 

CMYK 62 / 77 / 0 / 2

HEX #5E39F9

RGB 94 57 249

HSL 251.56, 0.94%, 0.6%

LAB 41.45, 64.77, -89.17

 

CMYK 41 / 77 / 0 / 2

HEX #9239F9

RGB 146 57 249

HSL 267.81, 0.94%, 0.6%

LAB 46.81, 71.26, -80.15

 

CMYK 21 / 77 / 0 / 2

HEX #C539F9

RGB 197 57 249

HSL 283.75, 0.94%, 0.6%

LAB 53.64, 79.42, -68.74

 

CMYK 77 / 50 / 0 / 2

HEX #397CF9

RGB 57 124 249

HSL 219.06, 0.94%, 0.6%

LAB 54.16, 22.14, -68.47

 

CMYK 77 / 71 / 0 / 2

HEX #3948F9

RGB 57 72 249

HSL 235.31, 0.94%, 0.6%

LAB 41.76, 53.81, -88.73

 

CMYK 77 / 77 / 0 / 2

HEX #3939F9

RGB 57 57 249

HSL 240, 0.94%, 0.6%

LAB 38.96, 61.73, -93.36

 

CMYK 77 / 50 / 0 / 2

HEX #397CF9

RGB 57 124 249

HSL 219.06, 0.94%, 0.6%

LAB 54.16, 22.14, -68.47

 

CMYK 77 / 50 / 0 / 2

HEX #397CF9

RGB 57 124 249

HSL 219.06, 0.94%, 0.6%

LAB 54.16, 22.14, -68.47

 

CMYK 68 / 44 / 0 / 9

HEX #4A81E8

RGB 74 129 232

HSL 219.11, 0.77%, 0.6%

LAB 55.05, 15.11, -57.55

 

CMYK 58 / 38 / 0 / 15

HEX #5A86D8

RGB 90 134 216

HSL 219.05, 0.62%, 0.6%

LAB 56.27, 9.43, -46.61

 

CMYK 46 / 30 / 0 / 22

HEX #6B8BC7

RGB 107 139 199

HSL 219.13, 0.45%, 0.6%

LAB 57.77, 4.97, -34.61

 

CMYK 33 / 21 / 0 / 28

HEX #7B90B7

RGB 123 144 183

HSL 219, 0.29%, 0.6%

LAB 59.5, 1.97, -22.79

 

CMYK 77 / 9 / 0 / 2

HEX #39E3F9

RGB 57 227 249

HSL 186.88, 0.94%, 0.6%

LAB 83.26, -34.54, -22.8

 

CMYK 77 / 30 / 0 / 2

HEX #39AFF9

RGB 57 175 249

HSL 203.13, 0.94%, 0.6%

LAB 68.29, -7.99, -45.93

 

CMYK 77 / 50 / 0 / 2

HEX #397CF9

RGB 57 124 249

HSL 219.06, 0.94%, 0.6%

LAB 54.16, 22.14, -68.47

 

CMYK 77 / 71 / 0 / 2

HEX #3949F9

RGB 57 73 249

HSL 235, 0.94%, 0.6%

LAB 41.96, 53.25, -88.4

 

CMYK 63 / 77 / 0 / 2

HEX #5C39F9

RGB 92 57 249

HSL 250.94, 0.94%, 0.6%

LAB 41.28, 64.57, -89.45

 

CMYK 97 / 63 / 0 / 15

HEX #0750D9

RGB 7 80 217

HSL 219.14, 0.94%, 0.44%

LAB 39.23, 35, -74.82

 

CMYK 93 / 61 / 0 / 3

HEX #1161F8

RGB 17 97 248

HSL 219.22, 0.94%, 0.52%

LAB 46.24, 36.14, -80.84

 

CMYK 77 / 50 / 0 / 2

HEX #397CF9

RGB 57 124 249

HSL 219.06, 0.94%, 0.6%

LAB 54.16, 22.14, -68.47

 

CMYK 61 / 40 / 0 / 2

HEX #6196FA

RGB 97 150 250

HSL 219.22, 0.94%, 0.68%

LAB 62.72, 12.42, -55.2

 

CMYK 45 / 29 / 0 / 2

HEX #89B1FB

RGB 137 177 251

HSL 218.95, 0.93%, 0.76%

LAB 72.05, 5.67, -40.91

 

CMYK 76 / 50 / 0 / 2

HEX #3B7DF9

RGB 59 125 249

HSL 219.16, 0.94%, 0.6%

LAB 54.49, 21.73, -67.94

 

CMYK 12 / 77 / 0 / 2

HEX #DC39F9

RGB 220 57 249

HSL 290.94, 0.94%, 0.6%

LAB 57.06, 83.48, -63.05

 

CMYK 19 / 0 / 77 / 2

HEX #C9F939

RGB 201 249 57

HSL 75, 0.94%, 0.6%

LAB 91.89, -39.25, 79.81

 

CMYK 76 / 50 / 0 / 2

HEX #3B7DF9

RGB 59 125 249

HSL 219.16, 0.94%, 0.6%

LAB 54.49, 21.73, -67.94

 

CMYK 0 / 77 / 50 / 2

HEX #F9397C

RGB 249 57 124

HSL 339.06, 0.94%, 0.6%

LAB 56.61, 74.33, 8.77

 

CMYK 50 / 0 / 77 / 2

HEX #7CF939

RGB 124 249 57

HSL 99.06, 0.94%, 0.6%

LAB 88.13, -65.21, 74.95

 

CMYK 76 / 50 / 0 / 2

HEX #3B7DF9

RGB 59 125 249

HSL 219.16, 0.94%, 0.6%

LAB 54.49, 21.73, -67.94

 

CMYK 12 / 77 / 0 / 2

HEX #DC39F9

RGB 220 57 249

HSL 290.94, 0.94%, 0.6%

LAB 57.06, 83.48, -63.05

 

CMYK 0 / 27 / 77 / 2

HEX #F9B639

RGB 249 182 57

HSL 39.06, 0.94%, 0.6%

LAB 78.4, 13.6, 68.79

 

CMYK 65 / 0 / 77 / 2

HEX #56F939

RGB 86 249 57

HSL 110.94, 0.94%, 0.6%

LAB 87.01, -74.21, 73.49

 

CMYK 76 / 50 / 0 / 2

HEX #3B7DF9

RGB 59 125 249

HSL 219.16, 0.94%, 0.6%

LAB 54.49, 21.73, -67.94

 

CMYK 0 / 77 / 12 / 2

HEX #F939DC

RGB 249 57 220

HSL 309.06, 0.94%, 0.6%

LAB 60.1, 84.69, -41.69

 

CMYK 0 / 27 / 77 / 2

HEX #F9B639

RGB 249 182 57

HSL 39.06, 0.94%, 0.6%

LAB 78.4, 13.6, 68.79

 

CMYK 77 / 0 / 65 / 2

HEX #39F956

RGB 57 249 86

HSL 129.06, 0.94%, 0.6%

LAB 86.65, -76.57, 62.88

 

Description

Color code: HEX #3B7DF9CE | qconv.com Color code: HEX #3B7DF9CE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 125 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 125 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 40 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 40% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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