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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B77FB it is the complementary color #C48804. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B77FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B77FB shade: #4077F6, #5189FF, #629BFF, #73ADFF and #84BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B77FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B77FB shade: #3B77FB, #2A65E8, #1953D5, #0841C2 and #002FAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B77FB shade: #3C78FB, #3C44FB, #673CFB, #9B3CFB and #CE3CFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B77FB shade: #3C78FB, #3C44FB and #3C3CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B77FB shade matches the following richer shades: #3C78FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B77FB shade: #3C78FB, #4C7EEB, #5C84DB, #6C8ACB and #7C90BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B77FB shade: #3CDEFB, #3CABFB, #3C79FB, #3C46FB and #653CFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B77FB shade: #0549E0, #145CFA, #3C78FB, #6594FC and #8DB0FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B77FB shade: #3B77FB, #E53CFB and #C5FB3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B77FB shade: #3B77FB, #FB3C79 and #79FB3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B77FB shade: #3B77FB, #E53CFB, #FBBF3C and #52FB3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B77FB shade: #3B77FB, #FB3CD8, #FBBF3C and #3CFB5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 53 / 0 / 2

HEX #3B77FB

RGB 59 119 251

HSL 221.25, 0.96%, 0.61%

LAB 53.05, 26.18, -71.38

 

Complementary color

CMYK 0 / 31 / 98 / 23

HEX #C48804

RGB 196 136 4

HSL 41.25, 0.96%, 0.39%

LAB 61.09, 14.06, 65.8

 

CMYK 74 / 52 / 0 / 4

HEX #4077F6

RGB 64 119 246

HSL 221.87, 0.91%, 0.61%

LAB 52.88, 24.93, -68.86

 

CMYK 68 / 46 / 0 / 0

HEX #5189FF

RGB 81 137 255

HSL 220.69, 1%, 0.66%

LAB 58.85, 19.29, -64.18

 

CMYK 62 / 39 / 0 / 0

HEX #629BFF

RGB 98 155 255

HSL 218.22, 1%, 0.69%

LAB 64.37, 11.3, -55.31

 

CMYK 55 / 32 / 0 / 0

HEX #73ADFF

RGB 115 173 255

HSL 215.14, 1%, 0.73%

LAB 70, 4.2, -46.36

 

CMYK 48 / 25 / 0 / 0

HEX #84BFFF

RGB 132 191 255

HSL 211.22, 1%, 0.76%

LAB 75.69, -2.1, -37.42

 

CMYK 76 / 53 / 0 / 2

HEX #3B77FB

RGB 59 119 251

HSL 221.25, 0.96%, 0.61%

LAB 53.05, 26.18, -71.38

 

CMYK 82 / 56 / 0 / 9

HEX #2A65E8

RGB 42 101 232

HSL 221.37, 0.81%, 0.54%

LAB 46.48, 28.95, -71.46

 

CMYK 88 / 61 / 0 / 16

HEX #1953D5

RGB 25 83 213

HSL 221.49, 0.79%, 0.47%

LAB 39.91, 32.2, -71.39

 

CMYK 96 / 66 / 0 / 24

HEX #0841C2

RGB 8 65 194

HSL 221.61, 0.92%, 0.4%

LAB 33.41, 35.96, -71.06

 

CMYK 100 / 73 / 0 / 31

HEX #002FAF

RGB 0 47 175

HSL 223.89, 1%, 0.34%

LAB 27.1, 40.04, -70.22

 

CMYK 76 / 52 / 0 / 2

HEX #3C78FB

RGB 60 120 251

HSL 221.15, 0.96%, 0.61%

LAB 53.34, 25.67, -70.9

 

CMYK 76 / 73 / 0 / 2

HEX #3C44FB

RGB 60 68 251

HSL 237.49, 0.96%, 0.61%

LAB 41.31, 56.88, -90.59

 

CMYK 59 / 76 / 0 / 2

HEX #673CFB

RGB 103 60 251

HSL 253.51, 0.96%, 0.61%

LAB 42.88, 64.93, -87.89

 

CMYK 38 / 76 / 0 / 2

HEX #9B3CFB

RGB 155 60 251

HSL 269.84, 0.96%, 0.61%

LAB 48.47, 71.92, -78.52

 

CMYK 18 / 76 / 0 / 2

HEX #CE3CFB

RGB 206 60 251

HSL 285.86, 0.96%, 0.61%

LAB 55.4, 80.44, -66.95

 

CMYK 76 / 52 / 0 / 2

HEX #3C78FB

RGB 60 120 251

HSL 221.15, 0.96%, 0.61%

LAB 53.34, 25.67, -70.9

 

CMYK 76 / 73 / 0 / 2

HEX #3C44FB

RGB 60 68 251

HSL 237.49, 0.96%, 0.61%

LAB 41.31, 56.88, -90.59

 

CMYK 76 / 76 / 0 / 2

HEX #3C3CFB

RGB 60 60 251

HSL 240, 0.96%, 0.61%

LAB 39.84, 61.04, -93.01

 

CMYK 76 / 52 / 0 / 2

HEX #3C78FB

RGB 60 120 251

HSL 221.15, 0.96%, 0.61%

LAB 53.34, 25.67, -70.9

 

CMYK 76 / 52 / 0 / 2

HEX #3C78FB

RGB 60 120 251

HSL 221.15, 0.96%, 0.61%

LAB 53.34, 25.67, -70.9

 

CMYK 68 / 46 / 0 / 8

HEX #4C7EEB

RGB 76 126 235

HSL 221.13, 0.8%, 0.61%

LAB 54.51, 18.3, -60.09

 

