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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B7826 it is the complementary color #C487D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B7826. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B7826 shade: #407821, #518A34, #629C47, #73AE5A and #84C06D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B7826. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B7826 shade: #3B7826, #2A6613, #195400, #084200 and #003000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B7826 shade: #3B7826, #517826, #677826, #787326 and #785D26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B7826 shade: #3B7826, #267827, #26783D, #267853 and #26786A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B7826 shade matches the following richer shades: #3B7826, #358519 and #2F920C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B7826 shade: #3B7826, #416B33, #475F40, #4E524C and #544559

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B7826 shade: #687826, #527826, #3C7826, #267826 and #26783C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B7826 shade: #1C3912, #2C591C, #3B7826, #4A9830 and #5AB73A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B7826 shade: #3B7826, #267873 and #78265D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B7826 shade: #3B7826, #263C78 and #78263C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B7826 shade: #3B7826, #267873, #622678 and #78262B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B7826 shade: #3B7826, #266578, #622678 and #783926

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 68 / 53

HEX #3B7826

RGB 59 120 38

HSL 104.63, 0.52%, 0.31%

LAB 44.95, -35.9, 37.69

 

Complementary color

CMYK 10 / 38 / 0 / 15

HEX #C487D9

RGB 196 135 217

HSL 284.63, 0.52%, 0.69%

LAB 65.02, 37.42, -32.85

 

CMYK 47 / 0 / 73 / 53

HEX #407821

RGB 64 120 33

HSL 98.62, 0.57%, 0.3%

LAB 45.13, -34.7, 40.13

 

CMYK 41 / 0 / 62 / 46

HEX #518A34

RGB 81 138 52

HSL 99.77, 0.45%, 0.37%

LAB 52.03, -34.96, 39.33

 

CMYK 37 / 0 / 54 / 39

HEX #629C47

RGB 98 156 71

HSL 100.94, 0.37%, 0.45%

LAB 58.82, -35.01, 38.2

 

CMYK 34 / 0 / 48 / 32

HEX #73AE5A

RGB 115 174 90

HSL 102.14, 0.34%, 0.52%

LAB 65.48, -34.95, 36.97

 

CMYK 31 / 0 / 43 / 25

HEX #84C06D

RGB 132 192 109

HSL 103.37, 0.4%, 0.59%

LAB 72.03, -34.82, 35.75

 

CMYK 51 / 0 / 68 / 53

HEX #3B7826

RGB 59 120 38

HSL 104.63, 0.52%, 0.31%

LAB 44.95, -35.9, 37.69

 

CMYK 59 / 0 / 81 / 60

HEX #2A6613

RGB 42 102 19

HSL 103.37, 0.69%, 0.24%

LAB 37.92, -35.29, 38.1

 

CMYK 70 / 0 / 100 / 67

HEX #195400

RGB 25 84 0

HSL 102.14, 1%, 0.16%

LAB 30.75, -34.06, 37.7

 

CMYK 88 / 0 / 100 / 74

HEX #084200

RGB 8 66 0

HSL 112.73, 1%, 0.13%

LAB 23.5, -31.11, 31.16

 

CMYK 100 / 0 / 100 / 81

HEX #003000

RGB 0 48 0

HSL 120, 1%, 0.09%

LAB 16.07, -26.65, 22.67

 

CMYK 51 / 0 / 68 / 53

HEX #3B7826

RGB 59 120 38

HSL 104.63, 0.52%, 0.31%

LAB 44.95, -35.9, 37.69

 

CMYK 33 / 0 / 68 / 53

HEX #517826

RGB 81 120 38

HSL 88.54, 0.52%, 0.31%

LAB 46.07, -27.95, 39.23

 

CMYK 14 / 0 / 68 / 53

HEX #677826

RGB 103 120 38

HSL 72.44, 0.52%, 0.31%

LAB 47.57, -18.65, 41.27

 

CMYK 0 / 4 / 68 / 53

HEX #787326

RGB 120 115 38

HSL 56.34, 0.52%, 0.31%

LAB 47.49, -8.18, 41.63

 

CMYK 0 / 23 / 68 / 53

HEX #785D26

RGB 120 93 38

HSL 40.24, 0.52%, 0.31%

LAB 41.16, 4.54, 34.89

 

CMYK 51 / 0 / 68 / 53

HEX #3B7826

RGB 59 120 38

HSL 104.63, 0.52%, 0.31%

LAB 44.95, -35.9, 37.69

 

CMYK 68 / 0 / 68 / 53

HEX #267827

RGB 38 120 39

HSL 120.73, 0.52%, 0.31%

LAB 44.22, -41.53, 36.23

 

CMYK 68 / 0 / 49 / 53

HEX #26783D

RGB 38 120 61

HSL 136.83, 0.52%, 0.31%

LAB 44.49, -38.4, 25.29

 

CMYK 68 / 0 / 31 / 53

HEX #267853

RGB 38 120 83

HSL 152.93, 0.52%, 0.31%

LAB 44.9, -33.95, 13.29

 

CMYK 68 / 0 / 12 / 53

HEX #26786A

RGB 38 120 106

HSL 169.76, 0.52%, 0.31%

LAB 45.48, -28.03, 0.51

 

CMYK 51 / 0 / 68 / 53

HEX #3B7826

RGB 59 120 38

HSL 104.63, 0.52%, 0.31%

LAB 44.95, -35.9, 37.69

 

CMYK 60 / 0 / 81 / 48

HEX #358519

RGB 53 133 25

HSL 104.44, 0.68%, 0.31%

LAB 49.01, -43.93, 46.79

 

CMYK 68 / 0 / 92 / 43

HEX #2F920C

RGB 47 146 12

HSL 104.33, 0.85%, 0.31%

LAB 53.16, -50.66, 53.7

 