CMYK 58 / 40 / 0 / 14

HEX #5C84DB

RGB 92 132 219

HSL 221.1, 0.64%, 0.61%

LAB 55.98, 12.02, -48.75

 

CMYK 47 / 32 / 0 / 20

HEX #6C8ACB

RGB 108 138 203

HSL 221.05, 0.48%, 0.61%

LAB 57.73, 6.99, -36.92

 

CMYK 34 / 23 / 0 / 27

HEX #7C90BB

RGB 124 144 187

HSL 220.95, 0.32%, 0.61%

LAB 59.73, 3.31, -24.71

 

CMYK 76 / 12 / 0 / 2

HEX #3CDEFB

RGB 60 222 251

HSL 189.11, 0.96%, 0.61%

LAB 81.93, -31.27, -25.88

 

CMYK 76 / 32 / 0 / 2

HEX #3CABFB

RGB 60 171 251

HSL 205.13, 0.96%, 0.61%

LAB 67.32, -4.74, -48.55

 

CMYK 76 / 52 / 0 / 2

HEX #3C79FB

RGB 60 121 251

HSL 220.84, 0.96%, 0.61%

LAB 53.6, 25.04, -70.48

 

CMYK 76 / 72 / 0 / 2

HEX #3C46FB

RGB 60 70 251

HSL 236.86, 0.96%, 0.61%

LAB 41.7, 55.79, -89.95

 

CMYK 60 / 76 / 0 / 2

HEX #653CFB

RGB 101 60 251

HSL 252.88, 0.96%, 0.61%

LAB 42.71, 64.7, -88.19

 

CMYK 98 / 67 / 0 / 12

HEX #0549E0

RGB 5 73 224

HSL 221.37, 0.96%, 0.45%

LAB 38.16, 42.04, -80.58

 

CMYK 92 / 63 / 0 / 2

HEX #145CFA

RGB 20 92 250

HSL 221.22, 0.96%, 0.53%

LAB 45.23, 40.13, -83.62

 

CMYK 76 / 52 / 0 / 2

HEX #3C78FB

RGB 60 120 251

HSL 221.15, 0.96%, 0.61%

LAB 53.34, 25.67, -70.9

 

CMYK 60 / 41 / 0 / 1

HEX #6594FC

RGB 101 148 252

HSL 221.32, 0.96%, 0.69%

LAB 62.49, 14.98, -56.66

 

CMYK 44 / 30 / 0 / 1

HEX #8DB0FD

RGB 141 176 253

HSL 221.25, 0.97%, 0.77%

LAB 72.1, 7.76, -41.9

 

CMYK 76 / 53 / 0 / 2

HEX #3B77FB

RGB 59 119 251

HSL 221.25, 0.96%, 0.61%

LAB 53.05, 26.18, -71.38

 

CMYK 9 / 76 / 0 / 2

HEX #E53CFB

RGB 229 60 251

HSL 293.09, 0.96%, 0.61%

LAB 58.84, 84.62, -61.23

 

CMYK 22 / 0 / 76 / 2

HEX #C5FB3C

RGB 197 251 60

HSL 76.96, 0.96%, 0.61%

LAB 92.22, -41.53, 79.16

 

CMYK 76 / 53 / 0 / 2

HEX #3B77FB

RGB 59 119 251

HSL 221.25, 0.96%, 0.61%

LAB 53.05, 26.18, -71.38

 

CMYK 0 / 76 / 52 / 2

HEX #FB3C79

RGB 251 60 121

HSL 340.84, 0.96%, 0.61%

LAB 57.19, 73.78, 11.43

 

CMYK 52 / 0 / 76 / 2

HEX #79FB3C

RGB 121 251 60

HSL 100.84, 0.96%, 0.61%

LAB 88.63, -66.57, 74.5

 

CMYK 76 / 53 / 0 / 2

HEX #3B77FB

RGB 59 119 251

HSL 221.25, 0.96%, 0.61%

LAB 53.05, 26.18, -71.38

 

CMYK 9 / 76 / 0 / 2

HEX #E53CFB

RGB 229 60 251

HSL 293.09, 0.96%, 0.61%

LAB 58.84, 84.62, -61.23

 

CMYK 0 / 24 / 76 / 2

HEX #FBBF3C

RGB 251 191 60

HSL 41.15, 0.96%, 0.61%

LAB 80.79, 9.87, 70.03

 

CMYK 67 / 0 / 76 / 2

HEX #52FB3C

RGB 82 251 60

HSL 113.09, 0.96%, 0.61%

LAB 87.54, -75.41, 73.07

 

CMYK 76 / 53 / 0 / 2

HEX #3B77FB

RGB 59 119 251

HSL 221.25, 0.96%, 0.61%

LAB 53.05, 26.18, -71.38

 

CMYK 0 / 76 / 14 / 2

HEX #FB3CD8

RGB 251 60 216

HSL 310.99, 0.96%, 0.61%

LAB 60.51, 83.78, -38.75

 

CMYK 0 / 24 / 76 / 2

HEX #FBBF3C

RGB 251 191 60

HSL 41.15, 0.96%, 0.61%

LAB 80.79, 9.87, 70.03

 

CMYK 76 / 0 / 62 / 2

HEX #3CFB5F

RGB 60 251 95

HSL 130.99, 0.96%, 0.61%

LAB 87.38, -75.88, 60.06

 

Description

Color code: HEX #3B77FB | qconv.com Color code: HEX #3B77FB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 119 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 119 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 53 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 53% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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