CMYK 51 / 0 / 68 / 53

HEX #3B7826

RGB 59 120 38

HSL 104.63, 0.52%, 0.31%

LAB 44.95, -35.9, 37.69

 

CMYK 39 / 0 / 52 / 58

HEX #416B33

RGB 65 107 51

HSL 105, 0.35%, 0.31%

LAB 41.02, -26.34, 26.69

 

CMYK 25 / 0 / 33 / 63

HEX #475F40

RGB 71 95 64

HSL 106.45, 0.19%, 0.31%

LAB 37.65, -15.7, 14.91

 

CMYK 5 / 0 / 7 / 68

HEX #4E524C

RGB 78 82 76

HSL 100, 0.04%, 0.31%

LAB 34.35, -2.9, 2.96

 

CMYK 6 / 22 / 0 / 65

HEX #544559

RGB 84 69 89

HSL 285, 0.13%, 0.31%

LAB 31.49, 10.58, -9.47

 

CMYK 13 / 0 / 68 / 53

HEX #687826

RGB 104 120 38

HSL 71.71, 0.52%, 0.31%

LAB 47.64, -18.21, 41.37

 

CMYK 32 / 0 / 68 / 53

HEX #527826

RGB 82 120 38

HSL 87.8, 0.52%, 0.31%

LAB 46.13, -27.55, 39.31

 

CMYK 50 / 0 / 68 / 53

HEX #3C7826

RGB 60 120 38

HSL 103.9, 0.52%, 0.31%

LAB 44.99, -35.58, 37.75

 

CMYK 68 / 0 / 68 / 53

HEX #267826

RGB 38 120 38

HSL 120, 0.52%, 0.31%

LAB 44.21, -41.64, 36.68

 

CMYK 68 / 0 / 50 / 53

HEX #26783C

RGB 38 120 60

HSL 136.1, 0.52%, 0.31%

LAB 44.48, -38.57, 25.82

 

CMYK 51 / 0 / 68 / 78

HEX #1C3912

RGB 28 57 18

HSL 104.62, 0.52%, 0.15%

LAB 20.89, -19.81, 20.57

 

CMYK 51 / 0 / 69 / 65

HEX #2C591C

RGB 44 89 28

HSL 104.26, 0.52%, 0.23%

LAB 33.49, -28.22, 29.69

 

CMYK 51 / 0 / 68 / 53

HEX #3B7826

RGB 59 120 38

HSL 104.63, 0.52%, 0.31%

LAB 44.95, -35.9, 37.69

 

CMYK 51 / 0 / 68 / 40

HEX #4A9830

RGB 74 152 48

HSL 105, 0.52%, 0.39%

LAB 56.21, -43.57, 45.61

 

CMYK 51 / 0 / 68 / 28

HEX #5AB73A

RGB 90 183 58

HSL 104.64, 0.52%, 0.47%

LAB 66.78, -50.23, 52.91

 

CMYK 51 / 0 / 68 / 53

HEX #3B7826

RGB 59 120 38

HSL 104.63, 0.52%, 0.31%

LAB 44.95, -35.9, 37.69

 

CMYK 68 / 0 / 4 / 53

HEX #267873

RGB 38 120 115

HSL 176.34, 0.52%, 0.31%

LAB 45.75, -25.4, -4.45

 

CMYK 0 / 68 / 23 / 53

HEX #78265D

RGB 120 38 93

HSL 319.76, 0.52%, 0.31%

LAB 29.84, 41.69, -14.11

 

CMYK 51 / 0 / 68 / 53

HEX #3B7826

RGB 59 120 38

HSL 104.63, 0.52%, 0.31%

LAB 44.95, -35.9, 37.69

 

CMYK 68 / 50 / 0 / 53

HEX #263C78

RGB 38 60 120

HSL 223.9, 0.52%, 0.31%

LAB 26.73, 12.71, -36.95

 

CMYK 0 / 68 / 50 / 53

HEX #78263C

RGB 120 38 60

HSL 343.9, 0.52%, 0.31%

LAB 28.66, 37.54, 5.91

 

CMYK 51 / 0 / 68 / 53

HEX #3B7826

RGB 59 120 38

HSL 104.63, 0.52%, 0.31%

LAB 44.95, -35.9, 37.69

 

CMYK 68 / 0 / 4 / 53

HEX #267873

RGB 38 120 115

HSL 176.34, 0.52%, 0.31%

LAB 45.75, -25.4, -4.45

 

CMYK 18 / 68 / 0 / 53

HEX #622678

RGB 98 38 120

HSL 283.9, 0.52%, 0.31%

LAB 27.68, 40.63, -35.1

 

CMYK 0 / 68 / 64 / 53

HEX #78262B

RGB 120 38 43

HSL 356.34, 0.52%, 0.31%

LAB 28.26, 36.07, 16.65

 

CMYK 51 / 0 / 68 / 53

HEX #3B7826

RGB 59 120 38

HSL 104.63, 0.52%, 0.31%

LAB 44.95, -35.9, 37.69

 

CMYK 68 / 16 / 0 / 53

HEX #266578

RGB 38 101 120

HSL 193.9, 0.52%, 0.31%

LAB 39.71, -13.55, -16.57

 

CMYK 18 / 68 / 0 / 53

HEX #622678

RGB 98 38 120

HSL 283.9, 0.52%, 0.31%

LAB 27.68, 40.63, -35.1

 

CMYK 0 / 53 / 68 / 53

HEX #783926

RGB 120 57 38

HSL 13.9, 0.52%, 0.31%

LAB 31.94, 25.87, 24.39

 

Description

Color code: HEX #3B7826 | qconv.com Color code: HEX #3B7826 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 120 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 120 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 68 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 68% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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